The Ward Family of Deltaville Combined 28,220 Hours of Service to the Museum Over the Course of the Last St
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Spectacular Summer Decoy Auction Sunday & Monday, July 28 - 29, 2013 Cape Codder Resort and Hotel • Hyannis, MA Phone: (888) 297-2200
Ted and Judy Harmon present: Spectacular Summer Decoy Auction Sunday & Monday, July 28 - 29, 2013 Cape Codder Resort and Hotel • Hyannis, MA Phone: (888) 297-2200 Preview: Saturday, July 27, 6-9 pm • Sunday, July 28, 9-11 am • Monday, July 29, 8-10 am Sale: Sunday, July 28, 11 am • Monday, July 29, 10 am www.decoysunlimitedinc.net e-mail: [email protected] TERMINOLOGY: XOP - Excellent Original Paint XOC - Excellent Original Condition OP - Original Paint T/U - Touch Up For alternative or phone bidding please call Ted Harmon at (508) 362-2766 For more information contact: Ted Harmon, P.O. Box 206, West Barnstable, MA 02668 • (508) 362-2766 See conditions of sale on back of catalog. 1 Reflections Ted and Judy Harmon It’s been quite a year. There were lots of speed bumps in the road but here I am once again with a number of nice decoys to fit every pocketbook thanks to a lot of help from family, some very good friends and loyal consignors. Due to health problems I was unable to attend the Mid-West Decoy Collector’s Show for the first time in 40 years. Thanks to Bill LaPointe and Jim King for attending the show for me and exhibiting the decoys. There is absolutely no way I could have pulled this together without family and friends. If I may use a baseball analogy, it really came down to the last of the ninth, two outs and the count at three and two before we managed to scratch out a hit and round out the offerings. -
Turning Tips
Tips from Old Millrat-James D Thompson Now put the piece with the spigot back into the lathe. Turning Wood oyster Box; I recently leant how to make an oyster shape box on the As you can lathe I used silky oak for this demonstration. Here’s a see, it has the step by step version of how; Make a cylinder about 6 or spigot facing 7 inches long out. and about 3 to 4 inches in diameter. as shown in the next picture Next you need to turn a dish into the end of the piece. The time to put your finish on is now. Approximately in the centre of this cylinder cut a groove about 1/4” deep and 3/8” wide. See next picture. Next you will need to cut a radius on the edge and cut the back of the piece most of the way down. Try to main- tain a constant thickness. Now you part off the piece. It will look something like this. It will be put into the next piece to finish it. Then cut an- other near one side of this groove. As shown. The spigot on the left will slip into a bell that you will cut into the piece on the right. The tiny Turn a recess for the spigot that re- spigot to fit into. This mains on this will be your jam chuck so make it piece will serve a tight fit. as a reference for Finish the piece. Remove it from the size of the bell that you will cut into it. -
Commercial Fishing Guide |
Texas Commercial Fishing regulations summary 2021 2022 SEPTEMBER 1, 2021 – AUGUST 31, 2022 Subject to updates by Texas Legislature or Texas Parks and Wildlife Commission TEXAS COMMERCIAL FISHING REGULATIONS SUMMARY This publication is a summary of current regulations that govern commercial fishing, meaning any activity involving taking or handling fresh or saltwater aquatic products for pay or for barter, sale or exchange. Recreational fishing regulations can be found at OutdoorAnnual.com or on the mobile app (download available at OutdoorAnnual.com). LIMITED-ENTRY AND BUYBACK PROGRAMS .......................................................................... 3 COMMERCIAL FISHERMAN LICENSE TYPES ........................................................................... 3 COMMERCIAL FISHING BOAT LICENSE TYPES ........................................................................ 6 BAIT DEALER LICENSE TYPES LICENCIAS PARA VENDER CARNADA .................................................................................... 7 WHOLESALE, RETAIL AND OTHER BUSINESS LICENSES AND PERMITS LICENCIAS Y PERMISOS COMERCIALES PARA NEGOCIOS MAYORISTAS Y MINORISTAS .......... 8 NONGAME FRESHWATER FISH (PERMIT) PERMISO PARA PESCADOS NO DEPORTIVOS EN AGUA DULCE ................................................ 12 BUYING AND SELLING AQUATIC PRODUCTS TAKEN FROM PUBLIC WATERS ............................. 13 FRESHWATER FISH ................................................................................................... 13 SALTWATER FISH ..................................................................................................... -
