Brass Partout Black Castles
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Música Antiga Além Da Presença De Grupos Especializados, Programação Revela Interesse Das Orquestras Modernas Pelo Repertório Dos Séculos XVII E XVIII
O compositor britânico Mark-Anthony Turnage • Editor’s choice: os melhores CDs u NOVEMBRO 2017 R$ 16,90 Guia mensal de música clássica www.concerto.com.br ISSN 1413-2052 - ANO XXIII Nº 244 1413-2052 ISSN Novos CAMINhOs da MÚSICA ANTIGA Além da presença de grupos especializados, programação revela interesse das orquestras modernas pelo repertório dos séculos XVII e XVIII TEMporadas 2018 JOãO Marcos COELhO Cultura Artística traz estrelas internacionais A invenção da música segundo Manoury JORgE COLI pALCO JúLIO MedagLIA A profundida na arte pianista Ronaldo Rolim Francisco Mignone, 120 anos CLÁUDIO CRUZ JOCY DE OLIVEIRA Maestro fala de suas atividades, Compositora lança o DVD da música de câmara à ópera Meu encontro com Luciano Berio u EDITORIAL Prezado leitor, Todos os meses, a equipe editorial da Revista CONCERTO se reúne para deliberar sobre a pauta da publicação. São encontros longos, com ricas discussões, sempre abordando os mais diversos aspectos da atividade musical clássica brasileira. Um dos objetivos que perseguimos é o de oferecer uma visão ampla da programação, contemplando diversos gêneros, estilos, épocas e tendências. Para este mês de novembro, chamou-nos a atenção o acúmulo de eventos relacionado à música antiga, o que acabou levando à matéria de capa desta edição. Além de apresentações do conjunto Cappella Mediterranea (foto da capa) no Rio de Janeiro e em São Paulo, interpretando, entre outras obras, a ópera Orfeo de Monteverdi – tida como marco inicial do gênero –, a programação revela interesse renovado também das Foto: CAPPELLA Mediterranea [DIVULGAÇÃO / Bertrand PICHÊNE] orquestras modernas por esse repertório. Em São Paulo, por exemplo, dois especialistas brasileiros, Bruno Procópio e Luis Otávio Santos, regem a Osesp em obras dos séculos XVII e XVIII. -
The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
A S E B R S B A T H N D BRIDGE H issue 110 The Official Publication of the North American Brass Band Association august, 2008 Once again, Ronald W. Holz has provided UNDER THE BRIDGE readers of The Brass Band Bridge with a IN THIS ISSUE tremendous number of reviews of new brass band recordings. I’d like to add a hearty, “hear, Douglas Yeo hear” to his enthusiastic recommendation of ATOP THE BRIDGE the new recording of Elgar’s Severn Suite, with From the President, pg. 2 Editor Black Dyke Band, conducted by Sir Colin Davis. This performance is revelatory, and having worked with Sir Colin myself when he RECORDING OF THE his issue of The Brass Band Bridge fea- has guest conducted the Boston Symphony YEAR CONTEST tures reports from several recent brass (including memorable performances of Elgar’s pg. 3 band festivals which were sponsored, in Enigma Variations and The Dream of Gerontius), Tpart, by NABBA. The Great American Brass I can very well imagine how the Black Dyke Band Festival is the premier brass band festival players felt when sitting under the leading NEWS FROM NABBA in the USA and it always features performances interprer of Elgar in our time. The recording BANDS by at least one of NABBA’s most distinguished is truly stupendous. Ron’s reviews are also a bands. The Fifth Toronto Festival of Brass fea- reminder to all NABBA member bands to get pg. 5 tured world premiere performances, and several in their entries for NABBA’s “Recording of the youth bands. -
The Elgar Sketch-Books
