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9780521895200 Index.Pdf
Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information INDEX Abel (Bible), depiction in art, 561–2 classics and, 251 , 257–8 Abortion, 129–30 clothing, depiction of, 363–4 Academies, 539–47 consensus realities and, 254–6 , 363–4 Accademia della Crusca (Academy), 541–2 culture and, 251 , 254, 257 Accolti, Bernardo, 452 Dante compared, 253 Acta Ecclesiae Mediolanenesis Eugenius IV and, 275 (Borromeo), 521 Gianfrancesco Gonzaga and, 294 Adam (Bible) on honor, 254–6 depiction in art, 561–2 Lorenzo de’ Medici and, 316 Garden of Eden and, 1–2 , 7 Ludovico Sforza and, 294 , 295 knowledge of, 260 Nicholas V and, 276 naming of things by, 221 , 261 , as painter, 294 266–7 , 423 Petrarch compared, 253 Savonarola on, 489–90 Alberti, Lionardo, 254–6 Addormentati (Academy), 541 Albert of Stade, 21 Adoration of the Christ Child (Fra Filippo Albizzi family, 299–300 Lippi), 307–8 Albornoz, Egidio, 60–1 , 157 , 166 Adoration of the Magi (Leonardo), 350 Alexander III (Pope), 39 , 41 , 270 Adoration of the Magi, The (Botticelli), Alexander the Great (Macedon), 458 , 582 345–6 , 357–9 Alexander VI (Pope) Adrian VI (Pope), 503–4 , 507–8 generally, 278 , 379 , 510 Aeschylus, 397 death of, 355 , 442 Africa (Petrarch), 225 French invasion of Italy and, 404–5 , Agathocles (Greece), 448 , 449 410–11 , 412 Age of the Beloveds, The (Andrews and “New World” and, 427 Kalpaki), 582 Piero de’ Medici and, 401 Age of marriage, 375 , 474 , 478 , 480–1 , 483 Savonarola -
STECSP-8.Pdf
Уредништво Др РАСТКО ВАСИЋ Др ИВАН ЈОРДОВИЋ Др СНЕЖАНА ФЕРJАНЧИЋ Др СВЕТОЗАР БОШКОВ Др КСЕНИЈА МАРИЦКИ ГАЂАНСКИ, главни уредник Лого РИМСКА БОГИЊА ДИЈАНА Аутор ДАМЈАН ВАСИЋ графички дизајнер Одржавање Међународног скупа и припрему ове књиге су помогли МИНИСТАРСТВО ПРОСВЕТЕ, НАУКЕ И ТЕХНОЛОШКОГ РАЗВОЈА РЕПУБЛИКЕ СРБИЈЕ АРХИВ СРЕМА СРЕМСКА МИТРОВИЦА ДРУШТВО ЗА АНТИЧКЕ СТУДИЈЕ СРБИЈЕ АНТИКА И САВРЕМЕНИ СВЕТ: ТУМАЧЕЊЕ АНТИКЕ Зборник радова ДРУШТВО ЗА АНТИЧКЕ СТУДИЈЕ СРБИЈЕ БУКЕФАЛ E.O. Н. Научне публикације Друштва за античке студије Србије Едиција Антика и савремени свет Том 1: Антика и савремени свет, 2007, стр. 404 Скуп одржан 2006. године Том 2: Европске идеје, античка цивилизација и српска култура, 2008, стр. 496 Скуп одржан 2007. године Том 3: Антички свет, европска и српска наука, 2009, стр. 432 Скуп одржан 2008. године Том 4: Античка култура, европско и српско наслеђе, 2010, стр. 508 Скуп одржан 2009. године Том 5: Антика и савремени свет: култура и религија, 2011, стр. 507 Скуп одржан 2010. године Том 6: Антика, савремени свет и рецепција античке културе, 2012, стр. 524 Скуп одржан 2011. године Том 7: Антика и савремени свет: научници, истраживачи и тумачи 2012, стр. 350 Скуп одржан 2012. године Том 8: Антика и савремени свет: тумачење антике, 2013; стр. 472 Скуп одржан 2013. године Proceedings of the Serbian Society for Ancient Studies Series Antiquity and Modern World Antiquity and Modern World, Proceedings of the Serbian Society for Ancient Studies,Vol. I, Belgrade 2007, pp. 404 European Ideas, Ancient Civilization and Serbian Culture, Proceedings of the Serbian So- ciety for Ancient Studies, Vol. II, Belgrade 2008, pp. 496 Ancient World, European and Serbian Scholarship, Proceedings of the Serbian Society for Ancient Studies, Vol. -
Chigi Palace
- Chigi Palace - English Version Traduzione di Giovanna Gallo Ancient palace of the Sixteenth century located in the heart of Rome, it was conceived by Pietro Aldobrandini, Pope Clement VII’s brother and an important representative of the Roman aristocracy. The idea of the original plan, entrusted to the Umbrian architect Bartolini from Città di Castello, was to enlarge a pre-existent block of buildings, to incorporate some more houses and to construct a single building made of three floors with the main entrance on Via del Corso. The ownership of the palace was rather unstable because it was handed several times to other Families, such as the Detis, for almost a whole century, until 1659 when it was purchased by the Chigi family, among whose members there were also some cardinals and one Pope, Alexander VII. The Chigis were rich bankers with Sienese origins and backers of the Vatican and they changed the frame of the building, that was thus named after them. At least for two centuries the palace has been the residence of some aristocratic families and, later on, it became the seat at first of the Spanish Embassy (around the second half of the XVIIIth century ), then of the Austro-Hungarian Empire, being sold at last by the Chigis themselves to the Kingdom of Italy ( Regno d’Italia ) in 1916, when it was assigned to become the seat of the Ministero delle Colonie ( Ministry of Colonial Affairs). In 1922 Benito Mussolini, both as Italian Prime Minister and Minister of Foreign Affairs, ordered to transfer there the Ministry of Foreign Affairs. -
Download Worthies & Ternionen, 2Nd Revised, Pdf, 530 KB
