51 International Film Festival of India, 2020
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Daily Current Affairs MCQ's with Explanation
Daily Current Affairs Android APP MCQ’s with Explanation 5th June 2020 Telegram: @ambitiousbaba Q.1. Name the scheme launched by government to provide jobs to returning Indians from abroad. विदेश से आए भारतीयⴂ को नौकरी देने के लिए सरकार 饍िारा श셂ु की गई योजना का नाम बताइए। (a) Bharosa / भरोसा (b) Hope / होप (c) Samarth / समर्थ (d) Tatpar / तत्पर (e) Swades / स्िदेस Ans.1.(e) Exp. The government has launched a new initiative SWADES (Skilled Workers Arrival Database for Employment Support) to conduct a skill mapping exercise and provide employment opportunities to the returning citizens under the Vande Bharat Mission. This is a joint initiative of the Ministry of Skill Development & Entrepreneurship, the Ministry of Civil Aviation and the Ministry of External Affairs which aims to create a database of qualified citizens based on their skillsets and experience to tap into and fulfil demand of Indian and foreign companies. Q.2. What is the name of the disinfection unit developed by DRDO for PPE Disinfection? PPE कीटाणुशोधन के लिए DRDO 饍िारा विकलसत कीटाणुशोधन इकाई का नाम 啍या है? (a) Corona Swachh / कोरोना स्ि楍छ (b) Ultra Kavach / अल्ट्रा किच (c) PPE Swachh / पीपीई स्ि楍छ (d) Corona Kavach / कोरोना किच (e) Ultra Swachh / अल्ट्रा स्ि楍छ Ans.2.(e) Exp. The Defence Research and Development Organisation (DRDO) on Monday said that it has developed a disinfection unit named ''Ultra Swachh'' to disinfect a wide range of materials, including Personal Protective Equipment (PPEs), electronics items and fabrics. -
Catalogue 2011
Equipo Cines del Sur Director José Sánchez-Montes I Relaciones institucionales Enrique Moratalla I Director de programación Casimiro Torreiro I Asesores de programación Esteve Riambau, Gloria Fernández I Programador cinesdelsur. ext y Extraño Tanto Mar José Luis Chacón I Gerencia Elisabet Rus I Coordinadora de programación, comunicación, difusión Índice y prensa María Vázquez Medina I Departamento de Comunicación Ramón Antequera Rodríguez-Rabadán I Coordinadora de invitados Marichu Sanz de Galdeano I Coordinador Producción Enrique Novi I Departamento Producción Christian Morales, Juan Manuel Ríos I Jefa de prensa Nuria Díaz I Prensa Nuria García Frutos, Neus Molina I Publicaciones Carlos Martín I Catálogo y revista Laura Montero Plata I Gestión de tráfico de copias Reyes Revilla I Protocolo María José Gómez, Manuel 6 Presentación_Welcome Dominguez I Documentación Audiovisual Festival Jorge Rodríguez Puche, Rafael Moya Cuadros I Coordinador de traducción e interpretación Pedro Jesús Castillo I Traducción Pedro Jesús Castillo, Alexia Weninger, Hiroko Inose, Jesús de Manuel Jerez 11 Jurado_Jury I Secretario Jurado Oficial Toni Anguiano I Imagen del cartel Ángel Lozano I Diseño del premio Luis Jarillo I Cabecera LZ Producciones I +Factor Humano Antonio José Millán I Voluntarios José Ángel Martínez I Jefe técnico de proyecciones José Antonio Caballero Soler I Equipo técnico de proyecciones José Antonio Caballero Martín, José Domingo Raya, 19 Programación_Programming José Antonio Caballero Solier I Diseño Catálogo: Ángel Lozano, Juan Gómez, -
Assam - a Study on Bihugeet in Guwahati (GMA), Assam
International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment. -
FROM the DESK of VCMD from the Editor’S Desk
