The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
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NORRIS FREEWAY CORRIDOR MANAGEMENT PLAN Prepared by the City of Norris, Tennessee June 2020 SECTION 1: ESSENTIAL INFORMATION
NORRIS FREEWAY CORRIDOR MANAGEMENT PLAN Prepared by the City of Norris, Tennessee June 2020 SECTION 1: ESSENTIAL INFORMATION Location. Norris Freeway is located in the heart of the eastern portion of the Tennessee Valley. The Freeway passes over Norris Dam, whose location was selected to control the flooding caused by heavy rains in the Clinch and Powell River watershed. Beside flood control, there were a range of conditions that were to be addressed: the near absence of electrical service in rural areas, erosion and 1 landscape restoration, and a new modern road leading to Knoxville (as opposed to the dusty dirt and gravel roads that characterized this part of East Tennessee). The Freeway starts at US 25W in Rocky Top (once known as Coal Creek) and heads southeast to the unincorporated community of Halls. Along the way, it crosses Norris Dam, runs by several miles of Norris Dam State Park, skirts the City of Norris and that town’s watershed and greenbelt. Parts of Anderson County, Campbell County and Knox County are traversed along the route. Date of Local Designation In 1984, Norris Freeway was designated as a Tennessee Scenic Highway by the Tennessee Department of Transportation. Some folks just call such routes “Mockingbird Highways,” as the Tennessee State Bird is the image on the signs designating these Scenic Byways. Intrinsic Qualities Virtually all the intrinsic qualities come into play along Norris Freeway, particularly Historic and Recreational. In fact, those two characteristics are intertwined in this case. For instance, Norris Dam and the east side of Norris Dam State Park are on the National Register of Historic Places. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
The Elgar Sketch-Books
THE ELGAR SKETCH-BOOKS PAMELA WILLETTS A MAJOR gift from Mrs H. S. Wohlfeld of sketch-books and other manuscripts of Sir Edward Elgar was received by the British Library in 1984. The sketch-books consist of five early books dating from 1878 to 1882, a small book from the late 1880s, a series of eight volumes made to Elgar's instructions in 1901, and two later books commenced in Italy in 1909.^ The collection is now numbered Add. MSS. 63146-63166 (see Appendix). The five early sketch-books are oblong books in brown paper covers. They were apparently home-made from double sheets of music-paper, probably obtained from the stock of the Elgar shop at 10 High Street, Worcester. The paper was sewn together by whatever means was at hand; volume III is held together by a gut violin string. The covers were made by the expedient of sticking brown paper of varying shades and textures to the first and last leaves of music-paper and over the spine. Book V is of slightly smaller oblong format and the sides of the music sheets in this volume have been inexpertly trimmed. The volumes bear Elgar's numbering T to 'V on the covers, his signature, and a date, perhaps that ofthe first entry in the volumes. The respective dates are: 21 May 1878(1), 13 August 1878 (II), I October 1878 (III), 7 April 1879 (IV), and i September 1881 (V). Elgar was not quite twenty-one when the first of these books was dated. Earlier music manuscripts from his hand have survived but the particular interest of these early sketch- books is in their intimate connection with the round of Elgar's musical activities, amateur and professional, at a formative stage in his career. -
Ineze Cordelia Caston [Estate] Collection 1804-2001