The Nine Worthies and other Ternionen A survey of the literature and iconography by Steen Clemmensen 2nd Revised Edition Personalized virtues 2 Variations in iconography 3 Representations of the Nine Worthies and other Ternionen 4 References 7 Variations of arms ascribed to the Ternionen 10 Ordinary of arms 36 © 2017 Steen Clemmensen, Farum, Denmark, www.armorial.dk 1 Personalized virtues The imagery of the Ternionen or three best of each is one of several forms of presentation of knightly virtues and the bases of society. In this case based on the magical number three, as found in arts (The three Graces), constitutions (parliament, executive, judicial), behaviour (faith, hope, and charity), and life (youth, middle age, old age) &c. Though coats-of-arms were assigned to imaginary heroes from the early 13th century (Charlemagne), the first known occurrence of the triad: pagan law – jewish law – christian law, was the French poem Voeux du paon or Vows of the peacock from 1312 by Jean de Longuyon. Law is here including virtues and commendable social behaviour. Longuyon selected nine champions to represent the triads: Hector, Alexander, and Caesar for the pagans; David, Joshua and Judas Maccabeus for the jews; and Charlemagne, Arthur of Britain, and Godfrey of Bouillon for the christians. This theme of the Nine Worthies / Neuf Preux / Neun Helden / Nove Prodi rapidly became a common and enduring theme in Western Europe, being repeated in artworks and literature through England, France, Germany, Spain and Italy. From time to time the worthies were in competition as well as union with other real or fabulous groupings: e.g. -
The Fennel Fields a Little Scene Setting
A HISTORY OF BORGO FINOCCHIETO by Judy Canton, with side notes by Mary Grace Hicks The Fennel Fields Finocchieto is a charming name. Finocchio is sweet fennel and finocchieto means fennel orchard or fennel fields, just as frutto is fruit and frutteto means orchard. Sweet fennel grows wild all over Tuscany in fields, hedgerows, at roadsides, along the railway, and in gardens. Finocchieto was no doubt known locally for the wild fennel plants growing around the slopes of Bibbiano. It has certainly had the name since 1318, and maybe for much longer. To this day, when the wild fennel seeds ripen every year at the end of August, gatherers of all types and both sexes go to work collecting the seeds that will stud the delicious local salami, finocchiona, with flavor. It has been eaten for centuries, usually on thick slices of unsalted bread and accompanied with a glass of red wine. The farm at Finocchieto, like many Tuscan country properties no longer in agricultural use, has found a new lease on life. Its name, however, will link it to the old way of life and the tradition of eating slices of finocchiona with bread and wine will remind those who enjoy its stone walls and quiet, beautiful setting of the thousands who have already appreciated the same delights in its long history. A Little Scene Setting The part of Italy where Finocchieto was built has a long prehistory; - 228 - a long period of settlement before we have evidence of the farm’s existence. Navigable rivers and valleys were of fundamental importance in the siting of early settlements and in spreading cultural influence. -
Timeline1800 18001600
TIMELINE1800 18001600 Date York Date Britain Date Rest of World 8000BCE Sharpened stone heads used as axes, spears and arrows. 7000BCE Walls in Jericho built. 6100BCE North Atlantic Ocean – Tsunami. 6000BCE Dry farming developed in Mesopotamian hills. - 4000BCE Tigris-Euphrates planes colonized. - 3000BCE Farming communities spread from south-east to northwest Europe. 5000BCE 4000BCE 3900BCE 3800BCE 3760BCE Dynastic conflicts in Upper and Lower Egypt. The first metal tools commonly used in agriculture (rakes, digging blades and ploughs) used as weapons by slaves and peasant ‘infantry’ – first mass usage of expendable foot soldiers. 3700BCE 3600BCE © PastSearch2012 - T i m e l i n e Page 1 Date York Date Britain Date Rest of World 3500BCE King Menes the Fighter is victorious in Nile conflicts, establishes ruling dynasties. Blast furnace used for smelting bronze used in Bohemia. Sumerian civilization developed in south-east of Tigris-Euphrates river area, Akkadian civilization developed in north-west area – continual warfare. 3400BCE 3300BCE 3200BCE 3100BCE 3000BCE Bronze Age begins in Greece and China. Egyptian military civilization developed. Composite re-curved bows being used. In Mesopotamia, helmets made of copper-arsenic bronze with padded linings. Gilgamesh, king of Uruk, first to use iron for weapons. Sage Kings in China refine use of bamboo weaponry. 2900BCE 2800BCE Sumer city-states unite for first time. 2700BCE Palestine invaded and occupied by Egyptian infantry and cavalry after Palestinian attacks on trade caravans in Sinai. 2600BCE 2500BCE Harrapan civilization developed in Indian valley. Copper, used for mace heads, found in Mesopotamia, Syria, Palestine and Egypt. Sumerians make helmets, spearheads and axe blades from bronze. -
