DOCSLIB.ORG

Make It a Necessity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Make It a Necessity I ; w NEW YORK HEKALL), SUA'DAY, SEP'rEMBER 21, 1879.--QU1MTUJPLE SHEET. Grurral Graut'i Return to 111* Native bis native land, and it is not surprising The I*la Walk. that doth hedge a king imparts lasting MUSICAL AND DRAMATIC NOTES. Com u NEW YORK HERALD try. that his own admiring countrymen emulate At one o'clock to-morrow morning begins honor to whatever comes within the royal ..-.. ... The Tourists at Street of iu which the honors which have been to environment, and that a cuHtom open tho Walnut Theatre, The steamship City Tokio, paid the tilth oontest for the Astley bolt, which although Philadelphia, to-morrow BROADWAY AND ANN STREET. Grant embarked for his homeward him in foreign lands. The may no be to hands eveniuit. General ^spontaneous will givo the sport lovers of the metropolis longer peculiar royal Koster A: Uial's concerts are drawing tho largest , it is voyage, has li 1 led the ordinary term of her demonstrations of respect in the city an opportunity to talk of nevertheless held in perpetual honor atn^cnccs that assemble in New York. of San pedestrianism JAMES GORDON BENNETT, j trips and has arrived in tiro harbor of San Francisco should be all the "go-as-you-please" variety for a whole by earth's greatest dignitaries. Some "My Partner," at the Union Square Theatre, liaa ILOI'KI K T O 11 . The of the more to General Grant counsel the Priuoess Louise become one of the moat profitable managerial hits Francisco. loug expectant people gratilying by week. It will be the third contest for the lately given by Ot the the fact to a class season. HERALD-.One dollar per year, free of San Francisco have been lor some days that they are not intended to have belt which huH taken in this and of young ladies of wealth and WEEKLY place city, ltico's Surprise Party will play a week's to a suitable welcome to the any are the at a famous school iu Cauaila NOTICE TO fi»CHSCRIKKKS. .Keuilt in drafts on postA#f.Now give prepared political significance, 'i'liey will probably eclipse in interest all ruces supportsculture in the Brooklyn Academy, commencingengagement York or Pott Office money order*, and where noitlier of free us in our a letter, illustrious statesman and traveller, of independent citizens, and of hero. The assertion, for Her lioyal tomorrow can be send the money in rf/iAfcr/*/ soldier, offering tho kind hitherto contested evening. these procured In order to insure All money remitted at risk of sunder. a a not a factitious demonstration for Highness advised the of Mr. Lester Wullack will open the drainatio atteiitiou subscribers wishing their uddiuss changed must who, though simple citizen, occupies gotten up thirteen entries include Weston, the study cooking. regular an well an their now address. The season with "A bcrup of at the give their old uiust space in the world's regard than the party effect. The proposed Grant "boom" and the Dominion being so near to the United l'apor" Brooklyn All business. news letters or telegraphic despatches larger champion, llowoll, present Park Theatre on SoptoiAbcr 2U. be add reused Nkw VoKk likRAI.il. neirs ot ancient which was projectod by silly politicians and the his record of States as it is, and seriously Letter* and packages "i.uui.l bo properly sealed. proudest contemporary former with clear ox-champion; consequently Tony Pastor commences a week's engagement at Rejected communications will not be returned. thrones. time-servers several months ago fell hvo hundred and miles and more affected by the American habit of beinc fed tho Grand llouso Entered at the l'ust Ottice at Now York, N. V., as secoud fllty Opera to-morrow evening. It la before his least snu kimi class mallei. There is no living man whose career can through long arrival, and work in him; the latter with live hundred by persons competent to preparo food, uti HUB u BirUUg COHlX>auy. the this advioo must This 18 the last PHILADELPHIA OFFICE.NO. 112 SOUTH SIXTH be compared witli that of Generul Grant, prosent local demonstration at San miles and no signs of wearing out. at iirst have been startling week of "Wolfert's ltoost" at STItEKT. in its of Wullack's. Mr. Joint T. Kaymond bus bad LONDON OFFICE OF I'UK NEW YOUK HERALD. If wo view him merely as a soldier, thero is Francisco is one which ho*can accept Xoxt to those stand in favor Haziel and effects, but its wisdom there can good NO. *i FLEET STREET. to bu aatlsUeu with bis now venture. reason no soldier since and any loss of self-respect. It is paidwithoutto bo no possible doubt. The of man PARIS HFMi'K -1!' AVENUE I>E L'OPKRA. Bonaparte Wellington Guyon, but Ennis will