DOCSLIB.ORG

Capital and Culture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Capital and Culture Capital and Culture An Investigation into New Labour cultural policy and the European Capital of Culture 2008. Mark Connolly Presented in fulfilment o f the requirements for the degree o f Doctor o f Philosophy at the University of Wales, Cardiff. December 2007 UMI Number: U584278 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584278 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Statements of Declaration This work has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. Signed .. ...............(candidate) Date ........... STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD (insert MCh, MD, MPhil, PhD etc, as appropriate) Signed .. (candidate) Date M .U/L/.firk. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sourcesurces are acknowledged by explicit references. Signed (candidate) Date ....?. 9. /. I A./.^. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed . .. (candidate) Date ..9 : ....... Acknowledgments This study would not have been possible without the help of a lot of selfless people. I would like to thank the ESRC for their financial support; my supervisors, Gareth and Bella, for their academic support; and my friends and family for their emotional support. Thanks also to all my interviewees. I hope this study does justice to the time and support you all gave me. Rinne me mo dhicheal agus is cuma Horn. Mark Connolly Cardiff, 28th December 2007 Abstract This thesis is an investigation into the relationship between culture in New Labour policy and within the competition for the European Capital of Culture 2008. The study interrogates a policy paradigm which it identifies as a ‘creative city/urban planning’ approach to urban regeneration. It locates this approach within a wider New Labour ‘Third Way’ politics, in that it attempts to reconcile economic instrumentalism with a rhetorical commitment to a politics of the social. Based on elite interviews and documentary analysis, this thesis argues that this approach to urban regeneration draws on a misappropriation of the work of cultural theorist Raymond Williams. It demonstrates how this misappropriation results in an unbounded anthropological definition, whereby culture colonises all areas of economic and social life. Within this template, culture becomes a surrogate economic and social policy. This is illustrated in the case-study of Liverpool’s bidding for, winning of and plans for Capital of Culture 2008. This analysis shows how culture without parameters is usurped within both a neo-liberal economic agenda, and a policy template which recasts social inequality as a personal cultural deficit. Within Liverpool’s urban strategy, culture is conceived as a social and economic panacea. However, when culture comes to mean everything, it invariably means nothing. This thesis attempts to put Raymond Williams’ ‘vague and baggy monster’ back in its theoretical cage. CONTENTS Declaration ii Acknowledgements iii Abstract iv Table of Contents v Table of Figures v i i i Chapter One: Introduction 1.1 Introduction 1 1.2 The Personal Journey 2 1.3 The European Capital of Culture 6 1.4 The Structure of the Thesis 7 Chapter Two: Putting Culture Back into its Place 2.1 Introduction 8 2.2 The Negative and Positive Tradition 11 2.3 Liberal Humanism 22 2.4 Challenges to Liberal Humanism 28 2.5 Bourdieu and the Cultural Arbitrary 45 2.6 Conclusion 50 Chapter Three: Neo Liberalism Culture and the City 3.1 Introduction 52 3.2 Neo Liberalism in Urban and Cultural Policy 53 3.3 Neo Liberalism Culture and the City 60 3.4 Criticisms Entrepreneurialism and Culture in Regeneration 63 3.5 Conclusion 70 Chapter Four: Glasgow City of Culture 1990 4.1 Introduction 71 4.2 Glasgow’s Bid for 1990 71 4.3 The Decision for Glasgow and Plans for 1990 83 4.4 Glasgow 1990: Critics and Controversies 86 4.5 The Legacy of Glasgow 