9780521895200 Index.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

9780521895200 Index.Pdf Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information INDEX Abel (Bible), depiction in art, 561–2 classics and, 251 , 257–8 Abortion, 129–30 clothing, depiction of, 363–4 Academies, 539–47 consensus realities and, 254–6 , 363–4 Accademia della Crusca (Academy), 541–2 culture and, 251 , 254, 257 Accolti, Bernardo, 452 Dante compared, 253 Acta Ecclesiae Mediolanenesis Eugenius IV and, 275 (Borromeo), 521 Gianfrancesco Gonzaga and, 294 Adam (Bible) on honor, 254–6 depiction in art, 561–2 Lorenzo de’ Medici and, 316 Garden of Eden and, 1–2 , 7 Ludovico Sforza and, 294 , 295 knowledge of, 260 Nicholas V and, 276 naming of things by, 221 , 261 , as painter, 294 266–7 , 423 Petrarch compared, 253 Savonarola on, 489–90 Alberti, Lionardo, 254–6 Addormentati (Academy), 541 Albert of Stade, 21 Adoration of the Christ Child (Fra Filippo Albizzi family, 299–300 Lippi), 307–8 Albornoz, Egidio, 60–1 , 157 , 166 Adoration of the Magi (Leonardo), 350 Alexander III (Pope), 39 , 41 , 270 Adoration of the Magi, The (Botticelli), Alexander the Great (Macedon), 458 , 582 345–6 , 357–9 Alexander VI (Pope) Adrian VI (Pope), 503–4 , 507–8 generally, 278 , 379 , 510 Aeschylus, 397 death of, 355 , 442 Africa (Petrarch), 225 French invasion of Italy and, 404–5 , Agathocles (Greece), 448 , 449 410–11 , 412 Age of the Beloveds, The (Andrews and “New World” and, 427 Kalpaki), 582 Piero de’ Medici and, 401 Age of marriage, 375 , 474 , 478 , 480–1 , 483 Savonarola and, 491 , 492 Ages of the world, 1–6 sex and, 404 Agnadello, Battle of, 418 War of League of Cambrai and, 413–14 Agnes (Saint), 277 Alexandria, Battle of, 177–8 Alberti, Leon Battista, 251–4 Alfonso I (Naples), 250 , 258 , 286–90 , 291 , generally, 324 403 , 407 , 579 as architect, 276 , 294 , 295 Alfonso II (Naples), 321 , 322 , 409 , 410–11 601 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information 602 Index Alfonso of Calabria, 321 , 322 Andrew (apostle), 279–80 Alhazen, 252 Andrews, Walter, 582 Aligheri, Dante. See Dante Angevin dynasty in Naples, 62–4 , 65–6 Allegory of Government (Lorenzetti), 69 Anghiari, Battle of, 197 , 356 Alternative terms for Rinascimento , 12 Anguissola, Sofonisba, 580 Ambrosian Republic, 198 Annunciation , The (Fra Angelico), 306–7 Amelia, Jacopo di Nino di, 470–1 Antichrist, 2–3 Americas Anti-popes, 60 , 269 Alexander VI and, 427 Apocalypse, 1 , 116–18 diaspora of Rinascimento in, 585–6 Apologi (Leon Battista Alberti), 252–3 disease and, 431–4 Apprentices, 146 exploration of, 421–8 Aquinas, Thomas, 37 , 230 , 233 , 246 fi rst times and, 423–4 Aquitaine, Duke of, 48 Jesuits in, 523 , 585–6 Aragon, conquest of Naples, 286 “the New” and, 421–8 L’arcadia (Sannazaro), 291 newness denied, 421 Ardenti (Academy), 541 Spanish conquests in, 508–9 Aretino, Pietro, 469–76 Ameto (Boccaccio), 216 generally, 531 Amorosa Visione (Boccaccio), 216 on Ariosto, 470 Ancient Athens, 138 , 242 Castiglione compared, 469 , 472 , 473 Ancient Rome. See also Rebirth concept on civic morality, 469 , 472–3 , Boccaccio on, 228 , 234 476 , 487–8 Florence compared, 138 Francis I and, 471–2 as ideal, 9 , 11 , 15–16 , 64 , 68 , 80 , 93 , 96 , humanism and, 244–6 107–8 , 223–4 , 234 , 237–8 , 276 , 294 Leo X and, 469 , 470 Machiavelli on, 440 , 443 , 448–51 Libertines and, 487–8 Petrarch on, 68–9 , 225–7 , 234–7 on love, 482–3 popolo grosso and, 80 , 93 , 538–9 Machiavelli compared, 469 , 473 Salutati and, 238 overview, 438 Venice and, 44 on sex, 473–7 , 478 , 481–2 virtù in, 113 , 224 , 230 on virtù , 469–76 , 487–8 Ancient world Arezzo in 13th Century, 31 Bible and, 366 Arienti, Giovanni Sabadino degli, civiltà and, 108 , 334–6 372–5, 378 fi rst times and, 223–4 Ariosto, Ludovico, 460–5 fl o r i l e g i a and, 210 generally, 465 , 531 Greek and, 240–1 on Angelica, 463–5 Latin and, 224–5 on Aretino, 470 law and, 94 Bembo and, 461 Leon Battista Alberti and, 254 on Bradamante, 378–9 , 460–1 , 464 printing and, 397 Castiglione compared, 463 , 465 religion and, 243 Ippolito d’Este and, 379–80 sex and, 384 , 454 Isabella d’Este and, 378–9 studia humanitatis and, 246–9 on love, 463–5 virtù and, 443–5 , 458 , 469 , 538–9 Machiavelli compared, 462 , 463 Andreini, Francesco, 584 overview, 438 Andreini, Isabella, 584 on prostitution, 478 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information Index 603 vernacular and, 543 Petrarch and, 206 , 236 on violence, 463 Plato and, 302 on virtù , 460–5 printing of works of, 389 on women, 463–4 , 466 , 468 virtù and, 230 Ariosto’s Bitter Harmony (Ascoli), 462–3 Augustinian Observants, 497 Aristides, 241 , 242 Augustus (Rome), 235 Aristocracy, 16–18 , 271–4 , 538–9 , 553 Aurispa, Giovanni, 275 Aristophanes, 397 Avignon, papacy at, 52–3 , 54 , 59–62 , 64–5 , Aristotle 166–7 , 227 , 271 , 415 generally, 243 , 458 Cosimo de’ Medici and, 302 Bacon, Roger, 252 Dante and, 37 Baglioni, Giampaolo, 414–15 Machiavelli on, 450–1 Baldo da Ubaldis, 74 on mixed government, 242 , 450–1 , Balia (wet nurse), 131–3 532–3 , 589 Balìa (special committee), 96–7 , 157 , printing of, 397 159–60 , 167 , 199–203 , 322 rhetoric of, 246 Banchini, Antonio, 570 on sex, 454 Banchini, Letitia, 570–2 in studia humanitatis , 247 , 249 Banco, Nanni di, 336–7 virtù and, 230 , 233 , 455–6 Bandello, Matteo, 434–6 on women, 454 Banking, 31 , 33 , 49 , 63 , 137–40 , 147–50 , Arrabbiati (Outraged), 490–1 151–2 , 202 Arranged marriage, 110 , 474 , 483 , Barbara of Brandenburg, 293 , 295 545 , 583–4 Barbarigo, Agostino (Doge), 342–5 Art of War (Machiavelli), 443 , 444 , 539 Barbarigo, Marco, 344–5 Arthurian legend, 292 , 294 , 460 Barbaro, Francesco, 256–7 , 301–2 Arti maggiori (major guilds), 143 Barbavara, Francesco, 188–9 , 192 Arti medie (middling guilds), 143 Barbiano, Alberico da, 164 Arti minori (minor guilds), 143–4 Bardi, Donato di Niccolò di Betto. Arts. See also specifi c artists See Donatello fi rst times, depiction of, 332 Barnabites, 522 individual in, 326–8 Baron, Hans, 240 , 241 , 242 literature. See Literature Bartolus of Sassoferrato, 74 love poetry, 212–20 ( See also Love Baths, 29 poetry) Battle of. See specifi c battles portraits. See