PDF: V109-N49.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

PDF: V109-N49.Pdf o ef -- lvf _ ~~~~~~~i. MIT - Continuous Cam rige,.sPi News Service Massachusetts Since 1881 Tuesday, November 7, 1989 _t _ ia-b Volume 109, Number 49 - *I~~~~~~~~~~~~~~~~~~~~~~1 Abortion d bate escalates Poster burns during Abortion Awareness Week By Andrea Lamberti MIT Pro-Life organized Abor- was about to cross Massachusetts and Mauricio Roman tion Awareness Week beginning Avenue with friends when they Tensions are escalating on the Oct. 30. Its purpose was to in- spotted the flames from across I abortion issue, as evidenced by form the MIT community about the street. Welch saw that the the burning of an MIT Pro-Life the Pro-Life ethic and educate it poster had become "a big pillar drop poster last Thursday night. on some basic facts about abor- of flames" and ran into Lobby 7. Chalk graffiti saying "Choice" tion. Pro-Life tried to engage When they got inside, the lower has appeared on the sandstone AWS in a forum on abortion that half of the poster, still burning, walls of the MIT main building. took place last Thursday, but fell to the ground. Welch put out I Both MIT Pro-Life and the MIT AWS declined the offer. the fire by stamping on the post- Association for Women Students, er and pulling it away from the which holds a pro-choice posi- Pro-Life poster set on fire wooden newsstands. The fire on tion, are actively campaigning for An MIT Pro-Life drop poster the other half of the poster, still their views in anticipation of the for Abortion Awareness Week hanging from the top balcony, March for Women's Lives in was set on fire in Lobby 7 last went out by itself. Welch said Washington, DC, this Sunday. Thursday night. John Welch '92 (Please tarn to page 2) The march is an attempt to in- fluence the Supreme Court deci- sions on three key cases that it will consider this term, as well as to exert pressure on Congress and the White House to keep abortion legal and- funded. On July 3 the Supreme Court ruled that federal money could not be used to support abortions and granted the states more regula- tory powers over abortion. Pro- choice advocates feel that repro- Sean Dougherty/The Tech ductive rights in the United Marvin Appell G and. Liz Albert practice the foxtrot in States will be in serious jeopardy the Ballroom Dance Club's dress rehearsal for the an- when the Supreme Court consid- nual (Commonwealth Classic dance competition. MIT ers these cases. won first place in the international competition and On campus, AWS is actively second in the American. working toward the march while Andrea Lamberti/The Tech a Unidentified people set fire to MIT -Pro-Life Club's Abortion A- ¢ norminitee - send-,ARA ultimatum-- Awareness, Week drop poster in Lobboy 7 last Thuirsay- Hbt. ~f-tt ,~InXput, into. -evaluatoIos, say-: . "tics-[should "be] more iin Eny Bpi· iXa+h)e< rt"TC The Undergraduate Associa- -and lowering the: mnimium -meal, line with' the quality and quantity tion's Ad Hoc ARA Committee3 plan. [of f6od]. Specific problems will present ARA, which runss Thle committee's short-term cited include inconsistency in Rennt control key issue MIT's food services, with a list off recommendations fall into several pricing on campus and exorbitant t broad necessary improvements. The list categories. Health- issues, prices on extras such as lettuce, in today' - local-elections is a compilation of student eom- pricing, service, and quality are tomatoes, pickles, and potato plaints from "flame sheets" the primary focus of the list. chips. By Prabbat Mehta the pro-rent-control Cambridge Health placed'around campus. If stu- problems cited for im- Students had more problems Registered voters in Cambridge Civic Association, argue that it dents do not report improvementt provement include the ignoring with service than anything else, will decide today on the fate of would reduce the stock of rent- in the quality of food and service ,expiration dates and employee according to Hamel. Slow ser- the controversial referendum, controlled housing by promoting within the next four weeks, the disregard for such precautions as vice, shortages of staple items Proposition 1-2-3, which would the conversion of such units to commnittee will consider "taking gloves, hairnets, and hand- such as bread and meat during allow tenants who have lived in condominiums. Supporters, in- washing. action, possibly in the form of a peak times, inconvenient hours, rent-controlled apartments for at cluding members of the Cam- Concerning boycott," said Jennifer Hamel pricing, the list- (Please turn to page 17) least two years to purchase their bridge Home Ownership Associa- '90, chair of the committee. units as condominiums. tion, claim that 1-2-3 