1990 91 4.6 Conclusion 94 v Chapter Five: Methods and Strategies 5.1 Introduction 96 5.2 The Politics of Studying Culture 96 5.3 Discourse, Intertextuality and Policy 103 5.4 Research Questions 106 5.5 Research Strategies 110 5.5.1 Documents and Newspapers 112 5.5.2 Interviews 118 5.5.3 Ethics in Interviewing Elites 124 5.6 Analysis 125 5.7 Limitations of Research Design 130 Chapter Six: Cultural Policy and New Labour 6.1 Introduction 131 6.2 ‘Old’ Labour and New Cultural Policy 133 6.3 New Labour: A New Way? 138 6.4 Cui Bono?: New Labour and Instrumentalism in Cultural Policy 145 6.5 Economic Instrumentalism: New Labour and the Move to Creativity 150 6.5.1 New Labour and Creativity 153 6.5.2 Creative Cities 161 6.6 New Labour and Social Instrumentalism 171 6.7 Excursus: New Labour and Unresolved Tensions in Cultural Policy 179 6.8 Conclusion 181 Chapter Seven: Bidding for Capital of Culture 2008 7.1 Introduction 185 7.2 History of City/Capital of Culture and European and British Judging Criteria 186 7.3 The Competing Cities’ Responses: from twelve to six 197 7.4 Defining Culture 205 7.5 Economic and Social Instrumentalism 217 7.6 Creativity 224 7.7 Conclusion 232 Chapter Eight: From Liverpool to Livercool 8.1 Introduction 236 8.2 Early History of Liverpool 237 8.3 Early Class Politics and the ‘Scouse’ Identity 239 8.4 Economic Downturn and Social and Political Turmoil 246 8.5 The Militant Era 249 8.6 The ‘Whingeing’ Scouser 255 8.7 Urban Governance and Regeneration 257 8.8 Conclusion 262 vi Chapter Nine: The People’s Bid and Social Instrumentalism 9.1 Introduction 267 9.2 The History of the ‘People’s Bid' 268 9.3 Social and Economic Objectives and the Marketing of Liverpool 274 9.4 Replicating a Glasgow and Economic Forecasting 280 9.5 Infrastructural Development 288 9.6 Creative Communities 296 9.7 Social Instrumentalism 301 9.8 Conclusion 313 Chapter Ten: The Culture Company and COC08 Controversies 10.1 Introduction 316 10.2 COC08 Award 317 10.3 Urban governance within Liverpool 328 10.4 Economic Focus and the loss of ‘the People' 336 10.5 Controversies around COC'08 345 10.5.1 The Abandoning of Infrastructural Projects 345 10.5.2 The Breakdown o f ‘strong local governance' 350 10.5.3 Tension between Intrinsic Positions and Instrumentalist Imperatives 353 10.6 Conclusion 359 Chapter Eleven: Review and Conclusion 365 Bibliography 379 Appendix One List of Interviewees 412 vii List of Figures Figure Title page One: Raymond Williams’typologization of culture 39 Two: DEMOS and Comedia 137 Three: New Labour’s Cultural Planning/Creative City 183 Strategy Four: Local Newspaper reporting of the competition for COC08 221 Five: The Guggenheim in Bilbao 234 Six: Gondolas on Birmingham's Canals 234 Seven: Belfast Peace Lines 234 Eight: Assembly Building Cardiff 235 Nine: Cardiff's Millennium Centre 235 Ten: The Three Graces 264 Eleven: ‘The Truth’ 265 Twelve: Scotland Road 265 Thirteen: Dereliction in Norris Green 265 Fourteen: March of Militant 265 Fifteen: Yosser Hughes: a victim of neo-liberal ism 266 Sixteen: The Boswell Family: the rogueish Scouser 266 Seventeen: Calm Down: the excitable Scouser 266 Eighteen: Employment Breakdown in Liverpool by ERM definition 286 Nineteen: Employment Breakdown with tourism uncoupled from Creative 287 Industry Twenty: Breakdown of ERM definition of Creative Industry 287 Twenty One: Culture Company Cycle of Success 310 Twenty Two: The Ark and The Cloud 314 viii Twenty Three: The FACT Centre 314 Twenty Four: The Echo Arena 315 Twenty Five: The Public 315 Twenty Six: Peckham Library 315 Twenty Seven: ‘Oi Terry’ 326 Twenty Eight: ‘Chateau Latour’ 327 Twenty Nine: Gondola Across the Mersey 327 Thirty: Relationship Between the Culture Company and the Council 335 Thirty One: The Quiggins Store 36 1 Thirty Two: 08 Place 361 Thirty Three: The Branding of Liverpool 362 Thirty Four: Liverpool’s Ultimate Status Symbol 363 Thirty Five: Talk, talk, talk