The Babylonian Origins of Trier
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An Annotated List of Italian Renaissance Humanists, Their Writings About Jews, and Involvement in Hebrew Studies, Ca
An annotated list of Italian Renaissance humanists, their writings about Jews, and involvement in Hebrew studies, ca. 1440-ca.1540 This list, arranged in chronological order by author’s date of birth, where known, is a preliminary guide to Italian humanists’ Latin and vernacular prose and poetic accounts of Jews and Judaic culture and history from about 1440 to 1540. In each case, I have sought to provide the author’s name and birth and death dates, a brief biography highlighting details which especially pertain to his interest in Jews, a summary of discussions about Jews, a list of relevant works and dates of composition, locations of manuscripts, and a list of secondary sources or studies of the author and his context arranged alphabetically by author’s name. Manuscripts are listed in alphabetical order by city of current location; imprints, as far as possible, by ascending date. Abbreviations: DBI Dizionario biografico degli Italiani (Rome: Istituto della enciclopedia italiana, 1960-present) Kristeller, Iter Paul Oskar Kristeller, Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries; Accedunt alia itinera, 6 vols (London: Warburg Institute; Leiden: E. J. Brill, 1963-1991) Simon Atumano (d. c. 1380) Born in Constantinople and became a Basilian monk in St John of Studion there. Bishop of Gerace in Calabria from 1348 until 1366, and Latin archbishop of Thebes until 1380. During his time in Thebes, which was the capital of the Catalan duchy of Athens, he studied Hebrew and in the mid- to late-1370s he began work on a polyglot Latin-Greek-Hebrew Bible dedicated to Pope Urban VI. -
Contemporary Japan Journal of the German Institute for Japanese Studies Tokyo
2016 · VOLume 28 · Number 1 CONTEMPORARY JAPAN JOURNAL OF THE GERMAN INSTITUTE FOR JAPANESE STUDIES TOKYO EDITOR Franz Waldenberger German Institute for Japanese Studies Tokyo (DIJ) [email protected] ISSUE EDITOR Iza Kavedžija University of Oxford [email protected] MANAGING EDITOR Peter Backhaus Waseda University, Tokyo [email protected] www.contemporary-japan.org EDITORIAL BOARD John C. Campbell Kristina Iwata-Weickgenannt University of Michigan, USA and Nagoya University, Japan University of Tokyo, Japan Axel Klein David Chiavacci University of Duisburg-Essen, Germany University of Zurich, Switzerland Rotem Kowner Florian Coulmas University of Haifa, Israel University of Duisburg-Essen, Germany Sébastien Lechevalier Harald Conrad L’ecole des Hautes Etudes University of Sheffield, en Sciences Sociales, France United Kingdom Wolfram Manzenreiter Harald Fuess University of Vienna, Austria University of Heidelberg, Germany Yoshimichi Sato Hilaria Gössmann Tohoku University, Japan University of Trier, Germany Ulrike Schaede Nanette Gottlieb University of California, San Diego, University of Queensland, Australia USA Patrick Heinrich Sawako Shirahase Dokkyo University, Japan University of Tokyo, Japan Barbara G. Holthus Karen Shire University of Vienna, Austria University of Duisburg-Essen, Germany Glenn Hook University of Sheffield, Patricia G. Steinhoff United Kingdom University of Hawai’i at Mˉanoa, USA Jun Imai Hokkaido University, Japan DE GRUYTER Contemporary Japan 2016 | Volume 28 | Issue 1 Contents Special -
Johann Georg Faust
Johann Georg Faust Dr. Johann Georg Faust (approx. 1480 – 1540) was a German alchemist who was born in the village of Knittlingen, Württemberg (it is also claimed in Roda in the province of Weimar, and also in Helmstadt near Heidelberg in 1466). He has alternatively been known by the names “Johann Sabellicus” and “Georg Faust.” In 1507, Johannes Trithemius of Sponheim wrote that Faust was a con-man and a drifter who preyed on the gullible. He said he had fled a teaching position in Kreuznach after molesting several of the boys there. He may have then gone on to the University of Heidelberg to study, obtaining a degree in divinity from Heidelberg University in 1509, and then to Poland where a friend of Martin Luther, Philip Melanchthon, says Faust studied magic at the University of Kraków. Martin Luther and Philipp Melanchthon are said to have alleged Faust’s companionship with the devil. After that, he appears at the University of Ehrfut in central Germany. It is said that when he lectured on Homer he conjured up Homer’s heroes for his students. He was expelled from Ehrfut by the Franciscan monk Dr. Klinge (who was the cathedral preacher from 1520-1556). Dr. Klinge asked for Faust’s repentance. Faust refused the monk’s offer of intervention and admitted having signed a pact with the Devil, and said that he trusted the Devil more than God. In 1523 he is said to have visited Auerbach’s Tavern in Leipzig where he conjured wine out of a table, and rode a barrel of wine. -
