The Kingdom of Dust
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Polish Feature Film after 1989 By Tadeusz Miczka Spring 2008 Issue of KINEMA CINEMA IN THE LABYRINTH OF FREEDOM: POLISH FEATURE FILM AFTER 1989 “Freedom does not exist. We should aim towards it but the hope that we will be free is ridiculous.” Krzysztof Kieślowski1 This essay is the continuation of my previous deliberations on the evolution of the Polish feature film during socialist realism, which summarized its output and pondered its future after the victory of the Solidarity movement. In the paper “Cinema Under Political Pressure…” (1993), I wrote inter alia: “Those serving the Tenth Muse did not notice that martial law was over; they failed to record on film the takeover of the government by the political opposition in Poland. […] In the new political situation, the society has been trying to create a true democratic order; most of the filmmakers’ strategies appeared to be useless. Incipit vita nova! Will the filmmakers know how to use the freedom of speech now? It is still too early toanswer this question clearly, but undoubtedly there are several dangers which they face.”2 Since then, a dozen years have passed and over four hundred new feature films have appeared on Polish cinema screens, it isnow possible to write a sequel to these reflections. First of all it should be noted that a main feature of Polish cinema has always been its reluctance towards genre purity and display of the filmmaker’s individuality. That is what I addressed in my earlier article by pointing out the “authorial strategies.” It is still possible to do it right now – by treating the authorial strategy as a research construct to be understood quite widely: both as the “sphere of the director” or the subjective choice of “authorial role,”3 a kind of social strategy or social contract.4 Closest to my approach is Tadeusz Lubelski who claims: “[…] The practical application of authorial strategies must be related to the range of social roles functioning in the culture of a given country and time. -
Polish Documentaries 2006-2007
Polish Documentaries 2006/2007 1 Polish Documentaries 2006/2007 2 Polish Documentaries 2006/2007 Documentaries Polish 3 ocumentary film has equal importance to feature Dproduction in being an integral part of Polish cinema tradition, thus one of the priorities of the Polish Film Institute is to further encourage the production of documentary films and in 2007, the Institute will allocate 4.5 million PLN to this media genre. Nowadays, documentary cinema largely belongs to the domain of television where it readily reaches a mass network audience. The Polish Film Institute however, is convinced of universal appeal of factual film and puts a particular emphasis on supporting documentary films which are primarily intended for cinema release. We wish to restore Polish documentaries to a place in cinema repertoires that they occupied in former years, with their power to move, to disturb and above all to give a constructive and universal testimony to present times. Polish Documentaries 2006/2007 Documentaries Polish With great pleasure we offer you this catalogue of selected Polish documentary film from the years 2006-2007. Many of them have garnered awards at international festivals while others are just beginning their public showing, but they all undoubtedly share a common feature; they depict man amidst his surrounding world, in an astute, thorough and wise manner. Agnieszka Odorowicz General Director Polish Film Institute 4 Life, Death, and Other Oddments Little Worlds Reflections on the most important problems of Protagonists living in their own worlds, their lit- 5 human existence. Death, love, family, freedom, 33 tle homelands, absorbed in their own dedication to others, drugs, disease, fighting for business and emotions. -
Yoshimitsu Yamada Est Né Le 1È Février 1938