and wait for the cranes 363 Thirty Six: Liverpool Vision 364 Thirty Seven: Culture of Capital 364 ix Culture and Capital Chapter One: Introduction Chapter One: Introduction So mayhe we should conduct our discussions of education and citizenship, toleration and social peace, without the talk of cultures Long ago, in the midst of prehistory, our ancestors learned that it is sometimes good to let a field lie fa llo w ' Kwainc Anthony Appiah (1997) 1.1 Introduction Wittgenstein once said that sometimes a word needs to be taken out of language and given a semantic cleansing; if ever there was such a word then culture is it. This ‘vague and baggy monster’, as Raymond Williams1 called it, has driven many great minds to distraction, and famously- if apochryphally - Reichmarshal Goering's ever twitching index finger towards his holster. In a sense this study is an attempt to perform such a semantic cleansing in relation to culture in contemporary policy discourse.
Load more

Recommended publications
  • Resituating Culture
    Resituating culture edited by Gavan Titley Directorate of Youth and Sport Council of Europe Publishing This publication is an edited collection of articles from the resituating culture seminar organised in the framework of the partnership agreement on youth research between the Directorate of Youth and Sport of the Council of Europe and the Directorate-General for Education and Culture, Directorate D, Unit 1, Youth, of the European Commission. The opinions expressed in this work are those of the authors and do not neces- sarily reflect the official position of the Council of Europe. All correspondence relating to this publication or the reproduction or translation of all or part of the document should be addressed to: Directorate of Youth and Sport European Youth Centre Council of Europe 30, rue Pierre de Coubertin F-67075 Strasbourg Cedex Tel: +33 (0) 3 88 41 23 00 Fax: +33 (0) 3 88 41 27 77 e-mail: [email protected] http://www.coe.int/youth All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic (CD-Rom, Internet, etc.) or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the Publishing Division, Communication and Research Directorate. Cover: Graphic Design Publicis Koufra Council of Europe F-67075 Strasbourg Cedex ISBN 92-871-5396-5 © Council of Europe, April 2004 Reprinted May 2005 Printed at the Council of Europe Contents Pags List of contributors ........................................................................................... 5 Resituating culture: an introduction Gavan Titley ...................................................................................................... 9 Part l. Connexity and self 1.
    [Show full text]
  • Fifty Years on Culture, Politics and Cultural Policy
    Cinquante ans après Culture, politique et politiques culturelles Fifty Years On Culture, Politics And Cultural Policy Sommaire Table of Contents Sommaire Table of Contents Ouverture Opening Session Frédéric MITTERRAND Frédéric MITTERRAND Maryvonne DE SAINT PULGENT Maryvonne DE SAINT PULGENT Élie BARNAVI Élie BARNAVI Le modèle français en question Examining the French Model Les missions de 1959, vues de 2009 A 2009 perspective on the aims of 1959 Antoine COMPAGNON ............................................... Antoine COMPAGNON .......................................... 5 Redéfinir une culture véritablement cultivée Redefining a genuinely cultured culture Élie BARNAVI Élie BARNAVI Réponse à Antoine Compagnon et à Élie Barnavi Response to Antoine Compagnon and Élie Barnavi Jack LANG Jack LANG CHAPITRE 1 SESSION 1 La construction de l’Europe suppose-t-elle Does the Construction of Europe une politique culturelle commune ? Presuppose a Common Cultural Policy? Les politiques culturelles dans le temps Cultural policies in European time and space. et l’espace européens. Modèles et évolutions Models and evolutions Pierre-Michel MENGER ............................................ Pierre-Michel MENGER ......................................... 10 TABLE RONDE ROUND TABLE Présidée par Jack LANG Chaired by Jack LANG Modérateur : Emmanuel LAURENTIN Facilitator: Emmanuel LAURENTIN Intervenants : Liz FORGAN, Jan-Hendrik OLBERTZ, Panel members: Liz FORGAN, Jan-Hendrik OLBERTZ, Jacques RIGAUD, Ivaylo ZNEPOLSKI Jacques RIGAUD, Ivaylo ZNEPOLSKI La politique