THE ELGAR SKETCH-BOOKS PAMELA WILLETTS A MAJOR gift from Mrs H. S. Wohlfeld of sketch-books and other manuscripts of Sir Edward Elgar was received by the British Library in 1984. The sketch-books consist of five early books dating from 1878 to 1882, a small book from the late 1880s, a series of eight volumes made to Elgar's instructions in 1901, and two later books commenced in Italy in 1909.^ The collection is now numbered Add. MSS. 63146-63166 (see Appendix). The five early sketch-books are oblong books in brown paper covers. They were apparently home-made from double sheets of music-paper, probably obtained from the stock of the Elgar shop at 10 High Street, Worcester. The paper was sewn together by whatever means was at hand; volume III is held together by a gut violin string. The covers were made by the expedient of sticking brown paper of varying shades and textures to the first and last leaves of music-paper and over the spine. Book V is of slightly smaller oblong format and the sides of the music sheets in this volume have been inexpertly trimmed. The volumes bear Elgar's numbering T to 'V on the covers, his signature, and a date, perhaps that ofthe first entry in the volumes. The respective dates are: 21 May 1878(1), 13 August 1878 (II), I October 1878 (III), 7 April 1879 (IV), and i September 1881 (V). Elgar was not quite twenty-one when the first of these books was dated. Earlier music manuscripts from his hand have survived but the particular interest of these early sketch- books is in their intimate connection with the round of Elgar's musical activities, amateur and professional, at a formative stage in his career. -
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SRCD.307 STEREO ADD MAW Sinfonia NICHOLAS MAW (b.1935) JOHN GARDNER (b.19 17) English Chamber Orchestra, Norman Del Mar Sinfonia (1966) * (30’00”) 9 Theme and Variations for Brass 1 1st Movement: Quartet Op. 7 (1951) (9’55”) Molto sostenuto (13’49”) GARDNER Theme & Variations DODGSON Sonata 2 2nd Movement: Threnody (9’30”) STEPHEN DODGSON (b.19 24) 3rd Movement: Variations (10’33”) 3 Sonata for Brass Quintet (1963) (10’48”) ADDISON Divertimento Philip Jones Brass Ensemble 10 1st Movement: Allegro moderato (1’54”) JOHN ADDISON (1920-1998) 11 2nd Movement: Poco adagio (2’37”) Divertimento for Brass 12 3rd Movement: Vivace (1’32”) Quartet Op. 9 (1951) (8’17”) 13 4th Movement: Lento (2’35”) 4 1st Movement: Fanfare (1’33”) 14 5th Movement: Allegro (2’10”) 5 2nd Movement: Valse (1’23”) 6 3rd Movement: Scherzo (1’09”) (62’56”) 7 4th Movement: Lullaby (2’06”) 8 5th Movement: Galop (2’06”) * English Chamber Orchestra conducted by Norman Del Mar Philip Jones Brass Ensemble Philip Jones & Elgar Howarth, trumpets Ifor James, horn John Iveson, trombone John Fletcher, tuba The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. *ൿ 1971 ൿ 1975 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England. This compilation and the digital remastering ൿ 2008 Lyrita Recorded Edition, England. © 2008 Lyrita Recorded Edition, England. Lyrita is a registered trade mark. Made in the UK LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK NICHOLAS MAW movement before its insouciant close. -
Mark-Anthony Turnage Signs with Boosey & Hawkes
Boosey & Hawkes Music Publishers Limited 295 Regent Street London W1B 2JH Telephone 020-7580 2060 Fax 020-7637 3490 11 Dec 2002: for immediate release Website www.boosey.com Mark-Anthony Turnage signs with Boosey & Hawkes Mark-Anthony Turnage We are pleased to announce that Mark-Anthony Turnage, one of the most admired and new publishing contract widely-performed composers of his generation, has signed a long-term exclusive with Boosey & Hawkes publishing agreement with Boosey & Hawkes Music Publishers. The new contract, which runs from 1 January 2003, covers all future Turnage compositions from Crying Out Loud, a new work for Ensemble Modern to be premiered in Taipei in April 2003. Turnage’s existing output, including new works being premiered in January, remains published by Schott, and both publishers will be collaborating closely in the overall promotion of Turnage’s music. future works under Turnage’s future projects reflect his international stature, including commissions for the the new contract New York