Vol. 21, No. 10 October 2017 You Can’T Buy It
ABSOLUTELY FREE Vol. 21, No. 10 October 2017 You Can’t Buy It Joseph Erb (Cherokee), Petition, acrylic on canvas, 24 x 36 inches Roy Bonney, Jr., Dogenvsv Degogigielv. Degogikahvsv. Noquu Otsilugi., acrylic on wood panel, 48 x 48 inches Images are from the exhibition Return from Exile: Contemporary Southeastern Indian Art, curated by Tony A. Tiger, Bobby C. Martin, and Jace Weaver, on view through December 8, 2017 at the Fine Art Museum, Fine & Performing Arts Center, Western Carolina University in Cullowhee, NC. The exhibition features more than thirty contemporary Southeastern Native American artists working in a variety of media including painting, drawing, printmaking, basketry, sculpture, and pottery. See the article on page 29. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Western Carolina University in Cullowhee, NC Page 3 - Ella Walton Richardson Fine Art CRAIG NELSON Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Nance Lee Sneddon Page 4 - Editorial Commentary, Corrigan Gallery, Ann Long Fine Art & Fabulon Page 5 - Fabulon Art Page 5 - City of North Charleston, College of Charleston & Charleston Artist Guild Page 6 - Karen Burnette Garner & Halsey-McCallum Studios Page 6 - Angline Smith Fine Art, Ella Walton Richardson Fine Art, Meyer Vogl Gallery & Page 7 - Call for Lowcountry Ceramic Artists, Rhett Thurman, Anglin Smith Fine Art, Life Celebrations October 6th - October 31st, 2017 Folly Beach Arts & Crafts Guild Helena Fox Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 8 - Meyer Vogl Gallery cont., Edward Dare Gallery , Fabulon cont. -
Cornshuckers and San
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Winter 1977 MUSEUM SEEKS MISSING HEAD the Museum's Resident Shipcarver, Pepper Langley, This Time the Schooner Again Hailed from Crisfield
Bugeye SOLOMONS SCHOOL BOAT - Almost Forgotten - In 1925 the elementary schools of lower Calvert County were consolidated into one school at Solomons. This meant transporting children who lived along the several creeks dissecting the Solomons area. Roads, practically non- existent, were dirt, sand and gravel, or oystershell and deeply grooved by wagons, ox-carts, and the rare automobile. Naturally, the most reasonable form of transportation was boat. Leaving behind their one-room schools, wooden out- houses marked "Girls" or "Boys," water buckets with one dipper, and their one teacher, students boarded the school- boat "James Aubrey" for the trip to the new school. Here Solomons High School and School Bus, 1930 were central heating, water fountains, inside lavatories, and times it was unable to enter Back Creek due to thick ice; a teacher in each of the classrooms. the children would then be dropped off at Solomons and The 42 foot "James Aubrey" was originally a brogan had to walk the mile to school. used for fishing and oystering. In the spring and summer of As better roads were built, the need for the old school- 1925 it was converted into a gas-screw passenger boat boat waned until finally it was replaced by the more conven- at the M. M. Davis Shipyard on Mill Creek. The masts, tional school bus in 1935. For ten years the old "James decking, and centerboard were removed and a cabin built to Aubrey" brought the water community or "creek" children completely enclose the length of the boat, which was then to school. The students identified themselves as "Up- divided into three parts, a pilot house, passenger section with benches along each side and down the middle, and an roaders" or "Up-creekers" depending upon the method of engine room. -
Overlay Ornament Match the Pattern Using a Curved Jig on a Scroll Length Instead of 10” and Turn a Separate Saw
drilled for eyes and mouth using a hemisphere to accept more than 3/8” diameter so you can’t jig on a drill press. Then the blank is sawn to choke up on the rod as much, then use a 5” Overlay Ornament match the pattern using a curved jig on a scroll length instead of 10” and turn a separate saw. Some slight carving is done to accent the wooden handle. sun’s features. Eyes are turned and inserted. A finial blank is hollowed convex using the hollowing jig, then reversed and turned. A hanger is made from twisted and then flattened wire to give a chain effect, and the ornament is assembled. The Cutting Tool Prepare 1/2” drill rod for the cutting tool by cutting it 10” long. Ensure the ends are reasonably square and bevel them slightly as in the top image of Figure #1. Select a 3/16” square tool bit and an I drill bit. If you use a different sized bit you can determine the round hole it will fit best into with a set of drill gauges as in the bottom image of Figure #1. Smiling Sun Overlay Ornament. Yellowheart sun, Maple cap, Blue shatterproof ornament. Introduction Figure #2: Center drill and drill a hole for the tool bit in the rod. Originally I was going to call this article Obtarsia Ornament (for intarsia on an orb). But Now drill and tap the rod for a set screw. I used I make a batch of ornaments for relatives and a 1/8” long 1/4x20 set screw. -