be greeted strongtli Tko tlrst mid-week performance at Daly's NAPLES OFFICE.NO. 7 STKADA FACE. results. He uiui in hi8 character as an illustrious and the beauty of woman fimd their source Subscriptions ami udvertisuuioii ts will bo received and who lias accomplished equal nnd others of the thirteen,appreciatively,now Tbcatro will introduce "Divorce." "Newport,"Kroadway forwarded on the same terms ut> in Now York. not as a aud in the so has, iudeed, a greater resemblance to citizen and PresidentialAmericanunknown to metropolitan fame, will support kitchen, somebody ntoanwbilc, will occupy the stage at night. We believe that there is no should bo to order The Guard Chowder VKAlt XO. 2Ct than to Bonaparte; ffr the daringWellington candidate. be on every one's before the competent that, "Mulligan Party" is still ti>« 44TH tongue probably attraction ut and of the first of his countrymen who aro not portionto aright; 111ut nobody, or scarcelyapartmentany tbo Theatre Combine, Harrigan and impulsive genius ready week is out. It needs no reoourse to liart, it is said, join in marks of to the one, is so qualified at present is shown by turning away people every nigbt. AMUSEMENTS T0-M0KR0W. Napoleon ranks him in the cordially reepoct to foresee that one or more superstitionof the The Hun Francisco Minstrels bave no reason to soldier and illustrious the numerous which adorn our order of military genius and makeshighest great citizen, unlucky number will drop by the wayside pharmacies complain of a lock of patronage. Tbo pretty little ABBEY'S PARK THEATRE.Cki siikjj Tragedian. orod so and so and also the tenanted bouse him the one modern compeer of Alexander, by many peoples many hon!rovj beioro next Saturday, leaving more room streets, by thickly is always tilled, snd tbo company give an STANDARD THEATRE.Nahciss'k. Hannibal and the three most ernments in all the groat seats of lor fastor cemeteries in the suburbs. It is not that always deserves compliment. entortainmont 'i ll Cmsar, and better-staying ALIA THEATRE.QuKCK.in.UKit. tion, aro at tociviliza|honor necessary that the qneen of the At Hofelo's Olympic Thcutro "Mitt" Is to be UiSAniKK. captains of antiquity. But it illustrious provided they liberty No doctor can find the weak in parlor a AQUARIUM-H. M. S. competitors.spots by now entitled the man without themselves to should her of the kitchen play "Benighted,"followeda 11 AVKULY'S THEATRE.Ol'H DAUGHTERS. Grant has no title to bo ranked Generalwith committing a man as can a long-distance walk. Ennis, supplant auy dramatization of Farjeou's "Griff," Mr. Isidore scheme for him from his moro than that Do Grant. by NIliLO's g ARDEN.K.M'UAXTMR.nt. the four great master spirits of the military any degrading who generally upsets his stomach during Lesseps.or Davidson, who will act the leading part. The com Roost. national into the should handle 'the and shovel that are WALLACE'S THEATRE.Wolkkut's proiessiou, whose fame is not for a day, but great reputation vulgar his first day's performance, knows this, and pick pauy lias been strengthened. booth's theatre-bksuukd. arena of to niako the Isthmus but she should "II. M. 8. Pinafore" the tor all time, he has a just claim to be party politics. is trying to dodge that weakness by the Canal, occupies boards at the GRAND OPERA HOUSE.Tony Pastor. classed with with Frederick the novel of himself know the mysteries of the craft below Aquarium and divides tbo attention of visitors In OLYMPIC THEATRE.bmighykd. Turenne, Closer and Closer In Asia. plan getting internally that pleasant place with the other that HOFELE'S with and next stairs so that the lives and happiness of the attractions THEATRE COMIQUE.Mulligan Guard Chowder. Great, Wellington Moltke, upset and reset before the race begins. are oflcred by tbo management. Performances are If Russia lias had no hand in the mass of her may be MADISON SQUARE GARDEN.Astlky bklt Rack. to Napoleon the most successful The opinion among sporting men prevails subjeots abundantly given every day and evening. at Herat and did not instigate the assnrod. After the to the Mr. SAN FRANCISCO MINSTRELS? of modern times, and to becommandersplaced at outbreakthat the same amount of ground royal injunction Sotboru will appear at Abbey's Park Theatre trouble at Cabul, are as well born damsels of to-morrow in his FIFTH AV. THEATRE.la Fill* dk Mme. Angot. the head of any list from which the great things working be covered in walking matchescannot Canada American ovening fuvorito character, "The UNION SQUARE THEATRE.My Fartnkb. wonderfully to her advantage as though girls may rest assured that it is the proper Crushed Tragedian.'' "Brothor Sam," however, baa Bonaparte is excluded.