would ARA management, led by Both sides of the issue have increase the stock of low and General Manager Alan Leo, met UA may back proposal fought vigorously, with each side moderate-income housing avail- Sunday with the committee. The accusing the other of foul play; able for ownership. They also committee discussed the recom- but most experts, including the point to a provision in the refer- mendations with Leo, who said lon funding of activities referendum's original author, feel endum which establishes a fund he would take care of all the that 1-2-3 has little chance of ob- to provide money for affordable problems, according to UJA; Presi- By Cliff Schmidt taining the minimum requirement housing . dent Paul Antico '91. The Undergraduate Associa- of one-third support among Meyer hopes that at least 40 Both short- and long-term rec- tion will hold a special UA Coun- Cambridge's 47,461 registered percent of those who turn out for ommendations are made on the cil meeting tomorrow to discuss voters. today's election will support the list - a copy or which will go to stuldelnt- .-atitip-s -fimning--- Fred Meyer, the author of 1-2-3, referendum. This, he believes, the Department of Housing and The UA is considering support- told Thne Cambridge Chronicle would show "a significant major- Food Services, which oversees ing a "Student Activities F~unding that he felt it was unlikely that ity is concerned about these ARA!s activities. "The commit- Proposal," which will divert a the referendum would get a ma- things." tee's purpose is to have small part of every undergradu- jority of votes and that he was al- long- Council race draws-28 candidates standing effects on MIT's food ate's tuition directly to the U~s most certain that it would fail to service," Antico said. Long-term Financial Board to be allocated get the required one-third of Also on the Cambridge ballot recommendations include intro- to student activities. President_ registered voters. this year are the nine City Coun- . ducing competition, reevaluating tPaul E. Gtray '54 has "pledged to Opponents of the referendum, cil seats, wliich are being contest- the meal plan system, increasing offset any student activities fee including candidates endorsed by (Please turn to page 15) from tuition," 'according to a lets ter sent to all student activity _wm~ leaders by UA Vice President MIT Polling Locations Andrew P. Strehle '91. In other words, after the annu- Those on west campus (Ward 2, Precincts 3 A delightful production of al' tuition is set, an amount still . Lisette W.M. Lambregts/The Tech to be determined will go to Fin- UA President Pul and 4) should vote in the MIT Athletic Center. The Sorcererby MRIT Antico '90 Board rather than to the depart- make a substantial difference in Those on east Gilbert & Sullivan ment budgets. This means a funds available student activities, campus (Ward 2, Precinct 2) Players. Page 6. much greater percentage of the he said. should vote at Pisani Center, 131 Washington funds received by student activi- Strehle- is collecting inforna- Street (near Technology Square). ties will be allocated through tion from the activities concern- Musical Theatre Guild FinBoard. ing how much they -usually re- "Those who livre just- north of Vassar Street does -credit to old According to UA President ceive from the departments and ,. (Ward 5, Precinct 1) should vote at the Fire- Paul L. Antico '91, the current how much they need. With this i standby, My FairLady. house at Lafayette Square, Massachusetts I Page 7. annual amount of approximately information he hopes to come up i $67-000 given to FinBoard to with a figure that should more Avenue. E D fund activities has not been sig- than compensate for the money t K nificantly increased since the late that some departments may cut (Note: anyone who registered locally for the K Spy editors take aim at | 1960s. Using $20 to $30 of every back. | "trash" novels. P.ageo 8. Presidentialelection may vote.) | undergradU'ate's tuition could - | la--u ~.u r4eb sl' = leabersetum-nto IPagbe 19) E I hit C--- --- - L I I · - I _ -- __ , ,_ __ | s | I , .,, . *~ I .in I As , ,. In , L I I I | I -:_l -PAGE 2 The Tech TUESDAY, NOVEMBER _~gc~ _ka ~-~s~bk-'I ~c~ 7, 1989 . -ro as ^r abunion_eFo SCHOINFRONNF0R I ` I -(Continued from page IJ fetus as alive and human, there- *liberates men, not women, be a- fore possessing the inalienable cause it surrenders i n;; STUDEN WNONEED that it looked- like the fire had single wornei right to life. Another school to pregnancy been started from the seconid of discrimination,,ant I ,thought regards human life allows men to escape floor balcony-because the flames as responsibil niot sufficiently defined by ity for their ~y I~ were burning from the middle.
