Trestní Příkaz Č. 149/2010
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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
The Id, the Ego and the Superego of the Simpsons
Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character. -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media Virginia A
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2012 Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media Virginia A. Mclaurin University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the American Popular Culture Commons, Film and Media Studies Commons, Indigenous Studies Commons, and the Television Commons Mclaurin, Virginia A., "Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media" (2012). Masters Theses 1911 - February 2014. 830. Retrieved from https://scholarworks.umass.edu/theses/830 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media A Thesis Presented by Virginia A. McLaurin Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2012 Department of Anthropology Sociocultural Anthropology Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media A Thesis Presented by Virginia A. McLaurin Approved as to style and content by: _________________________________________________ Jean Forward, Chair _________________________________________________ Robert Paynter, Member _________________________________________________ Jane Anderson, Member _________________________________________________ Elizabeth Chilton, Department Chair Anthropology Department DEDICATION To my wonderful fiancé Max, as well as my incredibly supportive parents, friends and entire family. ACKNOWLEDGEMENTS I would like to thank my advisor, Jean Forward, not only for her support and guidance but also for kindness and general character. -
The Simpsons Am Beispiel Der 17
DIPLOMARBEIT Titel der Diplomarbeit Vom Dialogbuch zur fertigen Episode. Veränderungen durch die deutschsprachige Synchronisation der U.S. amerikanischen Zeichentrickserie The Simpsons am Beispiel der 17. Staffel. Verfasser Patrick Seirafi angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- u. Medienwissenschaft Betreuer: Mag. Dr. habil. Ramón Reichert Abbildungsverzeichnis ............................................................................. 6 1. Einleitung ............................................................................................... 8 2. Theoretische Grundlagen der Übersetzungswissenschaft ............. 12 2.1 Arten der Übersetzung ............................................................................ 12 2.2 Übersetzungskritik .................................................................................. 13 2.3 Zur Definition eines Übersetzungsbegriffs ........................................... 13 2.4 Die Skopostheorie ................................................................................... 14 2.5 Zur unübersetzbaren Übersetzung ........................................................ 15 2.6 Äquivalenz und Adäquatheit .................................................................. 18 2.7 Zum Übersetzungsprozess ..................................................................... 20 2.7.1 Voraussetzungen an einen Übersetzer ........................................................... -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Guide Des Episodes Saison 17
Guide des episodes Saison 17 GABF16 - Voyage au bout de la peur (The girl who slept too little) Résumé : Les Simpson refusent qu'un musée de timbre soit construit à côté de leur maison. Leur demande sera entendu et à la place ça sera un cimetière qui sera construit. Lisa n'arrive plus à dormir à cause de la vue du cimetière par sa fenêtre. GABF17 - Simpson Horror show XVI (Treehouse of Horror XVI) Résumé : -Intelligence Bartificielle : Bart tombe dans le coma après avoir fait une chute du 5ème étage de l'appartement de Patty et Selma, le docteur Hibbert propose donc au Simpson d'adopter un robot en remplacement de Bart. Mais celui-ci fini par se reveiller et devient jaloux du robot. -La persistance du plus gros : Homer et ses amis sont invités chez M.Burns sans se rendre compte qu'ils vont finir comme gibier dans une chasse à l'homme. -Ma sorcière malaimée : Un concours de déguisement est organisé pour Halloween, une sorcière est arrivé en tête mais le maire décide de la disqualifier parce que son déguisement n'en est pas un. Celle-ci décide de se venger en transformant les habitants de Springfield. GABF18 - Ma femme s’appelle reviens (The Bonfire of the Manatees) Résumé : Homer ne cesse de perdre des paris sportifs. Il doit de l'argent à Gros Tony qui lui propose en contre parti de tourner des films pour adulte. Marge l'apprend et s'enfuit illico. Homer part à sa recherche pour la reconquerir. The Simpsons Show - http://www.thesimpsonsshow.fr Page 1 GABF19 - Serial piégeurs (Milhouse of Sand and Fog) Résumé : Maggie a la varicelle, Homer qui n'a pas eu cette maladie étant jeune ne doit pas l'approcher. -