Yoshimitsu Yamada est né le 1è février 1938. Il est actuellement 8è Dan Shihan. Son père est le cousin de Tadashi Abe ; c’est grâce à ce dernier que Yamada Senseï débute l’Aïkido. Uchi Deshi de Morihei Ueshiba depuis 1955 et pendant près de dix ans, Yamada Senseï se distingue par sa maîtrise de l’anglais qui le prédispose à enseigner l’Aïkido aux soldats américains. C’est tout naturellement qu’on l’envoie à New York en 1964, afin devenir professeur à l’Aïkikaï de New York. Il est reconnu pour sa pédagogie solide et claire des techniques de base. Il dirige des stages à travers le monde entier (France, Allemagne, Russie, Amérique…). Il est également à la tête de la Fédération américaine d’Aïkido, ainsi que la Fédération d’Amérique Latine. Yamada Senseï a édité de nombreux DVD pédagogiques. Beaucoup de ses élèves ont une réputation solide, et sont actuellement 7è Dan Yoshimitsu YAMADA est né le 17 février 1938 à Tokyo. Le jeune Yoshimitsu est originaire d'une famille proche de Maître UESHIBA. En effet, à la mort de ses parents, son père Ichiro YAMADA, a été adopté par la famille de Tadashi ABE, élève du fondateur. Cousins, les jeunes Ichiro et Tadashi sont élevés comme des frères. C’est à l’occasion d’une démonstration du fondateur, au sein de la famille, que le jeune Yoshimitsu découvre l’Aïkido. C’est encore un enfant mais il est déjà très attiré par la pratique du Maître. La situation préoccupante du Japon pendant la guerre, pousse les deux familles à émigrer en Corée pendant les années quarante. -
The Violence in Boxing Published: 2006.07.06 Wojciech J
Archives of Budo, 2006, Vol. 2: 1-10 Received: 2006.04.25 Accepted: 2006.06.12 The violence in boxing Published: 2006.07.06 Wojciech J. Cynarski1 ABD–G, Artur Litwiniuk2ABDE Authors’ contributions: 1 Faculty of Physical Education, University of Rzeszów, Rzeszów, Poland A Study design 2 Academy of Physical Education, Warsaw, Biała Podlaska branch, Poland B Data collection C Statistical analysis D Data interpretation E Literature search F Manuscript preparation G Funds collection Summary Violence has many faces. It may express itself in a morally justified and socially accepted action. However, in a situation when it serves destruction or represents the civilisation of death, it becomes morally reprehensible and is contested as such. Examples of it are popularised in media, mainly TV, in scenes of violence and cruelty (mainly for commercial reasons) and participation in gladiatorial shows, where the contestants risk life and health and the spectators satisfy their primitive instincts. The article is focused mainly on the cultural phenomenon of boxing and other similar combat sports and they reflect on the show of violence. It analyses the problem of aggression as a source of violence; the presence of brutality and violence in mass and sport culture, and presents relations of professional boxing to the contemporary gladiatorship. Apart from the issues of boxing and boxers’ ethics, the cases of extraordinary Polish professional boxers have been presented. Martial arts (e.g. karate) have been compared with contact combat sports – boxing and kick-boxing. This comparison indicates the unquestionable superiority of the noble, traditional ways. The far-Eastern martial arts, representing the way of non-aggression and overcoming one’s own weaknesses, counteract the cult of force and violence. -
Ostrzejsza Walka Z Oszustami Bankowymi Izrael Przyjął Plan Rozmów Pokojowych
POGODA Dzisiaj po porannym zachmu KALENDARZYK rzeniu nastąpi rozpogodzenie. Dzisiaj poniedziałek, 6 lis Temperatura do 50 F (10 C). topada — Leonarda, Feliksa. Jutro mogą wystąpić przelot Bzicnnik Eunazkomn Jutro wtorek, 7 listopada ne opady deszczu, temperatura — Antoniego. •nieco ponad 40 F (4,4 C). Wschód słońca o godzinie Pojutrze środa, 8 listopada 6:28 rano, zachód o 4:39 po POLISH DAILY ZGODA — Seweryna, Bogdana. południu. Published Since 1908 AN AMERICAN DAILY IN "..