Recommended publications
  • Licht Ins Dunkel“
    O R F – J a h r e s b e r i c h t 2 0 1 3 Gemäß § 7 ORF-Gesetz März 2014 Inhalt INHALT 1. Einleitung ....................................................................................................................................... 7 1.1 Grundlagen........................................................................................................................... 7 1.2 Das Berichtsjahr 2013 ......................................................................................................... 8 2. Erfüllung des öffentlich-rechtlichen Kernauftrags.................................................................. 15 2.1 Radio ................................................................................................................................... 15 2.1.1 Österreich 1 ............................................................................................................................ 16 2.1.2 Hitradio Ö3 ............................................................................................................................. 21 2.1.3 FM4 ........................................................................................................................................ 24 2.1.4 ORF-Regionalradios allgemein ............................................................................................... 26 2.1.5 Radio Burgenland ................................................................................................................... 27 2.1.6 Radio Kärnten ........................................................................................................................
    [Show full text]
  • Programmheft (Pdf)
    Die ersten Europäer Habsburger und andere Juden – eine Welt vor 1914 Begleitprogramm Die ersten Europäer Habsburger und andere Juden – eine Welt vor 1914 25. März – 5. Oktober 2014 Hundert Jahre nach dem Beginn des Ersten Weltkriegs steckt Europa erneut in einer tiefen Krise. Das Jüdische Museum Hohenems blickt zurück auf die Lebenswelt der „Habsburger Juden“ und ihre Erfahrungen, ihre transnationalen Netzwerke und ihre Mobilität, ihre Hoffnungen auf eine europäische Einigung und ihre Illusionen über das Habsburger „Vielvölkerreich“. Die Ausstellung präsentiert kostbare Leihgaben aus Museen und Sammlungen in Europa und den USA. Sie erzählt von Kaufleuten und Lastenträgern, Erfin- dern und verkauften „Bräuten“, Künstlern und Salon- damen, Hausiererinnen und Gelehrten, Spionen und Patrioten. So entfaltet die Schau das Panorama eines untergegangenen Reiches, vom späten Mittelalter bis 1914. Am Ende existierten mehr als 400 jüdische Gemeinden auf dem Gebiet der Habsburger Doppel- monarchie, in denen sich die ganze Vielfalt des Reiches widerspiegelte. Lange Zeit war Hohenems freilich die einzige öffentlich anerkannte jüdische Gemeinde auf dem Gebiet des heutigen Österreich westlich des Burgenlandes, bevor das Staatsgrundgesetz 1867 Juden den Eintritt in die Gesellschaft eröffnen sollte – und der moderne Antisemitismus zur neuen Heilslehre Europas wurde. Juden gehörten in dieser Welt vor 1914 zu den aktivsten Mittlern zwischen den Kulturen und Regionen. Ihre Mobilität und ihre grenzüber- schreitenden Beziehungen machten sie zum dynami- schen Element der europäischen Entwicklung. Die Angehörigen dieser jüdischen Gemeinden waren alles andere als homogen. Sie bestanden aus Monar- chisten und Revolutionären, aus Chassidim und Maskilim, Frommen und Aufgeklärten, ländlichen und urbanen Juden, Armen und Reichen, Traditionalisten und Kämpfern für Gleichheit und Recht, Feministinnen und Utopisten.
