The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro , in ae ruh hm t him brought have Osnabrück, as well as performances at the Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years afterthesonatas were composed from 1828 1828 from were composed and accompaniment role, with simple with role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest e guitar Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic could balance with which Giuliani classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming twenty Although they were written about onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" The duo compositions music. in his chamber accompanying instrument it in public) played he himself never (although instrument beloved Paganini’s present and guitar dominates and 3, the violin Opus 2 of Sonatas In the collection and roles. ways in different while th the music Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty can appreciate the listener movements, or Moderato In the slow and the capriccioso movements lines, whereas in the fast of cantabile its best. shows estrus This aspect the Paganinian bizarre side of somehow omits his typical virtuosity, never reaching peaks of difficulty of course parts the solo to It is close of his concertos main works. and other rhythms and harmonies which somehow lack audacity. Written between lack audacity. harmonies which somehow rhythms and late examples of the two-movement are these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and to mainly used these simple forms Paganini style. the “gallant” the lean towards not would which melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always nature of a melodist, with his own form his thematic material. – one of the true true cantabile to In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. violin and guitar. between the dialogue 1823 and dedicated to around written , was Cantabile The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept change his style did not substantially Opus 2 and 3, Paganini style. in the Italian the sonata form cultivating Duo Concertant is the nature of the Grand music Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor 1817. the famous in in th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, and Barcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. , in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's SequenzaattheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician and chamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert , violin Daniel Rowland . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Me Der Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna studio, 4tunes producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla from & Olivier Pelmoine Kochanski Paul arr. (1914) populares españolas” “Siete canciones 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 , violin Rowland , violin Daniel . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò 112 (1828) di Sonate, Op. 64, MS Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 in D Major, Op. 17, Cantabile 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 – Largo Andante – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Giuliani Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among manyothers. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival ofexceptional musicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona,1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents represents 1930 nd joined the internationally renowned for flute and guitar flute for r the melancholy that 1960 recalls the time of recalls the 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- ger) who experienced the www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French so influenced ody is typical fo for voice and piano, written in 1914 and 1914 in written piano, and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence the influence integrate managed to also which Falla yle into of the art the piano writing follows In this music, of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky Bordel 1900, the nces of modernism from who created the first version for voice and guitar. Over the last voice and guitar. for version the first who created e opening movement, recalls the original place and atmosphere of recalls the original place and atmosphere opening movement, the newly created tango at the end of the 19th century in Buenos at the end of the 19th century in the newly created tango decades, the habit of performing the canciones also with a string also with a string the canciones habit of performing decades, the guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al but popular temperament, studied in Paris with Nadia Boulan in Paris studied created a unique and original atmosphere, perfectly reflecting the perfectly reflecting original atmosphere, a unique and created stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, its modern and contemporary 1882) to creation (presumably in Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened not dancing to the phase when people were and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian international exchange and the influence expanding rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although although In fact, de Falla. by” Manuel or “transcribed "harmonized” and not maintaining the text and the popular melodies, the great Spanish composer great Spanish the melodies, and the popular the text maintaining tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement forms used popular tant composers ", de Falla "by Manuel marked as intentionally were 1915, in January premiered a song from 1924 written by the Cadiz-born composer José Maria Lacalle García. composer written by the Cadiz-born 1924 a song from Siete canciones populares españolas populares canciones Siete The It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 RZ-NEU3_or0018_DPac NP1826_MUSIC WE The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years afterthesonatas were composed from 1828 1828 from were composed and accompaniment role, with simple with role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest e guitar Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic could balance with which Giuliani classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming twenty Although they were written about onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" The duo compositions music. in his chamber accompanying instrument it in public) played he himself never (although instrument beloved Paganini’s present and guitar dominates and 3, the violin Opus 2 of Sonatas In the collection and roles. ways in different while th the music Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty can appreciate the listener movements, or Moderato In the slow and the capriccioso movements lines, whereas in the fast of cantabile its best. shows estrus This aspect the Paganinian bizarre side of somehow omits his typical virtuosity, never reaching peaks of difficulty of course parts the solo to It is close of his concertos main works. and other rhythms