Philharmonic, London Philharmonic, Berlin Radio Choir and Berlin Philharmonic, the Hallé and clarinetist Michael Collins, Nash Ensemble, Ensemble Modern and flautist Dietmar Wiesner, and the Chicago Symphony Orchestra’s contemporary music ensemble. Turnage festival at the The BBC Symphony Orchestra appointed Mark-Anthony Turnage as its first Associate Barbican Centre in London Composer in 2000, and this fruitful partnership is celebrated in a weekend festival of 17-19 January 2003 Turnage’s music at the Barbican Centre on 17-19 January 2003. Chandos has recently released a disc of works by Turnage, performed by the BBC Symphony Orchestra under Slatkin, featuring Fractured Lines, Another Set To, Silent Cities and Four Horned Fandango (Chandos 10018). -
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Intro duction Ever since beginning my work as Musical Director of Cory Band in 2012 I have wanted to devote some time and energy to recording some of the classics of our genre; some of the pieces which have proved to be ground-breaking in the development of original music for brass bands; some of the cornerstones of our repertoire. Moreover, I wanted to be able to present them in an appealing way, making connections between music of different eras, and curating collections of pieces which might intrigue and delight the listener, encouraging new discovery and deeper appreciation. This first instalment in the Cornerstones series binds its constituent works together under the title of Landscapes: music inspired by the physical world in which we live – undulating hills, winding rivers, lush pastures and rugged mountains. The Music The disc opens evocatively with the misty peaks mountain lake) is a lilting siciliano featuring the of Great Gable, a mountain in the Lake District flugel horn. Haystacks and Catstye Cam are both of England, and the first part of John McCabe’s fast and rhythmic, depicting jagged profiles and !"#$ brass band masterpiece Cloudcatcher treacherous rock faces, and relying as much on Fells. McCabe’s work takes its title from the poem the timpani and bongos for musical development Cockermouth by David Wright, and the work is in as any of the brass. The centrepiece of the work is effect a series of tone paintings of scenic places in Angle Tarn, music of an exquisiteness rarely heard the Lake District, all based on the lonely opening from a brass band where the tranquillity of the lake motif intoned by the tenor horns. -
June 2018 List
June 2018 Catalogue Issue 26 Prices valid until Friday 27 July 2018 unless stated otherwise 0115 982 7500 The Temptation of St Anthony (detail from right hand panel) by Hieronymus Bosch (used as the cover for Stephen Hough’s Dream Album (Hyperion CDA68176). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Welcome to another bumper catalogue! It never ceases to amaze us how quickly our monthly publications get filled, especially when classical music was supposed to be ‘dead’ many years ago. New releases continue to number in their hundreds every month, and it is certainly not difficult to find superb back-catalogues to promote and explore. Our ‘Disc of the Month’ is as good a place as any to start for our new release highlights: Stephen Hough’s recitals for Hyperion never fail to ignite a spark of interest, and his latest compendium features a delightful selection of both romantic and light piano repertoire, many arranged by Hough himself. We have been thoroughly enjoying it in recent days, making it a clear choice for our pick in June - please find more information below. Another pianist we think deserves some attention this month is Kevin Kenner, who has recorded a brand new album of Chopin’s late works for Warner Classics. Kenner has long been associated with Chopin and his interpretations have been compared in the past to the likes of Rubinstein, Michelangeli and Lipatti, so it is pleasing to see him now receiving some long-overdue exposure on a major label in the UK. -
