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Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information INDEX Abel (Bible), depiction in art, 561–2 classics and, 251 , 257–8 Abortion, 129–30 clothing, depiction of, 363–4 Academies, 539–47 consensus realities and, 254–6 , 363–4 Accademia della Crusca (Academy), 541–2 culture and, 251 , 254, 257 Accolti, Bernardo, 452 Dante compared, 253 Acta Ecclesiae Mediolanenesis Eugenius IV and, 275 (Borromeo), 521 Gianfrancesco Gonzaga and, 294 Adam (Bible) on honor, 254–6 depiction in art, 561–2 Lorenzo de’ Medici and, 316 Garden of Eden and, 1–2 , 7 Ludovico Sforza and, 294 , 295 knowledge of, 260 Nicholas V and, 276 naming of things by, 221 , 261 , as painter, 294 266–7 , 423 Petrarch compared, 253 Savonarola on, 489–90 Alberti, Lionardo, 254–6 Addormentati (Academy), 541 Albert of Stade, 21 Adoration of the Christ Child (Fra Filippo Albizzi family, 299–300 Lippi), 307–8 Albornoz, Egidio, 60–1 , 157 , 166 Adoration of the Magi (Leonardo), 350 Alexander III (Pope), 39 , 41 , 270 Adoration of the Magi, The (Botticelli), Alexander the Great (Macedon), 458 , 582 345–6 , 357–9 Alexander VI (Pope) Adrian VI (Pope), 503–4 , 507–8 generally, 278 , 379 , 510 Aeschylus, 397 death of, 355 , 442 Africa (Petrarch), 225 French invasion of Italy and, 404–5 , Agathocles (Greece), 448 , 449 410–11 , 412 Age of the Beloveds, The (Andrews and “New World” and, 427 Kalpaki), 582 Piero de’ Medici and, 401 Age of marriage, 375 , 474 , 478 , 480–1 , 483 Savonarola -
382 Index.Qxd
405 INDEX INDEX More detailed or explanatory references (where there any many references listed), or references to an artist’s masterpiece (in cases where it is not listed by name), are given in bold. Numbers in italics are pic- ture references. Dates are given for all artists and sculptors. Saints’ names for towns are written out in full (San Gimignano); churches are listed as S. Martino, S. Agata etc. Note that artists in medieval and Renaissance Italy are often named for their parentage, provenance or occupation (Piero della Francesca = son of Francesca; Pietro da Cortona = Pietro from Cortona and Paolo Veneziano = Paolo the Venetian; Lorenzo Monaco = Lorenzo the monk). They are indexed under ther first names. A Florentine painter; 1343–77) 188 Abano Terme 109 Angelico, Fra’ (Guido di Pietro; Florentine painter; Aeneas, story of 236, 285, 310, 326, 375 c.1400–55) 186, 196, 270; (tomb of) 256 Agathocles of Syracuse 375 Angera 50 Agrate, Marco d’ (Lombard sculptor; active Angevin rulers of Naples and Sicily 312, 368 1534–71) 34 Annigoni, Pietro (painter; 1910–88) 106 Agrigento 378–79, 379 d’Annunzio, Gabriele, poet 111 Alba 24 Anselm, St 9, 355 Alba Longa, ancient city 236, 285 Anselmo da Campione (Campionese sculptor; Alban Hills 285–86 fl.1160–80) 142 Albenga 167 Antelami, Benedetto (architect, active in Parma; Alberobello 359–60, 359 c.1178–1230) 143 Alberti, Leon Battista (Florentine architect; Anthony of Padua, St 106 1404–72) 59, 60, 60, 156, 187, 188 Antinous, favourite of Hadrian 283 Albissola 167 Antonelli, Alessandro (Piedmontese -
ICLA 2016 – Abstracts General Conference Sessions, July 17Th, 2016
ICLA 2016 – Abstracts General Conference Sessions, July 17th, 2016 ICLA 2016 – Abstracts General Conference Sessions Content Fri, July 22nd, 09:00, Urmil Talwar , C. Many cultures, many idioms ..................................................... 7 Fri, July 22nd, 11:00, Marjanne Gooze, D. The language of thematics ................................................... 8 Fri, July 22nd, 11:00, Marta Teixeira Anacleto, D. The language of thematics ....................................... 9 Fri, July 22nd, 18:00, no chair yet, E. Comparatists at work - professional communication ................ 