Programme Friday 27Th September 2013 08.30
Programme Friday 27th September 2013 08.30- Registration 09.30 Welcome Addresses and Opening of the 7th EARNet Symposium Michael Jäckel (President of the University of Trier) 09.30- 10.00 Chris Humphrey (University of Manchester) Matthias Wolz (University of Trier) Keynote Speech 10.00- 10.45 Jere R. Francis: Are we going about auditing research the right way? What are we doing right? What could we do better? 10.45- Break 11.15 Plenary Panel: Audit regulation and standard setting – current developments from a European perspective Chair: Annette Köhler (University of Duisburg-Essen) Speakers: 11.15- Arnold Schilder (Chairman IAASB) 13.00 Juan Maria Arteagoitia (European Commission) Rober Knechel (University of Florida) Philip Wallage (KPMG/University of Amsterdam) 13.00- Lunch 14.00 Parallel Session I: Going Concern Decisions Chair: Mahbub Zaman, University of Manchester Jean Bédard and Carl Brousseau, Laval University; Ann Vanstraelen, Maastricht University: The effects of an emphasis of matter paragraph on auditor reporting behavior and informative value: The case of going-concern disclosures. Discussant: Nicole Ratzinger-Sakel, University of Ulm 14.00- Nadine Funcke, Maastricht University: Credit ratings and the auditor`s going-concern opinion decision. 16.00 Discussant: Per Christen Tronnes, University of New South Wales Stefan Sundgren, University of Vaasa and Umeå School of Business and Economics; Tobias Svanström, BI Norwegian Business School and Umeå School of Business and Economics: The association between audit firm size and the adoption of a new auditing standard: The case of ISA 570 based going-concern reporting in Sweden. Discussant: Liesbeth Bruynseels, KU Leuven Programme Friday 27th September 2013 Parallel Session II: Non-Audit Fees Chair: Christiane Pott, Technical University Dortmund Bernard Raffournier, University of Geneva; Alain Schatt, HEC Lausanne: Non-audit fees and audit fees in a poorly regulated context: The case of Switzerland. -
Quaderni D'italianistica : Revue Officielle De La Société Canadienne
272 Piccola biblioteca maso keeps the English version "straight." In other instances he is able to bring to the English version qualities which mirror the source text, such as "freely-given" to render and to echo the dieresis of "grîizïoso" (Sonnet 31) or "bound from bough to bough" to reproduce the alliterative effect of "de fronda in fronda" (Sonnet 6), with the felicitous addition of the verb "bound" to give greater relief to the line's rhythmic quality. In working at the macro-level. Di Tommaso himself discusses the type of strategies necessary in order to render the sense and the aesthetic essence of the source text, in short, in order to convey the text's ideolect in another language: "At times the translation achieves an effect which was not intended in the original, but which seems appropriate and worth retaining. The last stanza of the fourth sonnet, for example, begins and ends 'with her,' thus embodying in its form the inherent Petrarchan platonism of the poem and the idea of the cyclical return of the Golden Age which the poet identifies with the Lady's appearance on Earth" (ix). Although, as he says, the original does not intend the effect which the translation gives, the translation successfully signals to the reader the- matic dimensions and poetic structures which are fundamental to the collection in gen- eral. And Di Tommaso concludes: "In the course of juggling such elements, I have in- voked Accuracy . and Readability as my muses" (ix-x). In this regard, his accomplish- ments have been considerable. The translation is prefaced by a very useful introduction to Boiardo's canzoniere, both in the context of the literary tradition which came to the fifteenth-century poet from the late Middle Ages and the early Renaissance and in the socio-cultural context of the courtly environment of Quattrocento Ferrara. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
Agrippa's Cosmic Ladder: Building a World with Words in the De Occulta Philosophia