Portraits Battle of Love and Chastity , The sex in, 384 , 471–2 (Perugino), 384 sculpture, 338 Beccadelli, Antonio (Panormita), Ascoli, Albert, 462–3 288–9 , 290–1 Asia, Jesuits in, 586–7 Becket, Thomas, 22 Athenaeus, 397 “Bedroom culture,” 578–9 Athens (ancient), 138 , 242 “Bedroom diplomacy,” 287 , 401 , 420 , 506 , Attendolo, Muzio, 164 508–9 , 576 Augustine (Saint) Belfagor (Machiavelli), 444 Cosimo de’ Medici and, 302 Bellini, Gentile, 342 , 581–2 depiction in art, 345 Bellini, Giovanni, 342–4 Isotta Nogarola and, 374 Bellini, Jacopo, 342 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information 604 Index Bellini, Niccolosa, 342 Blaise (Saint), 565 Bellini family, 342–4 . See also specifi c family Boccaccio, Giovanni members generally, 446 , 453 , 461 , 542 Bembo, Pietro on Black Death, 116–18 , 119 , 120 , 123 generally, 531 , 566 civiltà and, 109–15 Ariosto and, 461 classicism and, 242–3 Castiglione and, 452 on corruption, 493–4 Colonna and, 468–9 culture and, 210 Gambara and, 467 Decameron ( See Decameron (Boccaccio)) Isabella d’Este and, 382–3 Divine Comedy and, 228–9 on language, 552 fi rst times and, 220–9 on love, 459–60 , 465 in Florence, 63 overview, 542 Fortuna and, 218–19 , 228 , 231 Paul III and, 511 gender and, 228 printing of works of, 397 Giannozzo Manetti and, 258–9 on women, 466 on honor, 154–6 Benedict XI (Pope), 51–2 humanism and, 206 Benevento, Battle of, 62 Leon Battista Alberti compared, 251 Bentivoglio, Giovanni II, 372 , 373 , 414–15 on love, 109–15 , 230–4 Bentivoglio, Sante, 365 love poetry of, 216–20 Benucci, Alessandra, 461–2 oral culture and, 210 Bergamo overview, 552 in Italian Hundred Years’ War, 195 rebirth concept and, 228–9 in War of League of Cambrai, 416–17 on Rome (ancient), 228 , 234 Bernardino of Siena, 128–9 , 496–7 on sex, 512 Bessarion (Cardinal), 279–80 , 365–6 , 395–6 virtù and, 228 , 230–4 Betto, Bernardino di (Pinturicchio), 283 on women, 360 , 370–1 Beyazid I (Ottoman), 180–1 Boiardo, Matteo Maria, 378–9 , 463 Bible, 2 , 40 , 201 , 223 , 243 , 397 , 398 , 514 , Boissy, Adriano Gouffi er de, 470–1 527 , 587 . See also specifi c book or person Bologna Bigi (Grays), 490–1 academies in, 541 Biondo, Flavio, 275 , 276–7 economic competition with Birth control, 129–33 Florence, 135 abortion as, 129–30 in Italian Hundred Years’ War, 171–81 balia as, 131–3 pilgrimages to Rome through, 26 , 30 coitus interruptus as, 129 in War of League of Cambrai, 414 child abandonment as, 130–1 in War of the Eight Saints, 167–8 , foundling homes and, 130–1 169 Bisticci, Vespasiano da, 387 , 587 Bolzano, 24 Black Death Bonaventure (Saint), 37 bubonic plague as cause of, doubts Bondone, Giotto di, 63–4 , 329 regarding, 118–23 Bonfi res of the vanities, 490 causes of, 118–23 Boniface VIII (Pope) economic eff ects of, 123–5 generally, 33 , 70 as Malthusian check on population, jubilee year, 21–2 , 35 , 37 126–9 , 133–4 Philip IV and, 48–51 overview, 116–18 Boniface IX (Pope), 189 , 281 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information Index 605 Bonsignori, Francesco, 382–3 Buonarroti, Michelangelo di Lodovico.