and harmonies which somehow lack audacity. Written between lack audacity. harmonies which somehow rhythms and late examples of the two-movement are these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and to mainly used these simple forms Paganini style. the “gallant” the lean towards not would which melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always nature of a melodist, with his own form his thematic material. – one of the true true cantabile to In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. violin and guitar. between the dialogue 1823 and dedicated to around written , was Cantabile The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept change his style did not substantially Opus 2 and 3, Paganini style. in the Italian the sonata form cultivating Duo Concertant is the nature of the Grand music Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor 1817. the famous in Vienna in th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, and Barcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's SequenzaattheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician and chamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert , violin Daniel Rowland . Alberto, guitar Mesirca FAVO hs per- has l

M

orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Me Der Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna studio, 4tunes producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla from & Olivier Pelmoine Kochanski Paul arr. (1914) populares españolas” “Siete canciones 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 , violin Rowland , violin Daniel . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò 112 (1828) di Sonate, Op. 64, MS Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 in D Major, Op. 17, Cantabile 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 – Largo Andante – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Giuliani Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among manyothers. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival ofexceptional musicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona,1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents represents 1930 nd joined the internationally renowned for flute and guitar flute for r the melancholy that 1960 recalls the time of recalls the 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- ger) who experienced the www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French so influenced ody is typical fo for voice and piano, written in 1914 and 1914 in written piano, and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence the influence integrate managed to also which Falla yle into of the art the piano writing follows In this music, of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky Bordel 1900, the nces of modernism from who created the first version for voice and guitar. Over the last voice and guitar. for version the first who created e opening movement, recalls the original place and atmosphere of recalls the original place and atmosphere opening movement, the newly created tango at the end of the 19th century in Buenos at the end of the 19th century in the newly created tango decades, the habit of performing the canciones also with a string also with a string the canciones habit of performing decades, the guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al but popular temperament, studied in Paris with Nadia Boulan in Paris studied created a unique and original atmosphere, perfectly reflecting the perfectly reflecting original atmosphere, a unique and created stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, its modern and contemporary 1882) to creation (presumably in Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened not dancing to the phase when people were and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian international exchange and the influence expanding rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although although In fact, de Falla. by” Manuel or “transcribed "harmonized” and not maintaining the text and the popular melodies, the great Spanish composer great Spanish the melodies, and the popular the text maintaining tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement forms used popular tant composers ", de Falla "by Manuel marked as intentionally were 1915, in January premiered a song from 1924 written by the Cadiz-born composer José Maria Lacalle García. composer written by the Cadiz-born 1924 a song from Siete canciones populares españolas populares canciones Siete The It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 RZ-NEU3_or0018_DPac NP1826_MUSIC WE The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years sonatas afterthe were composed from 1828 1828 from were composed and accompaniment role, with simple role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic balance with which Giuliani could classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming were written about twenty Although they onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" music. The duo compositions in his chamber accompanying instrument it in public) played (although he himself never instrument beloved and guitar present Paganini’s of Sonatas Opus 2 and 3, the violin dominates In the collection and roles. in different ways the music while th Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty the listener movements, or Moderato In the slow the capriccioso and movements of cantabile lines, whereas in the fast its best. shows estrus This aspect bizarre side of the Paganinian somehow omits his typical virtuosity, never peaks of difficulty of course reaching parts the solo to It is close of his concertos and other main works. rhythms and harmonies which somehow lack audacity. Written between rhythms and harmonies which somehow are late examples of the two-movement these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and mainly to used these simple forms Paganini the “gallant” style. the not lean towards which would melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always of a melodist, nature with his own form his thematic material.true cantabile to – one of the true In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. between violin and guitar. the dialogue 1823 and dedicated to written around Cantabile, was The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept and kept change his style did not substantially Opus 2 and 3, Paganini in the Italian style. the sonata form cultivating Duo Concertant music is the nature of the Grand Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor the famous in Vienna in 1817. th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, andBarcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's Sequenza attheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician andchamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert Daniel Rowland, violin . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Der Me Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna 4tunes studio, producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla & Olivier Pelmoine from Kochanski Paul arr. “Siete canciones populares españolas” (1914) 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 Daniel Rowland, violin . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò di Sonate, Op. 64, MS 112 (1828) Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 Cantabile in D Major, Op. 17, 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 Andante – Largo – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among many others. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival of exceptionalmusicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona, 1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents 1930 nd joined the internationally renowned for flute and guitar for r the melancholy that 1960 recalls the time of 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French ody is typical fo for voice and piano, written in 1914 and piano, written in 1914 and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence integrate also managed to which Falla yle into of the art In this music, the piano writing follows of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky nces of modernism from Bordel 1900, the who created the first version for voice and guitar. Over the last guitar. voice and for version who created the first e opening movement, recalls the original place and atmosphere of opening movement, the newly created tango at the end of the 19th century in Buenos the newly created tango decades, the habit of performing the canciones also with a string the canciones also with a string decades, the habit of performing guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al popular temperament, studied in Paris with Nadia Boulan with in Paris studied created a unique and original atmosphere, perfectly reflecting the created a unique and original atmosphere, perfectly stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, and contemporary its modern creation (presumably in 1882) to Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened the phase when people were not dancing to and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although In fact, by” Manuel de Falla. and not "harmonized” or “transcribed maintaining the text and the popular melodies, the great Spanish composer maintaining the text and the popular melodies, tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement used popular forms tant composers ", marked as "by Manuel de Falla were intentionally premiered in January 1915, . José Maria Lacalle García composer written by the Cadiz-born 1924 a song from The Siete canciones populares españolas It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 Seite 11:04 24.11.15 1 LIKE_Layout WE NP1826_MUSIC RZ-NEU3_or0018_DPac The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years sonatas afterthe were composed from 1828 1828 from were composed and accompaniment role, with simple role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic balance with which Giuliani could classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming were written about twenty Although they onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" music. The duo compositions in his chamber accompanying instrument it in public) played (although he himself never instrument beloved and guitar present Paganini’s of Sonatas Opus 2 and 3, the violin dominates In the collection and roles. in different ways the music while th Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty the listener movements, or Moderato In the slow the capriccioso and movements of cantabile lines, whereas in the fast its best. shows estrus This aspect bizarre side of the Paganinian somehow omits his typical virtuosity, never peaks of difficulty of course reaching parts the solo to It is close of his concertos and other main works. rhythms and harmonies which somehow lack audacity. Written between rhythms and harmonies which somehow are late examples of the two-movement these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and mainly to used these simple forms Paganini the “gallant” style. the not lean towards which would melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always of a melodist, nature with his own form his thematic material.true cantabile to – one of the true In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. between violin and guitar. the dialogue 1823 and dedicated to written around Cantabile, was The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept and kept change his style did not substantially Opus 2 and 3, Paganini in the Italian style. the sonata form cultivating Duo Concertant music is the nature of the Grand Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor the famous in Vienna in 1817. th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, andBarcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's Sequenza attheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician andchamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert Daniel Rowland, violin . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Der Me Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna 4tunes studio, producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla & Olivier Pelmoine from Kochanski Paul arr. “Siete canciones populares españolas” (1914) 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 Daniel Rowland, violin . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò di Sonate, Op. 64, MS 112 (1828) Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 Cantabile in D Major, Op. 17, 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 Andante – Largo – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among many others. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival of exceptionalmusicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona, 1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents 1930 nd joined the internationally renowned for flute and guitar for r the melancholy that 1960 recalls the time of 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French ody is typical fo for voice and piano, written in 1914 and piano, written in 1914 and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence integrate also managed to which Falla yle into of the art In this music, the piano writing follows of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky nces of modernism from Bordel 1900, the who created the first version for voice and guitar. Over the last guitar. voice and for version who created the first e opening movement, recalls the original place and atmosphere of opening movement, the newly created tango at the end of the 19th century in Buenos the newly created tango decades, the habit of performing the canciones also with a string the canciones also with a string decades, the habit of performing guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al popular temperament, studied in Paris with Nadia Boulan with in Paris studied created a unique and original atmosphere, perfectly reflecting the created a unique and original atmosphere, perfectly stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, and