http://oac.cdlib.org/findaid/ark:/13030/kt9r29r4qw No online items Finding Aid for the Ineze Cordelia Caston [Estate] Collection 1804-2001 Processed by . Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2007 The Regents of the University of California. All rights reserved. Finding Aid for the Ineze Cordelia 2004.13 1 Caston [Estate] Collection 1804-2001 Descriptive Summary Title: Ineze Cordelia Caston [Estate] Collection, Date (inclusive): 1804-2001 Collection number: 2004.13 Creator: Ineze Cordelia Caston 1914-2004 Extent: 7 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Gospel and jazz music recordings collected locally: 23 LPs, 5 78 rpm recordings, 1 CD, 8 VHS video cassettes, 1 music program, and 1 program from Mrs Ineze Caston's memorial service. Language of Material: Collection materials in English Preferred Citation [Identification of item], Ineze Cordelia Caston [Estate] Collection, 2004.13, Ethnomusicology Archive, University of California, Los Angeles. Acquisition Information Loaned/donated by DjeDje via Trinity Baptist Church (Sept 29, 2004): dub and return recordings. Series 1. Sound Recordings Box 1, Item The Lord is My Shepherd / The Ten Commandments 2004.13_ar4231 Performer: James Edwards with organ and choir accompaniment Publisher: Hollywood, CA/Faith Records Language of Material: English Physical Description: Original AR 4231 : analog, 78 rpm, stereo.; 10 in. Scope and Content Note SIDE 1 -- The Lord is My Shepherd -- SIDE 2 -- The Ten Commandments Box 1, Item Since I Met Jesus / Think of His Goodness 2004.13_ar4232 Performer: Ineze C. -
KSU Faculty Brass Recital Douglas Lindsey, Trumpet Hollie Lawing-Pritchard, Trombone Richard Williams, Horn Ryan Moser, Trumpet Paul Dickinson, Euphonium J.D
SCHOOL of MUSIC Where PASSION is heard KSU Faculty Brass Recital Douglas Lindsey, trumpet Hollie Lawing-Pritchard, trombone Richard Williams, horn Ryan Moser, trumpet Paul Dickinson, euphonium J.D. Handshoe , bass trombone PROGRAM Caprice EUGENE BOZZA Douglas Lindsey, trumpet Judy Cole, piano A Winter’s Night KEVIN MCKEE Hollie Lawing-Pritchard, trombone Judy Cole, piano Concerto for Horn & Orchestra in A minor, Mvt. II KURT ATTERBURG Richard Williams, horn Eric Jenkins, piano Concerto, Mvt. I GRACE WILLIAMS Ryan Moser, trumpet Judy Cole, piano The Harmonious Blacksmiths G. F. HANDEL, arr. Robertson and Thio Paul Dickinson, euphonium Judy Cole, piano Allegro Maestoso JAN KOETSIER J.D. Handshoe, bass trombone Judy Cole, piano 1 SCHOOL of MUSIC Where PASSION is heard BIOGRAPHIES Douglas Lindsey Dr. Douglas Lindsey joined the faculty at Kennesaw State University in the fall of 2012, and is regularly in demand throughout the United States. As a soloist, he has been a featured artist with the Kennesaw State Orchestra, the Kennesaw State Wind Ensemble, the Georgia Brass Band, at the International Trumpet Guild conference, at the Atlanta Trumpet Festival, and at the Trumpet Festival of the Southeast. As an orchestral musician, he has performed as principal trumpet of the Memphis Symphony, as section trumpet with the Atlanta Symphony Orchestra, as principal trumpet of the Georgia Symphony Orchestra, as section trumpet with the Macon Symphony, and spent two summers as an orchestral fellowship winner at the Aspen Music Festival. Alongside pianist, Judy Cole, he has performed solo recitals all over the Southeast as a founding member of Duo Trompiano. In addition to solo work, Dr. -
August Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news March 2007 www.sandiegotroubadour.com Vol. 6, No. 6 what’s inside Welcome Mat ………3 Contributors San Diego Folk Song Society Full Circle.. …………4 Kenny Newberry Recordially, Lou Curtiss Front Porch... ………6 Harp Guitars Steph Johnson Parlor Showcase …8 Sven-Erik Seaholm Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Highway’s Song. …12 Leo Kottke & David Lindley Of Note. ……………13 Gaskins ‘n’ Gunner Chad Farran Alex Esther Manisha Shahane Kevin Jones ‘Round About ....... …14 March Music Calendar The Local Seen ……15 Photo Page MARCH 2007 SAN DIEGO TROUBADOUR welcome mat Sam Hinton’s Folk Song Society Turns 50 RSAN ODUIEGBO ADOUR Alternative country, Americana, roots, folk, by Allen Singer country blues, and Tblues, gospel, jazz, and bluegrass music news original material. am Hinton Members play many S has worn different instru - many hats ments at all skill MISSION CONTRIBUTORS in his life. He’s an levels and we original — a folk encourage everyone To promote, encourage, and provide an n FOUNDERS a g alternative voice for the great local music that singer, a songwriter, a scientist, an artist, i from amateur to professional to be a part Ellen and Lyle Duplessie F is generally overlooked by the mass media; a father, and a great diatonic harmonica r of the group each time we meet. We e Liz Abbott t namely the genres of alternative country, e player. On March 31, when Hinton cele - P leave nobody behind in the musical dust. -