Recommended publications
  • 382 Index.Qxd
    405 INDEX INDEX More detailed or explanatory references (where there any many references listed), or references to an artist’s masterpiece (in cases where it is not listed by name), are given in bold. Numbers in italics are pic- ture references. Dates are given for all artists and sculptors. Saints’ names for towns are written out in full (San Gimignano); churches are listed as S. Martino, S. Agata etc. Note that artists in medieval and Renaissance Italy are often named for their parentage, provenance or occupation (Piero della Francesca = son of Francesca; Pietro da Cortona = Pietro from Cortona and Paolo Veneziano = Paolo the Venetian; Lorenzo Monaco = Lorenzo the monk). They are indexed under ther first names. A Florentine painter; 1343–77) 188 Abano Terme 109 Angelico, Fra’ (Guido di Pietro; Florentine painter; Aeneas, story of 236, 285, 310, 326, 375 c.1400–55) 186, 196, 270; (tomb of) 256 Agathocles of Syracuse 375 Angera 50 Agrate, Marco d’ (Lombard sculptor; active Angevin rulers of Naples and Sicily 312, 368 1534–71) 34 Annigoni, Pietro (painter; 1910–88) 106 Agrigento 378–79, 379 d’Annunzio, Gabriele, poet 111 Alba 24 Anselm, St 9, 355 Alba Longa, ancient city 236, 285 Anselmo da Campione (Campionese sculptor; Alban Hills 285–86 fl.1160–80) 142 Albenga 167 Antelami, Benedetto (architect, active in Parma; Alberobello 359–60, 359 c.1178–1230) 143 Alberti, Leon Battista (Florentine architect; Anthony of Padua, St 106 1404–72) 59, 60, 60, 156, 187, 188 Antinous, favourite of Hadrian 283 Albissola 167 Antonelli, Alessandro (Piedmontese
    [Show full text]
  • STECSP-8.Pdf
    Уредништво Др РАСТКО ВАСИЋ Др ИВАН ЈОРДОВИЋ Др СНЕЖАНА ФЕРJАНЧИЋ Др СВЕТОЗАР БОШКОВ Др КСЕНИЈА МАРИЦКИ ГАЂАНСКИ, главни уредник Лого РИМСКА БОГИЊА ДИЈАНА Аутор ДАМЈАН ВАСИЋ графички дизајнер Одржавање Међународног скупа и припрему ове књиге су помогли МИНИСТАРСТВО ПРОСВЕТЕ, НАУКЕ И ТЕХНОЛОШКОГ РАЗВОЈА РЕПУБЛИКЕ СРБИЈЕ АРХИВ СРЕМА СРЕМСКА МИТРОВИЦА ДРУШТВО ЗА АНТИЧКЕ СТУДИЈЕ СРБИЈЕ АНТИКА И САВРЕМЕНИ СВЕТ: ТУМАЧЕЊЕ АНТИКЕ Зборник радова ДРУШТВО ЗА АНТИЧКЕ СТУДИЈЕ СРБИЈЕ БУКЕФАЛ E.O. Н. Научне публикације Друштва за античке студије Србије Едиција Антика и савремени свет Том 1: Антика и савремени свет, 2007, стр. 404 Скуп одржан 2006. године Том 2: Европске идеје, античка цивилизација и српска култура, 2008, стр. 496 Скуп одржан 2007. године Том 3: Антички свет, европска и српска наука, 2009, стр. 432 Скуп одржан 2008. године Том 4: Античка култура, европско и српско наслеђе, 2010, стр. 508 Скуп одржан 2009. године Том 5: Антика и савремени свет: култура и религија, 2011, стр. 507 Скуп одржан 2010. године Том 6: Антика, савремени свет и рецепција античке културе, 2012, стр. 524 Скуп одржан 2011. године Том 7: Антика и савремени свет: научници, истраживачи и тумачи 2012, стр. 350 Скуп одржан 2012. године Том 8: Антика и савремени свет: тумачење антике, 2013; стр. 472 Скуп одржан 2013. године Proceedings of the Serbian Society for Ancient Studies Series Antiquity and Modern World Antiquity and Modern World, Proceedings of the Serbian Society for Ancient Studies,Vol. I, Belgrade 2007, pp. 404 European Ideas, Ancient Civilization and Serbian Culture, Proceedings of the Serbian So- ciety for Ancient Studies, Vol. II, Belgrade 2008, pp. 496 Ancient World, European and Serbian Scholarship, Proceedings of the Serbian Society for Ancient Studies, Vol.