contemporary its modern creation (presumably in 1882) to Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened the phase when people were not dancing to and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although In fact, by” Manuel de Falla. and not "harmonized” or “transcribed maintaining the text and the popular melodies, the great Spanish composer maintaining the text and the popular melodies, tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement used popular forms tant composers ", marked as "by Manuel de Falla were intentionally premiered in January 1915, . José Maria Lacalle García composer written by the Cadiz-born 1924 a song from The Siete canciones populares españolas It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 Seite 11:04 24.11.15 1 LIKE_Layout WE NP1826_MUSIC RZ-NEU3_or0018_DPac The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years sonatas afterthe were composed from 1828 1828 from were composed and accompaniment role, with simple role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic balance with which Giuliani could classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming were written about twenty Although they onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" music. The duo compositions in his chamber accompanying instrument it in public) played (although he himself never instrument beloved and guitar present Paganini’s of Sonatas Opus 2 and 3, the violin dominates In the collection and roles. in different ways the music while th Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty the listener movements, or Moderato In the slow the capriccioso and movements of cantabile lines, whereas in the fast its best. shows estrus This aspect bizarre side of the Paganinian somehow omits his typical virtuosity, never peaks of difficulty of course reaching parts the solo to It is close of his concertos and other main works. rhythms and harmonies which somehow lack audacity. Written between rhythms and harmonies which somehow are late examples of the two-movement these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and mainly to used these simple forms Paganini the “gallant” style. the not lean towards which would melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always of a melodist, nature with his own form his thematic material.true cantabile to – one of the true In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. between violin and guitar. the dialogue 1823 and dedicated to written around Cantabile, was The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept and kept change his style did not substantially Opus 2 and 3, Paganini in the Italian style. the sonata form cultivating Duo Concertant music is the nature of the Grand Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor the famous in Vienna in 1817. th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, andBarcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's Sequenza attheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician andchamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert Daniel Rowland, violin . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Der Me Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna 4tunes studio, producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla & Olivier Pelmoine from Kochanski Paul arr. “Siete canciones populares españolas” (1914) 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 Daniel Rowland, violin . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò di Sonate, Op. 64, MS 112 (1828) Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 Cantabile in D Major, Op. 17, 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 Andante – Largo – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among many others. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival of exceptionalmusicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona, 1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents 1930 nd joined the internationally renowned for flute and guitar for r the melancholy that 1960 recalls the time of 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French ody is typical fo for voice and piano, written in 1914 and piano, written in 1914 and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence integrate also managed to which Falla yle into of the art In this music, the piano writing follows of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky nces of modernism from Bordel 1900, the who created the first version for voice and guitar. Over the last guitar. voice and for version who created the first e opening movement, recalls the original place and atmosphere of opening movement, the newly created tango at the end of the 19th century in Buenos the newly created tango decades, the habit of performing the canciones also with a string the canciones also with a string decades, the habit of performing guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al popular temperament, studied in Paris with Nadia Boulan with in Paris studied created a unique and original atmosphere, perfectly reflecting the created a unique and original atmosphere, perfectly stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, and contemporary its modern creation (presumably in 1882) to Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened the phase when people were not dancing to and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although In fact, by” Manuel de Falla. and not "harmonized” or “transcribed maintaining the text and the popular melodies, the great Spanish composer maintaining the text and the popular melodies, tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement used popular forms tant composers ", marked as "by Manuel de Falla were intentionally premiered in January 1915, . José Maria Lacalle García composer written by the Cadiz-born 1924 a song from The Siete canciones populares españolas It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 Seite 11:04 24.11.15 1 LIKE_Layout WE NP1826_MUSIC RZ-NEU3_or0018_DPac The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years sonatas afterthe were composed from 1828 1828 from were composed and accompaniment role, with simple role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic balance with which Giuliani could classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming were written about twenty Although they onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" music. The duo compositions in his chamber accompanying instrument it in public) played (although he himself never instrument beloved and guitar present Paganini’s of Sonatas Opus 2 and 3, the violin dominates In the collection and roles. in different ways the music while th Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty the listener movements, or Moderato In the slow the capriccioso and movements of cantabile lines, whereas in the fast its best. shows estrus This aspect bizarre side of the Paganinian somehow omits his typical virtuosity, never peaks of difficulty of course reaching parts the solo to It is close of his concertos and other main works. rhythms and