Load more

Recommended publications
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • Appendix: Famous Actors/ Actresses Who Appeared in Uncle Tom's Cabin
    A p p e n d i x : F a m o u s A c t o r s / Actresses Who Appeared in Uncle Tom’s Cabin Uncle Tom Ophelia Otis Skinner Mrs. John Gilbert John Glibert Mrs. Charles Walcot Charles Walcott Louisa Eldridge Wilton Lackaye Annie Yeamans David Belasco Charles R. Thorne Sr.Cassy Louis James Lawrence Barrett Emily Rigl Frank Mayo Jennie Carroll John McCullough Howard Kyle Denman Thompson J. H. Stoddard DeWolf Hopper Gumption Cute George Harris Joseph Jefferson William Harcourt John T. Raymond Marks St. Clare John Sleeper Clarke W. J. Ferguson L. R. Stockwell Felix Morris Eva Topsy Mary McVicker Lotta Crabtree Minnie Maddern Fiske Jennie Yeamans Maude Adams Maude Raymond Mary Pickford Fred Stone Effie Shannon 1 Mrs. Charles R. Thorne Sr. Bijou Heron Annie Pixley Continued 230 Appendix Appendix Continued Effie Ellsler Mrs. John Wood Annie Russell Laurette Taylor May West Fay Bainter Eva Topsy Madge Kendall Molly Picon Billie Burke Fanny Herring Deacon Perry Marie St. Clare W. J. LeMoyne Mrs. Thomas Jefferson Little Harry George Shelby Fanny Herring F. F. Mackay Frank Drew Charles R. Thorne Jr. Rachel Booth C. Leslie Allen Simon Legree Phineas Fletcher Barton Hill William Davidge Edwin Adams Charles Wheatleigh Lewis Morrison Frank Mordaunt Frank Losee Odell Williams John L. Sullivan William A. Mestayer Eliza Chloe Agnes Booth Ida Vernon Henrietta Crosman Lucille La Verne Mrs. Frank Chanfrau Nellie Holbrook N o t e s P R E F A C E 1 . George Howard, Eva to Her Papa , Uncle Tom’s Cabin & American Culture . http://utc.iath.virginia.edu {*}.
    [Show full text]
  • Curiosity and Queerness in Late 19Th-Century American Male Impersonation
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 'Once Famous in an Odd Way': Curiosity and Queerness in Late 19th-Century American Male Impersonation S.C. Lucier The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3761 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “ONCE FAMOUS IN AN ODD WAY” CURIOSITY AND QUEERNESS IN LATE 19TH-CENTURY AMERICAN MALE IMPERSONATION by S. C. LUCIER A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 S. C. LUCIER All Rights Reserved ii “Once Famous in an Odd Way” Curiosity and Queerness in Late 19th-Century American Male Impersonation by S. C. Lucier This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. __________________ __________________________________________ Date Christopher Schmidt Thesis Advisor __________________ __________________________________________ Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “Once Famous in an Odd Way” Curiosity and Queerness in Late 19th-Century American Male Impersonation by S. C. Lucier Advisor: Christopher Schmidt This thesis depicts the emergence of one particular iteration of the popular female actor within 19th century performance, the male impersonator, and identifies the ways in which this theatrical expression was related to and affected by similar amusements of the period.