    [Show full text]
  • Chigi Palace
    - Chigi Palace - English Version Traduzione di Giovanna Gallo Ancient palace of the Sixteenth century located in the heart of Rome, it was conceived by Pietro Aldobrandini, Pope Clement VII’s brother and an important representative of the Roman aristocracy. The idea of the original plan, entrusted to the Umbrian architect Bartolini from Città di Castello, was to enlarge a pre-existent block of buildings, to incorporate some more houses and to construct a single building made of three floors with the main entrance on Via del Corso. The ownership of the palace was rather unstable because it was handed several times to other Families, such as the Detis, for almost a whole century, until 1659 when it was purchased by the Chigi family, among whose members there were also some cardinals and one Pope, Alexander VII. The Chigis were rich bankers with Sienese origins and backers of the Vatican and they changed the frame of the building, that was thus named after them. At least for two centuries the palace has been the residence of some aristocratic families and, later on, it became the seat at first of the Spanish Embassy (around the second half of the XVIIIth century ), then of the Austro-Hungarian Empire, being sold at last by the Chigis themselves to the Kingdom of Italy ( Regno d’Italia ) in 1916, when it was assigned to become the seat of the Ministero delle Colonie ( Ministry of Colonial Affairs). In 1922 Benito Mussolini, both as Italian Prime Minister and Minister of Foreign Affairs, ordered to transfer there the Ministry of Foreign Affairs.
    [Show full text]
  • Download Worthies & Ternionen, 2Nd Revised, Pdf, 530 KB
    The Nine Worthies and other Ternionen A survey of the literature and iconography by Steen Clemmensen 2nd Revised Edition Personalized virtues 2 Variations in iconography 3 Representations of the Nine Worthies and other Ternionen 4 References 7 Variations of arms ascribed to the Ternionen 10 Ordinary of arms 36 © 2017 Steen Clemmensen, Farum, Denmark, www.armorial.dk 1 Personalized virtues The imagery of the Ternionen or three best of each is one of several forms of presentation of knightly virtues and the bases of society. In this case based on the magical number three, as found in arts (The three Graces), constitutions (parliament, executive, judicial), behaviour (faith, hope, and charity), and life (youth, middle age, old age) &c. Though coats-of-arms were assigned to imaginary heroes from the early 13th century (Charlemagne), the first known occurrence of the triad: pagan law – jewish law – christian law, was the French poem Voeux du paon or Vows of the peacock from 1312 by Jean de Longuyon. Law is here including virtues and commendable social behaviour. Longuyon selected nine champions to represent the triads: Hector, Alexander, and Caesar for the pagans; David, Joshua and Judas Maccabeus for the jews; and Charlemagne, Arthur of Britain, and Godfrey of Bouillon for the christians. This theme of the Nine Worthies / Neuf Preux / Neun Helden / Nove Prodi rapidly became a common and enduring theme in Western Europe, being repeated in artworks and literature through England, France, Germany, Spain and Italy. From time to time the worthies were in competition as well as union with other real or fabulous groupings: e.g.
    [Show full text]
  • The Fennel Fields a Little Scene Setting
    A HISTORY OF BORGO FINOCCHIETO by Judy Canton, with side notes by Mary Grace Hicks The Fennel Fields Finocchieto is a charming name. Finocchio is sweet fennel and finocchieto means fennel orchard or fennel fields, just as frutto is fruit and frutteto means orchard. Sweet fennel grows wild all over Tuscany in fields, hedgerows, at roadsides, along the railway, and in gardens. Finocchieto was no doubt known locally for the wild fennel plants growing around the slopes of Bibbiano. It has certainly had the name since 1318, and maybe for much longer. To this day, when the wild fennel seeds ripen every year at the end of August, gatherers of all types and both sexes go to work collecting the seeds that will stud the delicious local salami, finocchiona, with flavor. It has been eaten for centuries, usually on thick slices of unsalted bread and accompanied with a glass of red wine. The farm at Finocchieto, like many Tuscan country properties no longer in agricultural use, has found a new lease on life. Its name, however, will link it to the old way of life and the tradition of eating slices of finocchiona with bread and wine will remind those who enjoy its stone walls and quiet, beautiful setting of the thousands who have already appreciated the same delights in its long history. A Little Scene Setting The part of Italy where Finocchieto was built has a long prehistory; - 228 - a long period of settlement before we have evidence of the farm’s existence. Navigable rivers and valleys were of fundamental importance in the siting of early settlements and in spreading cultural influence.