Vol. 18, No 3 December 2013
Journal December 2013 Vol.18, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2013 Vol. 18, No. 3 Editorial The Severn Suite: Manuscripts, Music and Myths 4 President Robert Kay Julian Lloyd Webber FRCM Imperial propaganda and Caractacus: The woodlands and Elgar’s love of country 30 Bryson Mortensen Vice-Presidents Elgar’s Religious Beliefs 42 Sir David Willcocks, CBE, MC Peter Sutton Diana McVeagh Michael Kennedy, CBE Elgar’s Music for Powick Asylum 53 Michael Pope Barry Collett Dame Janet Baker, CH, DBE Music reviews 55 Leonard Slatkin Julian Rushton Sir Andrew Davis, CBE Donald Hunt, OBE Book reviews 59 Christopher Robinson, CVO, CBE Martin Bird, David Bury, Diana McVeagh, Carl Newton, John Norris Andrew Neill Sir Mark Elder, CBE CD reviews 71 Martin Bird, Ruth Hellen, Richard Wiley DVD reviews 74 Chairman Martin Bird Steven Halls Letters 76 Tony Jones, Christopher Morley, Carl Newton, Robin Self, Alan Tongue Vice-Chairman Stuart Freed Recording notes 79 Michael Plant Treasurer Clive Weeks 100 Years Ago 80 Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: First recording of The Severn Suite. A 78 of excerpts by the winning band, recorded the day after the Festival (Collection of Michael Plant). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. -
21 January 2011 Page 1 of 22
Radio 3 Listings for 15 – 21 January 2011 Page 1 of 22 SATURDAY 15 JANUARY 2011 Kreisler, Fritz (1875-1962) Rondino on a theme by Beethoven for violin and piano SAT 01:00 Through the Night (b00x8b6x) Taik-Ju Lee (male) (violin), Young-Lan Han (female) (piano) Susan Sharpe presents a concert of classical and popular guitar music 4:02 AM Paganini, Nicolò (1782-1840) 1:01 AM Introduction and Variations on a theme from Rossini's "Mosè in Fossa, François de (1775-1849) Egitto" (MS.23) Fantasy (Op.5) Monika Leskovar (cello), Ivana Schwartz (piano) Sabrina Vlaskalic (guitar) 4:10 AM 1:11 AM Martinu, Bohuslav (1890-1959) Sor, Fernando (1778-1839) Variations on a theme by Rossini for cello and piano Andantino No.22 Leonid Gorokhov (cello, USSR), Irina Nikitina (piano) Kaare Norge (guitar) 4:18 AM 1:15 AM Goleminov, Marin (1908-2000) Tarrega, Francisco (1852-1909) Symphonic Variations on a theme by Dobri Hristov (1942) Adelita; Lagrima Sofia Philharmonic Orchestra, Kamen Goleminov (conductor) Kaare Norge (guitar) 4:35 AM 1:19 AM Mozart, Wolfgang Amadeus (1756-1791) Praetorius, Michael (1571-1621) String Quartet in G major (K.156) Ballet Australian String Quartet Kaare Norge (guitar) 4:48 AM 1:24 AM Lassus, Orlande de (1532-1594) Bach, Johann Sebastian (1685-1750) Omnes de Saba venient Jesu, meine Freude (BWV.227) Studio de Musique Ancienne de Montréal (voices only), Danish National Radio Choir, Stefan Parkman (conductor) Christopher Jackson (director) 1:45 AM 4:51 AM Manen, Juan (1883-1971) Telemann, Georg Philipp (1681-1767) Fantasia Sonata Mercoledi -
A Capital Collection of Organ Music
A Capital Collection of Organ Music A CAPITAL COLLECTION OF ORGAN MUSIC IN THE LIBRARY OF W. B. HENSHAW Portsmouth Bardon Enterprises Copyright © 2004 by Bardon Enterprises This edition published in 2004 by Bardon Enterprises All rights reserved. No part of this publica- tion may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Typeset and printed in England by Bardon Enterprises. Bound in England by Ronarteuro. Portsmouth, Hampshire, England. A Abel, Christien Ferdinand c1695 œ 1737 Overture : Andante, un poco Adagio [WJ Westbrook] London œ Arr. - Westbrook Adam, Adolphe Charles 1803 œ 1856 Cantique de Noël [WJ Westbrook] Schott œ Yellow Album Adams, Thomas 1785 œ 1858 Overture in C Novello Overture in C minor and major Schirmer Raymond Overture : Canzonetta [GE Whiting] Presser œ Organ Repertoire Adams, Thomas œ 1918 Allegro Pomposo in C Novello œ Village Vol 7 Andante grazioso - —Invocation“ Novello œ Shrt Prel 5 Marche Solonelle