chapter 4 Agrippa’s Cosmic Ladder: Building a World with Words in the De Occulta Philosophia Noel Putnik In this essay I examine certain aspects of Cornelius Agrippa’s De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533), one of the foun- dational works in the history of western esotericism.1 To venture on a brief examination of such a highly complex work certainly exceeds the limitations of an essay, but the problem I intend to delineate, I believe, can be captured and glimpsed in its main contours. I wish to consider the ways in which the German humanist constructs and represents a common Renaissance image of the universe in his De occulta philosophia. This image is of pivotal importance for understanding Agrippa’s peculiar worldview as it provides a conceptual framework in which he develops his multilayered and heterodox thought. In other words, I deal with Agrippa’s cosmology in the context of his magical the- ory. The main conclusion of my analysis is that Agrippa’s approach to this topic is remarkably non-visual and that his symbolism is largely of verbal nature, revealing an author predominantly concerned with the nature of discursive language and the linguistic implications of magical thinking. The De occulta philosophia is the largest, most important, and most complex among the works of Heinrich Cornelius Agrippa von Nettesheim (1486–1535). It is a summa of practically all the esoteric doctrines and magical practices ac- cessible to the author. As is well known and discussed in scholarship, this vast and diverse amount of material is organized within a tripartite structure that corresponds to the common Neoplatonic notion of a cosmic hierarchy. -
Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López De Carvajal (1456–1523)
2017 IV Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456–1523) Marta Albalá Pelegrín Article: Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523) Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523)1 Marta Albalá Pelegrín Abstract: This article aims to analyze the role of Bernardino López de Carvajal (1456 Plasencia-1523 Rome) as a literary patron, namely his contributions to humanism in Rome and to Spanish letters, in the period that has been loosely identified as Spanish Rome. Carvajal held the dignities of orator continuus of Isabella of Castile and Ferdinand of Aragon, titular cardinal of Santa Croce in Gerusalemme, and Latin Patriarch of Jerusalem, and was even elected antipope with the name of Martin VI in the Conciliabulum of Pisa (1511) against Julius II. He belonged to the avant-garde of humanists devoted to creating a body of Neo-Latin and Spanish literature that would both foster the Spanish presence at Rome and leave a mark on the Spanish literary canon. He sponsored a considerable body of works that celebrated the deeds of the Catholic Kings and those of the Great Captain, Gonzalo Fernández de Córdoba. He also commissioned literary translations, and was involved in the production of theatrical pieces, such as those of Bartolomé Torres Naharro. Key Words: Benardino López de Carvajal; Literary Patronage; Catholic Kings; Erasmus; Bartolomé Torres Naharro; Gonzalo Fernández de Córdoba. -
The Cambridge Companion to Age of Constantine.Pdf
The Cambridge Companion to THE AGE OF CONSTANTINE S The Cambridge Companion to the Age of Constantine offers students a com- prehensive one-volume introduction to this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, reli- gion, social and economic history, art, and foreign relations during the reign of Constantine, a ruler who gains in importance because he steered the Roman Empire on a course parallel with his own personal develop- ment. Each chapter examines the intimate interplay between emperor and empire and between a powerful personality and his world. Collec- tively, the chapters show how both were mutually affected in ways that shaped the world of late antiquity and even affect our own world today. Noel Lenski is Associate Professor of Classics at the University of Colorado, Boulder. A specialist in the history of late antiquity, he is the author of numerous articles on military, political, cultural, and social history and the monograph Failure of Empire: Valens and the Roman State in the Fourth Century ad. Cambridge Collections Online © Cambridge University Press, 2007 Cambridge Collections Online © Cambridge University Press, 2007 The Cambridge Companion to THE AGE OF CONSTANTINE S Edited by Noel Lenski University of Colorado Cambridge Collections Online © Cambridge University Press, 2007 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521818384 c Cambridge University Press 2006 This publication is in copyright. -
Summer in the Romantic Cities