    [Show full text]
  • ORF-Jahresbericht 201 3
    III-519-BR/2014 der Beilagen - Bericht - 02 Hauptdokument Teil 1 (gescanntes Original) 1 von 100 ORF-Jahresbericht 201 3 Gemäß § 7 ORF-Gesetz März 2014 www.parlament.gv.at 2 von 100 III-519-BR/2014 der Beilagen - Bericht - 02 Hauptdokument Teil 1 (gescanntes Original) www.parlament.gv.at III-519-BR/2014 der Beilagen - Bericht - 02 Hauptdokument Teil 1 (gescanntes Original) 3 von 100 Inhalt INHALT 1. Einleitung ................................................................. ...................................................................... 7 1 .1 G ru n d lagen .......... ................................................................................................................. 7 1.2 Das Beri chtsja h r 2013 ............... ........................................................................................ .. 8 2. Erfüllung des öffentlich-rechtlichen Kernauftrags ........... ....... ................................................ 15 2.1 Rad io ................................................................. .................................................................. 15 2.1.1 Österreich 1 ....... .. .............. 16 2.1.2 Hitradio Ö3 ... ............... .................. .21 2.1.3 FM4 .. .. .. ... .................. .. .. ... 24 2.1.4 ORF-Regionalradios allgemein .. ... ............. .................. 26 2.1.5 Radio Burgenland ........ 27 2.1.6 Radio Kärnten ........... .................... .. ....... 30 2.1.7 Radio Niederösterreich. ... 33 2.1.8 Radio Oberösterreich .. 35 2.1.9 Radio Salzbur9 ..............
    [Show full text]
  • Valentin Hitz CV Filmographie Ext Konv Prod
    VALENTIN HITZ DREHBUCH | REGIE geboren in Stuttgart | aufgewachsen in Zürich | lebt und arbeitet in Wien REGIESTUDIUM an der FilmakaDemie Wien bei Axel Corti und Peter Patzak | Magisterarbeit: ›TenDenz zum REMIX – Das Phänomen Zitat im amerikanischen Film der 90er‹ | Mag.art. | DOZENTENTÄTIGKEIT u. a. an der Bruckner Universität Linz | Abteilung Schauspiel | FilmDramatische Basisarbeit und Camera Acting | ASSISTENZTÄTIGKEIT bei Jessica Hausner : Little Joe | LourDes | Hotel | Shirin Neshat : Women Without Men | Barbara Albert : Die LebenDen und die Toten | NorDranD | SliDin‘ | Titus Selge : Tatort | Mark Kidel : Peter Sellars | AlfreD Brendel | Franz Novotny | Peter Patzak | u. a. | AUFTRAGSFILME Clips für TheaterproDuktionen | u. a. am Schauspielhaus Zürich | Werbe- und Imagespots | u. a. für das Österreichische Rote Kreuz | Video-/Foto-Arbeiten und Kunst- Installationen | Documenta Seoul 2000 | Galerie Neurotitan Berlin u. a. | JURYTÄTIGKEIT für Filmfestivals, Kommissionen, Drehbuch-Preise und StipenDien SPIELFILME STILLE RESERVEN | A/D/CH 2016 | 96 Min | FreibeuterFilm | Neue MeDiopolis | Dschoint Ventschr | FESTIVALS | AWARDS Zurich Film Festival 2016 : GolDen Eye AwarD Focus Schweiz, DeutschlanD, Österreich | VIENNALE 2016 Vienna International Film Festival | Filmfest Lünen 2016 : Preis der Schülerjury 16+ | Other WorlDs Film Festival Austin 2016 : Best Feature Cinematography AwarD | Solothurner Filmtage 2017 | Max Ophüls Festival 2017 | Österreichischer Filmpreis 2017 : Beste NebenDarstellerin, Beste Kamera, Bestes SzenenbilD |
    [Show full text]
  • The Museum of Modern Art Celebrates Vienna's Rich
    THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films.