    [Show full text]
  • Timeline1800 18001600
    TIMELINE1800 18001600 Date York Date Britain Date Rest of World 8000BCE Sharpened stone heads used as axes, spears and arrows. 7000BCE Walls in Jericho built. 6100BCE North Atlantic Ocean – Tsunami. 6000BCE Dry farming developed in Mesopotamian hills. - 4000BCE Tigris-Euphrates planes colonized. - 3000BCE Farming communities spread from south-east to northwest Europe. 5000BCE 4000BCE 3900BCE 3800BCE 3760BCE Dynastic conflicts in Upper and Lower Egypt. The first metal tools commonly used in agriculture (rakes, digging blades and ploughs) used as weapons by slaves and peasant ‘infantry’ – first mass usage of expendable foot soldiers. 3700BCE 3600BCE © PastSearch2012 - T i m e l i n e Page 1 Date York Date Britain Date Rest of World 3500BCE King Menes the Fighter is victorious in Nile conflicts, establishes ruling dynasties. Blast furnace used for smelting bronze used in Bohemia. Sumerian civilization developed in south-east of Tigris-Euphrates river area, Akkadian civilization developed in north-west area – continual warfare. 3400BCE 3300BCE 3200BCE 3100BCE 3000BCE Bronze Age begins in Greece and China. Egyptian military civilization developed. Composite re-curved bows being used. In Mesopotamia, helmets made of copper-arsenic bronze with padded linings. Gilgamesh, king of Uruk, first to use iron for weapons. Sage Kings in China refine use of bamboo weaponry. 2900BCE 2800BCE Sumer city-states unite for first time. 2700BCE Palestine invaded and occupied by Egyptian infantry and cavalry after Palestinian attacks on trade caravans in Sinai. 2600BCE 2500BCE Harrapan civilization developed in Indian valley. Copper, used for mace heads, found in Mesopotamia, Syria, Palestine and Egypt. Sumerians make helmets, spearheads and axe blades from bronze.
    [Show full text]
  • Power and Nostalgia in Eras of Cultural Rebirth: the Timeless
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2013 Power and Nostalgia in Eras of Cultural Rebirth: The imelesT s Allure of the Farnese Antinous Kathleen LaManna Scripps College Recommended Citation LaManna, Kathleen, "Power and Nostalgia in Eras of Cultural Rebirth: The imeT less Allure of the Farnese Antinous" (2013). Scripps Senior Theses. Paper 176. http://scholarship.claremont.edu/scripps_theses/176 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. POWER AND NOSTALGIA IN ERAS OF CULTURAL REBIRTH: THE TIMELESS ALLURE OF THE FARNESE ANTINOUS by KATHLEEN ROSE LaMANNA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MICHELLE BERENFELD PROFESSOR GEORGE GORSE MAY 3, 2013 Acknowledgements To Professor Rankaitis for making sure I could attend the college of my dreams and for everything else. I owe you so much. To Professor Novy for encouraging me to pursue writing. Your class changed my life. Don’t stop rockin! To Professor Emerick for telling me to be an Art History major. To Professor Pohl for your kind words of encouragement, three great semesters, and for being the only person in the world who might love Gladiator more than I do! To Professor Coats for being a great advisor and always being around to sign my many petition forms and for allowing me to pursue a degree with honors.
    [Show full text]
  • Shifting Definitions of Movement and Place in Early Modern Rome
    THE PALACE-CITY INTERFACE: SHIFTING DEFINITIONS OF MOVEMENT AND PLACE IN EARLY MODERN ROME by MATTHEW G. MCKINNON A THESIS Presented to the Department of History of Art and Architecture and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2019 An Abstract of the Thesis of Matthew G. McKinnon for the degree of Bachelor of Arts in the Department of History of Art and Architecture to be taken June 2019 The Palace-City Interface: Shifting Definitions of Movement and Place in Early Modern Rome Approved: _______________________________________ James G. Harper This essay considers four seventeenth-century Roman palaces in the contexts of topographical setting and city circulation, with particular attention to the façade as a definer of place. It draws on seventeenth-century guidebooks, etchings, and maps, analyzing them within the frameworks of papal urbanism and dynastic self- representation. The results of the analysis show that, during each pontificate from 1605-67, the pope encouraged his relatives to develop or redevelop the family palace in a way that would inscribe their image onto the city. Once constructed, each palace became the center of an urban node, symbolically connected with other monumental landmarks by the viewer’s movement through the city. The space around the palace façade was also subject to design, and each pope utilized different strategies to enhance the location and context of his family’s palace. Comparing the cases, the essay argues that Innocent X and Alexander VII integrated public-welfare urbanism more fully into the family palace project.