11 Fri, Huly 22nd, 16:00, no chair yet, C. Many cultures, many idioms ..................................................... 11 Fri, July 22nd, 11:00, no chair yet, D. The language of thematics ......................................................... 12 Fri, July 22nd, 14:00, no chair yet, D. The language of thematics ......................................................... 13 Fri, July 22nd, 09:00, no chair yet , C. Many cultures, many idioms ..................................................... 14 Fri, July 22nd, 11:00, Yiu-wai Chu , C. Many cultures, many idioms ..................................................... 15 Fri, July 22nd, 14:00, Gabriele Eckart, C. Many cultures, many idioms ................................................ 17 Fri, July 22nd, 16:00, Nagla Bedeir, E. Comparatists at work - professional communication ............... 18 Fri, July 22nd, 09:00, no chair yet, D. The language of thematics ........................................................ -
Branka Radović SEARCHING for the IDENTITY of THE
Article received on October 10, 2005 UDC 78.071(047.53) Branka Radović SEARCHING FOR THE IDENTITY OF THE COMPOSER AND MAN AN INTERVIEW WITH RASTISLAV KAMBASKOVIĆ Rastislav Kambasković was born in Prokuplje in 1939, graduated from the Departments of Theory and Composition (the class of V. Mokranjac) of the Music Academy in Belgrade, obtained his MA degree at the Department of Composition (P. Milošević). He was a long-standing programme editor and music producer at Radio Belgrade and then professor at the Department of Theory of the Faculty of Music and was twice elected Dean for Academic Affairs. In his rather small, albeit diverse oeuvre, he tried his skill in a number of genres, from solo, vocal and chamber music to symphonic and vocal- instrumental music, only to become more focused on opera in recent years. He is the recipient of numerous awards of the Serbian Composers’ Association and RTV Belgrade, as well as of the BEMUS Award. There are many reasons for this interview, first and foremost your jubilee, and also the fact that the opera Hasanaginica, on which you have been working for the past few years, has still not been performed. I would much rather the occasion for this interview were a stage premiere, a concert presentation, a recording, a television production… but seeing as that is not the case, can you tell me what inspired the interest in opera at your mature age? The interest in that music-scenic genre was kindled in me already in my high school days. The fever among musicians in that far 1956, caused by the efforts of the then music activists in Niš, principally Ilija Marinković, PhD, composer and conductor of the Symphonic orchestra, and professor Stevan Guščin, conductor of the city choir in Niš, to stage the first opera in Niš (Verdi’s Rigoletto), most of its performers being from the local, Niš area, gripped me, too. -
Chigi Palace
- Chigi Palace - English Version Traduzione di Giovanna Gallo Ancient palace of the Sixteenth century located in the heart of Rome, it was conceived by Pietro Aldobrandini, Pope Clement VII’s brother and an important representative of the Roman aristocracy. The idea of the original plan, entrusted to the Umbrian architect Bartolini from Città di Castello, was to enlarge a pre-existent block of buildings, to incorporate some more houses and to construct a single building made of three floors with the main entrance on Via del Corso. The ownership of the palace was rather unstable because it was handed several times to other Families, such as the Detis, for almost a whole century, until 1659 when it was purchased by the Chigi family, among whose members there were also some cardinals and one Pope, Alexander VII. The Chigis were rich bankers with Sienese origins and backers of the Vatican and they changed the frame of the building, that