in E minor Novello œ Village 13 † Short Fantasia on the Hymn-Tune —Abridge“ in D Novello œ Village 16; Novello œ Hynm Volunt. † Short Fantasia on the Whitsun-tide Hymn —Veni Creator Spiritus“ in C Novello œ Hynm Volunt. † Alain, Jehan Ariste 1911 œ 1940 Deux Chorales 1: Dorian Philippo Deux Chorales 2: Phrygien Philippo Le Jardin Suspendu (1934) Leduc Litanies Leduc Variations sur un thème de Clément Jannequin (1937) Leduc Albéniz, Isaac Manuel Francisco 1860 œ 1909 Tango [ERH Goss-Custard] Schott œ Purple Album Albrechtsberger, Johann Georg 1736 œ 1809 Fugue in B min [WT Best] Novello œ Best 78 Fugue in E flat major Augener œ Cecilia Vol 1 Alcock, Gilbert Arthur 1870 œ 1954 Benedictus Paxton œ Ecclesiae Organum Communion in G Paxton œ Ecclesiae Organum Menuetto (Op 32) Paxton œ Loft 5 Alcock, Sir Walter Galpin 1861 œ 1947 Fantasie-Impromptu Novello Impromptu in G S&B Little Organ Book 10: YBP œ Little Org Book Alderson, Dr Albion Percy 1871 œ 1936 St. -
Library Orders - Music Composition/Electronic Music
LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT PUBLISHER PRICE In Collection? Babbitt, Milton A Three Compositions for Piano score Boelke-Bomart 9.50 Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 1, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 2, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 3, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 4, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 5, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 6, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Music for strings, percussion, and celesta score Boosey & Hawkes Inc. 0.00 YES Berbarian, Cathy A Stripsody : for solo voice score C.F. Peters Corp. 18.70 Berg, Alban A Violin Concerto score Warner Brothers Music Pub. 0.00 YES Berio, Luciano A Sequenza V, for trombone score Warner Brothers Music Pub. 19.95 Berio, Luciano A Sequenza VII; per oboe solo score Warner Brothers Music Pub. 15.95 Berio, Luciano A Sequenza XII : per bassoon solo score Warner Brothers Music Pub. 35.00 Berio, Luciano A Sinfonia, for eight voices and orchestra score Warner Brothers Music Pub. 125.00 Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments score Warner Brothers Music Pub. -
Decca Discography
DECCA DISCOGRAPHY >>4 GREAT BRITAIN: digital, 1979-2008 In the early 1970s the advent of Anthony Rooley, the Consort of Musicke, Emma Kirkby, Christopher Hogwood and the Academy of Ancient Music brought a fresh look at repertoire from Dowland to Purcell, Handel, Mozart and eventually Beethoven. Solti recorded with the LPO from 1972 and the National Philharmonic was booked regularly from 1974-84. Also during the 1970s the London Sinfonietta’s surveys of Schönberg and Janá ček were recorded. Ashkenazy’s second career as a conductor centred initially on London, with the Philharmonia from 1977 and the RPO from 1987. Philip Pickett’s New London Consort joined the Florilegium roster in 1985 and Argo’s new look brought in a variety of ensembles in the 1990s. But after an LPO Vaughan Williams cycle was aborted in 1997, Decca’s own UK recordings comprised little more than piano music and recital discs. Outside London, Argo recorded regularly in Cambridge and Oxford. Decca engaged the Welsh National Opera from 1980-96 and the Bournemouth Symphony from 1990-96, but otherwise made little use of regional British orchestras. By the time they raised their performing standards to an acceptable level, Chandos, Hyperion and Naxos had largely replaced the old majors in the market for orchestral sessions. >RV0 VENUES One hundred and seventy different venues were used, eighty-eight in the London area and eighty-two elsewhere in Britain, but only one in ten (those in bold ) hosted thirty or more entries, whilst seventy were only visited once. LONDON AREA ABBEY ROAD STUDIOS , St.John’s Wood, London NW8 (1931), initially restricted to EMI labels, were opened to all from 1968.