Dept Y-01 Dairy Cattle; Heifers
DEPT Y-01 DAIRY CATTLE; HEIFERS ENTRIES MEMBERS NAME CLUB Top Dairy Educational Exhibit Morgan Howard Holy Cross Registered Holstein Jr. Champion Nick Hoffmann Lakeview Registered Holstein Jr. Reserve Champion Luke Hamm Holy Cross Registered Holstein Jr. Honorable Mention Kayla Burger Town & Country Registered Holstein Sr. Champion Caryn Hamm Holy Cross Registered Holstein Reserve Sr. Champion Kayla Hamm Holy Cross Registered Holstein Sr. Honorable Mention Josie Robinson Holy Cross Registered Holstein Grand Champion Caryn Hamm Holy Cross Registered Holstein Reserve Grand Champion Kayla Hamm Holy Cross Grade Holstein Jr Champion Elizabeth Holmes Knellsville Grade Holstein Reserve Jr. Champion Scarlett Wielbeski Town & Country Grade Holstein Jr. Honorable Mention Molly Fyhrlund Knellsville Grade Holstein Sr. Champion Kayla Hamm Holy Cross Grade Holstein Reserve Sr. Champion Logan Bell Knellsville Grade Holstein Sr. Honorable Mention Payton Rychtik Knellsville Reserve Champion Brown Swiss Paige Kurlinski Lakeview Grand Champion Brown Swiss Briana Heinen Knellsville Sr. Dairy Showmanship Payton Rychtik Knellsville Int. Dairy Showmanship Zach Rusch Town & Country Jr. Dairy Showmanship Audrey Hosseini Covered Bridge Sr. Best Fitted By Exhibitor Kayla Hamm Holy Cross Jr. Best Fitted By Exhibitor Elizabeth Holmes Knellsville Int. Best Fitted by Exhibitor Nick Hoffmann Lakeview Large Club Herd Holy Cross Small Club Herd Lindenwood Jr. Supreme Champion Elizabeth Holmes Knellsville Jr. Supreme Reserve Champion Amanda Fix Town & Country Grade Holstein Grand Champion Kayla Hamm Holy Cross Grade Holstein Reserve Grand Champion Logan Bell Knellsville Senior Supreme Champion Caryn Hamm Holy Cross Senior Supreme Reserve Champion Kayla Hamm Holy Cross Large Club Herdsmanship-1st Pl. Holy Cross Large Club Cloverleaf / Little Kohler / Herdsmanship-2nd Pl. -
Winter 1989 Gems & Gemology
WINTER 1989 Volume 25 No. 4 TABLE OF CONTENTS EDITORIAL Reflections on the 1980s Richard T Liddicoat FEATURE Emerald and Gold Treasures of the Spanish Galleon ARTICLES Nuestra Seiiora de Atocha Robert E. IZane, Robert C. IZammerling, Rhyna Moldes, John I. Koivula, Shane E McClure, and Christopher P. Smith Zircon from the Harts Range, Northern Territory, Australia Maxwell J Faulkner and lames E. Shigley Blue Pectolite from the Dominican Republic Robert E. Woodr~lf/and Emmanuel Fritsch NOTES Reflectance Infrared Spectroscopy in Gemology AND NEW E Martin, H. Merigoux, and P. Zecchini TECHNIQUES Mildly Radioactive Rhinestones and Synthetic Spinel-and-Glass Triplets Knit Nassau and Edward A, Lewand REGULAR Gem Trade Lab Notes FEATURES Gem News Book Reviews Gemological Abstracts Annual Index ABOUT THE COVER: During the 1600s the Spanish conquerors of the New Worldshipped tons of gold, silver, and copper back to their mother country. They also sent back thousands of carats of rough and jewel-set emeralds. This rosary was one of the many emerald treasurers b~oughtup from the sunken Nuestra Senora de Atocha during the past decade. It had been in its underwater tomb for over 350 years. Staff at the GIA Gem Trade Laboratory and their colleagues have examined several of the emerald and gold treasures recovered from the shipwreck; they report their gemological discoveries and observations on the goldwork in this issue. Photo by Shane i? McClure, CIA Gem Trade Laboratory, Santa Monica, CA. Typesetting for Gems & Gemology is by Scientific Composition, Los Angeles, CA. Color separations are by Effective Graphics, Compton, CA. Printing is by Waverly Press, Easton, MD. -
Economic Inventory of Environmental and Social Resources Potentially Impacted by a Catastrophic Discharge Event Within OCS Regions
