August Troubadour

Total Page:16

File Type:pdf, Size:1020Kb

August Troubadour FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news March 2007 www.sandiegotroubadour.com Vol. 6, No. 6 what’s inside Welcome Mat ………3 Contributors San Diego Folk Song Society Full Circle.. …………4 Kenny Newberry Recordially, Lou Curtiss Front Porch... ………6 Harp Guitars Steph Johnson Parlor Showcase …8 Sven-Erik Seaholm Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Highway’s Song. …12 Leo Kottke & David Lindley Of Note. ……………13 Gaskins ‘n’ Gunner Chad Farran Alex Esther Manisha Shahane Kevin Jones ‘Round About ....... …14 March Music Calendar The Local Seen ……15 Photo Page MARCH 2007 SAN DIEGO TROUBADOUR welcome mat Sam Hinton’s Folk Song Society Turns 50 RSAN ODUIEGBO ADOUR Alternative country, Americana, roots, folk, by Allen Singer country blues, and Tblues, gospel, jazz, and bluegrass music news original material. am Hinton Members play many S has worn different instru - many hats ments at all skill MISSION CONTRIBUTORS in his life. He’s an levels and we original — a folk encourage everyone To promote, encourage, and provide an n FOUNDERS a g alternative voice for the great local music that singer, a songwriter, a scientist, an artist, i from amateur to professional to be a part Ellen and Lyle Duplessie F is generally overlooked by the mass media; a father, and a great diatonic harmonica r of the group each time we meet. We e Liz Abbott t namely the genres of alternative country, e player. On March 31, when Hinton cele - P leave nobody behind in the musical dust. Kent Johnson : Americana, roots, folk, blues, gospel, jazz, and o brates his 90th birthday, the San Diego t You can either just sit and listen or you PUBLISHERS o bluegrass. To entertain, educate, and bring h Folk Song Society will be approaching its P can play alone or with group support. together players, writers, and lovers of these Liz Abbott fiftieth year. The San Diego folk music Over the years Sam’s dream has helped forms; to explore their foundations; and to Kent Johnson enlarge our local folk music community. expand the audience for these types of music. EDITORIAL/GRAPHICS community already misses Sam since he Liz Abbott moved up north, but they’re treasuring The Folk Song Society is Sam’s extended SAN DIEGO TROUBADOUR, the local source for Simeon Flick the time he lived and sang among us. family, now approaching age 50, with alternative country, Americana, roots, folk, Chuck Schiele Sam moved to Berkeley in December to multiple generations of satisfied, creative blues, gospel, jazz, and bluegrass music news, be near his daughter Leanne. His legacy is people doing what Sam Hinton wished: is published monthly and is free of charge. ADVERTISING Letters to the editor must be signed and may be Kent Johnson still here in the people he brought to folk getting together to sing, play, and share edited for content. It is not, however, guaranteed Joanna Schiele music, his students, and the countless in the gift of folk music. So when the that they will appear. BUSINESS MANAGER performances he gave us. next second Sunday rolls around, come All opinions expressed in SAN DIEGO Joanna Schiele It was back in 1957 that Sam Hinton over to a SDFSS meeting at Old Time Music and join with us in Sam’s everlast - TROUBADOUR, unless otherwise stated, are DISTRIBUTION suggested to some of his students Sam Hinton solely the opinion of the writer and do not Kent Johnson enrolled in an American folk music class ing dream. represent the opinions of the staff or Dave Sawyer he taught at UCSD Extension that they includes everything you need to know San Diego Folk Song Society management. All rights reserved. Mark Jackson create a local group or association devot - about local concerts, musical performanc - Old Time Music (side door) Peter Bolland ed to folk music. The inaugural meeting ADVERTISING INFORMATION es, and SDFSS meeting updates. My col - 2852 University Ave. (corner of Utah St.) Indian Joe Stewart For advertising rates, call 619/298-8488 of the San Diego Folk Song Society was umn, “Ramblings,” usually touches on Dan Long North Park or e-mail [email protected]. held that May, attended by seven mem - burning issues in folk music and musical Meetings 2-6pm on the second Sunday of STAFF PHOTOGRAPHER SUBSCRIPTIONS are available for $30/yr. bers. By 1958, the SDFSS had two chap - skill building. Membership costs $15 per the month Steve Covault Send check payable to S.D. Troubadour to: ters, 45 members, and had already held year but is not required to attend meet - Further info: www.sdfss.org or San Diego Troubadour WEB MASTER its first Hootenanny, with Sam as emcee. ings. Our group is eclectic and ageless, a [email protected] P.O. Box 164 Will Edwards Like a band of wandering minstrels, real cross section of musicians and non- La Jolla, CA 92038 WRITERS members held meetings in people’s hous - musicians alike who play folk music, E-mail: [email protected]. Lou Curtiss es. A theme was chosen for the first go bluegrass, traditional old time songs, WHERE TO FIND US Can’t find a copy of the Simeon Flick round of the song circle to bring in new San Diego Troubadour? Go to Mike Hayter songs and ideas. The second time around www.sandiegotroubadour.com and click Jim McInnes folks could pick and sing whatever struck Raul Sandelin on FIND AN ISSUE for a complete list of their musical fancy. We still follow the locations we deliver to. Chuck Schiele Sven-Erik Seaholm same format at our SDFSS meetings. SUBMITTING YOUR CD FOR REVIEW Kate Searcy Rise Up Singing was SDFSS’ original If you have a CD you’d like to be considered for Derek E. Shaw song book. Today songs come from review, send two copies to: San Diego José Sinatra everywhere and anywhere. The Folk Song Troubadour, P.O. Box 164, La Jolla, CA 92038. Allen Singer Society meets on the second Sunday of Steve Thorn ©2007 San Diego Troubadour. each month, 2-6pm, at the Old Time D. Dwight Worden Music Store in North Park, on the corner Craig Yerkes of University Ave. and Utah St. Meetings Cover photo: Gail Donnelly-Seaholm are open to anyone, including folk Cover design: Chuck Schiele singers, song writers, and anyone who just wants to listen. Themes are wide and The San Diego Troubadour is dedicated to the memory of Ellen and Lyle Duplessie , deep, sometimes borrowed and some - whose vision inspired the creation of this newspaper. times blue. The SDFSS has a great newsletter, edited by Tanya Rose, that www.sandiegotroubadour.com 3 MARCH 2007 SAN DIEGO TROUBADOUR full circle Guns, Ghosts, and Guitars by Mike Hayter request for Proud Fairy,” Ronnie spat out. The band would play for a couple more years with to many, Kenny eschews the idea of a home cowboy turned, looking at Ronnie with the some new members and then slowly disappear demo because he wants the best ears in the enny Newberry, Gram Parsons, and coldest eyes I’d ever seen. Ronnie and Kenny from the local scene. Sadly, we lost Ronnie business to engineer his project. Look for Kenny Newberry & the Slidewinders Sneaky Pete. The names rattle around just took it in stride and fired up the Long 15 years ago to lung cancer. something special when it arrives. Besides sin - Kin my brain like dusty picks dropped Creedence song. The following night someone Kenny eventually dropped out of profes - gle-handedly moving the state of alt country don’t believe me, listen to the sample of him in an old guitar. Turn it upside down and either got shot or knifed and died right there sional performing for about a decade. He even forward for the benefit of local performers, singing Jack Tempchin’s chestnut “Learning to shake vigorously until they come out. Dust in the bar. It could have been Deadwood . sold his guitars. But like any musician, he is Kenny has lent his pen as well, having written Dance.” This band must be doing something them off and play those great old songs again. hard-wired to play and sing. He started playing articles about the Gram Fest, Eve Selis, right, because anyone who hears them live I first met Kenny Newberry and his musi - again when his girlfriend asked if he would Heather Myles, Berkley Hart, and Tim becomes an instant believer. Jim Soldi, one of cal partner, Ronnie Long, sometime in 1974. I record some of the songs he was playing in his Flannery for a local publication. Check out his San Diego’s best ever, told them, “You guys are was a rock ‘n’ roll refugee and they were like a living room. One by one other players joined interview on BerkleyHart.com by clicking on good, no, I mean really good.” Typically, breath of country fresh air. They had a great in and a new band was born. “reviews and press.” It’s great copy and reflects Kenny is modest about his success and ques - band called Stagecoach and played all the old A few months ago I caught up with Kenny another facet of the man’s musical passion. tions whether he is as good as he used to be, honkytonks here in town. They were different following a show at the Belly Up Tavern in say, five years ago. Trust me, Kenny, you sound than your regular country homeboys and I Solana Beach. Sin City Revue was billed as a better than ever.
