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Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
A S E B R S B A T H N D BRIDGE H issue 110 The Official Publication of the North American Brass Band Association august, 2008 Once again, Ronald W. Holz has provided UNDER THE BRIDGE readers of The Brass Band Bridge with a IN THIS ISSUE tremendous number of reviews of new brass band recordings. I’d like to add a hearty, “hear, Douglas Yeo hear” to his enthusiastic recommendation of ATOP THE BRIDGE the new recording of Elgar’s Severn Suite, with From the President, pg. 2 Editor Black Dyke Band, conducted by Sir Colin Davis. This performance is revelatory, and having worked with Sir Colin myself when he RECORDING OF THE his issue of The Brass Band Bridge fea- has guest conducted the Boston Symphony YEAR CONTEST tures reports from several recent brass (including memorable performances of Elgar’s pg. 3 band festivals which were sponsored, in Enigma Variations and The Dream of Gerontius), Tpart, by NABBA. The Great American Brass I can very well imagine how the Black Dyke Band Festival is the premier brass band festival players felt when sitting under the leading NEWS FROM NABBA in the USA and it always features performances interprer of Elgar in our time. The recording BANDS by at least one of NABBA’s most distinguished is truly stupendous. Ron’s reviews are also a bands. The Fifth Toronto Festival of Brass fea- reminder to all NABBA member bands to get pg. 5 tured world premiere performances, and several in their entries for NABBA’s “Recording of the youth bands. -
KSU Faculty Brass Recital Douglas Lindsey, Trumpet Hollie Lawing-Pritchard, Trombone Richard Williams, Horn Ryan Moser, Trumpet Paul Dickinson, Euphonium J.D
SCHOOL of MUSIC Where PASSION is heard KSU Faculty Brass Recital Douglas Lindsey, trumpet Hollie Lawing-Pritchard, trombone Richard Williams, horn Ryan Moser, trumpet Paul Dickinson, euphonium J.D. Handshoe , bass trombone PROGRAM Caprice EUGENE BOZZA Douglas Lindsey, trumpet Judy Cole, piano A Winter’s Night KEVIN MCKEE Hollie Lawing-Pritchard, trombone Judy Cole, piano Concerto for Horn & Orchestra in A minor, Mvt. II KURT ATTERBURG Richard Williams, horn Eric Jenkins, piano Concerto, Mvt. I GRACE WILLIAMS Ryan Moser, trumpet Judy Cole, piano The Harmonious Blacksmiths G. F. HANDEL, arr. Robertson and Thio Paul Dickinson, euphonium Judy Cole, piano Allegro Maestoso JAN KOETSIER J.D. Handshoe, bass trombone Judy Cole, piano 1 SCHOOL of MUSIC Where PASSION is heard BIOGRAPHIES Douglas Lindsey Dr. Douglas Lindsey joined the faculty at Kennesaw State University in the fall of 2012, and is regularly in demand throughout the United States. As a soloist, he has been a featured artist with the Kennesaw State Orchestra, the Kennesaw State Wind Ensemble, the Georgia Brass Band, at the International Trumpet Guild conference, at the Atlanta Trumpet Festival, and at the Trumpet Festival of the Southeast. As an orchestral musician, he has performed as principal trumpet of the Memphis Symphony, as section trumpet with the Atlanta Symphony Orchestra, as principal trumpet of the Georgia Symphony Orchestra, as section trumpet with the Macon Symphony, and spent two summers as an orchestral fellowship winner at the Aspen Music Festival. Alongside pianist, Judy Cole, he has performed solo recitals all over the Southeast as a founding member of Duo Trompiano. In addition to solo work, Dr. -
Brass Ensembles Showcase Trumpet Ensemble, Horn Choir, Trombone Choir, Tuba/Euphonium Ensemble, Tuba/Euphonium Quartet and Proscenium Brass Quintet
PAUL DICKINSON, Conductor BRIAN HECHT, Conductor HOLLIE LAWING-PRITCHARD, Conductor DOUGLAS LINDSEY, Conductor Saturday, February 3, 2018 Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Monday, November 5, 2018 at 8 pm Seventy-fourth and Seventy-fifth Concerts Dr. Bobbie Bailey & Family Performance Center, Morgan Hall of the 2017-18 Concert Season Twenty-eighth Concert of the 2018-19 Concert Season 18SEASON19 Brass Ensembles Showcase Trumpet Ensemble, Horn Choir, Trombone Choir, Tuba/Euphonium Ensemble, Tuba/Euphonium Quartet and Proscenium Brass Quintet VACLAV NELHYBEL (1919–1996) Tower Music Trombone Ensemble ANTON BRUCKNER (1824–1996) arr. Enrique Crespo Etude fur das Tiefe Blech Tuba/Euphonium