2017 Design in Wood - Accepted Entries
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18Th Annual Eastern Conference of the Timber Framers Guild
Timber Framers Guild 18th Annual Eastern Conference November 14–17, 2002, Burlington, Vermont The Timber Framer’s Panel Company www.foardpanel.com P.O. Box 185, West Chesterfield, NH 03466 ● 603-256-8800 ● [email protected] Contents FRANK BAKER Healthy Businesses. 3 BRUCE BEEKEN Furniture from the Forest . 4 BEN BRUNGRABER AND GRIGG MULLEN Engineering Day to Day ENGINEERING TRACK . 6 BEN BRUNGRABER AND DICK SCHMIDT Codes: the Practical and the Possible ENGINEERING TRACK . 8 RUDY CHRISTIAN Understanding and Using Square Rule Layout WORKSHOP . 13 RICHARD CORMIER Chip Carving PRE-CONFERENCE WORKSHOP . 14 DAVID FISCHETTI AND ED LEVIN Historical Forms ENGINEERING TRACK . 15 ANDERS FROSTRUP Is Big Best or Beautiful? . 19 ANDERS FROSTRUP Stave Churches . 21 SIMON GNEHM The Swiss Carpenter Apprenticeship . 22 JOE HOWARD Radio Frequency Vacuum Drying of Large Timber: an Overview . 24 JOSH JACKSON Plumb Line and Bubble Scribing DEMONSTRATION . 26 LES JOZSA Wood Morphology Related to Log Quality. 28 MICHELLE KANTOR Construction Law and Contract Management: Know your Risks. 30 WITOLD KARWOWSKI Annihilated Heritage . 31 STEVE LAWRENCE, GORDON MACDONALD, AND JAIME WARD Penguins in Bondage DEMO 33 ED LEVIN AND DICK SCHMIDT Pity the Poor Rafter Pair ENGINEERING TRACK . 35 MATTHYS LEVY Why Buildings Don’t Fall Down FEATURED SPEAKER . 37 JAN LEWANDOSKI Vernacular Wooden Roof Trusses: Form and Repair . 38 GORDON MACDONALD Building a Ballista for the BBC . 39 CURTIS MILTON ET AL Math Wizards OPEN ASSISTANCE . 40 HARRELSON STANLEY Efficient Tool Sharpening for Professionals DEMONSTRATION . 42 THOMAS VISSER Historic Barns: Preserving a Threatened Heritage FEATURED SPEAKER . 44 Cover illustration of the Norwell Crane by Barbara Cahill. -
Carving Newsletter February 2021 Final Version-2
FEBRUARY 2021 PRESIDENT’S LETTER Hello Carvers, I want to invite you to a special member meeting on April 21st at 7:00 PM (online). Te agenda includes officially changing the name from the Western Woodcarvers Association to the Oregon Carvers Guild, adding language to become a 501c3 charitable nonproft, revising the bylaws and electing officers. To register, click here. We want to honor the 48 year legacy of the Western Woodcarvers Association and continue using the State’s legal framework but change the name. To do this we need to make a one sentence name change to the Articles of Incorporation and fle the amendment. Tis is easy, but we will make other necessary changes while we are at it. Particularly we will add boilerplate language so we can become a 501c3 nonproft, the strongest and best type. Right now we are a generic c7 nonproft which provides no beneft to donors. It will take another six months to get IRS approval after that. Members need to approve these changes. While we are at it, we are going to ask you to approve new bylaws to refect our planned organization and add protection for directors and officers. Te language for these will be voluminous but necessary. Quite boring for most of us to wade through, but quite necessary. Finally, we will vote on officers for the next fscal year, hear about our progress and plans and answer questions. If you have a desire to serve on the board, or volunteer to help in any way, please let me know. -
Turning Tips