    [Show full text]
  • Austrian Cinema: a History'
    Habsburg Warren on Dassanowsky, 'Austrian Cinema: A History' Review published on Friday, April 23, 2010 Robert von Dassanowsky. Austrian Cinema: A History. Jefferson: Mcfarland, 2007. 328 pp. $75.00 (paper), ISBN 978-0-7864-3733-7. Reviewed by John Warren (Oxford Brookes University) Published on HABSBURG (April, 2010) Commissioned by Jonathan Kwan A Very Timely Celebration of One Hundred Years of Austrian Cinema I suppose one must start with an acceptance that Austria's place in public consciousness as a filmmaking nation is not strong, but we now have a book, Robert von Dassanowsky'sAustrian Cinema, that provides a complete picture of cinema in Austria from 1895 to the early party of the twenty-first century. This reprint in paperback of the original case bound edition (published in 2005) is a valuable and brave venture, revealing that this small state has made many important contributions to the development of film, even if most of them have been abroad, most notably in Berlin and in Hollywood. Within some 285 pages of text, Dassanowsky has covered the widest possible range of topics: films and different film genres, directors, actors, production companies, finance, international connections and cooperation, and last but by no means least much reference to the Austrian political situation at various key periods in the development of its film industry. The author has organized the telling of the story into seven chronologically based chapters, outlining over one hundred years of Austrian cinema, and it will make sense if I briefly summarize their content, the last chapter bringing us into an important and successful phase of Austrian cinema, Austrian cinema in the twenty-first century.
    [Show full text]
  • After the Rain
    After the Rain Dir: Takashi Koizumi, Japan/France, 1999 A review by Shulamit Almog, University of Haifa, Israel After the Rain is Takashi Koizumi's feature film debut, made in 1999, Shoji Ueda and Takao Saito as cinematographers. Akira Kurosawa wrote the screenplay, and Takashi Koizumi, who pays the late Japanese master a tribute in this film, attempted to make a film from Kurosawa's script, as he would have wished. The tribute quality of the film manifests itself most eminently when one puts After the Rain alongside Rashomon, Kurosawa's 1950 masterpiece, that is still possibly the best known Japanese film outside Japan. On the face of it, there is not much in common between the sombre, infinitely intriguing Rashomon and the delightful, lighthearted and light flooded After the Rain. In actual fact, there is a delicate web of links and connections between those two articulations, that correspond with each other. In both films most characters participate in several forms of judging, formal and informal, external and internal. They all judge and are being judged, cast adjudication and are subjected to it. In Rashomon a formal trial is depicted, alongside the internal ones. In After the Rain there is no formal trial, but all characters involved perform continuous ethical judgments of themselves and others. Rashomon begins in rain and ends with rain. Three people, who find shelter from the rain under the Rashomon gate, engage in narration. Two crimes -- a murder of a Samurai and rape of his wife -- are presented four times, in four different ways. The people at the gate renarrate the story of the formal judgment, where the different versions were first narrated, and, while doing so, judge the narrators, the characters of the narrative, and themselves.