harmonies which somehow lack audacity. Written between rhythms and harmonies which somehow are late examples of the two-movement these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and mainly to used these simple forms Paganini the “gallant” style. the not lean towards which would melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always of a melodist, nature with his own form his thematic material.true cantabile to – one of the true In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. between violin and guitar. the dialogue 1823 and dedicated to written around Cantabile, was The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept and kept change his style did not substantially Opus 2 and 3, Paganini in the Italian style. the sonata form cultivating Duo Concertant music is the nature of the Grand Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor the famous in Vienna in 1817. th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, andBarcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's Sequenza attheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician andchamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert Daniel Rowland, violin . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Der Me Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna 4tunes studio, producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla & Olivier Pelmoine from Kochanski Paul arr. “Siete canciones populares españolas” (1914) 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 Daniel Rowland, violin . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò di Sonate, Op. 64, MS 112 (1828) Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 Cantabile in D Major, Op. 17, 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 Andante – Largo – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among many others. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival of exceptionalmusicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona, 1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents 1930 nd joined the internationally renowned for flute and guitar for r the melancholy that 1960 recalls the time of 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French ody is typical fo for voice and piano, written in 1914 and piano, written in 1914 and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence integrate also managed to which Falla yle into of the art In this music, the piano writing follows of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky nces of modernism from Bordel 1900, the who created the first version for voice and guitar. Over the last guitar. voice and for version who created the first e opening movement, recalls the original place and atmosphere of opening movement, the newly created tango at the end of the 19th century in Buenos the newly created tango decades, the habit of performing the canciones also with a string the canciones also with a string decades, the habit of performing guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al popular temperament, studied in Paris with Nadia Boulan with in Paris studied created a unique and original atmosphere, perfectly reflecting the created a unique and original atmosphere, perfectly stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, and contemporary its modern creation (presumably in 1882) to Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened the phase when people were not dancing to and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although In fact, by” Manuel de Falla. and not "harmonized” or “transcribed maintaining the text and the popular melodies, the great Spanish composer maintaining the text and the popular melodies, tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement used popular forms tant composers ", marked as "by Manuel de Falla were intentionally premiered in January 1915, . José Maria Lacalle García composer written by the Cadiz-born 1924 a song from The Siete canciones populares españolas It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 Seite 11:04 24.11.15 1 LIKE_Layout WE NP1826_MUSIC RZ-NEU3_or0018_DPac The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years afterthesonatas were composed from 1828 1828 from were composed and accompaniment role, with simple with role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest e guitar Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic could balance with which Giuliani classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming twenty Although they were written about onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" The duo compositions music. in his chamber accompanying instrument it in public) played he himself never (although instrument beloved Paganini’s present and guitar dominates and 3, the violin Opus 2 of Sonatas In the collection and roles. ways in different while th the music Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty can appreciate the listener movements, or Moderato In the slow and the capriccioso movements lines, whereas in the fast of cantabile its best. shows estrus This aspect the Paganinian bizarre side of somehow omits his typical virtuosity, never reaching peaks of difficulty of course parts the solo to It is close of his concertos main works. and other rhythms and harmonies which somehow lack audacity. Written between lack audacity. harmonies which somehow rhythms and late examples of the two-movement are these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and to mainly used these simple forms Paganini style. the “gallant” the lean towards not would which melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always nature of a melodist, with his own form his thematic material. – one of the true true cantabile to In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. violin and guitar. between the dialogue 1823 and dedicated to around written , was Cantabile The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept change his style did not substantially Opus 2 and 3, Paganini style. in the Italian the sonata form cultivating Duo Concertant is the nature of the Grand music Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor 1817. the famous in Vienna in th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, and Barcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's SequenzaattheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician and chamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert , violin Daniel Rowland . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Me Der Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna studio, 4tunes producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla from & Olivier Pelmoine Kochanski Paul arr. (1914) populares españolas” “Siete canciones 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 , violin Rowland , violin Daniel . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò 112 (1828) di Sonate, Op. 64, MS Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 in D Major, Op. 17, Cantabile 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 – Largo Andante – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Giuliani Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among manyothers. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival ofexceptional musicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona,1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents represents 1930 nd joined the internationally renowned for flute and guitar flute for r the melancholy that 1960 recalls the time of recalls the 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- ger) who experienced the www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French so influenced ody is typical fo for voice and piano, written in 1914 and 1914 in written piano, and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence the influence integrate managed to also which Falla yle into of the art the piano writing follows In this music, of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky Bordel 1900, the nces of modernism from who created the first version for voice and guitar. Over the last voice and guitar. for version the first who created e opening movement, recalls the original place and atmosphere of recalls the original place and atmosphere opening movement, the newly created tango at the end of the 19th century in Buenos at the end of the 19th century in the newly created tango decades, the habit of performing the canciones also with a string also with a string the canciones habit of performing decades, the guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al but popular temperament, studied in Paris with Nadia Boulan in Paris studied created a unique and original atmosphere, perfectly reflecting the perfectly reflecting original atmosphere, a unique and created stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, its modern and contemporary 1882) to creation (presumably in Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened not dancing to the phase when people were and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian international exchange and the influence expanding rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although although In fact, de Falla. by” Manuel or “transcribed "harmonized” and not maintaining the text and the popular melodies, the great Spanish composer great Spanish the melodies, and the popular the text maintaining tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement forms used popular tant composers ", de Falla "by Manuel marked as intentionally were 1915, in January premiered a song from 1924 written by the Cadiz-born composer José Maria Lacalle García. composer written by the Cadiz-born 1924 a song from Siete canciones populares españolas populares canciones Siete The It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 RZ-NEU3_or0018_DPac NP1826_MUSIC WE The Hague, the Beethoven Festival in M Guitar Autumn in Tychy (Poland) the Festival Classique in György Kurtàg, for the Stradivari Foundation, the Silesian in Parma, Auditori Nacional in Valencia, Kunsthalle Wien, Regio Teatro Venice, in Fenice La Teatro Amsterdam, in ae ruh hm t him brought have Osnabrück, as well as performances at the Concertgebouw Fnad, h Iain rmee n claoain with collaboration and premiere Italian the (Finland), (Georgia, USA), the Kuhmo Chamber Music Festival Festival Music Chamber Kuhmo the USA), (Georgia, Zealand), the Guitar Foundation of America Convention America of Foundation Guitar the Zealand), The Martin Rummel, Daniel Rowland, Domenico Nordio, Marco c er o sl gia” ad lsia Gia Magazine Guitar Classical and guitar”, solo on heard Mesirca”. wrote: “Superb recording from the prodigiously talented completed his Bachelor and Master of Arts at the Conser- hmeJm n üslof n Kmemskae in KammermusikTage and Düsseldorf in ChamberJam Wolfgang Lendle and was awarded a Konzertexamen with Volpato, graduating with the highest grade “Summa cum st special and laude” vatory of Castelfranco Veneto, in the class of Gianfranco Conservatory ofCastelfranco Veneto. In hundred ihs hnr. e et n o i tie h “Golden the twice win to on went He honors. highest uret dAci i eei, hmeJm uoe and Europe ChamberJam Venezia, di d’Archi Quartetto The last few years have been characterized by an intensive Ex Novo Ensemble. Mirko Giger, Jonas and Peter Adorjan, Andras Santi, De Satto, the Enesco, Ardeo and Acies string quartets, quartets, string Acies and Ardeo Enesco, the Satto, e a apitd sitn o te utr ls a the at class guitar the of assistant appointed was he Guitar”, once for best recording in 2007 followed by Best Upcoming Artist of the Year in 2009. In the same year, same the In 2009. in Year the of Artist Upcoming period of perfo ians such as Dimitri Ashkenazy, Vladimir Mendelssohn, Vladimir Ashkenazy, Dimitri as such ians udies at the Musikakademie Kassel, in Germany, with Germany, in Kassel, Musikakademie the at udies American Record Guide Alberto Mesirca Alberto s of concerts he has worked closely with musi- rmances, lectures and masterclasses that oo mnin Msra continued Mesirca mention. honor te nvriy f ukad (New Auckland of University the o was born in Italy in 1984 and 1984 in Italy in born was wrote “the best Scarlatti I’ve elbourne (Australia),

ic sonataform. Class years afterthesonatas were composed from 1828 1828 from were composed and accompaniment role, with simple with role, and accompaniment uitar of the 19th century – we again the guitar has a relevant role, both as a solo instrument and as an as and instrument solo a as both role, relevant a has guitar the in which Paganini perfectly balances in which Paganini , written for flute or violin and guitar and published by published and guitar and violin or flute for written , ata ert e Apulian maestro who had gained enormous popularity in popularity enormous gained had who maestro Apulian e e guitar plays a modest e guitar Niccolò Paganini Niccolò Mauro Giuliani Mauro ave to admire the intense dialogue between violin and guitar, both both guitar, and violin between dialogue intense the admire to ave f the admirable balance with which Giuliani could blend the artistic could balance with which Giuliani classical f the admirable The eighteen sonatas forming the Centone The eighteen sonatas forming twenty Although they were written about onwards. only the Sonata Conc accompanying or "concertante" instrument in his chamber music. The duo compositions for violin for or "concertante" The duo compositions music. in his chamber accompanying instrument it in public) played he himself never (although instrument beloved Paganini’s present and guitar dominates and 3, the violin Opus 2 of Sonatas In the collection and roles. ways in different while th the music Paganini’s inclination towards writing melodies in the belcanto style. style. in the belcanto writing melodies inclination towards Paganini’s In the slow or Moderato movements, the listener can appreciate the beauty can appreciate the listener movements, or Moderato In the slow and the capriccioso movements lines, whereas in the fast of cantabile its best. shows estrus This aspect the Paganinian bizarre side of somehow omits his typical virtuosity, never reaching peaks of difficulty of course parts the solo