Volume 2, Issue 6 Jan 2017 FROM THE DESK OF VCMD From The Editor’s Desk Dear Friends, Dear All, I wish all of you a very successful 2017. To be successful we The beginning of the calen- must first learn to deal with the failures because success dar year is at its heart a fan- would come only after innumerous failures. I want to leave some thoughts on what are stages of failures and how we tasy of newness and clean can deal with them. slates—of the chance to do things differently and with STAGES OF FAILURE YOU MUST KNOW TO ACHIEVE SUCCESS more attention to pur- pose .Last year has seen a lot Success, this is not just a word, but a feeling. It's an emotion that not everyone gets to taste. Suc- of economic changes and we cess is change, it is coping up with the situation, hope for a more stable and it's art. Success doesn't come easily, it doesn't peaceful year ahead. The come when you fail hundreds of times, but it hap- journey with Nishtha has pens when you decide not to quit, no matter how weaker and tougher the situ- been a wonderful experience ation gets. and we are delighted on re- ceiving various feed- Success comes when you decide not to quit, and rise up to the situation. If you back from our readers re- want to achieve success you must need to have patience to survive the inevita- garding our post and articles. ble. Do enjoy the articles and YOU WILL HAVE TO FACE ENORMOUS PAIN. -
Bollywood Bourgeois Author(S): Rachel Dwyer Source: India International Centre Quarterly, Vol
Bollywood Bourgeois Author(s): Rachel Dwyer Source: India International Centre Quarterly, Vol. 33, No. 3/4, India 60 (WINTER 2006-SPRING 2007), pp. 222-231 Published by: India International Centre Stable URL: http://www.jstor.org/stable/23006084 . Accessed: 07/11/2013 09:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. India International Centre is collaborating with JSTOR to digitize, preserve and extend access to India International Centre Quarterly. http://www.jstor.org This content downloaded from 146.96.128.36 on Thu, 7 Nov 2013 09:20:14 AM All use subject to JSTOR Terms and Conditions INDIA 60 Bollywood Bourgeois cliche of Indian cinema being the domain of the escapist fantasies of the Indian masses can now be safely put to rest. While this may have been true for The the 1980s, when the study of Indian cinema began to grow, the present cinema audiences, who are willing to pay Rs. 200 and upwards for a cinema ticket, are from various sections of the Indian middle classes and elites. These classes now dominate the public sphere in India and film is one of the major media which they are producing and consuming. -
Dhoom Machale Mp4 Video
Dhoom Machale Mp4 Video Download Free Dhoom Machale Dhoom Dhoom 3 [mobmp4.com] From Category : Dhoom 3 Section : Dhoom 3 File Size Download Free HD Video Song Dhoom Machale Dhoom from Dhoom 3 Bollywood Movie File Type : mp4 File Free Download Dhoom Machale Dhoom Full DHOOM 3-.mp4. Thumb_3002. Download :Dhoom Size of file: 8.77 mb. Category: Katrina Kaif Videos Collection 02 Dhoom 3 - Dhoom Machale(DJ Shadow Dubai Remix).mp3 Desilicious 46 - DJ Shadow Dubai Mp4 Video Download, 02 Dhoom 3 - Dhoom Machale(DJ Download Dhoom Video 3gp mp4 Free Video Song - VideoKing.In. Dhoom Machale Dhoom - Full Song - DHOOM3.mp4. Downloads: 35317. Size: 13.95 MB Free Download Dhoom Machale Dhoom - (DHOOM 3).mp4. Mid_121718. [Download File]. Size: (19.44 mb). Downloaded: 7737 Times 10 Aug 2014 Dhoom Machale Dhoom 3 Video song download - songspk - Dhoom Machale video Dhoom Machale video song in MP4,3GP & AVI Format - Free Download Dhoom Machale Dhoom - HD (Dhoom 3).mp4. Thumb_59069. ZERO Launcher-The smallest, fastest, perfect launcher! Download :Dhoom Download Free Dhoom Machale Dhoom Arabic Song (Dhoom 3) (Mp4 HQ) (YoutubeMaza.Com) From Category : Dhoom 3 (2013) Video Songs Section Dhoom Machale Dhoom - Full Song - DHOOM:3. Dhoom Machale - Song - Dhoom video download at mp4, flv, 3gp and audio mp3. HD videosDhoom Machale Free Download Dhoom Machale (English Version V1) (Dhoom) HD.mp4. Download :Dhoom Machale (English Version V1) (Dhoom) HD.mp4. Size of file: 10.99 Tags: Dhoom Machale Dhoom [HD].mp4 Free HD Video Download, Dhoom Machale Dhoom [HD].mp4 Full Video Song Download, Dhoom Machale Dhoom Dhoom Machale Dhoom (Dhoom 3) DVDRip Full Song. -
Aspirational Movie List