    [Show full text]
  • Flbsmim EVERY EVENING and SATURDAY MATINEE
    A1HUS16MKKT&. AMPHKMKW. UnilEHEHTH. AMD¦¦¦SITS. ADTUSBHRirTS. oomiquk. OOMIQUB. Mi BROADWAT. OOTH-S THKATBE. BOPC10APH. MUSEUM. MUBBAY. COMIQB, , WOOD'S MONDAY, October II. Un. TheatrkTHEATBK OOMIQUK, FJ1HEATBB rpniTU B ki/WIN BOOTH proprietor and Manager BVEBY BVENiNG at 8. SATURDAY MATINEE at B THKATRK COMIQUE, THEATRE COMIQUk" THEATRE S BROADWAY. FOURTH WEEK. POSITIVELY LAST WRBK 814, COMIUII B | . MB. AND M Its. DION HOUCICAULT of tii« eminent Irish Comedian and Character actor. 514, TBEATBE OOMIQUB. THKATRB 4 IIOiDWil (MissApnes Robertson) . Uriftl Irish Drama, MB. DOMINICK MO It RAT. #14, BROADWA* In the who will make his flrrt and « irance la one «4. THEATBE OOMIQUB. =Z a'v ai pe ofhli COMIQUE I4 ABBAH NA~ POQUB. Hibernian iinperaoraiions. lu he tie neaticn of wbicli lie 514, THBATBB BROADWAY. Htuniln without a Bjjf. In the now m»dem dramatic ro- 514, 514 OOMIQUB. a» P08T. ¦nance. In tour rot and a prologue, adap'ed and arranged THKATRK OOMIQUK, Mr. BOUOICAULT vP,,AlTN.Ln5or from the French oi fcournier Domlmck and 0. THRATRE COM I'j UK BROADWAY. THBATBB OOMIQUB. As originally performed by him upward by Murray THKATRK our thousand mgliU W. Barry, entitled C<<«IQUK, s as GAMBLER'S THKATRK THBATBB OOMIQUB. Mrs. BOUCICAILT (Miss akii. Robertson) A CRIME: COMIQflK TO ALL WHOM IT MAT CONCBftW A HitA 11 OK TIIK KISS. Or, THE MURDER ON THE HUDSON. 614, THBATBB TUB Mr SHIFT BARRY 7 »" MICHAEL FEBNY. Norn..The basis of thla interesting and powerful play 61?. OOMIQUB. AND SATURDAY MATINEE AT fc la derived trom the same source aa Charles Reade'a great 614, BACH bVkNINCI novel of "Poul i'lsy." 514, »U THBATBB OOMIQUB.
    [Show full text]
  • Notes on the Burning of Theatres and Public Halls
    ITOTES ON THE BURNING OF THEATRES AND PUBLIC HALLS. EEFLECTIOUS ON SOME OF THE CAUSES OP THE GREAT MORTAL- ITY OCCASIONALLY ATTENDING SUCH FIRES, AND SUGGESTIONS FOR IMPROVED SECURITY TO LIFE. THE ANTIQUITY OF THE DRAMA AND THE OPENING OF THEATRES IN AMERICA, WITH A CHRONOLOGICAL LIST OF THEATRES AND OTHER PUBLIC EDIFICES BURNED BY J. M. TONER, M. D., WASHINGTON, D. C. B. 0. POLKXNHOBN, PBINTEE, 1876. hotes ON THE BURNING OF THEATRES AND PUBLIC HALLS. eeflectioits ON SOME OF THE CAUSES OP THE GREAT MORTAL- ITY OCCASIONALLY ATTENDING THEM, WITH SUGGESTIONS AS TO IMPROVED SECURITY TO LIFE. THE ANTIQUITY OF THE DRAMA AND THE INTRODUCTION OF THEATRES INTO AMERICA, WITH A CHRONOLOGICAL LIST OF THEATRES AND OTHER PUBLIC EDIFICES BURNED. By J. M. TONER^ WASHINGTON, K. 0. POLKINHOKN, PRINTER7" 1876 §qsru§Um 4 7U\e»kr.i AND OTHER PUBLIC HALLS. From time to time there are occurrences of a char- acter which suddenlytransform public security and private happiness into the greatest sorrow, and deeply move the sympathies of a nation. An event of this character was the burning of the Brooklyn Theater on the sth of December, 1876. The evening was pleasant, and the somewhat sensational though attractive play of the “Two Orphans” had brought thither a large and happy audience. The lire oc- curred at 11:20 o’clock, and it is estimated that there were in thebuilding at the time not less than twelve hundred people, of whom over three hundred lost their lives. I shall make no effort to picture to the imagination the horror or extent of the dreadful calamity.