Recommended publications
  • NORRIS FREEWAY CORRIDOR MANAGEMENT PLAN Prepared by the City of Norris, Tennessee June 2020 SECTION 1: ESSENTIAL INFORMATION
    NORRIS FREEWAY CORRIDOR MANAGEMENT PLAN Prepared by the City of Norris, Tennessee June 2020 SECTION 1: ESSENTIAL INFORMATION Location. Norris Freeway is located in the heart of the eastern portion of the Tennessee Valley. The Freeway passes over Norris Dam, whose location was selected to control the flooding caused by heavy rains in the Clinch and Powell River watershed. Beside flood control, there were a range of conditions that were to be addressed: the near absence of electrical service in rural areas, erosion and 1 landscape restoration, and a new modern road leading to Knoxville (as opposed to the dusty dirt and gravel roads that characterized this part of East Tennessee). The Freeway starts at US 25W in Rocky Top (once known as Coal Creek) and heads southeast to the unincorporated community of Halls. Along the way, it crosses Norris Dam, runs by several miles of Norris Dam State Park, skirts the City of Norris and that town’s watershed and greenbelt. Parts of Anderson County, Campbell County and Knox County are traversed along the route. Date of Local Designation In 1984, Norris Freeway was designated as a Tennessee Scenic Highway by the Tennessee Department of Transportation. Some folks just call such routes “Mockingbird Highways,” as the Tennessee State Bird is the image on the signs designating these Scenic Byways. Intrinsic Qualities Virtually all the intrinsic qualities come into play along Norris Freeway, particularly Historic and Recreational. In fact, those two characteristics are intertwined in this case. For instance, Norris Dam and the east side of Norris Dam State Park are on the National Register of Historic Places.
    [Show full text]
  • CPROUD %\ Sive Tour Later in the Year
    aient His First Album for Private Will Be Voiceless Kottke's Acoustic Music Is Again in Vogue BY STEVEN DUPLER D NEW YORK The surge of interest in new age and acoustic instrumen- tal music is helping guitarist Leo Kottke get his career back on track. The Minnesota -born virtuoso re- cently signed with Private Music, an unexpected move that will see him release his first album in almost three years and undertake an exten- CPROUD %\ sive tour later in the year. Kottke first came into the nation- TO HAVE SERVED al spotlight in the early '70s, a peri- od when stringed acoustic music THE FOLLOWING was enjoying one of its periodic re- naissances. "It's a cyclical thing," Kottke GRAMMY NOMINEES: says. "The flurry of interest in Eu- rope a few years ago in the acoustic guitar followed by about eight years the same surge that was oc- curring here when I was with Tako- BRiCE SPRINGSTEEN DIRE STRAITS ma and then Capitol." The foggy- voiced Kottke (who says he will not sing on his Private HUEY LEWIS AND THE NEWS debut) is regarded as a master of a singular and very American style of guitar, which draws as much from STING PHIL COLLINS KATRINA Appalachian bluegrass as from bot- tleneck blues and classical music. The "folkier" sound of his early AND THE WAVES SPYRO GYRA product, on the Takoma label, simi- lar to work by John Fahey and Bola Private Music's newest artist, guitarist Leo Kottke, poses with bassist /producer HENDRYX MICK JAGGER Sete, was eventually augmented by NONA Buell Neidlinger in front the mixing during the recording of Kottke's a grander, more fully orchestrated of console first album in almost three years.
    [Show full text]
  • Jerry Williams Jr. Discography
    SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968.
    [Show full text]
  • Audacity Find Clipping
    Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb ..
    [Show full text]
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • Doo-Wah Riders
    DOO-WAH RIDERS KENNY LEE BENSON— VOCALS, ACCORDIAN, KEYBOARD, & HARMONICA When I was in my early 20s I decided to quit playing coun- try music in the beer and honky tonks of New Mexico and study music "seriously." I left Albuquerque and moved to Boston to go to music school. After two semesters I ran out of money and did what came natural... playing country music in beer joints and honky tonks. This time in the Northeast. In spite of playing with some won- derful people and players (including the legendary Sleepy La- Beef), I came to the realization that no matter where I was, I was always playing the "the worst place in town" and decided to get the hell out of Dodge. Torn between moving to Nashville and Los Angeles (I had an "ex" in Texas), I let my record collection decide for me. Emmy- lou Harris, Rodney Crowell, Brian Ahern, Byron Berline, Albert Lee and Chris Hillman were all in California and making the kind of records I wanted to make, so I packed up and moved there. Once again, I went to school and studied arranging and orchestration with Dick Grove in Studio City, California (my cur- rent home). One night after playing music at a friend's house, the guitar player and I stood in the parking lot and talked about country music until the wee hours of the morning. We found that we had a mutual passion for Bob Wills, Asleep at the Wheel, Guy Clark and, of course, Emmylou Harris; we decided that we should put a band together just for "laughs." Little did I know that the band would become a major part of my life and that I'd still be working with Lindy Rasmusson 30 years later! .