    [Show full text]
  • Biografie – Karlheinz Hackl
    Biografie – Karlheinz Hackl Karlheinz Hackl wurde 1949 in Wien geboren. Nach seiner Ausbildung an der Schauspielschule Kraus erhielt er Engagements am Theater der Courage (1972/73), Wiener Volkstheater (1974-1976), Hamburger Thalia-Theater (1976-1978) und seit 1978 am Wiener Burgtheater. Hackl ist seit 1996 ordentlicher Professor für Rollengestaltung am Max-Reinhardt-Seminar in Wien. Vor seiner künstlerischen Karriere schloss er das Studium der Betriebswirtschaftslehre an der Wirtschaftsuniversität Wien mit dem Magistertitel ab. Seit 1997 ist der Schauspieler und Theaterregisseur mit der österreichischen Schauspielerin Maria Köstlinger verheiratet. Die beiden haben eine gemeinsame Tochter. Kabarett (Auswahl) 2009 - "Lachen macht gesund" Theater (Auswahl) Regiearbeiten 1989 - „Brooklyn Memoires“ im Volkstheater 1991 - „Nora“ von Henrik Ibsen im Volkstheater 1993 - „Liebelei“ von Arthur Schnitzler im Theater in der Josefstadt mit Bernhard Schir 1994 - „Geschichten aus dem Wienerwald“ von Ödön von Horvath im Theater in der Josefstadt mit Herbert Föttinger 1995 - „Romeo und Julia“ von William Shakespeare im Burgtheater mit Johannes Krisch und Eva Herzig 1999 - „Der Verschwender“ von Ferdinand Raimund im Theater in der Josefstadt mit Herbert Föttinger und Maria Köstlinger 2000 - „Der Färber und sein Zwillingsbruder“ von Johann Nestroy im Burgtheater mit Birgit Minichmayr 2001 - „Heimliches Geld, heimliche Liebe“ von Johann Nestroy im Theater in der Josefstadt mit Otto Schenk, Herbert Föttinger und Alexander Waechter 2005 - „Nora
    [Show full text]
  • Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage
    Department of History and Civilization Against the Great: Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage Ilse Josepha Maria Lazaroms Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 1 October 2010 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization Against the Great: Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage Ilse Josepha Maria Lazaroms Examining Board: Prof. Martin van Gelderen, Supervisor, European University Institute Prof. Antony Molho, European University Institute Prof. Sander L. Gilman, Emory University Prof. Raphael Gross, Frankfurt am Main / Leo Baeck Institute London © 2010, Ilse Josepha Maria Lazaroms No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Table of Contents Table of Contents i Acknowledgements iii Chapter I The Lives of Man. Joseph Roth 1894-1939 Introduction & Biographical Sketch 1 Historiography 4 Main Questions 11 Responses to Catastrophe. Outline of the Thesis 15 Chapter II A Time Divided against Itself. Debates, Methods, Sources Introduction 19 Debates 20 Methods 25 Note on (Auto)Biography 33 Sources 35 Chapter III Opening up the Crypt. Nostalgia, Retrospective Belonging and the Present Introduction 43 Nostalgia, Historical Discontinuity, and the Critical Eye 45 1918 49 Vienna: a Cardboard Décor 52 Identities and Diasporas 55 The Emperor’s Tomb (1938) 61 Conclusion 69 Chapter IV The Lamentations of an “Old
    [Show full text]
  • The Axel Corti Collection
    THE AXEL CORTI COLLECTION Four Feature Films by Axel Corti God Does Not Believe in Us Anymore (1982) Santa Fe (1985) Welcome in Vienna (1986) A Woman’s Pale Blue Handwriting (1984) Public Performance Screenings & DVD Sales: The National Center for Jewish Film DVD Purchase Lown 102, MS 053 Institutional use $90 (each) Brandeis University Home use $36 (each) Waltham, MA 02454 All 4 films: $300 inst / $126 home (781) 736-8600 or (781) 899-7044 [email protected] Public Performance / Theatrical www.jewishfilm.org Rental: Call AXEL CORTI (1933-1993) Axel Corti, one of Austria’s most important theater and film directors and journalists, was born in Paris in 1933. Spending his childhood in France, Italy, Switzerland, England, Germany, and Austria, he was educated at 13 different schools, and while in university he focused on German and Romance languages and literature, although he was also schooled in agriculture. At the end of World War II, the Corti family moved to Austria, where Corti began work at the Austrian Broadcasting Corporation (ORF) in the late 1950s. Corti’s work as in the theater began in 1958. Two years later he was invited to the Vienna Burgtheater, where he began as assistant to many of Austria’s leading stage directors. Within a few years he was writing and directing major productions in Austria and throughout Europe. Corti began directing for television and film in the 1960s and is best know outside of Austria for the sweeping and groundbreaking film trilogy Where to and Back (God Does Not Believe in Us Anymore; Santa Fe; Welcome in Vienna) produced between 1982 and 1987, and the critically acclaimed feature A Woman’s Pale Blue Handwriting.