    [Show full text]
  • Williams-Exeter Programme at Oxford University
    WILLIAMS-EXETER PROGRAMME AT OXFORD UNIVERSITY Director: Professor Gretchen Long THE PROGRAMME Williams College offers a year-long program of studies at Oxford University in co-operation with Exeter College (founded in 1314), one of the constituent colleges of the University. Williams students will be enrolled as Visiting Students at Exeter and as such will be undergraduate members of the University, eligible for access to virtually all of its facilities, libraries, and resources. As Visiting Students in Oxford, students admitted to the Programme will be fully integrated into the intellectual and social life of one of the world’s great universities. Although students on the Programme will be members of Exeter College, entitled to make full use of Exeter facilities (including the College Library), dine regularly in Hall, and join all College clubs and organizations on the same terms as other undergraduates at Exeter, students will reside in Ephraim Williams House, a compound of four buildings owned by Williams College, roughly 1.4 miles north of the city centre. Up to six students from Exeter College will normally reside in Ephraim Williams House each year, responsible for helping to integrate Williams students into the life of the College and the University. A resident director (and member of the Williams faculty) administers Ephraim Williams House, oversees the academic program, and serves as both the primary academic and personal advisor to Williams students in Oxford. Students on the Williams-Exeter Programme are required to be in residence in Oxford from Tuesday, 25 September 2018, until all academic work for Trinity term is complete (potentially as late as at least 28 June 2019) with two breaks for vacations between the three terms.
    [Show full text]
  • Minister of Counterculture
    26 Guardian Weekly December 23 2005-January 5 2006 Culture Gilberto Gil is a musical legend - and now a senior Brazilian politician. He tz Minister of counterculture Gilberto Gil wears a sober suit and tie these days, and his dreadlocks are greying at the temples. But you soon remember that, as well as the serving culture minister of Brazil, you are in the presenceof one of the biggest l,atin American musicians of the 60s and 70s when you ask him about his intellectual influences and he cites Timothy l,eary. "Oh, yeah!" Gil says happily, rocking back in his chair at the Royal SocietyoftheArts in London. "Forexam- ple, all those guys at Silicon Valley - they're all coming basically from the psychedelic culture, you know? The brain-expanding processesof the crystal had a lot to do with the internet." Much as it may be currently de rigueur for journalists to ask politicians whether or not they have smoked marijuana, the question does not seem worth the effort. Gil's constant references to the hippy counterculture are not simplythe nostalgia of a 63-year-old with more than 4O albums to his name. For several years now, largely under the rest of the world's radar, the Braeilian government has been building a counterculture ofits own. The battlefield has been intellectual property - the ownership ofideas - and the revolution has touched everything, from internet file- sharing to GM crops to HIV medication. Phar- maceutical companies selling patented Aids drugs, for example, were informed that Brazil would simply ignore their claims to ownership and copy their products more cheaply if they didn't offer deep discounts.
