Introduction 1
NOTES Introduction 1 . Siân Echard, Arthurian Narrative in the Latin Tradition , Cambridge Studies in Medieval Literature 36 (Cambridge: Cambridge University Press, 1998 ), p. 14; Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004 ), pp. 26–27; Anne F. Sutton and Livia Visser-Fuchs, “The Dark Dragon of the Normans: A Creation of Geoffrey of Monmouth, Stephen of Rouen, and Merlin Silvester,” Quondam et Futurus: A Journal of Arthurian Interpretations 2.2 ( 1992 ): 2 [1–19]. 2 . Julia Briggs discusses the Vortiger and Uther Pendragon plays per- formed by Philip Henslowe’s company as well as William Rowley’s The Birth of Merlin and Thomas Middleton’s Hengist , “New Times and Old Stories: Middleton’s Hengist ,” Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century , ed. Donald Scragg and Carole Weinberg, Cambridge Studies in Anglo-Saxon England 29 (Cambridge: Cambridge University Press, 2000 ), pp. 108–9 [107–21]. 3 . For evidence supporting a late 1138 date for Geoffrey’s HRB , see Wright, introduction to HRB Bern , p. xvi [ix-lix] and John Gillingham, “The Context and Purposes of Geoffrey of Monmouth’s History of the Kings of Britain ,” Anglo-Norman Studies 13 (1991 ): 100 n5 [99–118]. 4 . Clarke, introduction to VM , p. vii [vii-50]; Echard, Arthurian Narrative , p. 218. 5 . Lee Patterson, Negotiating the Past: The Historical Understanding of Medieval Literature (Madison, WI: The University of Wisconsin Press, 1987 ), pp. 160, 201, 170, and 187; Virgil, Aeneid in Eclogues, Georgics, Aeneid I-VI , trans.
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