    [Show full text]
  • Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION
    152 N. York St., 2nd Floor, Elmhurst, IL 60126 historictheatres.org Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION Acc No.: Future Additions Expected: Yes Finding Aid creation: July 31, 2014 Size: Approximately 148 linear feet Abstract The Theatre Historical Society Theatre File Collection consists of approximately 148 linear feet of files on nearly 10,000 theatres. The Theatre File collection has international holdings but the primary focus is on United States theatres. Background Information The Theatre Historical Society of America was founded in 1969 to promote the legacy of America’s historic theatres and insure the documentation of the architectural, cultural and social history of those theatres. Materials were collected by members and kept in separate locations. Over time the collections were brought to one location and combined. From these initial collections the materials were organized and separated into several different collections. Records detailing histories of specific theatres were labeled the Theatre File, materials containing information on theatre mechanics, cinema chains, architects, THS members, vaudeville circuits, among other topics became the Subject Files, Photos that were used in the publication of Marquee were gathered into the Editors Collection, photographic slides, postcards, and negatives became the THS Slide Collection, THS Postcard Collection, and THS Negative Collection respectively. These collections came from THS members and donations made throughout the organization’s history. Scope and Contents Note The Theatre File collection consists of 148 linear feet of folders stored in 28 vertical filing cabinets. The files are organizes geographically by country, state, city and then alphabetically by theatre. The file headings use US postal code abbreviations and include the city and theatre name in the file name, for example IL-Chicago- Tivoli.
    [Show full text]
  • Show World (March 7, 1908)
    MARCH 7 1908 10 CENTS m I 2 THE SHOW WORLD March) Sngland’s Sreat Sharks White City, Manchester . •. New Brighton Tower, Liverpool Under the Direction of John Calvin Brown The Park business is not overdone in England and your devices and shows that have lived their useful lives in the States will run profitably for years in England. Don’t you know that your old shows are novelties here? Don’t scrap them. We want help—American Energy, Ability, Ideas and Shows. It takes a week to come over, costs less than $100. Freight is low and you won’t be lonesome. We have already arranged for over 200 American Showmen this season. No financial trouble over here. Everything booming. White City, Manchester 16 Acres. No other competing | 2s Parks. Population over seven million. * Splendid train and street car li service. Fare from the heart of ' ? the city, 3 cents. This is the Park that hung out j ? the first Full House sign last 1 9 summer and had 16 acres full of > I people and turned thousands 1 j* away. Every concessionaire here made ' $ money last year. Hales Tours and Fig. 8 broke all j cash records. We need two illusion shows 1 and two spectacular shows- This park cost over $1,000,000. I and is filled with beautiful trees, plants, palms, etc. Col. Fred T. Cum¬ A Signed Tip. mins, our agent, will I came to England as the pioneer and have had rhe greatest of hard¬ give all particulars if ships proving that the people vi anted a park and all you showmen watched for the result before you came.