to It is close of his concertos main works. and other rhythms and harmonies which somehow lack audacity. Written between lack audacity. harmonies which somehow rhythms and late examples of the two-movement are these compositions 1805 and 1810, aspects, other with and, sonata ancient the both recalling sonata, Italian-style expand and to mainly used these simple forms Paganini style. the “gallant” the lean towards not would which melodies develop In the oeuvre of of oeuvre the In form with his own nature of a melodist, while always imposing a freedom of while always nature of a melodist, with his own form his thematic material. – one of the true true cantabile to In this composition of chamber music with g masterpieces h the dialogue between violin and guitar. violin and guitar. between the dialogue 1823 and dedicated to around written , was Cantabile The famous It fully reveals (1815–1894). Sivori Camillo the very young violinist Opus 2 and 3, Paganini did not substantially change his style and kept change his style did not substantially Opus 2 and 3, Paganini style. in the Italian the sonata form cultivating Duo Concertant is the nature of the Grand music Paganini’s Quite different to by 85 Op. showing This is a work Artaria Domenico editor 1817. the famous in Vienna in th of maturity full the evidence shows It composer. a as and performer a as both capital, Austrian the o instruments being instruments of artistry. placed on the same high level Francisco and Stockholm, the International Chamber Tar San in Culture of Institutes Italian the Angeles, Los Foundationin Guitar America the of Helsinki, of Hall Year”. In 2014, Alberto performed concerts at the City Music Festivals of Stift, Kuhmo, Lessines, the “Semana o te odn utr o “et eodn o the of Recording “Best for Guitar Golden the won e Dsn odnvc o rt a composit a write to Bogdanovic Dusan led Pavan, Mesirca Alberto has published previously un- Franco and Smith Hopkinson with collaboration In Helsinki, Stockholm, and Barcelona. and for the Italian Insitutes of Culture of Paris, Oslo, Manuscript, with Orphee Editions. These re-discoveries i pldn C “rts Gia Msc (m 0027), (pmr Music” Guitar “British CD paladino his known and unpublished compositions by Francesco by compositions unpublished and known Da Milano, held in the Castelfranco Veneto 1565 Lute let Msra n tee f a iao entitled Milano Da of theme a on Mesirca Alberto In December 2011 Alberto was responsible of the the of responsible was Alberto 2011 December In Haitian composer Frantz Casséus. Ribot he recorded the complete guitar works of the of works guitar complete the recorded he Ribot Marc Togetherwith Compagna”. sulla Ricercari “Tre digitalization and creation of the Musical Archive of Archive Musical the of creation and digitalization h Byzt irr i Itnu, uky I 21, he 2013, In Turkey. Istanbul, in Library Beyazit the rmee a opsto witn o hm y Leo by him for written composition a premiered Brouwer at th at Brouwer rega” in Valencia and in New York with Marc Ribot. uhmo Chamber Music Festival, and Festival, Music Chamber uhmo e K e w ww.albertomesirca.com o for ion

RITES Graaltheater and Ferneyhough's Terrain – as well as well as – Terrain Ferneyhough's and Graaltheater psint cabr uiin Danie musician, chamber passionate A Berio's SequenzaattheWigmoreHall. Berg Kammerkonzert under Heinz Holliger, Saariaho's n Cnrcap. eet ihihs nld the include highlights Recent Contrechamps. and ensembles such as the Nieuw Ensemble, Musikfabrik Liberman, Lawrence Foster, Heinz Holliger, Francois Holliger, Heinz Foster, Lawrence Liberman, Xavier Roth, Bernhard Gueller and Jaap vanZweden. Jaap and Gueller XavierBernhard Roth, Apart from the core classi uh s nri oek, jnu Kaiz, Viktor Khakidze, Djanzug Boreiko, Andrei as such and contemporary music, appearing as a soloist with D intensively with Herman Krebbers, Ruggiero Ricci and Wely, Viktor Liberman and Igor Oistrakh, and worked Violinist Violinist fo notably the Concertgebouw in Amsterdam, Carnegie Amsterdam, in Concertgebouw the notably nentoa cre a slit rctls, chamber recitalist, soloist, as career international al n e Yr, h Ryl let al n London, in Hall Albert Royal the York, New in Hall Leschenko, Heinz Holliger, Dawn Upshaw, Gilles Apap, the Glinka Hall in St. Petersburg and the Gulbenkian Petersburgthe and St. in Hall Glinka the Ivry Gitlis. Having won various national and interna- and national variouswonHaving Gitlis. Ivry in Lisbon, and has collaborated with noted conductors cakvk Cnet a te ocrgbu. Since Concertgebouw. the at Concerto Tchaikovsky h tional prizes, including the Brahms Prize of the Brahms then, he has been recognized as a highly charismatic, of the world’s most prestigio most world’s the of some in performed has Rowland Daniel soloist, a As musician and chamberorchestra director. expressive and versatile artist, who maintains a busy Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Back Competition at th Oskar prestigious the and Baden-Baden in Society ihe Clis Ncls ail Wlad ht and White Willard Daniel, Nicolas Collins, Michael e made his concerto debut in 1992 performing the performing 1992 in debut concerto his made e ne i a etuisi avct o 2t century 20th of advocate enthusiastic an is aniel rmed with artists as diverse as Ivry Gitlis, Polina Gitlis, Ivry as diverse as artists with rmed ail Rowland Daniel e Amsterdam Concertgebouw, cal and romantic repertoire, tde wt Dvn van Davina with studied us co us ncert halls, most halls, ncert , violin Daniel Rowland . Alberto, guitar Mesirca FAVO hs per- has l

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orlando records or 0018 FAVO RITES Rowland . Mesirca 1:15 07:13 01:18 0 03:54 02:41 02:50 02:54 05:52 04:13 ul TT 78:40 Martin Klebahn Martin Rummel Me Der Van Karin . 6 Cancion & 2015 paladino media gmbh, vienna raphic designraphic Brigitte Fröhlich www.orlando-records.com www.orlando-records.com made in germany 22 to ISRC: AT-TE4-15-013-01 a production of a production or 0018 datesrecording venuerecording Jan 2015 26–27 engineer Vienna studio, 4tunes producer booklet textphotos g Alberto Mesirca Histoire du Tango (1986) du Tango Histoire 1819 Bordel 1900 20 Café 1930 21 Nightclub 1960 Concert d’aujourd’huiJoseph M. LaCalle (1860–1937) 22 Amapola (1924) 02:56 Manuel de Falla (1876–1946) Manuel de Falla from & Olivier Pelmoine Kochanski Paul arr. (1914) populares españolas” “Siete canciones 1213 1 El paño moruno No. 14 3 Asturiana No. 15 4 Jota No. 16 5 Nana No. 02:07 No Astor Piazzolla (1921–1992) Astor 17 7 Polo No. RITES 2:42 03:53 03:12 02:55 06:16 , violin Rowland , violin Daniel . Alberto, guitar Mesirca 9120040730420 FAVO llegro vivo e spiritoso vivo llegro 01:58 MS 109 (1824) 1011 Scherzo – Trio espressivo Allegretto 05:14 Niccolò Paganini (1782–1840) Paganini Niccolò 112 (1828) di Sonate, Op. 64, MS Centone 1 in A Minor Sonata No. 0102 – Allegro Introduzione Rondoncino 03 04:21 in D Major, Op. 17, Cantabile 03:56 violin and guitar in A Minor, Sonata for (1805) Op. 3/4, MS 27 0405 – Largo Andante – Motteggiando Allegretto violin an guitar in E Minor, Sonata for (1805) Op. 3/6, MS 27 01:38 0607 Andante – Innocentemente 0 A Mauro Giuliani (1781–1829) Giuliani Mauro duo concertant,Grand Op. 85 (1817) 0809 maestoso Allegro sostenuto Andante molto 05:19