SL Title Year Type Rating Ratings 1 3 Idiots 2009 Feature 8.5 155,763 2 Like Stars on Earth 2007 Feature 8.5 71,581 3 Rang De Basanti 2006 Feature 8.4 57,061 4 Gangs of Wasseypur 2012 Feature 8.4 32,853 5 Lagaan: Once Upon a Time in India 2001 Feature 8.2 54,714 6 Mughal-E-Azam 1960 Feature 8.4 3,425 7 A Wednesday 2008 Feature 8.4 30,560 8 Udaan 2010 Feature 8.4 23,017 9 Swades 2004 Feature 8.4 47,326 10 Dil Chahta Hai 2001 Feature 8.3 38,159 11 Pyaasa 1957 Feature 8.4 2,677 12 Black Friday 2004 Feature 8.6 6,126 13 Sholay 1975 Feature 8.6 21,695 14 Anand 1971 Feature 8.9 7,826 15 Special 26 2013 Feature 7.9 22,078 16 Queen 2014 Feature 8.5 28,304 17 Andaz Apna Apna 1994 Feature 8.8 22,766 18 Haider 2014 Feature 8.5 28,728 19 Guru 2007 Feature 7.8 10,337 20 Dev D 2009 Feature 8.1 16,553 21 Paan Singh Tomar 2012 Feature 8.3 16,849 22 Chakde! India 2007 Feature 8.4 34,024 23 Sarfarosh 1999 Feature 8.1 11,870 24 Mother India 1957 Feature 8 3,882 25 Bhaag Milkha Bhaag 2013 Feature 8.4 30,313 26 Barfi! 2012 Feature 8.3 43,308 27 Zindagi Na Milegi Dobara 2011 Feature 8.1 34,374 28 PK 2014 Feature 8.4 55,878 29 Baby 2015 Feature 8.4 20,504 30 My Name Is Khan 2010 Feature 8 56,169 31 The Legend of Bhagat Singh 2002 Feature 8.1 5,481 32 Munna Bhai M.B.B.S. -
Progress & Impact Report 2019
PROGRESS & IMPACT REPORT April 2019 - March 2020 BALIPARA FOUNDATION Assam India Naturenomics™ : Building Rural Futures IN GRATITUDE 2019-20 has been another phenomenal year for Balipara Foundation. As we enter our 2020 vision and as we reflect on the year gone by, we are humbled by the broadened engagement with our local communities in the Eastern Himalayas with the principles of Naturenomics™ and Rural Futures, the journey has been of constantly seeking to explore innovative conservation models towards uplifting socio-economic mobility and creating natural assets in the forest-fringe communities of the Eastern Himalayas. From restoring habitats to guiding the pathway towards shaping sustainable livelihoods, we have collaborated with the best in the field – our community tribes, Adivasi, Assamese, Bengali, Bodo, Bihari, Garo, Mishing, Nepali, Nyishi and Rajbongshi who are the stalwarts of the Foundation’s vision and endeavours. We are extremely proud of the decade of experimentation in various aspects of conservation which has led to the following in 2019-20 - increase in community participation, employment through ecosystem-based services, development of stewardship behavior within the forest-fringe communities and further propagation of indigenous knowledge. Our efforts are brought to fruition with the unstinting support of our Naturenomics™ partners - Assam Investment Advisory Society, Amalgamated Plantations, APPL Foundation, Axis Bank Foundation, Centre for Microfinance & Livelihood, Globally Managed Services, Hemendra Kothari Foundation, -
Page 01 Feb 27.Indd
THURSDAY 27 FEBRUARY 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Indian Indie films: CAMPUS • Qatar Academy Small, but not hosts Emirati Manga author inconsequential P | 4 P | 8-9 SCIENCE • Trying to save a rare poison frog P | 6 BOOKS • I am Malala: The struggle EGYPT’S for education SMART CARDS P | 7 HEALTH • Vegetarian diets may lower FOR BREAD blood pressure P | 11 TECHNOLOGY • BlackBerry, Motorola and Nokia search for lost glory P | 12 A device resembling a credit card swiper is revolutionising some of Learn Arabic Egypt’s politically explosive bread lines • Learn commonly used Arabic words and may help achieve the impossible and their meanings — cutting crippling food import bills. P | 13 2 PLUS | THURSDAY 27 FEBRUARY 2014 COVER STORY The financial miracle for age-old problem of Egypt’s food subsidy By Maggie Fick be bought for dollars on international markets. device resembling a Profiteers exploit the system, and credit card swiper is many people feed bread to their live- revolutionising some of stock because it is cheaper than animal Egypt’s politically explo- feed. sive bread lines and may Yet, one cash-strapped government Ahelp achieve the impossible — cutting after another has resisted attacking crippling food import bills. the problem, fearful that cutting sub- Authorities who hope to avoid pro- sidies could be political suicide. tests over subsidised loaves sold for the President Anwar Sadat triggered equivalent of one US cent have turned riots when he cut the bread subsidy in to smart cards to try to manage the 1977, while President Hosni Mubarak corrupt and wasteful bread supply faced unrest in 2008 when the rising chain that has been untouchable for price of wheat caused shortages. -