Tips from Old Millrat-James D Thompson Now put the piece with the spigot back into the lathe. Turning Wood oyster Box; I recently leant how to make an oyster shape box on the As you can lathe I used silky oak for this demonstration. Here’s a see, it has the step by step version of how; Make a cylinder about 6 or spigot facing 7 inches long out. and about 3 to 4 inches in diameter. as shown in the next picture Next you need to turn a dish into the end of the piece. The time to put your finish on is now. Approximately in the centre of this cylinder cut a groove about 1/4” deep and 3/8” wide. See next picture. Next you will need to cut a radius on the edge and cut the back of the piece most of the way down. Try to main- tain a constant thickness. Now you part off the piece. It will look something like this. It will be put into the next piece to finish it. Then cut an- other near one side of this groove. As shown. The spigot on the left will slip into a bell that you will cut into the piece on the right. The tiny Turn a recess for the spigot that re- spigot to fit into. This mains on this will be your jam chuck so make it piece will serve a tight fit. as a reference for Finish the piece. Remove it from the size of the bell that you will cut into it. -
Library-By-Media.Pdf
Card# Title Author Media Group 168 SHAKER BAND SAW PROJECTS DUGINAKE/MORRIS BOOK band saw 156 BANDSAW HANDBOOK VOL #2 (dup 131) DUGINSKE BOOK band saw 369 BANDSAW WORKSHOP BENCH REF. DUGINSKE, MARK BOOK band saw 314 SHOP TIPS bandsaw RODALE BOOKS BOOK band saw 138 BUILDING BEAUTIFUL BOXES/BANDSAW VENTURA, LOIS KEENER BOOK band saw 52 THE ART OF THE BAND SAW DUGINSKE, MARK BOOK bandsaw 133 MILTI USE COLLAPSIBLE BASKETS LONGABAUGH RICK & KAREN BOOK baskets 155 COLLAPSIBLE BASKET PATTERNS LONGABOUGH R& K BOOK baskets 227 THE BIRD FEEDER BOOK BOSWELL, THOM BOOK birds 389 EASY TO MAKE BIRD FEEDERS CAMPBELL, SCOTT D BOOK birds 416 MAKING BACKYARD BIRD HOUSES CORTWRIGHT AND POKRIOTS BOOK birds 147 MAKING FANCY BIRDHOUSES & FEEDERS D BOOK birds 620 BIRD HOUSES AND FEEDERS MEISEL, PAUL BOOK birds 229 BEASTLY ABODES-BIRDS, BATS, BUTTERFLY NEEDHAM,BOBBE BOOK birds 621 MAKING FANCY BIRD HOUSES AND FEEDERS SELF, CHARLES BOOK birds 346 BOATBUILDING CHAPELLE, HOWARD BOOK boat 471 BUILDING A STRIP CANOE GILPATRICK,GIL BOOK boat 428 STRIPPERS GUIDE/CANOE BLDNG HAZEN,DAVID BOOK boat 197 CLINKERBOAT BUILDING LEATHER,JOHN BOOK boat 478 STRIP-BUILT BOATS MILLER,LEW BOOK boat 427 CANOE CRAFT MOORES, TED-MOHR,MERILYN BOOK boat 722 BOAT MODELING PAYSON, DYNAMITE BOOK boat 472 BUILDING LAPSTRAKE CANOES SIMMONS, WALTER BOOK boat 474 LAPSTRAKE BOATBUILDING SIMMONS, WALTER BOOK boat 391 BUILDING THE CANOE STELMAK,JERRY BOOK boat 470 WOOD AND CANVAS CANOE STELMOK, JERRY BOOK boat 476 BUILDING THE HERRESHOFF DINGHY THOMAS, BARRY BOOK boat 475 LOFTING VAITSES,ALLAN H BOOK boat 450 BUILD A BOAT WOOD BOAT MAGAZINE BOOK boat 477 BOAT BUILDING WOODS WOODENBOAT MAGAZINE BOOK boat 429 BLDNG BOB'S SPECIAL CANOE BOOK boat 422 HOW TO DESIGN CANOES BOOK boat 43 MAKING WOOD BOXES W/ BAND SAW CRABB BOOK boxes 325 FINE DEC. -
The Ward Family of Deltaville Combined 28,220 Hours of Service to the Museum Over the Course of the Last St
Fall 2012 Mission Statement contents The mission of the Chesapeake Bay Maritime Museum is to inspire an understanding of and appreciation for the rich maritime Volunteers recognized for service heritage of the Chesapeake Bay and its tidal reaches, together with the artifacts, cultures and connections between this place and its people. Vision Statement The vision of the Chesapeake Bay Maritime Museum is to be the premier maritime museum for studying, exhibiting, preserving and celebrating the important history and culture of the largest estuary in the United States, the Chesapeake Bay. Sign up for our e-Newsletter and stay up-to-date on all of the news and events at the Museum. Email [email protected] to be added to our mailing list. Keep up-to-date on Facebook. facebook.com/mymaritimemuseum Follow the Museum’s progress on historic Chesapeake boat 15 9 PHOTO BY DICK COOPER 2023 2313 restoration projects and updates on the (Pictured front row, from left) George MacMillan, Don Goodliffe, Pam White, Connie Robinson, Apprentice For a Day Program. Mary Sue Traynelis, Carol Michelson, Audrey