Power and Nostalgia in Eras of Cultural Rebirth: the Timeless
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2013 Power and Nostalgia in Eras of Cultural Rebirth: The imelesT s Allure of the Farnese Antinous Kathleen LaManna Scripps College Recommended Citation LaManna, Kathleen, "Power and Nostalgia in Eras of Cultural Rebirth: The imeT less Allure of the Farnese Antinous" (2013). Scripps Senior Theses. Paper 176. http://scholarship.claremont.edu/scripps_theses/176 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. POWER AND NOSTALGIA IN ERAS OF CULTURAL REBIRTH: THE TIMELESS ALLURE OF THE FARNESE ANTINOUS by KATHLEEN ROSE LaMANNA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MICHELLE BERENFELD PROFESSOR GEORGE GORSE MAY 3, 2013 Acknowledgements To Professor Rankaitis for making sure I could attend the college of my dreams and for everything else. I owe you so much. To Professor Novy for encouraging me to pursue writing. Your class changed my life. Don’t stop rockin! To Professor Emerick for telling me to be an Art History major. To Professor Pohl for your kind words of encouragement, three great semesters, and for being the only person in the world who might love Gladiator more than I do! To Professor Coats for being a great advisor and always being around to sign my many petition forms and for allowing me to pursue a degree with honors. -
Shifting Definitions of Movement and Place in Early Modern Rome
THE PALACE-CITY INTERFACE: SHIFTING DEFINITIONS OF MOVEMENT AND PLACE IN EARLY MODERN ROME by MATTHEW G. MCKINNON A THESIS Presented to the Department of History of Art and Architecture and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2019 An Abstract of the Thesis of Matthew G. McKinnon for the degree of Bachelor of Arts in the Department of History of Art and Architecture to be taken June 2019 The Palace-City Interface: Shifting Definitions of Movement and Place in Early Modern Rome Approved: _______________________________________ James G. Harper This essay considers four seventeenth-century Roman palaces in the contexts of topographical setting and city circulation, with particular attention to the façade as a definer of place. It draws on seventeenth-century guidebooks, etchings, and maps, analyzing them within the frameworks of papal urbanism and dynastic self- representation. The results of the analysis show that, during each pontificate from 1605-67, the pope encouraged his relatives to develop or redevelop the family palace in a way that would inscribe their image onto the city. Once constructed, each palace became the center of an urban node, symbolically connected with other monumental landmarks by the viewer’s movement through the city. The space around the palace façade was also subject to design, and each pope utilized different strategies to enhance the location and context of his family’s palace. Comparing the cases, the essay argues that Innocent X and Alexander VII integrated public-welfare urbanism more fully into the family palace project. -
Black Nobility
DON TRUMP, IRAN, & BLACK NOBILITY BLACK NOBILITY PALLAVICINI Prince Moroello Diaz della Vittoria Pallavicini and his brother Prince Sigieri Diaz della Vittoria Pallavicini are top members of the international banking mafia and the primary owners of the Armenian Mafia with some financial interests in the Lucchese crime family. The Pallavicinis have an Austrian branch and also a Hungarian branch which manage some Slavic-Serbian mafia clans. The Pallavicinis are nobles of Milan, Rome, Vienna, and Genoa. The Genoese were the most dominant bankers for centuries. They financed the creation of what is today called the Bank of America and the Genoese nobles the Pallavicinis, Odescalchis, Dorias, and Cattaneos have covert shares in. Prince Sigieri Pallavicini has worked with Merrill Lynch stated on his business profile for Athena Investments and Bank of America owns Merrill Lynch. The Pallavicinis invest in crime families for the other Black Nobility. Mafias are business enterprises and it costs money to create them and costs money to protect them. Prince Moroello and Prince Sigieri have worked at various international banks and created Global Wealth Management Gwm a private investment firm in Italy, Malta, Switzerland, and Luxembourg and together with JP Morgan in December of 2019 purchased multiple buildings including one in front of the American embassy in Rome. The Pallavicinis have an Italian Muslim branch which are Imams in Milan with Prince Imam Yahya Sergio Yahe Pallavicini. The Pallavicinis are related to ancient Iranian royals and the Pahlavi dynasty which later established itself in Armenian as the Pahlavunis. Mohammad Reza Pahlavi the Shah or Iran was a Vatican Knight of the Order of the Golden Spur. -