was thus named after them. At least for two centuries the palace has been the residence of some aristocratic families and, later on, it became the seat at first of the Spanish Embassy (around the second half of the XVIIIth century ), then of the Austro-Hungarian Empire, being sold at last by the Chigis themselves to the Kingdom of Italy ( Regno d’Italia ) in 1916, when it was assigned to become the seat of the Ministero delle Colonie ( Ministry of Colonial Affairs). In 1922 Benito Mussolini, both as Italian Prime Minister and Minister of Foreign Affairs, ordered to transfer there the Ministry of Foreign Affairs. -
Normativna Baza Podataka CONOR.SR
PUNOPRAVNI ČLANOVI SISTEMA COBISS.SR I NJIHOVO UČEŠĆE U SISTEMU UZAJAMNE KATALOGIZACIJE Normativna baza podataka CONOR.SR Broj zapisa na dan 31. decembra 2018. 24. 01. 2019 Doprinos zapisa u CONOR.SR u 2018. Broj Ukupni Broj Od toga kreatora doprinos u prisvojenih Red. br. Naziv institucije/biblioteke Uključena Ukupno Kreirani Preuzeti u 2018. CONOR.SR zapisa 1. Biblioteka Matice srpske, Novi Sad 03/1989 291 291 0 4 537 0 2. Narodna biblioteka Srbije, Beograd 02/1989 12 12 0 7 272 0 Ukupno 303 303 0 *11 809 0 UNIVERZITETSKE I VISOKOŠKOLSKE BIBLIOTEKE 1. Agronomski fakultet, Čačak 10/2011 0 0 0 0 0 0 2. Akademija umetnosti, Novi Sad 11/2011 0 0 0 0 0 0 3. Arhitektonski fakultet, Beograd 02/2003 0 0 0 0 0 0 4. Biološki fakultet, Beograd 01/2010 0 0 0 0 0 0 5. Dom kulture Studentski grad, Novi Beograd 07/2004 0 0 0 0 0 0 6. Državni univerzitet u Novom Pazaru 01/2012 0 0 0 0 0 0 7. Ekonomski fakultet, Beograd 09/2004 0 0 0 0 0 0 8. Ekonomski fakultet, Kragujevac 08/2006 0 0 0 0 0 0 9. Elektrotehnički institut 'Nikola Tesla', Beograd 05/2004 0 0 0 0 0 0 10. Fakultet bezbednosti, Beograd 05/2005 0 0 0 0 0 0 11. Fakultet dramskih umetnosti, Beograd 01/2018 0 0 0 0 0 0 12. Fakultet inženjerskih nauka, Kragujevac 03/2004 0 0 0 0 0 0 13. Fakultet likovnih umetnosti, Beograd 02/2003 0 0 0 0 0 0 14. -
Sretenovic Dejan Red Horizon
Dejan Sretenović RED HORIZON EDITION Red Publications Dejan Sretenović RED HORIZON AVANT-GARDE AND REVOLUTION IN YUGOSLAVIA 1919–1932 kuda.org NOVI SAD, 2020 The Social Revolution in Yugoslavia is the only thing that can bring about the catharsis of our people and of all the immorality of our political liberation. Oh, sacred struggle between the left and the right, on This Day and on the Day of Judgment, I stand on the far left, the very far left. Be‑ cause, only a terrible cry against Nonsense can accelerate the whisper of a new Sense. It was with this paragraph that August Cesarec ended his manifesto ‘Two Orientations’, published in the second issue of the “bimonthly for all cultural problems” Plamen (Zagreb, 1919; 15 issues in total), which he co‑edited with Miroslav Krleža. With a strong dose of revolutionary euphoria and ex‑ pressionistic messianic pathos, the manifesto demonstrated the ideational and political platform of the magazine, founded by the two avant‑garde writers from Zagreb, activists of the left wing of the Social Democratic Party of Croatia, after the October Revolution and the First World War. It was the struggle between the two orientations, the world social revolution led by Bolshevik Russia on the one hand, and the world of bourgeois counter‑revolution led by the Entente Forces on the other, that was for Cesarec pivot‑ al in determining the future of Europe and mankind, and therefore also of the newly founded Kingdom of Serbs, Cro‑ ats and Slovenes (Kingdom of SCS), which had allied itself with the counter‑revolutionary bloc. -
Download Worthies & Ternionen, 2Nd Revised, Pdf, 530 KB