-IE POLISH LANGUAGE — MEMBER OF UNITED PRESS INTERNATIONAL No. 214 Rok (Vol.) LXXXII CHICAGO, IL, Poniedziałek, 6 Listopada (November 6), 1989 Telefon wszystkich biur 286-0141 50C \N dzisiejszym Exodus z NRD trwa numerze Problemy ekonomiczne po obu stronach granicy znajdziecie: Berlin Wschodni (UPI, CT) — wianie papierów emigracyjnych ma Sobotnie protesty, z udziałem pół trwać nie dłużej niż 3 do 6 miesięcy. * Powodzenia panie nadin ■■ ■ . ■ ■ miliona ludzi i nieustający exodus Jednocześnie zostanie zniesione spektorze (str. 3) na Zachód skłoniły wschodnionie- prawo według którego, każdy nie * Kronika harcerska (str. 2) mieckie władze do daleko idących legalny uciekinier był traktowany * Przemówienie pre z. Bu ustępstw. W niedzielę ogłoszono jako przestępca. Władze NRD mają sha (str. 3) zgodę na udzielenie wszystkim oby nadzieję, że zapowiedź Dickela, * Ogłoszenia organizacyjne watelom prawa do emigracji i pod przekazana za pośrednictwem tele (str. 5) różowania za granicę przynajmniej wizji i innych środków przekazu za * Wiadomości sportowe raz w roku na okres do 30 dni. hamuje potężną falę uciekinierów. (str. 4) Informację tę podał min. spraw Konsekwencje masowej emigracji wewnętrznych, Friedrich Dickel już są odczuwalne po obu stronach gdy liczba NRD-owców uciekają granicy. Stwarzają poważny prob Zmarł Władimir cych przez Czechosłowację osiąg lem dla Niemiec Zachodnich, nie nęła 15,000 osób. -
The Kingdom of Dust
The Kingdom of Dust P I O T R M A S Z T A L E R Z A s a d s t o r y a b o u t t h e h a p p i n e s s The Kingdom of Dust Piotr Masztalerz The Kingdom of Dust Piotr Masztalerz © 2021 Piotr Masztalerz Published by: Wrocław Aikikai English translation: Marie Walker, Anita Szymańska Editor: Roo (Katherine) Heins Typesetting: Bartek Malarski Cover Design: Piotr Masztalerz Photography: Katarzyna Masztalerz, Mateusz Waga The Kingdom of Dust was published in Polish in 2018. This is a book about being an Uchideshi- a full time student – about building a full time Dojo, and about the nature of teacher-student relationships. For us it is also another way to support our home, the Dojo, during the Covid Pandemic. Please support us here, if you can and enjoy the book! 5 Contents Introduction 10 Chapter One Before . 13 Why? 13 Niuniek 20 Aikido 26 Sensei 31 A Road to Perdition 37 Money 41 Chapter Two Uchideshi . 47 Chiba 47 Uchideshi 50 The Pressure Cooker (Kocioł) 55 It’s Not a Sport, It’s Not a Recreation - It Is a Madness 67 Pain 72 Injury 78 Silence 90 Exhaustion 96 Sleep 102 5 Seiza 107 Zazen 113 The Poison and the Medicine 128 Shomen 135 Enliven the Weapon 146 And What Would That Change? 153 Contact 158 The Kitchen 168 Food 179 Hunger and Survival 185 Drinking 192 Policemen and Thieves 199 The Responsibility 207 A Teacher’s Care 212 You Are No One Special 219 Conflicted 226 Time and Place 234 Murashige 241 Hugo 252 How Old Are You? 257 What Is Your Name? 262 Fish 270 Getting Old 277 6 7 Snakes 280 Where Do The Monks Pee? 287 A Monument of Madness 294 Chapter Three Later . -
The Macrotheme Review
The Macrotheme Review The Macrotheme A multidisciplinary journal of global macro trends Conferences BSS Paris 2013 The Journal of MacroMacroTrends in Health and Medicine The Journal of MacroMacroTrends in Applied Science The Journal of MacroMacroTrends in Technology and Innovation The Journal of MacroMacroTrends in Energy and Sustainability The MacroTrend ConferencesConferences,, Paris 2013 December 20-21, 2013 VENUE: ESPACE VOCATION PARIS HAUSSMAN SAINT-LAZARE 92, rue Saint-Lazare 75009 Paris, France 1 Lunch at La Brulerie Caumartin 71 Rue de Caumartin, 75009 Paris (Just across the street from the venue - 1 min walk ) Friday, Dec 20 th 12noon: Macrojournals -Health and Medicine (Sessions 1, 2, and 3) 3:30pm: Macrotheme – Marketing, Mangement, HR Edu (Sessions 4, 5, and 6) 6:00pm: Social Science, Urbanization, Medicine (Sessions 7, 8, and 9) Saturday, Dec 21 st 12noon: Macrotheme – Finance and Economics (Sessions 10, 11, and 12) 3:30pm: Macrojournals – Energy, Science and Technology (Sessions 13, 14, 15, and 16) 6:00pm: Global Policy Issues and Multidisciplinary (Sessions 17, 18, 19 and 20) Optional Social Event for All Participants Dec 20th: 9PM-11PM Wine and Cheese at the W Lounge W Lounge: 4 rue Meyerbeer · Paris · France (10 min walk from the venue) http://www.wloungeparis.com/en/ Price: €40/person Buy you ticket before Dec 14th here: http://fr.amiando.com/PFVMZCC 2 EDITOR-IN-CHIEF Damir Tokic ESC Rennes International School of Business 2 Rue Robert d’Arbissel 35065 Rennes cedex France [email protected] 33 (0)2 99 33 48 64 -
Martin Scorsese Presents: Masterpieces of Polish Cinema Throughout North America