Brown, Molly Anderson, Pat Scott, Paul Ray, Paul Chesapeakeboats.blogspot.com Carroll, Mike Corliss, Ron Lesher, Cliff Stretmater, Jane Hopkinson, Sal Simoncini, Elizabeth A general education forum Simoncini, Annabel Lesher, Irene Cancio, Jim Blakely, Edna Blakely. and valuable resource of stories, links, and information for the curious of minds. FEATURES (Second row, from left) David Robinson, Ann Sweeney, Barbara Reisert, Roger Galvin, John Stumpf, 3 CHAIRMAN’S MESSAGE 12 LIFELINES 15 Bob Petizon, Angus MacInnes, Nick Green, Bill Price, Ed Thieler, Hugh Whitaker, Jerry Friedman. -
Quick Carve Snowmen
2038_Snowmen_RD.QXD 10/12/04 3:04 PM Page 20 Materials MATERIALS: & TOOLS Wood: 1 Quick- 4 ⁄2" by 2" by 2" basswood block for each snowman TOOLS: 7 No. 3 ⁄8" gouge 1 Carving knife with a 1 ⁄4"-long blade Carve Detail knife 1mm V tool Snowmen ACCESSORIES: See-through flexible ruler Cheery holiday decorations Stylus with fine point anyone can make Tracing paper Carbon or graphite paper By Cyndi Joslyn Soft cloth used for antiquing FINISHING MATERIALS: Acrylic paint - colors per color chart With simple No.6 flat paintbrush adjustments to the No.1 liner brush scarf and hat, you Waterbased varnish (satin finish) can give your Antiquing medium/retarder (Jo Sonja’s snowmen a variety recommended) of cheerful looks. Further Tips hen it’s time for holiday READING carving, many turn to the By Cyndi Josyln Dry Brush Technique WWJolly Old Elf as a subject. Carving Santas Wet a flat paintbrush and stroke it This year, consider these cheery little from Around the back and forth on a paper towel to snowmen. Fun to make and fun to World remove most of the water from it. give, they are great stocking stuffers. Learn to carve festive Santas Dip the very edge of the brush into from around the world Understanding what you’ll see in through 3 step-by-step the paint. Again stroke the brush the photographs and text of this carving & painting projects. Includes patterns back and forth a few times on the demonstration will help a lot to & photographs for 12 additional Santas. -
September 2018
THE WILDFOWLER SEPTEMBER 2018 A PUBLICATION OF THE ATLANTIC WILDFOWL HERITAGE MUSEUM AND THE BACK BAY WILDFOWL GUILD Back Bay Wildfowl Guild Memories Thomas C. Green March 1, 1935 – August 26, 1994 Tom, better known as “Shane”, a nickname he was tagged with as a young child, loved working in his home studio on Loren Crescent in the Cavalier Manor neighborhood of Portsmouth, Virginia. A home he shared with his wife Sylvia where they raised two boys. He enjoyed carving decoys, painting flat art landscapes and scenes of wild ducks and birds. He also enjoyed etching. The variety of the mediums allowed him to express himself without his art becoming boring and mundane. Shane called his passion for art a sickness and therapy all rolled up together. Shane was born in Knoxville, Tennessee. Shortly after his birth his family moved to Portsmouth, VA where he attended Mount Hermon Elementary School and graduated from I. C. Norcom High School. He then attended Virginia State College where he obtained degrees in Chemistry and Accounting. In 1958 Shane joined the United States Army as a Second Lieutenant resigning his commission as a Captain in 1963. In April of 1990 he retired as an Auditor for the United States Navy after a stellar 25 year career where he earned the Navy’s Meritorious Civilian Service Award. Throughout his career as an auditor his was required to travel. He traveled up and down the East and West coasts of the United States, to Japan, Cuba, Europe, and Hawaii. All the while maintaining an avid interest in a variety of art forms. -
2019 Design in Wood Accepted List by Last Name