    [Show full text]
  • Black Nobility
    DON TRUMP, IRAN, & BLACK NOBILITY BLACK NOBILITY PALLAVICINI Prince Moroello Diaz della Vittoria Pallavicini and his brother Prince Sigieri Diaz della Vittoria Pallavicini are top members of the international banking mafia and the primary owners of the Armenian Mafia with some financial interests in the Lucchese crime family. The Pallavicinis have an Austrian branch and also a Hungarian branch which manage some Slavic-Serbian mafia clans. The Pallavicinis are nobles of Milan, Rome, Vienna, and Genoa. The Genoese were the most dominant bankers for centuries. They financed the creation of what is today called the Bank of America and the Genoese nobles the Pallavicinis, Odescalchis, Dorias, and Cattaneos have covert shares in. Prince Sigieri Pallavicini has worked with Merrill Lynch stated on his business profile for Athena Investments and Bank of America owns Merrill Lynch. The Pallavicinis invest in crime families for the other Black Nobility. Mafias are business enterprises and it costs money to create them and costs money to protect them. Prince Moroello and Prince Sigieri have worked at various international banks and created Global Wealth Management Gwm a private investment firm in Italy, Malta, Switzerland, and Luxembourg and together with JP Morgan in December of 2019 purchased multiple buildings including one in front of the American embassy in Rome. The Pallavicinis have an Italian Muslim branch which are Imams in Milan with Prince Imam Yahya Sergio Yahe Pallavicini. The Pallavicinis are related to ancient Iranian royals and the Pahlavi dynasty which later established itself in Armenian as the Pahlavunis. Mohammad Reza Pahlavi the Shah or Iran was a Vatican Knight of the Order of the Golden Spur.
    [Show full text]
  • AGOSTINO CHIGI's VILLA SUBURBANA a ROMAN LIFESTYLE: 1510 1520 by Margery Masinter
    AGOSTINO CHIGI'S VILLA SUBURBANA A ROMAN LIFESTYLE: 1510 1520 by Margery Masinter A Qualifying Paper submitted in partial fulfillment of the requirements for the degree of Master of Arts in the History of Decorative Arts The Cooper-Hewitt Museum and the Parsons School of Design 1993 TABLE OF CONTENTS List of Illustrations i Chronology ..................... V] I. Introduction .................1 II. Chigi and His Circle .............2 III, Villa Chigi: Architecture and Decoration . 6 IV. The Garden and Tiber Dining Loggia ......13 V. The Pleasure of Dining Al Fresco .......17 VI. Cookery and Presentation ...........22 VII. Table Decoration . 28 VIII. Conclusion ..................32 Endnotes ......................33 Bibliography ....................40 Illustrations ....................44 AGOSTINO CHIGI 1 S VILLA SUBURBANA A ROMAN LIFESTYLE: 1510 - 1520 List of Illustrations 1. Seal of Agostino Chigi. (F. Hermanin, La Farnesina, Bergamo, 1927, embossed on front cover). 2. Baldasarre Peruzzi, Villa Chigi, Rome, 1510 [Villa Farnesina]. (E. Gerlini, La Villa Farnesina in Roma, Rome, 1949, 44. 3. Portrait Medal of Imperia. (L. Lawner, Lives of the Courtesans, New York, 1987, 8.) 4. Giulio Romano, Two Lovers (Bedchamber of a prominent courtesan?), Hermitage, Leningrad. (P. Thornton, The Italian Renaissance Interior 1400-1600, New York, 1991, 356. 5. Villa Farnesina, Rome, drawing, 1593. (E. Gerlini, La Villa Farnesina in Roma, Rome, 1949, 43. 6. Villa Chigi, Rome, Plan, reconstructed to 1518. (M. Masinter, based on C. L. ,Frommel, Die Farnesina und Peruzzis Architechtonisches Fruhwerk, Berlin, 1961, 31. 7, Baldussare Peruzzi, Villa Chigi, Siena, 1505. (C. L. Frommel, Die Farnesina und Peruzzis Architectonisches Fr'uhwerk, Berlin, 1961, 107.) 8. Fresco of Roman Villa, Stabies. (P.