1. in One of His Final Films, This Actor Played a Retired Performer, Who Is Making a Final Appearance at a Drive-In Theater Where He Encounters a Disturbed Gunman
1. In one of his final films, this actor played a retired performer, who is making a final appearance at a drive-in theater where he encounters a disturbed gunman. This co-star of the film Targets portrayed Captain Hook in Leonard Bernstein's 1950 musical version of Peter Pan. The character of Jonathan Brewster becomes enraged whenever people say he resembles this performer, a recurring joke in the play (*) Arsenic and Old Lace. In a 1935 film, this actor's character proclaims "we belong dead" after seemingly killing himself and his bride, who finds him hideous. For 10 points, name this actor, the original voice of the Grinch, who played Frankenstein's Monster in the 1931 film. ANSWER: Boris Karloff [or William Henry Pratt] 2. Wikipedia claims this actor was the first to receive a million dollar salary, for playing Julius Caesar in a film version of Caesar and Cleopatra. This actor plays the man that the title character is talking to when he blows out a match, beginning a famous jump cut to the setting sun in Lawrence of Arabia. He supposedly did an impression of frequent co-star Bette Davis when playing the effeminate Prince John in The Adventures of Robin Hood. This man's character instructs his subordinates to (*) "round up the usual suspects" and walks off with Rick Blaine at the end of a movie. For 10 points, name this actor who plays the corrupt police captain in Casablanca. ANSWER: (William) Claude Rains 3. This actress played Cora, a general store owner who serves great coffee in a series of Maxwell House ads. -
SYDNEY PROGRAM GUIDE Sunday 06Th October 2013
SYDNEY PROGRAM GUIDE Sunday 06th October 2013 06:00 am Life Today With James Robison Sunday Edition 06:30 am Hillsong G Religious Program 07:00 am Totally Wild (Rpt) CC G WS The Totally Wild team brings you the latest in action, adventure and wildlife from Australia and around the globe. 07:30 am Totally Wild (Rpt) CC G WS The Totally Wild team brings you the latest in action, adventure and wildlife from Australia and around the globe. 08:00 am Good Chef Bad Chef (Rpt) CC G WS Chef Adrian Richardson and nutritionist Janella Purcell go head to head in a food showdown! LIVE 08:30 am 2013 Castrol Edge Rugby Argentina V Australia Championship The Wallabies are up against the Pumas again, but this time in Estadio Gigante de Arroyito in Rosario, Santa Fe. Join commentators Gordon Bray, Stirling Mortlock and Matt Burke as they bring you all the action from Argentina. 11:00 am To Be Advised 12:00 pm Australian Rally Championship R5 Rally Australia A.R.C Event Review Part 2 Join us for all the highlights and action of round 5 of the New South Wales round of the East Coast Bullbars Australian Rally Championship. 01:00 pm Social Climbing (Rpt) CC G Canine Angels WS To some people dogs are just pets but for others, they are as important as hands or eyes. Witness the amazing transformation as puppies undergo intensive training to become a responsible carer. MOVIE 02:00 pm Taken From Me: The Tiffany Rubin PG Adult Themes Story (Rpt) (2011) A mother's nightmarish struggle to retrieve the 7-year-old son, who her ex-husband whisked out of her life when he abducted the boy and took him back to his native South Korea. -
Melbourne Program Guide
MELBOURNE PROGRAM GUIDE Sunday 06th June 2010 06:00 am Mass For You At Home WS G Enjoy Mass in the comfort of your own home. 06:30 am Hillsong WS G Religious Program 07:00 am Animalia (Rpt) CC C Over And Beyond WS Alex and Zoe are two kids who find themselves in an extraordinary situation. After stumbling across a magical portal hidden in the town library they're led to a parallel dimension. 07:30 am Totally Wild (Rpt) CC C WS Explore the natural beauty of Australia's native flora and fauna with the Totally Wild team. 08:00 am Meet The Press CC WS Network Ten's premier political program. Join Paul Bongiorno as he interviews the main players on the Australian public affairs stage, and covers the issues making news in Federal politics. 08:30 am Video Hits G Video Hits is Australia's #1 music show. Hosted by Faustina 'Fuzzy' Agolley & Dylan Lewis, it features the best new music and classic tunes. Plus interviews, live event shows and huge competitions. 10:00 am Video Hits PG Sexual References, Mild Coarse Language Video Hits is Australia's #1 music show. Hosted by Faustina 'Fuzzy' Agolley & Dylan Lewis, it features the best new music and classic tunes. Plus interviews, live event shows and huge competitions. 11:00 am Video Hits Presents: MUSE Video Hits Presents: Muse 12:00 pm It's Me Or The Dog WS G Molly & Alfie Dogs should be man's best friend, but instead we're overrun by their canine antics.