2019 Design In Wood Accepted List By Last Name WEN Last Name First Name Division Class and Class Description Title Accepted 13DBD3 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Wildflowers Accepted 5D9482 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Turtle Accepted 99E52E Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Goldfish Accepted 53E0EA Albertson David 1101 Design In Wood 010 - Model Building - Not to Scale 1930 Ford Accepted 9567F6 Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Myrtle Pearl Accepted D3084C Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Walnut Burl Pearl Accepted D9E0F0 Anderson Karen J 1101 Design In Wood 026 - Scroll Saw - Fretwork - Pierced & Unpierced Fancy Fish Accepted DF401F Appelquist Paul 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Sleigh seat Accepted E4AC30 Atangan Patrick 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Eliptical Sofa Accepted 1658DD Ault Sally 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Spire Accepted 203F9D Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Natural Edge Bowl Accepted 58AED5 Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Blowin' in the Wind Accepted B515AB Avery Joe 1101 Design In Wood 005 - Art Furniture Surfboard Table Accepted F17968 Barrientos Ivan 1101 Design In Wood 026 - Scroll Saw -
Living with Wood to the Participants and the General Public
REDISCOVERING WOOD: THE KEY TO A SUSTAINABLE FUTURE THE INTERNATIONAL CONFERENCE ON THE ART AND JOY OF WOOD BANGALORE, INDIA 19 OCTOBER – 22 OCTOBER 2011 PROCEEDINGS PART 1- CONFERENCE OVERVIEW The designations employed and the presentation of material in this information product do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations (FAO) concerning the legal or development status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The mention of specific companies or products of manufacturers, whether or not these have been patented, does not imply that these have been endorsed or recommended by FAO in preference to others of a similar nature that are not mentioned. The views expressed in this information product are those of the author(s) and do not necessarily reflect the views or policies of FAO. ISBN 978-92-5-107598-2 (print) E-ISBN 978-92-5-107599-9 (PDF) © FAO 2013 FAO encourages the use, reproduction and dissemination of material in this information product. Except where otherwise indicated, material may be copied, downloaded and printed for private study, research and teaching purposes, or for use in non-commercial products or services, provided that appropriate acknowledgement of FAO as the source and copyright holder is given and that FAO’s endorsement of users’ views, products or services is not implied in any way. All requests for translation and adaptation rights, and for resale and other commercial use rights should be made via www.fao.org/contact-us/licence- request or addressed to [email protected]. -
Overlay Ornament Match the Pattern Using a Curved Jig on a Scroll Length Instead of 10” and Turn a Separate Saw
drilled for eyes and mouth using a hemisphere to accept more than 3/8” diameter so you can’t jig on a drill press. Then the blank is sawn to choke up on the rod as much, then use a 5” Overlay Ornament match the pattern using a curved jig on a scroll length instead of 10” and turn a separate saw. Some slight carving is done to accent the wooden handle. sun’s features. Eyes are turned and inserted. A finial blank is hollowed convex using the hollowing jig, then reversed and turned. A hanger is made from twisted and then flattened wire to give a chain effect, and the ornament is assembled. The Cutting Tool Prepare 1/2” drill rod for the cutting tool by cutting it 10” long. Ensure the ends are reasonably square and bevel them slightly as in the top image of Figure #1. Select a 3/16” square tool bit and an I drill bit. If you use a different sized bit you can determine the round hole it will fit best into with a set of drill gauges as in the bottom image of Figure #1. Smiling Sun Overlay Ornament. Yellowheart sun, Maple cap, Blue shatterproof ornament. Introduction Figure #2: Center drill and drill a hole for the tool bit in the rod. Originally I was going to call this article Obtarsia Ornament (for intarsia on an orb). But Now drill and tap the rod for a set screw. I used I make a batch of ornaments for relatives and a 1/8” long 1/4x20 set screw. -