    [Show full text]
  • The Early Tramp Comic on the Variety Stage
    44 Michelle Granshaw University of Pittsburgh, USA Inventing the Tramp: The Early Tramp Comic on the Variety Stage This article examines the ‘tramp’ on the variety stage at the moment of its cultural invention. Immediately after the Panic of 1873, variety actors performed the comic tramp in both blackface and whiteface. However, as the decade continued, the comic tramp in variety transformed into primarily a whiteface, typically Irish-American, figure. Considering the comic tramp as one enduring “dramaturgy of mobility,” the author suggests that this transformation was less a whitening of the comic tramp and more an erasure of black mobility. The Irish-American tramp may have reflected many of the negative characteristics of the tramp, including his wandering nature, his unemployment, and his drinking, but he also showed that the Irish-American comic tramp, unlike the earlier black counterpart, could be part of a community and in some instances, even a hero. Michelle Granshaw is an Assistant Professor of Theatre Arts at the University of Pittsburgh. Her research interests include American and Irish theatre and popular entertainment, diaspora and global performance histories, performance and the working class, and historiography. Her articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. Keywords: comic tramp, mobility, racial and ethnic comedy, stage Irish, blackface, variety theatre riggered by the Panic of 1873, the economic depression of the 1870s T instigated the movement of millions of unemployed workers on a previously unseen scale in the United States.1 Until the 1870s, “tramp” existed primarily as a verb in the American lexicon and referred to a long walk or march.
    [Show full text]
  • APOLLO THEATER (Originally Hurtig & Seamon's New (Burlesque) Theater), 253 \-Jest L25th Street, Borough of Nanhattan
    L.:1ndm:.trks l' rescrva tion Col!iiT.ission June 28, 1983, Designation List 166 LP-1299 APOLLO THEATER (originally Hurtig & Seamon's New (Burlesque) Theater), 253 \-Jest l25th Street, Borough of Nanhattan. Built 1913-14; Architect George Keister. Landmark Site: Borough of Hanhattan Tax Xap Block 1931, Lot 10. On April 13, 1982, the Landn~rks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Apollo Theater and the proposed designation of the related Landmark Site (Item No . 26). The hearing was continued to June 8, 1982 (Item No. 8) . Both hearings had been duly advertised in accordance with the provisions of law. Six l<litnesses spoke in favor of designation. There wa s one speaker in opposition to designation. A P•=tltlon was submitted bearing 1185 signatures in favor of designation. Eleven letters were received in support of designation. DESCRIPTION A~D ANALYSIS The Apollo Theater, built in 1913-14 as Hurtig & Seamon's New (Burlesque) Theater, spanned 1:he two eras of Harlem's entertainment history. The design by architect George Keister displays elements of the neo-classical style. The con­ struction of the Apollo reflected the popularity of vaudeville and burlesque in the Harlem of the 1910s. \-lith the growth of Harlem's black population, the Apollo Theater, from the 1930s through the 1970s , became one of the nation's leading cen­ ters for the display of major black American performing talent. Harlem During much of the nineteenth century , Harlem was a fashionable suburb for wealthy and upper-middle class '-'hite Hanhattan residents.
    [Show full text]
  • Ethnie Cultures of the Mind: the Harrigan-Hart Mosaic
    Ethnie Cultures of the Mind: The Harrigan-Hart Mosaic James H. Dormon In the boisterous, sometimes raucous world of popular entertainment in Gilded Age New York, the comedy team of Edward Green Harrigan and Tony Hart (Anthony J. Cannon) reigned supreme. Joining company in Chicago in 1868, the two itinerent troupers developed an act that ultimately resulted in a major popular culture phenomenon: a series of plays-with-music, forebears of modern musical comedy, based on immigrant/ethnic themes and characters that purported to represent the reality of life in the Lower East Side of Manhattan. Enormously successful from the onset of their New York career in 1872-73, and appealing to a wide spectrum of local society as well as to professional theatrical pundits, the team achieved a degree of popularity unmatched by any other individual performers or repertory companies of the day. No less a critic than William Dean Howells noted of Harrigan in 1886, "In his province, we think he cannot be surpassed." Another contemporary observer, in a retrospective of Harrigan's career published in 1898, maintained that "Edward Harrigan has occupied the most extraordinary position of any man who has lived in the theatrical world, in any country, at any time, so far as the records of the past and present show."1 And Hart, perhaps the most popular character actor working in New York between his debut and the time of his death in 1891, was a key element in the success of the company in performing the roles playwright Harrigan created for him. The Harrigan-Hart phenomenon commenced when the "Merry Partners" joined Tony Pastor's variety company in 1872-1873; then, for the next season, Josh Hart's Theatre Comique on lower Broadway.