String Love Complete Song Lists
String Love Complete(ish) Song Lists Our repertoire is always growing, check back frequently! ROCK AND POP 1 2 3 4 – Plain White T’s 21 Guns – Green Day 100 Years – Five For Fighting A Thousand Years – Christina Perri Addicted To You - Avicii Adore You – Miley Cyrus Adventure of a Lifetime – Coldplay All About That Bass – Meghan Trainor All I Want Is You – U2 All My Love – Led Zeppelin All Of Me – John Legend All These Things That I’ve Done – The Killers All You Need Is Love – The Beatles American Idiot – Green Day Animals – Matthew Garrix Animaniacs – Rueger / Stone Annie’s Song – John Denver Ants Marching – Dave Matthews Band Applause – Lady Gaga Aqualung – Jethro Tull Atlas – Coldplay Back In Black – AC/DC Bang Bang – Jessie J The Battle Of Evermore – Led Zeppelin Beautiful Day – U2 Beautiful Life – Ace of Base Best Day Of My Life – American Authors Better Together – Jack Johnson Birthday – Katy Perry Bittersweet Symphony – The Verve Black Dog – Led Zeppelin Blackbird – The Beatles Blank Space – Taylor Swift Blue Tango – Leroy Anderson Bohemian Rhapsody - Queen Boom Clap – Charli XCX Bridge Over Troubled Water – Simon and Garfunkle Bring Me To Life – Evanescence Brown Eyed Girl – Van Morrison Burn – Ellie Goulding Can’t Help Falling In Love – Elvis Presley Can’t Stop The Feeling – Justin Timberlake Can’t Take My Eyes Off You – Frankie Valli Candle In The Wind – Elton John Chandalier – Sia Chasing Cars – Snow Patrol Cheerleader – OMI Clocks – Coldplay Come Away With Me – Norah Jones Come On Eileen – Dexy’s Midnight Runners Cotton-Eyed -
Download Booklet
Intro duction Ever since beginning my work as Musical Director of Cory Band in 2012 I have wanted to devote some time and energy to recording some of the classics of our genre; some of the pieces which have proved to be ground-breaking in the development of original music for brass bands; some of the cornerstones of our repertoire. Moreover, I wanted to be able to present them in an appealing way, making connections between music of different eras, and curating collections of pieces which might intrigue and delight the listener, encouraging new discovery and deeper appreciation. This first instalment in the Cornerstones series binds its constituent works together under the title of Landscapes: music inspired by the physical world in which we live – undulating hills, winding rivers, lush pastures and rugged mountains. The Music The disc opens evocatively with the misty peaks mountain lake) is a lilting siciliano featuring the of Great Gable, a mountain in the Lake District flugel horn. Haystacks and Catstye Cam are both of England, and the first part of John McCabe’s fast and rhythmic, depicting jagged profiles and !"#$ brass band masterpiece Cloudcatcher treacherous rock faces, and relying as much on Fells. McCabe’s work takes its title from the poem the timpani and bongos for musical development Cockermouth by David Wright, and the work is in as any of the brass. The centrepiece of the work is effect a series of tone paintings of scenic places in Angle Tarn, music of an exquisiteness rarely heard the Lake District, all based on the lonely opening from a brass band where the tranquillity of the lake motif intoned by the tenor horns. -
Brass Ensembles Showcase Trumpet Ensemble, Horn Choir, Trombone Choir, Tuba/Euphonium Ensemble, Tuba/Euphonium Quartet and Proscenium Brass Quintet