INTRODUCTION In December 2011, filmmaker Martin Scorsese traveled to Poland to accept an honorary doctor- al degree from The Polish National Film, Television, and Theatre School in Łódź. There, Mr. Scors- ese met with Jędrzej Sabliński (a digital restoration expert, now with DI Factory), and reviewed a list of new digital restorations of Polish films. In the months following this visit, with the help of The Film Foundation, the two men came up with the idea of a North American tour of a series of restored Polish cinema classics. From an extensive catalogue of digitally restored films, Mr. Scorsese chose twenty-one masterpieces. The Film Foundation executive director, Margaret Bodde then worked with Mr. Sabliński to develop the program and recommended Milestone Films as the North American distributor for the series. Milestone will be touring the 21-film retrospective Martin Scorsese Presents: Masterpieces of Polish Cinema throughout North America. Premiering in New York City at the Film Society of Lincoln Center on February 5th, 2014, the series features films from some of Poland’s most accom- plished and lauded filmmakers, spanning the period from 1957–1987. Curated by Mr. Scorsese, each film has been digitally re-mastered and brilliantly restored on newly subtitled DCPs. The program was created and organized by Mr. Scorsese’s non-profit organization, The Film Foundation. 3 BIST, SIMPORE, TEMPORE, A STATEMENT FROM MARTIN SCORSESE Um volum, audae laccae seque natur, comnis ducienimus excest rendercillam laccupi endicit In 2011, I had the opportunity to visit the Polish National Film School in Łódź, Poland, at the atusda vitisitatur rentem vent. -
New Polish Films 20082 0 0 8 NPF 2008 Okladka S II:Layout 1 28/1/08 11:22 Page 1 New Polish Films 2008
NNPFPF 22008008 ookladkakladka s I.aiI.ai 28/1/0828/1/08 11:57:1811:57:18 NewPolish Films 20082008 C M Y CM MY CY CMY K 2008 Sponsor of PISF: NPF 2008 okladka s II:Layout 1 28/1/08 11:22 Page 1 New Polish Films 2008 New Polish Films 2008 1 2 New Polish Films 2008 Introduction Dear Ladies and Gentleman, We begin the third year of the Polish Film Institute's activity and the second year after the Act on Cinematography was approved by European Commission in May 2006. For last two years the situation of Polish cinema has changed favourably. In 2005 with the introducing the parliamentary act, Polish cinema received a great opportunity. The Polish Film Institute, created according to world's best standards, has become an institution supporting artists at every stage of film production. The PFI also subsidizes film festivals and retrospectives, supports the infrastructure of cinemas' renewal, promotes Polish cinema abroad, grants professional advancement of filmmakers as well as film schools. We are always trying to be where something important is happening in cinema. The new law and establishing the PFI resulted not only in multiplying the State's expenses on cinema – here I would like to remind that in the worst in this case year of 2002 Ministry of Culture assigned 4.3 million zloty for film production, while only this year the Institute assigned almost 80 million zloty for film production and development. The number of last year's feature film production increased up to 37 titles and in 2007 – 39 feature films have been made. -
The PDF Version of the Commemorative
COMMEMORATING THE SILVER BRIDGE OF HARMONY BETWEEN JAPAN AND HAWAI‘I FEBRUARY 18 - 21, 2011 • MCKINLEY HIGH SCHOOL HONOLULU, HAWAI‘I 1 I have come to Hawai‘i in order to build a “silver bridge.” Until now, I have remained in Japan, building a “golden bridge” to unite Japan, but henceforward, I wish to build a bridge to bring the different countries of the world together through the harmony and love contained in Aikido. I think that aiki, offspring of the martial arts, can unite the people of the world in harmony, in the true spirit of budo, enveloping the world in unchanging love. Morihei Ueshiba © Ric Noyle Founder of Aikido 2 3 ACKNOWLEDGEMENTS Silver Bridge of Harmony between g the Japan oratin and Mahalo Nui Loa to all the Aikido members and friends mem Haw Com ai‘i representing Twenty Hawaii Aikido