OCS Study BOEM 2014-669 Economic Inventory of Environmental and Social Resources Potentially Impacted by a Catastrophic Discharge Event within OCS Regions Prepared by Industrial Economics, Incorporated 2067 Massachusetts Avenue Cambridge, MA 02140 U.S. Department of the Interior Bureau of Ocean Energy Management October 2014 [This page intentionally left blank] Contents 1. Introduction .................................................................................................................................................... 1 2. Description of a Catastrophic Discharge Event ................................................................................................. 4 2.1 OCS Catastrophic Event Spill Sizes ............................................................................................................................ 4 2.2 Large Tanker Spill Sizes ............................................................................................................................................ 4 3. Potential Impacts of a Catastrophic Event on Coastal Areas ............................................................................. 6 3.1 Potential Effects on Physical and Biological Resources ............................................................................................ 8 3.2 Potential Effects on Economic Activity ..................................................................................................................... 9 3.3 Potential Effects on Public Use .............................................................................................................................. -
The Immigrant Oyster (Ostrea Gigas)
THE IMMIGRANT OYSTER (OSTREA GIGAS) NOW KNOWN AS THE PACIFIC OYSTER by E. N. STEELE PIONEER OLYMPIA OYSTERMAN IN COOPERATION WITH PACIFIC COAST OYSTER GROWERS ASSOCIATION, INC. TABLE OF CONTENTS CHAPTER I.........................................................................................................................Page 1 INTRODUCTION AN OYSTER GOES ABROAD SEED SETTING IN MAYAGI PREFECTURE IN YEAR 1918 SEEDS WERE VERY SMALL IN YEAR 1919 STORY OF JOE MAYAGI AND EMY TSUKIMATO SAMISH BAY SELECTED FOR EXPERIMENTAL PLANTINGS FIRST PLANTING OF SEED WAS A SUCCESS EXPERIMENTAL WORK IN JAPAN REPORT BY DR. GALTSOFF (Doc. 1066) U. S. BIOLOGIST Dr. HORI, JAPANESE BIOLOGIST OFFICIAL) REPORT ON SEED IN 1919 LESSONS LEARNED FROM JAPANESE EXPERIENCE Time of year to ship--Small seed most successful- When and where planted required further experience -The oyster had to answer that question. A TRIP TO SAMISH BAY WASHINGTON STATE PASSED ANTI-ALIEN ACT IN 1921 ROCKPOINT OYSTER Co. COMPLETED PURCHASE MAY 18, 1923 CHAPTER II........................................................................................................................Page8 An Oyster becomes Naturalized-Haines Oyster Co. of Seattle First Customer -Development of Seattle Markets -First year marketing very limited -First year shipper, Emy Tsukimato from Japan -First Seed Shipment, 492 Cases. Samples still retained. Development of best type of cultch. Experimental shipping in hold of ship or on deck -expanding the markets. Advent of planting in Willapa Harbor and Grays Harbor - -
Master Woodworking Artist of the Year” to a Commendable Artist Each Year in Their Field
FFoorreesstt HHeerriittaaggee CCeenntteerr 22002211 JJuurriiieedd EExxhhiiibbiiitt P.O. Box 157 - Broken Bow, Oklahoma 74728 (580) 494-6497 Fax (580) 494-6689 E-mail [email protected] Regulations and Guidelines Contest Rules & Regulations: In 2010, the Forest Heritage Center was recognized by the Senate’s Concurrent Resolution 35 as the “Wood Art Capital of Oklahoma”. This resolution authorized the Forest Heritage Center to convey the title of “Master Woodworking Artist of the Year” to a commendable artist each year in their field. A setting of lush forests, crystal clear streams and an abundance of wildlife surround the Forest Heritage Center and provide the backdrop for this exhibit. The diversity of wood and forestry products are highlighted in the skilled hands of master wood artists with techniques such as carving, turning, marquetry, and intarsia. The entries for the show represent some of the nation’s most intriguing and innovative pieces from the “best of the best” of the wood art community. This exhibit will provide an excellent opportunity for woodworking artists to present their work to the public in a museum gallery setting that features first-class wood art collections as well as other historical forestry exhibits. Eligibility / Entry Guidelines: Woodworking artist 18 years of age or older. Galleries, agents and collectors may not submit artwork on behalf of artists The Forest Heritage Center staff, jurors and judges are not eligible to participate in this exhibit Artwork must be 50% wood or wood composite Artwork must remain in the gallery for the entire exhibit Artwork must be original and completed within the last 2 years.