MOVIE NAME SONG NAME Naina's Theme (Instrumental) Oye Hichki
MOVIE NAME SONG NAME Vashmalle Thugs Of Hindostan Suraiyya Chaav Laaga Khatar Patar Sui Dhaaga Tu Hi Aham Title Track Sab Badiya Hai Naina's Theme (Instrumental) Oye Hichki Madamji Go Easy Hichki Khol De Par Teri Dastaan Phir Kya Hai Gham Soul of Hichki Tiger Zinda Hai Theme Swag Se Swagat Dil Diyan Gallan Tiger Zinda Hai Zinda Hai Daata Tu Tera Noor Tiger Zinda Hai - Trailer Soundtrack I Am India Hulchul Phir Nayi Junooni Qaidi Band Udanchoo Jag Mag Poshampa Phir Wohi I Am India (Escape) Hum Hain Bank Chor Bank Chor Tashreef Maana ke hum yaar nahin Haareya Ye Jawani Teri Meri Pyari Bindu Iss Tarah Khol De Baahein Afeemi Meri Pyaari Bindu (2017) Labon Ka Karobaar Nashe Si Chadh Gayi Ude Dil Befikre Befikre Je T'aime You And Me Khulke Dulke Love Is A Dare Sultan Trailer Baby Ko Bass Pasand Hai Jag Ghoomeya 440 Volt Sultan Sachi Muchi Bulleya Tuk Tuk Sultan Jag Ghoomeya (Female) Rise of Sultan Baby Nu Bass Pasand Hai - Salman Khan Version Jag Ghoomeya - Salman Khan Version 440 Volt - Salman Khan Version Sultan - Salman Khan Version Sultan Mashup Baby Ko Bass Pasand Hai - Remix Jabra Fan Byapok Fan - Bengali Version Jabardast Fan - Bhojpuri Version Jabro Fan - Gujarati Version Jabraa Fan - Marathi Version Ghaint Fan - Punjabi Version Fan Takkara Fan - Tamil Version Veera Fan - Telugu Version Jabar Fan - Odia Version Jabara Fan - Arabic Version Lokuma Fan - Sinhala Version Fan Theme Jabra Fan Mashup Calcutta Kiss Bach Ke Bakshy Byomkesh In Love Detective Byomkesh Bakshy Jaanam Chase In Chinatown Life's A Bitch Yang Guang Lives Moh Moh Ke -
Page 1 Front-1 Late Front 09.Qxd
y k y cm JUMPING TIME FRAMES VIJAYAN REELS OUT STATS SERIOUS THREAT Actor Shruti Haasan says it was fun to prep Though Covid cases rise in Kerala, CM Vijayan Locust attacks are posing a serious threat for her character, an older woman, in defends state with statistics, saying to food security in parts of East Africa, India and Pak the upcoming film Yaara LEISURE | P2 everything is under control TWO STATES | P7 INTERNATIONAL | P10 VOLUME 10, ISSUE 111 | www.orissapost.com BHUBANESWAR | WEDNESDAY, JULY 22 | 2020 12 PAGES | `4.00 Airborne transmission ‘distinctly possible’: CSIR AGENCIES idence of airborne spread of "In open spaces, the small- emerging evidence of air- the novel coronavirus. sized droplets get dissipated borne spread after an open New Delhi, July 21: Alluding In a blogpost on CSIR's web- in the air very quickly. letter by over 200 scientists to the emerging evidence, site, Mande referred to findings Moreover, emerging evidence outlined evidence that showed Council of Scientific and of various studies and wrote, also suggests that the encap- floating virus particles can Industrial Research (CSIR) "All these emerging evidences sulated virus in such droplets infect people who breathe chief Shekhar C Mande has and arguments suggest that also gets inactivated by sun- them in. For months, the WHO asserted that airborne trans- indeed airborne transmission light. However, the concen- had insisted that Covid-19 is mission of COVID-19 is indeed of SARS-CoV-2 is a distinct tration of virion-encapsulated transmitted via droplets emit- a "distinct possibility" and ad- possibility." The CSIR chief droplets is likely to be higher ted when people cough or vised people to wear masks advised people to avoid large in places that are not well ven- sneeze. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958.