    [Show full text]
  • International Adventures : German Popular Cinema and European Co-Productions in the 1960S Pdf, Epub, Ebook
    INTERNATIONAL ADVENTURES : GERMAN POPULAR CINEMA AND EUROPEAN CO-PRODUCTIONS IN THE 1960S PDF, EPUB, EBOOK Tim Bergfelder | 288 pages | 01 Sep 2005 | Berghahn Books, Incorporated | 9781571815392 | English | Herndon, United States International Adventures : German Popular Cinema and European Co-Productions in the 1960s PDF Book Want to Read Currently Reading Read. Hailed at Cannes, Eroica reintroduced the high quality and unique style of Austrian cinema to the world for a brief time but it failed to encourage national government funding for film production at home. Attendance had fallen drastically: from Neale, Steve. From National to European Cinema Chapter 4. In state-sanctioned cinema, they sit in the dark and see how two people make it with each other, and they themselves are not seen. For the large Austrian and German exile community in Hollywood and the popularity of the Viennese Film with Hollywood studios that were remaking them for American audiences, such an creative and financial connection was feasible and desirable. Eating people, so producers combined them in a string of films where people had to contend with BOTH real cannibals and zombies. I subsequently completed my PhD there on 'The Internationalisation of the German Film Industry in the s and s' , and took up a teaching position at Southampton in where I have been based ever since, and where I have been promoted, first to Senior Lecturer, and later to full Professor. Be the first to ask a question about International Adventures. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.
    [Show full text]
  • The Compromise of Return: Viennese Jews After the Holocaust
    PRAISE FOR THE COMPROMISE OF RETURN “In an engaging, thoroughly researched study, Elizabeth Anthony reveals how and why Jewish returnees came back to ‘their’ city, Vienna, but not to Austria. They persisted in reclaiming their familial, professional, and polit- ical homes, as they compromised with ongoing individual and governmen- tal antisemitism, including the refusal to return their property. Elegantly written, Anthony’s book highlights the hardships and disappointments of Jewish survivors as they settled back ‘home.’” —Marion Kaplan, author of Hitler’s Jewish Refugees: Hope and Anxiety in Portugal “With The Compromise of Return Elizabeth Anthony brings history alive. She paints a vivid picture of the life of Jewish Austrians who chose to remain in or returned to Vienna after the fall of the Nazi regime. Through poignant personal interviews coupled with meticulous archival research and in conversation with international scholarship, the author convinc- ingly argues how their unique Jewish-Viennese identities allowed them to remain in an anti-Semitic society that presented itself as Hitler’s first vic- tim. The Compromise of Return, the first comprehensive English-language study on the topic, constitutes a major contribution to post-war Austrian and Holocaust histories.” —Jacqueline Vansant, author of Reclaiming Heimat: Trauma and Mourning in Memoirs by Jewish Austrian Reémigrés “Deeply researched and beautifully written, this book tells the poignant story of Jewish survivors’ return to Vienna, really for the first time. Brim- ming with insights, it gives voice to the returnees; it is they who stand at the core of this history.” —Dirk Rupnow, Institute for Contemporary History, University of Innsbruck The Compromise of Return THE COMPROMISE OF RETURN VIENNESE JEWS AFTER THE HOLOCAUST ELIZABETH ANTHONY WAYNE STATE UNIVERSITY PRESS Detroit © 2021 by Elizabeth Anthony.
    [Show full text]