PRESS RELEASE SUMMER IN THE ROMANTIC CITIES KOBLENZ, JUNE 2019 Enjoy outdoor activities, dancing and laughing! Summer in the Romantic Cities is all this and much more. Located in the southwest of Germany and blessed with a pleasant, Mediterranean climate, the cities of Rhineland‑ Palatinate are ideal for enjoying summer to the full, be it by attending the countless events or enjoying regional delicacies or the various outdoor activities. You will most definitely fall in love with the Romantic Cities straddling the Rhine and Moselle! EVENTS The season kicks off on the next-to-last weekend in June (19–23 June 2019) with the open- air Porta³ in front of the Porta Nigra in Trier, a grand celebration with big names in attendance, good music and a vibrant atmosphere. The Nibelungen Festival in Worms (12–28 July 2019) is more restrained but no less entertaining. This year, the open-air theatrical event just outside the cathedral will feature ‘ÜBERWÄLTIGUNG’. But it is not only the performance against a backdrop of the cathedral that makes the festival a unique cultural event, it is also the excellent supporting programme and Heylshof Garden, one of Germany’s most beautiful theatre foyers, that attract numerous visitors. The night sky is fantastically illuminated during the Mainz Summer Lights (26–28 July 2019), which includes a varied music programme, a welcoming wine village, countless food stalls, other activities and, the pièce de résistance on Saturday, a stunning fireworks display set to music. The breathtaking show can be enjoyed from the riverbanks or aboard an exclusive ship on the Rhine. -
Roman Empire Conquer
ROMAN EMPIRE CONQUER THE TRIER ANCIENT URBAN the city became the residence of emperors Nowhere else north of the Alps can you in the western part of the Roman Empire CENTRE experience the Roman era more authen- in Late Antiquity. Trier unites UNESCO tically than in Trier. The centre of Antiq- World Heritage sites, Roman monuments uity in Germany is located here. The city CONTACT: and archaeological fi nds into an incom- was once one of the largest urban centres Generaldirektion Kulturelles Erbe Rheinland-Pfalz parable introduction into the culture of Direktion Rheinisches Landesmuseum Trier in the Roman Empire. As a fl ourishing the everyday lives of the Roman city.I Weimarer Allee 1 D-54290 Trier centre of trade and administrative seat, Tel. +49 (0) 651 9774-0 [email protected] 0 200 m Burgen Schlösser Altertümer Rheinland-Pfalz | Visitor Services Tel. +49 (0) 651 460 8965 [email protected] Roman Villa Otrang ca. 35 km Trier Tourismus und Marketing GmbH Tourist Information City Museum An der Porta Nigra D-54290 Trier Simeonstift Tel. +49 (0) 651 97808-0 Porta Nigra Touristinfo [email protected] www.trier-info.de Cathedral Main station Main market Museum PHOTOS: Generaldirektion Kulturelles Erbe Rheinland-Pfalz Cathedral Burgen Schlösser Altertümer MOSEL Rheinisches Landesmuseum Trier (Th. Zühmer) Trier Tourismus und Marketing GmbH srg Werbeagentur Mannheim Imperial Forum Baths Throne Room PRINTED: Roman Bridge Rheinisches Landesmuseum 2016. Subject to alterations. IMPERIAL BATHS Barbara Baths Imperial Baths www.zentrum-der-antike.de www.gdke-rlp.de Igel Column ca. 9 km www.burgen-rlp.de Amphitheater www.landesmuseum-trier.de N Kastel Hermit’s Cell ca. -
Die Älteste Stadt Deutschlands the Oldest City in Germany Willkommen in Trier Welcome to Trier
DIE ÄLTESTE STADT DEUTSCHLANDS THE OLDEST CITY IN GERMANY WILLKOMMEN IN TRIER WELCOME TO TRIER D Trier ist Deutschlands älteste Stadt. Ein Monument der Zeitgeschichte. Und ein fas- zinierendes Reiseziel. Historische Baudenkmäler, einmalige Kirchenanlagen und pracht- volle römische Kulissen machen einen Besuch der romantischen Moselstadt zu einem unvergesslichen Erlebnis. Auf den Fundamenten ihrer über 2000-jährigen Vergangenheit präsentiert die einstige Kaiserresidenz Kunstinteressierten und Naturliebhabern ein einzig- artiges kulturhistorisches Angebot. Die Vielfalt der hier vorhandenen Epochen und Stile verleihen der Stadt ihren unverwechselbaren Charakter. e Trier is Germany’s oldest city. A monument of history. And a fascinating travel destination. Historical monuments, unique churches, and splendid Roman backdrops make a visit to the romantic Moselle city an unforgettable experience. On the foundation of its over 2000-year-old past, the former Roman Imperial residence presents to those interested in art and to nature lovers as well a singular offer in cultural history. The variety of the periods and styles assem- bled here lends the city an inimitable character. Porta Nigra (UNESCO Weltkulturerbe) Porta Nigra (UNESCO World Cultural Heritage) Dom und Liebfrauenkirche Cathedral and Church of Our Lady AllgemeIneS & geSchIchTe FASZINIERENDE General information & history WELTKULTUR FASCINATING WORLD CULTURE Basilika Roman Imperial Throne Room Kaiserthermen Imperial Baths KArL-Marx (1818-1883) Karl marx (1818-1883) Begründer des modernen Sozialismus, Ständige Ausstellung zu Leben und Werk: Karl-Marx Haus, Brückenstraße 10 Founder of modern socialism, Permanent exhibition on his life and work: Karl Marx Haus, Brückenstrasse 10 D Weltkulturgüter der UNESCO hat Trier viele zu bieten: Besonders das römische Amphitheater, die Kaiserthermen und die Konstantin-Basilika geben der Stadt ein unverwechselbares Gesicht.