The Nine Worthies and other Ternionen A survey of the literature and iconography by Steen Clemmensen 2nd Revised Edition Personalized virtues 2 Variations in iconography 3 Representations of the Nine Worthies and other Ternionen 4 References 7 Variations of arms ascribed to the Ternionen 10 Ordinary of arms 36 © 2017 Steen Clemmensen, Farum, Denmark, www.armorial.dk 1 Personalized virtues The imagery of the Ternionen or three best of each is one of several forms of presentation of knightly virtues and the bases of society. In this case based on the magical number three, as found in arts (The three Graces), constitutions (parliament, executive, judicial), behaviour (faith, hope, and charity), and life (youth, middle age, old age) &c. Though coats-of-arms were assigned to imaginary heroes from the early 13th century (Charlemagne), the first known occurrence of the triad: pagan law – jewish law – christian law, was the French poem Voeux du paon or Vows of the peacock from 1312 by Jean de Longuyon. Law is here including virtues and commendable social behaviour. Longuyon selected nine champions to represent the triads: Hector, Alexander, and Caesar for the pagans; David, Joshua and Judas Maccabeus for the jews; and Charlemagne, Arthur of Britain, and Godfrey of Bouillon for the christians. This theme of the Nine Worthies / Neuf Preux / Neun Helden / Nove Prodi rapidly became a common and enduring theme in Western Europe, being repeated in artworks and literature through England, France, Germany, Spain and Italy. From time to time the worthies were in competition as well as union with other real or fabulous groupings: e.g. -
Normativna Baza Podataka CONOR.SR
PUNOPRAVNI ČLANOVI SISTEMA COBISS.SR I NJIHOVO UČEŠĆE U SISTEMU UZAJAMNE KATALOGIZACIJE Normativna baza podataka CONOR.SR Broj zapisa na dan 31. decembra 2017. 15. 01. 2018 Doprinos zapisa u CONOR.SR u 2017. Broj Ukupni Broj Od toga kreatora doprinos u prisvojenih Red. br. Red. Naziv institucije/biblioteke Uključena Ukupno Kreirani Preuzeti u 2017. CONOR.SR zapisa 1. Biblioteka Matice srpske, Novi Sad 03/1989 60 60 0 4 246 0 2. Narodna biblioteka Srbije, Beograd 02/1989 59 59 0 7 260 0 Ukupno 119 119 0 *11 506 0 UNIVERZITETSKE I VISOKOŠKOLSKE BIBLIOTEKE 1. Agronomski fakultet, Čačak 10/2011 0 0 0 0 0 0 2. Akademija umetnosti, Novi Sad 11/2011 0 0 0 0 0 0 3. Arhitektonski fakultet, Beograd 02/2003 0 0 0 0 0 0 4. Biološki fakultet, Beograd 01/2010 0 0 0 0 0 0 5. Dom kulture Studentski grad, Novi Beograd 07/2004 0 0 0 0 0 0 6. Državni univerzitet u Novom Pazaru 01/2012 0 0 0 0 0 0 7. Ekonomski fakultet, Beograd 09/2004 0 0 0 0 0 0 8. Ekonomski fakultet, Kragujevac 08/2006 0 0 0 0 0 0 9. Elektrotehnički institut 'Nikola Tesla', Beograd 05/2004 0 0 0 0 0 0 10. Fakultet bezbednosti, Beograd 05/2005 0 0 0 0 0 0 11. Fakultet inženjerskih nauka, Kragujevac 03/2004 0 0 0 0 0 0 12. Fakultet likovnih umetnosti, Beograd 02/2003 0 0 0 0 0 0 13. Fakultet muzičke umetnosti, Beograd 02/2006 0 0 0 0 0 0 14. -
The Fennel Fields a Little Scene Setting
A HISTORY OF BORGO FINOCCHIETO by Judy Canton, with side notes by Mary Grace Hicks The Fennel Fields Finocchieto is a charming name. Finocchio is sweet fennel and finocchieto means fennel orchard or fennel fields, just as frutto is fruit and frutteto means orchard. Sweet fennel grows wild all over Tuscany in fields, hedgerows, at roadsides, along the railway, and in gardens. Finocchieto was no doubt known locally for the wild fennel plants growing around the slopes of Bibbiano. It has certainly had the name since 1318, and maybe for much longer. To this day, when the wild fennel seeds ripen every year at the end of August, gatherers of all types and both sexes go to work collecting the seeds that will stud the delicious local salami, finocchiona, with flavor. It has been eaten for centuries, usually on thick slices of unsalted bread and accompanied with a glass of red wine. The farm at Finocchieto, like many Tuscan country properties no longer in