    [Show full text]
  • King's Research Portal
    King’s Research Portal DOI: 10.1080/10286632.2018.1557651 Document Version Early version, also known as pre-print Link to publication record in King's Research Portal Citation for published version (APA): Lee, H-K. (2019). The new patron state in South Korea: cultural policy, democracy and the market economy. International journal of cultural policy, 25(1), 48-62. https://doi.org/10.1080/10286632.2018.1557651 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • Radio-Radio-Mulryan
    ' • *427.. • • • • ••• • • • • . RADIO RADIO Peter Mulryan was born in Dublin in 1961. He took an honours degree in Communication Studies from the NIHE, Dublin. He began work as a presenter on RTE's Youngline programme, then moved to Radio 2 as a reporter, before becoming a television continuity announcer and scriptwriter. Since leaving RTE, he has been involved in independent film and video production as well as lecturing in broadcasting. He now lives and works in the UK. PUBLICATIONS RADIO RADIO 813 Peter Mulryan Borderline Publications Dublin, 1988 Published in 1988 by Borderline Publications 38 Clarendon Street Dublin 2 Ireland. CD Borderline Publications ISBN No. 1 870300 033 Computer Graphics by Mark Percival Cover Illustration and Origination by Artworks ( Tel: 794910) Typesetting and Design by Laserworks Co-operative (Tel: 794793) CONTENTS Acknowledgements Preface by the Author Introduction by Dave Fanning 1. The World's First Broadcast 1 2. Freedom and Choice 11 3. Fuse-wire, Black Coffee and True Grit 19 4. Fun and Games 31 5. A Radio Jungle 53 6. Another Kettle of Fish 67 7. Hamburger Radio 79 8. The Plot Thickens 89 9. A Bolt from the Blue 101 10. Black Magic and the Five Deadly Sins 111 11. Bees to Honey 129 12. Twenty Years Ago Today 147 Appendix I - Party Statements Appendix II - The Stations ACKNO WLEDGEMENTS In a book that has consumed such a large and important period of my life, I feel I must take time out to thank all those who have helped me over the years. Since the bulk of this text is built around interviews! have personally conducted, I would like to thank those who let themselves be interviewed (some several times).
    [Show full text]
  • DLA Piper. Details of the Member Entities of DLA Piper Are Available on the Website
    EUROPEAN PPP REPORT 2009 ACKNOWLEDGEMENTS This Report has been published with particular thanks to: The EPEC Executive and in particular, Livia Dumitrescu, Goetz von Thadden, Mathieu Nemoz and Laura Potten. Those EPEC Members and EIB staff who commented on the country reports. Each of the contributors of a ‘View from a Country’. Line Markert and Mikkel Fritsch from Horten for assistance with the report on Denmark. Andrei Aganimov from Borenius & Kemppinen for assistance with the report on Finland. Maura Capoulas Santos and Alberto Galhardo Simões from Miranda Correia Amendoeira & Associados for assistance with the report on Portugal. Gustaf Reuterskiöld and Malin Cope from DLA Nordic for assistance with the report on Sweden. Infra-News for assistance generally and in particular with the project lists. All those members of DLA Piper who assisted with the preparation of the country reports and finally, Rosemary Bointon, Editor of the Report. Production of Report and Copyright This European PPP Report 2009 ( “Report”) has been produced and edited by DLA Piper*. DLA Piper acknowledges the contribution of the European PPP Expertise Centre (EPEC)** in the preparation of the Report. DLA Piper retains editorial responsibility for the Report. In contributing to the Report neither the European Investment Bank, EPEC, EPEC’s Members, nor any Contributor*** indicates or implies agreement with, or endorsement of, any part of the Report. This document is the copyright of DLA Piper and the Contributors. This document is confidential and personal to you. It is provided to you on the understanding that it is not to be re-used in any way, duplicated or distributed without the written consent of DLA Piper or the relevant Contributor.
    [Show full text]
  • Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository RUNAWAY FILM PRODUCTION: A CRITICAL HISTORY OF HOLLYWOOD’S OUTSOURCING DISCOURSE BY CAMILLE K. YALE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Professor James W. Hay Professor Steven G. Jones, University of Illinois at Chicago Professor Cameron R. McCarthy ABSTRACT Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets.