PAUL DICKINSON, Conductor BRIAN HECHT, Conductor HOLLIE LAWING-PRITCHARD, Conductor DOUGLAS LINDSEY, Conductor Saturday, February 3, 2018 Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Monday, November 5, 2018 at 8 pm Seventy-fourth and Seventy-fifth Concerts Dr. Bobbie Bailey & Family Performance Center, Morgan Hall of the 2017-18 Concert Season Twenty-eighth Concert of the 2018-19 Concert Season 18SEASON19 Brass Ensembles Showcase Trumpet Ensemble, Horn Choir, Trombone Choir, Tuba/Euphonium Ensemble, Tuba/Euphonium Quartet and Proscenium Brass Quintet VACLAV NELHYBEL (1919–1996) Tower Music Trombone Ensemble ANTON BRUCKNER (1824–1996) arr. Enrique Crespo Etude fur das Tiefe Blech Tuba/Euphonium Ensemble VICTOR EWALD (1860–1935) Brass Quintet 3 Movement 1 Proscenium Brass Quintet HECTOR BERLIOZ (1803–1969) arr. Douglas Lindsey (b. 1985) Royal Hunt and Storm from Les Troyens Trumpet Ensemble Black NIKOLAI RIMSKY-KORSAKOV (1844–1908) arr. Mort Schafer Procession of the Nobles Horn Ensemble CLAUDE DEBUSSY (1862–1918) Trois Chanson 1. Dieu qu'il la fait bon regarder 2. Quant j'ai ouy le tabourin 3. Yver, vous n'estes qu'un villain Trombone Choir PAUL HINDEMITH (1895–1963) arr. Douglas Lindsey Turnadot Scherzo from Symphonic Metamorphosis Trumpet Ensemble Gold TONY ZILINCIK (b. 1967) Gravity Dances Tuba/Euphonium Quartet DAVID PAICH (b. 1954) arr. Douglas Lindsey Rosanna Andrew Yi, drum set Trumpet Ensemble TRUMPET ENSEMBLE PROSCENIUM BRASS QUINTET Sofia Freiderwitzer Michael Brown Arianna Hutchison Andrew Olsen Eli Rickles Heather -
BRATTLEBORO WOMEN's CHORUS Concert Songs
BRATTLEBORO WOMEN’S CHORUS Concert Songography Fall ‘96 First Baptist Church (all concerts there unless noted) Benefit for The Women’s Crisis Center and a woman living with HIV/AIDS Ilu Finu * Weave And Mend * Be Like A Bird * River of Jordan * Kyrie More Love * Soon I Will Be Done * Haydum Alaydum * Ise Olawa Hold On * If The People Lived Their Lives Spring ‘97 Benefit for The Gathering Place and HEALS, expressive arts program Souls Are Gathered * Sure As The Wind * River of Birds * Motherless Chile Miriam * Ella’s Song * Going to the Mountains * There’s A River Flowing I Feel Like Going On * By the Rivers of Babylon Fall ‘ 97 Benefit for Wendy Wilson Fire Fund Blessed Are We * Bright Morning Stars * Alleluia * Light is Returning * Prayer Yemaya Asesu * Wanna Die Easy * Ooah * Blessing For Children * Amaeeboo Siyahamba * Old Time Religion * I Feel Like Going On * Somebody Prayed Spring ‘98 Benefits Expresso and Lifeline, newsletter for bereaved parents Stepping Lightly * Kore Chant * The Lord Is My Shepherd * Kyrie * Neesa Rise Up O Flame * The Storm Is Passing Over * Kwan Zeon Bosai * Soon I Will Be Done * Sing Till The Power * Trees Of The Wild * Babethandaza * Woke Up This Morning * Siyahamba Fall ‘98 Benefits The Brattleboro Walk-in Clinic, Windham County Humane Society, and Children in Changing Families support group We Are Stars * Circle Round For Freedom * Nowhere To Be * Deep Peace Lone Wild Bird * We’re Marching On * Tu La Klezeeo * Wimoweh * I’ll Fly Away Zol Zain Sholem * Freedom Is Coming * Ale Schwester (Ale Brider) Spring -
Vol. 18, No 3 December 2013
Journal December 2013 Vol.18, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2013 Vol. 18, No. 3 Editorial The Severn Suite: Manuscripts, Music and Myths 4 President Robert Kay Julian Lloyd Webber FRCM Imperial propaganda and Caractacus: The woodlands and Elgar’s love of country 30 Bryson Mortensen Vice-Presidents Elgar’s Religious Beliefs 42 Sir David Willcocks, CBE, MC Peter Sutton Diana McVeagh Michael Kennedy, CBE Elgar’s Music for Powick Asylum 53 Michael Pope Barry Collett Dame Janet Baker, CH, DBE Music reviews 55 Leonard Slatkin Julian Rushton Sir Andrew Davis, CBE Donald Hunt, OBE Book reviews 59 Christopher Robinson, CVO, CBE Martin Bird, David Bury, Diana McVeagh, Carl Newton, John Norris Andrew Neill Sir Mark Elder, CBE CD reviews 71 Martin Bird, Ruth Hellen, Richard Wiley DVD reviews 74 Chairman Martin Bird Steven Halls Letters 76 Tony Jones, Christopher Morley, Carl Newton, Robin Self, Alan Tongue Vice-Chairman Stuart Freed Recording notes 79 Michael Plant Treasurer Clive Weeks 100 Years Ago 80 Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: First recording of The Severn Suite. A 78 of excerpts by the winning band, recorded the day after the Festival (Collection of Michael Plant). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this.