    [Show full text]
  • Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice
    Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice Theatrum historiae 19 2016 Pardubice 2016 The cover image was taken from Státní oblastní archiv [State Regional Archive] Plzeň, the section in Klášter, Rodinný archiv Windischgrätzů [the Windischgrätz Family Archive], inv. No. 1428, sign. 128, Kart. 197, Kayserlicher Hof- und Ehren-Calender / Auff das Jahr nach unsers Seeligmachers JEsu Christi Geburt 1711..., Wien: bey Joh. Jacob Koll, Buchbinder, am Stock in Eysen 1711. It is a product of Austrian Habsburg propaganda. Casa d´Austria manifests its right to rule the Spanish monarchy with all its states and colonies. This issue results from the solution of the standard grant project Nr 13–12939S Bohemian and Moravian Nobility in the Diplomatic Service of the Austrian Habsburgs (1640–1740) and its publication was supported by the Grant Agency of the Czech Republic. © University of Pardubice, 2017 Registration number MK ČR E 19534 ISSN 1802–2502 Contents Jiří HRBEK Acting on behalf of the Bohemian King: Ferdinand Ernst von Waldstein’s Journey to Westphalia (1645–1647) 9 Zsuzsanna CZIRÁKI Language Students and Interpreters at the Mid-seventeenth-century Habsburg Embassy in Constantinople 27 Monika KONRÁDOVÁ – Rostislav SMÍŠEK The Illusion of Power or Relentless Reality? Ceremonial and Ritual Practices at the Court of Moscow in the Middle of the 17th Century through the Eyes of the Imperial Diplomats 45 Martin BAKEŠ Shaping the Danish and Imperial Legation Chapels in Vienna and Copenhagen during the Period after the Thirty Years’ War 73 Laura OLIVÁN SANTALIESTRA Judith Rebecca von Wrbna and Maria Sophia von Dietrichstein: Two Imperial Ambassadresses from the Kingdom of Bohemia at the Court of Madrid (1653–1674) 95 Lenka MARŠÁLKOVÁ Dominik Andreas von Kaunitz during the 80’s and the early 90’s of the 17th Century.
    [Show full text]
  • The Chigi Palace in Ariccia Illustrated Guide
    The Chigi Palace in Ariccia Illustrated guide The Chigi Palace in Ariccia THE CHIGI PALACE IN ARICCIA Illustrated guide Photography Edited by City of Ariccia Mauro Aspri (Ariccia) Daniele Petrucci Arte Fotografica (Roma) Roberto Di Felice Mauro Coen (Roma) Francesco Petrucci Mayor Augusto Naldoni (Roma) Claudio Fortini Daniele Petrucci 1st Area Director Burial Ground of II Partic Legion (Empereor Septimius Severus) Francesco Petrucci Chigi’s Palace curator Noble Floor Princess Antonietta Green room Bedroom Fountains 17th c. Nun’s room Studio of Albani Service Prince Mario room room Sayn Park Avenue Chapel Wittgenstein Aviary (Cappella) Summer dining Bedroom hall (Camera Rosa) (Uccelliera) Ariosto room Gallery Red and yellow hall Master Hall Landscape Tr ucco room Borghese room Mario de’ Fiori Beauties gallery room room Ruins of Fountains S. Roch 17th c. Grotesque room Pharmacy Neviera Monument of Pandusa (Piazzale Mascherone) 1st c. Ground Floor Square of the mask Ancient Quarry Pump House Chapel Garden of the fallen Peschiera Large Square Room of Room of Room of the Chinese Arquebus Big Flocked Paper wallpaper Kitchen (Cucinone) Public gardens Monumental Bridge of Ariccia Chigi Palace 19th c. Gemini room Piazza di Corte Dog’s hall (Bernini, 1662-65) Leo Virgo Antechamber e Cancer room room room The Chigi Palace in Ariccia Piazza di Corte 14 -00072 Ariccia (Roma) ph. +39 069330053 - fax +39 069330988 - Red bedroom www.palazzochigiariccia.com - [email protected] Publisher Arti Grafiche Ariccia Ariccia - printed in october 2019 View of the Chigi Palace on the Piazza di Corte by Bernini. The Ducal Palace of Ariccia represents an unique example of Roman Baroque residence unaltered in its own context and original furnishings, documenting the splendour of one of the major Italian papal families, once owners of the Chigi Palace in Rome, nowadays seat of the Presidency of the Council of Ministries.
    [Show full text]