agricultural use, has found a new lease on life. Its name, however, will link it to the old way of life and the tradition of eating slices of finocchiona with bread and wine will remind those who enjoy its stone walls and quiet, beautiful setting of the thousands who have already appreciated the same delights in its long history. A Little Scene Setting The part of Italy where Finocchieto was built has a long prehistory; - 228 - a long period of settlement before we have evidence of the farm’s existence. Navigable rivers and valleys were of fundamental importance in the siting of early settlements and in spreading cultural influence. -
Timeline1800 18001600
TIMELINE1800 18001600 Date York Date Britain Date Rest of World 8000BCE Sharpened stone heads used as axes, spears and arrows. 7000BCE Walls in Jericho built. 6100BCE North Atlantic Ocean – Tsunami. 6000BCE Dry farming developed in Mesopotamian hills. - 4000BCE Tigris-Euphrates planes colonized. - 3000BCE Farming communities spread from south-east to northwest Europe. 5000BCE 4000BCE 3900BCE 3800BCE 3760BCE Dynastic conflicts in Upper and Lower Egypt. The first metal tools commonly used in agriculture (rakes, digging blades and ploughs) used as weapons by slaves and peasant ‘infantry’ – first mass usage of expendable foot soldiers. 3700BCE 3600BCE © PastSearch2012 - T i m e l i n e Page 1 Date York Date Britain Date Rest of World 3500BCE King Menes the Fighter is victorious in Nile conflicts, establishes ruling dynasties. Blast furnace used for smelting bronze used in Bohemia. Sumerian civilization developed in south-east of Tigris-Euphrates river area, Akkadian civilization developed in north-west area – continual warfare. 3400BCE 3300BCE 3200BCE 3100BCE 3000BCE Bronze Age begins in Greece and China. Egyptian military civilization developed. Composite re-curved bows being used. In Mesopotamia, helmets made of copper-arsenic bronze with padded linings. Gilgamesh, king of Uruk, first to use iron for weapons. Sage Kings in China refine use of bamboo weaponry. 2900BCE 2800BCE Sumer city-states unite for first time. 2700BCE Palestine invaded and occupied by Egyptian infantry and cavalry after Palestinian attacks on trade caravans in Sinai. 2600BCE 2500BCE Harrapan civilization developed in Indian valley. Copper, used for mace heads, found in Mesopotamia, Syria, Palestine and Egypt. Sumerians make helmets, spearheads and axe blades from bronze. -
Power and Nostalgia in Eras of Cultural Rebirth: the Timeless
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2013 Power and Nostalgia in Eras of Cultural Rebirth: The imelesT s Allure of the Farnese Antinous Kathleen LaManna Scripps College Recommended Citation LaManna, Kathleen, "Power and Nostalgia in Eras of Cultural Rebirth: The imeT less Allure of the Farnese Antinous" (2013). Scripps Senior Theses. Paper 176. http://scholarship.claremont.edu/scripps_theses/176 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. POWER AND NOSTALGIA IN ERAS OF CULTURAL REBIRTH: THE TIMELESS ALLURE OF THE FARNESE ANTINOUS by KATHLEEN ROSE LaMANNA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MICHELLE BERENFELD PROFESSOR GEORGE GORSE MAY 3, 2013 Acknowledgements To Professor Rankaitis for making sure I could attend the college of my dreams and for everything else. I owe you so much. To Professor Novy for encouraging me to pursue writing. Your class changed my life. Don’t stop rockin! To Professor Emerick for telling me to be an Art History major. To Professor Pohl for your kind words of encouragement, three great semesters, and for being the only person in the world who might love Gladiator more than I do! To Professor Coats for being a great advisor and always being around to sign my many petition forms and for allowing me to pursue a degree with honors.