orlando records or 0018 FAVO RITES Rowland . Mesirca He indulges h saw its tenth edition in August 2014. This summer festival, ih adno vrus Mreo iimn ad his and Nisinman, Marcelo virtuoso bandoneon with schedule, in addition to its residency at Kings Place in Place Kings at residency its to addition in schedule, Daniel is also the violinist of the acclaimed London London acclaimed the of violinist the also is Daniel concerts given in a 15th century church renownedconcerts for its Daniel is professor of violin at the Royal College of Music among manyothers. Daniel forms a recital duo with pianist Natacha Kudritskaya. Conchord Ensemble. London, and frequent recordings for Chandos. Since 2012, n odn n gvs atrlse al vr h world. the over all masterclasses gives and London in Lo h fine acoustics, has garnered widespread acclaim as a as acclaim widespread garnered has acoustics, fine h gop anan a uy nentoa performing international busy a maintains group The In July 2007, Rowla festival ofexceptional musicalintensityandintimacy. He is also a guest concertmaster with the BBCSO, Scottish r to tremendous critical acclaim. In demand as a soloist/ a as demand In acclaim. critical tremendous to Music Festival, of which he is founder and artistic director, director, Daniel has been invited to work with the the with work to invited been has Daniel director, ubnin rhsr, h Cmrt Soln, the Scotland, Camerata the Orchestra, Gulbenkian His instrument isbyLorenzo Storioni, Cremona,1776. Elvis Costello. He is a frequent guest at foremost inter- foremost at guest frequent a is He Costello. Elvis Chamber Orchestra and Mahler Chamber Orchestra. Orchestra. Chamber Mahler and Orchestra Chamber South Africa, and the London Mozart FestivalOrch Mozart London the and Africa, South of Orchestra Chamber the Orchestra, Chamber Tromsø national chamber music festivals in Kuhmo, Stellenbosch, Risor, Sonoro, Beethoven Festival Chicago, Rio de Janeiro, Chiemgau, O ecording of the Vivaldi/Piazzolla Seasons was released was Seasons Vivaldi/Piazzolla the of ecording eld at an idyllic spot in the eastern Netherlands with Netherlands eastern the in spot idyllic an at eld ndon-based Brodsky String Quartet as first violinist. first as Quartet String Brodsky ndon-based snabrück and Oxford. The Stift International is passion for tango with ChamberJam Europe 1930 represents represents 1930 nd joined the internationally renowned for flute and guitar flute for r the melancholy that 1960 recalls the time of recalls the 1960 d guitar has become frequent. become has guitar d ger) who experienced the influ- ger) who experienced the www.danielrowland.com d’hui, the last movement, shows the shows movement, d’hui, the last so influenced by the Hispano-French so influenced ody is typical fo for voice and piano, written in 1914 and 1914 in written piano, and voice for g by tenors like Tito Schipa and also used by used also and Schipa Tito like tenors by g en Stravinsky wrote a tango and that other impor- a tango wrote en Stravinsky ra, est Suite Histoire du Tango his Suite Histoire wrote yle into which Falla also managed to integrate the influence the influence integrate managed to also which Falla yle into of the art the piano writing follows In this music, of Debussy. st nces of modernism from Stravinsky to Bartók. to Stravinsky Bordel 1900, the nces of modernism from who created the first version for voice and guitar. Over the last voice and guitar. for version the first who created e opening movement, recalls the original place and atmosphere of recalls the original place and atmosphere opening movement, the newly created tango at the end of the 19th century in Buenos at the end of the 19th century in the newly created tango decades, the habit of performing the canciones also with a string also with a string the canciones habit of performing decades, the guitar-like patterns, which were cleverly noticed by Miguel Llobet, Miguel by noticed cleverly were which patterns, guitar-like in 1986. It is divided into four movements, and fulfilled the desire and fulfilled the desire movements, four It is divided into in 1986. popular temperament, but al but popular temperament, studied in Paris with Nadia Boulan in Paris studied created a unique and original atmosphere, perfectly reflecting the perfectly reflecting original atmosphere, a unique and created stor Piazzolla stor seen through the eye of an artistically trained composer (Piazzolla the eye of an artistically composer seen through trained g in mind that ev A of the composer to present the evolution of the tango form from its from form of the tango present the evolution to of the composer of course jazz. Concertof course d’aujour creation (presumably in 1882) to its modern and contemporary forms, its modern and contemporary 1882) to creation (presumably in Aires, where it was danced to mainly in brothels. Café mainly in brothels. danced to Aires, where it was As a conclusion to this recital program, we decided to record Amapola, record we decided to this recital program, to As a conclusion bossa nova that was simultaneously and very similarly developing, and simultaneously and very similarly developing, that was nova bossa instrument (as a substitute of the voice) an voice) the of substitute a (as instrument this genre can create for the listener. Night Club the listener. this genre can create for influence of the main composers of the modernism on Piazzolla’s music. composers influence of the main a reflection by Piazzolla on the art form of the tango in the 20th century. a reflection by Piazzolla on the artform of the tango Bearin the phase when people were not dancing to it any more, but listened to it, to it any more, but listened not dancing to the phase when people were and the nostalgic character of the mel character and the nostalgic rapidly expanding international exchange and the influence of the Brazilian international exchange and the influence expanding rapidly and not "harmonized” or “transcribed by” Manuel de Falla. In fact, although although In fact, de Falla. by” Manuel or “transcribed "harmonized” and not maintaining the text and the popular melodies, the great Spanish composer great Spanish the melodies, and the popular the text maintaining tant composers used popular forms as well, this movement in fact turns into in fact as well, this movement forms used popular tant composers ", de Falla "by Manuel marked as intentionally were 1915, in January premiered a song from 1924 written by the Cadiz-born composer José Maria Lacalle García. composer written by the Cadiz-born 1924 a song from Siete canciones populares españolas populares canciones Siete The It became a famous tune and was sun was and tune famous a became It Ennio Morricone as a leitmotiv in the movie “Once Upon a Time in America” in 1984. in America” in Time a Upon “Once movie the in leitmotiv a as Morricone Ennio RZ-NEU3_or0018_DPac NP1826_MUSIC WE LIKE_Layout 1 24.11.15 11:04 Seite 1 RZ-NEU3_or0018_DPac NP1826_MUSIC WE