    [Show full text]
  • TOKYO IDOLS - a film by KYOKO MIYAKE
    TOKYO IDOLS - A film by KYOKO MIYAKE Distributed in Canada by Films We Like Bookings and General Inquries: mike@filmswelike.com Publicity and Media: mallory@filmswelike.com Press kit and high rez images: http://www.filmswelike.com/films/tokyo-idols LOGLINE Girl bands and their pop music permeate every moment of Japanese life. Following an aspiring pop singer and her fans, Tokyo Idols explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies SYNOPSIS “IDOLS” has fast become a phenomenon in Japan as girl bands and pop music permeate Japanese life. TOKYO IDOLS - an eye-opening film gets at the heart of a cultural ​ ​ phenomenon driven by an obsession with young female sexuality and internet popularity. This ever growing phenom is told through Rio, a bona fide "Tokyo Idol" who takes us on her journey toward fame. Now meet her “brothers”: a group of adult middle aged male super fans (ages 35 - 50) who devote their lives to following her—in the virtual world and in real life. Once considered to be on the fringes of society, the "brothers" who gave up salaried jobs to pursue an interest in female idol culture have since blown up and have now become mainstream via the internet, illuminating the growing disconnect between men and women in hypermodern societies. With her provocative look into the Japanese pop music industry and its focus on traditional beauty ideals, filmmaker Kyoko Miyake confronts the nature of gender power dynamics at work. As the female idols become younger and younger, Miyake offers a critique on the veil of internet fame and the new terms of engagement that are now playing out IRL around the globe.
    [Show full text]
  • HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
    THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge.
    [Show full text]
  • Press Quotes
    PRESS QUOTES ASSOCIATED PRESS: Wise words pour forth from Chris Smither – observations and aphorisms, similes and internal rhymes, run-on sentences and concise quips, all in a conversational flow. The careful construction of Smither’s lyrics is a thing of beauty and the bedrock of his bluesy folk music. Smither is an excellent acoustic guitarist and first-rate foot-stomper. NATIONAL PUBLIC RADIO: [Smither] taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar lines are sleek, unhurried and insistent. And then there's the voice – equal parts gravel and molasses. (I edited a little out) ROLLING STONE: Bathed in the flickering glow of passing headlights and neon bar signs, Smither's roots are as blue as they come. There is plenty of misty Louisiana and Lightnin' Hopkins in Smither's weathered singing and unhurried picking. So fine. MOJO (5 STARS): Hundred Dollar Valentine is a thing of profound beauty; deep, sad, wise songs, allied to perfectly crafted arrangements, from a a man who’s live long enough in darkness to address the big, heavy questions with a lightness of touch. OXFORD AMERICAN It was that rhythmic push-and-pull, that New Orleans sensibility that made Smither stand out NEW YORK TIMES: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate. MAVERICK: Cast your mind back to the first time you heard Hank Williams, Big Bill Broonzy or JJ Cale and remember how good it felt.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
    A S E B R S B A T H N D BRIDGE H issue 110 The Official Publication of the North American Brass Band Association august, 2008 Once again, Ronald W. Holz has provided UNDER THE BRIDGE readers of The Brass Band Bridge with a IN THIS ISSUE tremendous number of reviews of new brass band recordings. I’d like to add a hearty, “hear, Douglas Yeo hear” to his enthusiastic recommendation of ATOP THE BRIDGE the new recording of Elgar’s Severn Suite, with From the President, pg. 2 Editor Black Dyke Band, conducted by Sir Colin Davis. This performance is revelatory, and having worked with Sir Colin myself when he RECORDING OF THE his issue of The Brass Band Bridge fea- has guest conducted the Boston Symphony YEAR CONTEST tures reports from several recent brass (including memorable performances of Elgar’s pg. 3 band festivals which were sponsored, in Enigma Variations and The Dream of Gerontius), Tpart, by NABBA. The Great American Brass I can very well imagine how the Black Dyke Band Festival is the premier brass band festival players felt when sitting under the leading NEWS FROM NABBA in the USA and it always features performances interprer of Elgar in our time. The recording BANDS by at least one of NABBA’s most distinguished is truly stupendous. Ron’s reviews are also a bands. The Fifth Toronto Festival of Brass fea- reminder to all NABBA member bands to get pg. 5 tured world premiere performances, and several in their entries for NABBA’s “Recording of the youth bands.
    [Show full text]
  • Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
    Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook
    [Show full text]