    [Show full text]
  • The Rise and Decline of the Variety Theatre in St
    Southern Illinois University Edwardsville SPARK Theses, Dissertations, and Culminating Projects Graduate School 1969 The rise and decline of the variety theatre in St. Louis, 1867-1896 John Russell David Southern Illinois University Edwardsville Follow this and additional works at: https://spark.siue.edu/etd Recommended Citation David, John Russell, "The rise and decline of the variety theatre in St. Louis, 1867-1896" (1969). Theses, Dissertations, and Culminating Projects. 57. https://spark.siue.edu/etd/57 This Thesis is brought to you for free and open access by the Graduate School at SPARK. It has been accepted for inclusion in Theses, Dissertations, and Culminating Projects by an authorized administrator of SPARK. For more information, please contact [email protected],[email protected]. THE RISE AMD DECLINE OP THE VARIETY THEATRE HI ST. LOUIS, I867-I896 John Russell David Bachelor of Arts / A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Faculty of History in the Graduate School ^ Southern Illinois University Edwardsville (Campus \ SOUTHERN ILLINOIS UNIVERSITY The Graduate School . 19 AlV^U*! T '! 53- I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Jcmn ^u.SHgll '•>' v I. ' ENTITLED Ti!U unJ '"rlliu? »f cne 'Variety T'lfiatrA in v;t. Louts, .13r; 7-] BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF ts'.HI o(r""ATLt; Thesis Director Faculty Chairman Edw. 3/66 TABLE OF CONTESTS Page INTRODUCTION 1 Chapter I. THE GENESIS OF THE VARIETY THEATRE 5 The Black Crook Comes to St. Louis The Significance of The Black Crook in St.
    [Show full text]
  • MUSICAL THEATRE a History
    MUSICAL THEATRE A History John Kenrick This book is dedicated to Mary Pinizzotto Kenrick Marotta and Frank Crosio. Neither my life nor this book would be possible without their unfailing support. CONTENTS Acknowledgments 9 Introduction “Let’s Start at the Very Beginning . .” 11 1 Ancient Times to 1850—“Playgoers, I Bid You Welcome!” 18 2 Continental Operetta (1840–1900)— “Typical of France” 35 3 American Explorations (1624–1880)— “The Music of Something Beginning” 50 4 Gilbert and Sullivan (1880–1900)— “Object All Sublime” 75 5 The Birth of Musical Comedy (1880–1899)— “It Belong’d to My Father Before I Was Born” 95 6 A New Century (1900–1913)—“Whisper of How I’m Yearning” 111 7 American Ascendance (1914–1919)—“In a Class Beyond Compare” 134 8 Al Jolson—“The World’s Greatest Entertainer” 156 9 The Jazz Age (1920–1929)—“I Want to Be Happy” 168 10 Depression Era Miracles (1930–1940)— “Trouble’s Just a Bubble” 207 11 A New Beginning (1940–1950)—“They Couldn’t Pick a Better Time” 238 8 CONTENTS 12 Broadway Takes Stage (1950–1963)— “The Street Where You Live” 265 13 Rock Rolls In (1960–1970)—“Soon It’s Gonna Rain” 298 14 New Directions (1970–1979)—“Vary My Days” 318 15 Spectacles and Boardrooms—“As If We Never Said Goodbye” 342 16 Musical Comedy Returns (The 2000s)— “Where Did We Go Right?” 370 Suggested Reading: An Annotated Bibliography 383 Recommended Web Resources 394 Index 395 ACKNOWLEDGMENTS It would be impossible for me to thank all the people who have inspired, assisted, and cajoled me in the process of creating this book, but a few curtain calls are in order.
    [Show full text]