    [Show full text]
  • Tall Buildings in Dublin
    ctbuh.org/papers Title: The Need for Vision: Tall Buildings in Dublin Author: Brian Duffy, Associate, Traynor O'Toole Architects Subject: Urban Design Keywords: Development Master Planning Urban Sprawl Vertical Urbanism Publication Date: 2008 Original Publication: CTBUH 2008 8th World Congress, Dubai Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Brian Duffy The Need for Vision: Tall Buildings in Dublin Brian Duffy Associate, Traynor O’Toole Architects – 49 Upper Mount Street, Dublin 2, Ireland Abstract The Celtic Tiger economy in Ireland has dramatically changed the substance of life in Ireland within a very short space of time. Whilst the infrastructure has struggled to keep up, the urban realm has begun the process of rapidly transforming Dublin from a low rise city of urban sprawl, to a densely woven contemporary modern environment. The appetite to build tall is tempered by an apprehensive planning policy, that reflects the cautious mood of the general public. Such apprehension restricts the possibility of creating an of-its-time City that meets it demands sustainably, whilst fulfilling its high aspirations. The paper examines planning policies and how Dublin architects have pursued tall buildings, most typically in the city centre. This is then contrasted with an alternative approach on the edge of the city, where one major landowner and [email protected] design team have proposed an entire masterplanning vision, premised on the inclusion of tall buildings. This untypical approach yields notable success and, in doing so, highlights the need for a more proactive and interactive approach to Biography Briantall building Duffy qualifiedstrategic planningfrom Queens on behalf University of architects, Belfast, developers Northern Ireland, and planners before alike.
    [Show full text]
  • Making Culture Accessible
    Making culture accessible The enjoyment and fulfilment of the right to participate in culture requires an enabling environment and a legal Making culture accessible Access, participation and cultural provision framework that offers a solid basis for the protection of rights related to cultural actions. A society that demonstrates an interest in nurturing cultural and spiritual needs in conditions of liberty has a greater chance of developing a sense in the context of cultural rights in Europe of social responsibility among its members. Annamari Laaksonen This study is a general overview of existing legal and policy frameworks in Europe, covering access to and participation in cultural life, cultural provision and cultural rights. It aims at facilitating an environment that enables the development of access and participation in this area. The study also pays due tribute to local civil society organisations and cultural associations, in recognition of the important role they play in making access to culture possible. www.coe.int The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal principles based on the European Convention on Human Rights and other reference texts on the protection of individuals. Ever since it was founded in 1949, in the aftermath of the Second World War, the Council of Europe has symbolised reconciliation. Council of Europe Publishing ISBN 978-92-871-6729-3 http://book.coe.int €19/US$38 Council of Europe Publishing www.culture.com Making culture accessible Access, participation and cultural provision in the context of cultural rights in Europe Annamari Laaksonen Interarts Agency, Barcelona Council of Europe Publishing The opinions expressed in this work are the responsibility of the author and do not necessarily reflect the official policy of the Council of Europe.
    [Show full text]
  • The Politics of Urban Cultural Policy Global
    THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12.
    [Show full text]
  • 1 Sport Mega-Events and a Legacy of Increased
    SPORT MEGA-EVENTS AND A LEGACY OF INCREASED SPORT PARTICIPATION: AN OLYMPIC PROMISE OR AN OLYMPIC DREAM? KATHARINE HELEN HUGHES A thesis submitted in partial fulfilment of the requirements of the Leeds Metropolitan University for the degree of Doctor of Philosophy. JANUARY 2013 1 Contents Acknowledgements ............................................................................................................ 7 Abstract ............................................................................................................................. 8 Student’s declaration ....................................................................................................... 10 List of Tables and Figures ................................................................................................ 11 List of Acronyms .............................................................................................................. 12 Preface ............................................................................................................................ 14 Chapter 1: Context of the study ....................................................................................... 17 1.1 Introduction ........................................................................................................................... 17 1.2 Structure of the thesis ......................................................................................................... 19 1.3 Research aims and questions ..........................................................................................
    [Show full text]