The BG News August 19, 2011
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Language Arts Thematic Textual Analysis
HIP-HOPLANGUAGE ARTS THEMATIC TEXTUAL ANALYSIS Michael Cirelli and Alan Sitomer The Classics The Contemporaries Mark Twain Jay-Z Aristotle Lauryn Hill Frederick Douglass Nas Jane Austen Kendrick Lamar Oliver Wendell Holmes Tupac Shakur Martin Luther King Jr. Drake Gandhi Afrika Bambaataa The U.S. Constitution Chuck D Philip Vera Cruz Queen Latifah Lao-tzu Jeff Chang Alice Walker Lupe Fiasco Ernest Hemingway Rakim Sonia Sotomayor J. Cole Junot Díaz Eminem Delivering the 5th Element of Hip-Hop to Capable Young Minds 1. B-boying 2. MC-ing 3. Graffiti Art 4. DJ-ing 5. Knowledge Note: All work contained herein begins with the smart and effective implementation of standards-based lesson plans that have been constructed around three principles: 1. no profanity 2. no misogyny 3. no homophobia Great vocabulary words to discuss; inappropriate elements to validate in a classroom environment. HipHopLanguageArts3.indd 1 06/03/2015 15:38:37 2 | READ CLOSELY HIP-HOP INTERPRETATION GUIDE Question: Is violence ever an appropriate solution for resolving conflict? Consider the following text: from “Murder to Excellence” by Kanye West (with Jay-Z) I’m from the murder capital, where they murder for capital Heard about at least 3 killings this afternoon Lookin’ at the news like dang I was just with him after school, No shop class but half the school got a tool, And I could die any day type attitude Plus his little brother got shot reppin’ his avenue It’s time for us to stop and re-define black power 41 souls murdered in 50 hours 1. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Spiritualizing Hip Hop with I.C.E.: the Poetic Spiritual
SPIRITUALIZING HIP HOP WITH I.C.E.: THE POETIC SPIRITUAL NARRATIVES OF FOUR BLACK EDUCATIONAL LEADERS FROM HIP HOP COMMUNITIES by Alexis C. Maston A dissertation submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a Major in Adult, Professional, and Community Education May 2014 Committee Members: Jovita Ross-Gordon, Co-Chair John Oliver, Co-Chair Ann K. Brooks Raphael Travis, Jr. COPYRIGHT by Alexis C. Maston 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Alexis C. Maston, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This dissertation is first dedicated to my Lord and personal savior Jesus without whom this study would not have been possible. You are Alpha, Omega, the beginning and the end, and I went on this journey because you directed me to. Secondly, I dedicate this to my paternal and maternal grandparents, Fred and Emma Jean Maston, and Jacqueline Perkins, what you did years ago in your own lives made it possible for me to obtain this great opportunity. Thirdly, this dissertation is dedicated to Hip Hop communities worldwide who have always carried the essence of spirituality; this dissertation will uncover some of that truth. -
Mike Epps Slated As Host for This Year's BET HIP HOP AWARDS
Mike Epps Slated As Host For This Year's BET HIP HOP AWARDS G.O.O.D. MUSIC'S KANYE WEST LEADS WITH 17 IMPRESSIVE NOMINATIONS; 2CHAINZ FOLLOWS WITH 13 AND DRAKE ROUNDS THINGS OUT WITH 11 NODS SIX CYPHERS TO BE INCLUDED IN THIS YEAR'S AWARDS TAPING AT THE BOISFEUILLET JONES ATLANTA CIVIC CENTER IN ATLANTA ON SATURDAY, SEPTEMBER 29, 2012; NETWORK PREMIERE ON TUESDAY, OCTOBER 9, 2012 AT 8:00 PM* NEW YORK, Sept. 12, 2012 /PRNewswire/ -- BET Networks' flagship music variety program, "106 & PARK," officially announced the nominees for the BET HIP HOP AWARDS (#HIPHOPAWARDS). Actor and comedian Mike Epps (@THEREALMIKEEPPS) will once again host this year's festivities from the Boisfeuillet Jones Atlanta Civic Center in Atlanta on Saturday, September 29, 2012 with the network premiere on Tuesday, October 9, 2012 at 8:00 pm*. Mike Epps completely took-over "106 & PARK" today to mark the special occasion and revealed some of the notable nominees with help from A$AP Rocky, Ca$h Out, DJ Envy and DJ Drama. Hip Hop Awards nominated artists A$AP Rocky and Ca$h Out performed their hits "Goldie" and "Cashin Out" while nominated deejay's DJ Envy and DJ Drama spun for the crowd. The BET HIP HOP AWARDS Voting Academy is comprised of a select assembly of music and entertainment executives, media and industry influencers. Celebrating the biggest names in the game, newcomers on the scene, and shining a light on the community, the BET HIP HOP AWARDS is ready to salute the very best in hip hop culture. -
Imhotep Hip Hop Issue.Pdf