dojo as well as our many corporate and individual sponsors. An event such as this AIKIDO ilver Brid Celebration ting the S ge of Harm would not have been possible without your personal, moral The 50th Anniversary of2011 OSensei’s Visit to Hawaii ra o memo ny betw Com een J apan and financial commitment. The success of Aikido Celebration and Ha 2011 is due to your participation. Aikido Celebration 2011 is an organization dedi- wa AIKIDO i‘i Celebration Thank you to Gary Hirata and Aikido of Honolulu who cated to the public commemoration of the 50th The 50th Anniversary of2011 OSensei’s Visit to Hawaii introduced the idea of Aikido Celebration 2011. Thank you to anniversary of the first and only visit made to Hawai‘i Alan Nagahisa who reached out to the Twenty Aikido sensei Moriteru Ueshiba, Aikido Doshu who signed the letter inviting San Dai Doshu to Hawaii for the by the founder of Aikido, OSensei Morihei Ueshiba. -
Postać W Kulturze Wizualnej Tom 5: Postacie, Światy, Fikcje
Postać w kulturze wizualnej Tom 5: Postacie, światy, fikcje Redakcja Anna Krawczyk-Łaskarzewska Alina Naruszewicz-Duchlińska Olsztyn 2019 Recenzje: Arkadiusz Dudziak Elżbieta Rokosz-Piejko Projekt okładki: Piotr Przytuła Korekta: Anna Krawczyk-Łaskarzewska Skład: Bożena Chmielewska Treść publikacji z wyłączeniem materiałów wizualnych, które zostały wykorzystane przez autorów jako przykłady i wizualizacje w celach badawczo-naukowych) udostępniana jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 3.0 Polska. Pewne prawa zastrzeżone na rzecz autorów. Zezwala się na wykorzystanie publikacji zgodnie z licencją – pod warunkiem zachowania niniejszej informacji licencyjnej oraz wskazania autorów jako właścicieli praw do tekstów. Tekst licencji jest dostępny na stronie: http://creativecommons.org/licenses/by-cnd/3.0/pl/legalcode ISBN: 978-83-955418-1-0 Wydawca: Katedra Filologii Angielskiej Uniwersytetu Warmińsko-Mazurskiego w Olsztynie ul. K. Obitza 1 10–725 Olsztyn e-mail: [email protected] Spis treści Wstęp: Postacie w świecie/kulturze wizualnej ...................................................... 5 Eliza Matusiak: Słuchacz czy bohater? O specyfice słuchowisk interaktywnych na przykładzie Mr. Robot, Daily Five/Nine oraz Westworld: The Maze ........................................................................................ 9 Angelo Sollano: Zasoby językowe określające osobowość postaci fikcyjnej a ich przeniesienie do innych kontekstów kulturowych .....................23 Anna Drogosz: -
POLISH CINEMA CLASSICS Antczak Jerzy 12 the Lady of the Camellias / Dama Kameliowa 13 Nights and Days / Noce I Dnie
2 POLISH CINEMA of DIGITALLY RESTORED MASTERPIECES MASTERPIECES RESTORED DIGITALLY CLASSICS INTRODUCTION Since the Polish Film School cinema has become the exceptional trademark of Polish culture. Throughout the years behind the Iron Curtain Polish filmmakers proved many times that despite the isolation they were still the citizens of the world, who significantly contributed to the discussion of its condition through their output. Today their films are an important part of Polish culture. For years, they have been shaping our national identity, raising important existential questions, and uniting us around certain values. They have also brought on the social, political and moral changes and encouraged us to act. We owe them successes at international film festivals as well as rendering the Polish school of cinematographers famous. Polish films have many admirers around the world and thanks to the digital restoration the spectators can watch the most acclaimed ones in their best quality on HD TV, in cinemas as well as on DVDs and Blu-rays. 3 DIGITALLY RESTORED of POLISH CINEMA MASTERPIECES of POLISH CINEMA CLASSICS Antczak Jerzy 12 The Lady of the Camellias / Dama Kameliowa 13 Nights and Days / Noce i dnie Bajon Filip 14 Aria for an Athlete / Aria dla atlety Bareja Stanisław 15 A Bunet Will Call / Brunet wieczorową porą 16 Teddy Bear / Miś 17 There’s No Place Like Home / Nie ma róży bez ognia 18 Wanted: Male or Female / Poszukiwany, poszukiwana 19 What Can You Do to Me If You Catch Me / Co mi zrobisz, jak mnie złapiesz DIGITALLY RESTORED