Dept Y-01 Dairy Cattle; Heifers
DEPT Y-01 DAIRY CATTLE; HEIFERS ENTRIES MEMBERS NAME CLUB Top Dairy Educational Exhibit Morgan Howard Holy Cross Registered Holstein Jr. Champion Nick Hoffmann Lakeview Registered Holstein Jr. Reserve Champion Luke Hamm Holy Cross Registered Holstein Jr. Honorable Mention Kayla Burger Town & Country Registered Holstein Sr. Champion Caryn Hamm Holy Cross Registered Holstein Reserve Sr. Champion Kayla Hamm Holy Cross Registered Holstein Sr. Honorable Mention Josie Robinson Holy Cross Registered Holstein Grand Champion Caryn Hamm Holy Cross Registered Holstein Reserve Grand Champion Kayla Hamm Holy Cross Grade Holstein Jr Champion Elizabeth Holmes Knellsville Grade Holstein Reserve Jr. Champion Scarlett Wielbeski Town & Country Grade Holstein Jr. Honorable Mention Molly Fyhrlund Knellsville Grade Holstein Sr. Champion Kayla Hamm Holy Cross Grade Holstein Reserve Sr. Champion Logan Bell Knellsville Grade Holstein Sr. Honorable Mention Payton Rychtik Knellsville Reserve Champion Brown Swiss Paige Kurlinski Lakeview Grand Champion Brown Swiss Briana Heinen Knellsville Sr. Dairy Showmanship Payton Rychtik Knellsville Int. Dairy Showmanship Zach Rusch Town & Country Jr. Dairy Showmanship Audrey Hosseini Covered Bridge Sr. Best Fitted By Exhibitor Kayla Hamm Holy Cross Jr. Best Fitted By Exhibitor Elizabeth Holmes Knellsville Int. Best Fitted by Exhibitor Nick Hoffmann Lakeview Large Club Herd Holy Cross Small Club Herd Lindenwood Jr. Supreme Champion Elizabeth Holmes Knellsville Jr. Supreme Reserve Champion Amanda Fix Town & Country Grade Holstein Grand Champion Kayla Hamm Holy Cross Grade Holstein Reserve Grand Champion Logan Bell Knellsville Senior Supreme Champion Caryn Hamm Holy Cross Senior Supreme Reserve Champion Kayla Hamm Holy Cross Large Club Herdsmanship-1st Pl. Holy Cross Large Club Cloverleaf / Little Kohler / Herdsmanship-2nd Pl. -
Home Craft Course : Pennsylvania German Wood Carving Ebook, Epub
HOME CRAFT COURSE : PENNSYLVANIA GERMAN WOOD CARVING PDF, EPUB, EBOOK W J McAllister | 48 pages | 30 Mar 2007 | Kessinger Publishing | 9781432557898 | English | Whitefish MT, United States Home Craft Course : Pennsylvania German Wood Carving PDF Book What a beautiful color! After seeing the ten foot version of Eric's double eagle tree chainsaw carving, the client asked if he could create a somewhat smaller version. The mass was scheduled in the early morning hours of Christmas Day, following the last shift on Christmas Eve. There are no gimmicks, just European craft tradition solidly rooted in a lifetime of training and experience, taught by a true master woodcarver if you know me you know I do not use that word lightly, and I believe that is what sets this school apart from many of the other schools out there. If you want to rent tools we offer that as well. His work can be found in nearly every state, including Alaska and Hawaii, and on at least 6 continents. He captures the essence of a single moment in the daily life of his subject. I have produced abstract forms as well as anatomical figures. Read about eating disorder treatment here. Shop Now. Reply 6 years ago on Introduction. Unless you were a doctor for trees or something of that sort. How long wood carving tool holds the sharp edge of a blade. Contact: Artist: Garry King, wood sculptor "Garry King has worked and loved wood all his life. For those flying in we are located 50 minutes north of Logan Airport in Boston.