A Treble Clef By The Students The By in Hip Hop Lyrics in Hip Hop Volume 9, May 2012 May 9, Volume IMHOTEP JOURNAL IMHOTEP A Discourse Analysis of Value Orientations Value of Analysis A Discourse IMHOTEP JOURNAL A Discourse Analysis of Value Orientations in Hip Hop Lyrics By The Students Volume 9 May 2012 (Blank Back of Front Cover) (Blank Back of Front Cover) San Francisco State University College of Ethnic Studies, Department Africana Studies Student Publications Imhotep Magazine Volume 1, February 2000 On Methodology Volume 2, February 2001 On African Philosophy Volume 3, February 2002 On African Education Ancient and Modern Volume 4, February 2003 Ideology of Race and Slavery from Antiquity to Modern Times Volume 5, May 2005 Essays on Ancient Egyptian Thought Volume 6, May 2008 African Rites of Passage Volume 7, May 2010 African Healing Traditions Volume 8, May 2011 African Ancestral Veneration Volume 9, May 2012 A Discourse Analysis of Value Orientations in Hip Hop Lyrics For further information contact: San Francisco State University College of Ethnic Studies, Department of Africana Studies 1600 Holloway Avenue San Francisco, California 94132 Tel: (415) 3381054 Fax: (415) 4050553 Editors Justin Metoyer and Christine Burke Production\ Design Kenric J. Bailey Contributors AFRS 111 Black Cultures and Personalities: 2008/9 Academic Year Faculty Advisor \ Co-Editor Serie McDougal, III, PhD We would like to express our thanks and appreciation to Madame Chair Dorothy Tsuruta PhD for her leadership and guidance, as well as the IRA for their support of this publication. Copyright © 2012 San Francisco State University All rights reserved. -
BICO Undergoing Restructuring Exercise
Established October 1895 New gender policy on the horizon Page 5 Friday February 20, 2015 $2 VAT Inclusive POTENTIAL FOR MORE EXPORTS THERE are several opportunities for Barbados to boost its exports to China. Pointing out that China has a popula- tion of $1.3 billion, with a significant in- terest in other cultures, Senior Officer with the Barbados Investment Development Corporation Paula Bourne highlighted that while there has been a marked increase in trade between Barbados and China since 2007, there was still significant potential for export growth from the island. She noted for example that products such as rum and sea island cotton could be marketed and sold to the People’s Republic of China as well as music and cultural items. “While we are small and we often think that we do not have a lot to offer, China attaches great importance to economic trade and cultural relations with Barbados and the wider Caribbean. There is significant business potential that can be developed between the two countries and we need to step out and ex- plore,” she stated. Bourne stressed that private sector companies must work with facilitators in order to get samples of their products into Chinese markets. Noting that there were 2.4 million mil- lionaires in China, she pointed out that by gaining the interest of a few of these in products and services of the Caribbean could make a significant difference. In addition, she suggested that in the same way that China had trade agree- ments with various countries across the world, it is time that it also had one in place with Caricom. -
Race to Post: White Hegemonic Capitalism and Black Empowerment in 21St Century Black Popular Culture and Literature Regina N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Race to Post: White Hegemonic Capitalism and Black Empowerment in 21st Century Black Popular Culture and Literature Regina N. Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES RACE TO POST: WHITE HEGEMONIC CAPITALISM AND BLACK EMPOWERMENT IN 21ST CENTURY BLACK POPULAR CULTURE AND LITERATURE By REGINA N. BRADLEY A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2013 Regina N. Bradley defended this dissertation on May 14, 2013. The members of the supervisory committee were: David Ikard Professor Directing Dissertation Maxine Jones University Representative Maxine Montgomery Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii Dedicated to Eugene and Sara Barnett. Paw Paw and Nana Boo, “here me.” iii ACKNOWLEDGEMENTS I would like to begin my acknowledgements by shouting out my dissertation director David Ikard. Dr. Ikard, I had no idea what I was in for when I knocked on your office door back in 2008. What an incredible journey! You helped me step my game up and transition from a graduate student to a scholar. Thank you for investing your time, your red ink, and your support into my project. The gangstallect is real! Many thanks to Maxine Montgomery, Maxine Jones, and Leigh Edwards for their time and insight at various stages of this dissertation. -
THE CULTURAL IMPACT of KANYE WEST This Page Intentionally Left Blank the Cultural Impact of Kanye West
THE CULTURAL IMPACT OF KANYE WEST This page intentionally left blank The Cultural Impact of Kanye West Edited by Julius Bailey THE CULTURAL IMPACT OF KANYE WEST Copyright © Julius Bailey, 2014. Softcover reprint of the hardcover 1st edition 2014 978-1-137-39581-8 All rights reserved. First published in 2014 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-48439-3 ISBN 978-1-137-39582-5 (eBook) DOI 10.1057/9781137395825 Library of Congress Cataloging-in-Publication Data The cultural impact of Kanye West / edited by Julius Bailey. pages cm Includes bibliographical references and index. 1. West, Kanye—Criticism and interpretation. 2. Rap (Music)— History and criticism. 3. Rap musicians—United States. I. Bailey, Julius, editor of compilation. ML420.W452C85 2014 782.421649092—dc23 2013036142 A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: March 2014 10 9 8 7 6 5 4 3 2 1 To all those whose complexities are misunderstood and rendered pathological when all you ever need and want is appreciation. -
Listening Versus Skimming: What White Hip Hoppers at Vassar College Learn Or Overlook When They Listen to Rap Seth Tinkle
Vassar College Digital Window @ Vassar Senior Capstone Projects 2013 Listening Versus Skimming: What White Hip Hoppers at Vassar College Learn or Overlook When they Listen to Rap Seth Tinkle Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Tinkle, Seth, "Listening Versus Skimming: What White Hip Hoppers at Vassar College Learn or Overlook When they Listen to Rap" (2013). Senior Capstone Projects. Paper 173. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College Listening Versus Skimming: What White Hip Hoppers at Vassar College Learn or Overlook When they Listen to Rap A thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Sociology by Seth Tinkle Thesis Advisers: Professor Carlos Alamo Professor William Hoynes April 2013 Listening Versus Skimming: What White Hip Hoppers at Vassar College Learn or Overlook When they Listen to Rap Hip hop has emerged over the last forty years as a diverse and dynamic musical genre as well as a youth subculture that spans across race, gender, sexuality, and class and has taken over mainstream popular culture in the United States. My thesis will focus on the consumption of hip hop music (or rap) by affluent white listeners. I argue that hip hop contains resistant or anti- hegemonic themes in its lyrics, but that they are often couched or hidden. I attempt to identify the degree to which white listeners recognize these themes and engage with hip hop as active, critical listeners. -
Diasporic Networks Narrate Social Suffering a Dissertation
UNIVERSITY OF CALIFORNIA Los Angeles Francophonie and Human Rights: Diasporic Networks Narrate Social Suffering A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Simona Liliana Livescu 2013 © Copyright by Simona Liliana Livescu 2013 ABSTRACT OF THE DISSERTATION Francophonie and Human Rights: Diasporic Networks Narrate Social Suffering by Simona Liliana Livescu Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2013 Professor Efrain Kristal, Co-Chair Professor Suzanne E. Slyomovics, Co-Chair This dissertation explores exilic human rights literature as the literary genre encompassing under its aegis thematic and textual concerns and characteristics contiguous with dissident literature, resistance literature, postcolonial literature, and feminist literature. Departing from the ethics of recognition advanced by literary critics Kay Schaffer and Sidonie Smith, my study explores how human rights and narrated lives generate larger discursive practices and how, in their fight for justice, diasporic intellectual networks in France debate ideas, oppressive institutions, cultural practices, Arab and European Enlightenment legacies, different traditions of philosophical and religious principles, and global transformations. I conceptualize the term francité d’urgence , definitory to the literary work and intellectual trajectories of those writers who, forced by the difficult political situation in their home countries, make a paradoxical aesthetic use of France, its ii territory, or its language to promote local, regional, and global social justice via broader audiences. The first chapter theorizes a comparative analysis of human rights literature produced at a global diasporic site by transnational authors circulating between several locations - Middle East, North Africa, Cuba, Eastern Europe, France and the United States - that inform their cultural identities and goals. -
Fight the Power: Subversion in the Oral Tradition of African-American Art Craig Demelo
Bridgewater State University Virtual Commons - Bridgewater State University Master’s Theses and Projects College of Graduate Studies 2018 Fight the Power: Subversion in the Oral Tradition of African-American Art Craig DeMelo Follow this and additional works at: http://vc.bridgew.edu/theses Part of the African American Studies Commons Recommended Citation DeMelo, Craig. (2018). Fight the Power: Subversion in the Oral Tradition of African-American Art. In BSU Master’s Theses and Projects. Item 59. Available at http://vc.bridgew.edu/theses/59 Copyright © 2018 Craig DeMelo This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. FIGHT THE POWER: SUBVERSION IN THE ORAL TRADITION OF AFRICAN AMERICAN ART A Thesis Presented by CRAIG DEMELO Submitted to the College of Graduate Studies Bridgewater State University Bridgewater, Massachusetts in partial fulfillment of the requirements for the Degree of Master of Arts in English Approved as to style and content by: Signature:________________________________________________________________ Dr. Kimberly Davis, Chair Signature:________________________________________________________________ Dr. Lee Torda, Member Signature:________________________________________________________________ Dr. Emily Field, Member !1 FIGHT THE POWER: SUBVERSION IN THE ORAL TRADITION OF AFRICAN-AMERICAN ART A Thesis Presented by CRAIG DEMELO Submitted to the College of Graduate Studies Bridgewater State University Bridgewater, Massachusetts in partial fulfillment of the requirements for the Degree of Master of Arts in English MAY 2018 !2 Table of Contents Acknowledgements Chapter 1: “Nobody knows the trouble I’ve seen”: Post-Blackness and Hip-hop Criticism P. 4 Chapter 2: “Wait til’ I put on my crown”: The Subversiveness of Hope in Sorrow Songs and Hip-hop P.