Ensemble VICTOR EWALD (1860–1935) Brass Quintet 3 Movement 1 Proscenium Brass Quintet HECTOR BERLIOZ (1803–1969) arr. Douglas Lindsey (b. 1985) Royal Hunt and Storm from Les Troyens Trumpet Ensemble Black NIKOLAI RIMSKY-KORSAKOV (1844–1908) arr. Mort Schafer Procession of the Nobles Horn Ensemble CLAUDE DEBUSSY (1862–1918) Trois Chanson 1. Dieu qu'il la fait bon regarder 2. Quant j'ai ouy le tabourin 3. Yver, vous n'estes qu'un villain Trombone Choir PAUL HINDEMITH (1895–1963) arr. Douglas Lindsey Turnadot Scherzo from Symphonic Metamorphosis Trumpet Ensemble Gold TONY ZILINCIK (b. 1967) Gravity Dances Tuba/Euphonium Quartet DAVID PAICH (b. 1954) arr. Douglas Lindsey Rosanna Andrew Yi, drum set Trumpet Ensemble TRUMPET ENSEMBLE PROSCENIUM BRASS QUINTET Sofia Freiderwitzer Michael Brown Arianna Hutchison Andrew Olsen Eli Rickles Heather -
Bridge H Issue 104 the Official Publication of the North American Brass Band Association May, 2007
A S E B R S B A T H N D BRIDGE H issue 104 The Official Publication of the North American Brass Band Association may, 2007 who return to rehearsal each week so we can all UNDER THE BRIDGE enjoy such interesting and excellent perfor- IN THIS ISSUE mances at our Championships. Douglas Yeo This year the NABBA Championships proved ATOP THE BRIDGE that the time of the “dynasty” in NABBA’s top From the President, pg. 2 Editor sections is over - at least for now. The Cham- pionship, Honors and Challenge sections all were won by bands that had never won before. SUPPORT NABBA ith the final chord of The Blessing, All of us at NABBA congratulate the winners Book, pennant & pin, pg. 3 performed by the USA Southern in both the band competition and the solo and Territorial Band of the Salvation small ensemble competition. Of course we all WArmy at the gala concert, the NABBA XXV sit and analyze the judge’s scores and com- NABBA BAND NEWS Championships came to a close. From all ments, trying to figure out/justify/understand pg. 4 reports it was a tremendously successful event. the placings and staying away from the com- With a record 28 competing bands, a record mon thought that if your band won, the judges number of vendors and program advertisers are geniuses and if you did not win, the judges BAND PROGRAMS and record number of participants, NABBA are crazy! This is the beauty of live music: pg. 8 now looks forward to the beginning of the next while there are objective criteria that can always 25 years of our Association’s history. -
ITEC Program Book
ITEC 2019 Program Addendum Voxman Building Notes - The Voxman School of Music’s facilities will be open every day from 7am – 10pm for the duration of the conference - The registration desk will be available on the 2000 level in the Pearl West Lobby from 8am-8pm for the duration of the conference - Instrument storage will be available in the Stark Opera Theater (0151) from Tuesday through Saturday, 8am-8pm and for 30 minutes after the end of the evening concerts o Exception: instrument storage will close at 4:30pm on Thursday to allow volunteers time to prepare for and attend the Banquet - No instruments or cases are allowed in the Concert Hall or Recital Hall audience during performances - No food or drink (except water) in any classroom or performance space - Lessons with students under 18 years of age require a parent or guardian in the room Schedule Corrections Monday, May 27 Correction 9:00am – Recital Hall (2301) – Competition: Mock Band - Tuba Incorrectly listed as taking place in Stark Opera Theater (pg. 17, pg. 27) Correction 9:00am – Stark Opera Theater (0151) – Competition: Electronics Incorrectly listed as starting at 5:00pm (pg. 27) Correction 3:00pm – Recital Hall (2301) – Competition: Young Artist Euphonium Final Round Incorrectly listed as Artist Euphonium Final Round (pg. 27) Correction 3:30pm – Concert Hall (2101) – Competition: Ensemble Final Round Incorrectly listed as starting at 3:00pm (pg. 17, omitted on pg. 27) Tuesday, May 28 Cancellation 9:00am – James Dixon Room (0002) – Presentation: Samuel Adler – David Saltzman (pg. 18, 32) Correction 2:00pm – James Dixon Room (0002) – Presentation: Young at Heart – Velvet Brown and Roger Bobo (pg. -
NERTEC 2020 Program.Pdf (13.58
Table of Contents Welcome Letters Pages 1-2 NERTEC Schedule of Events Pages 3-5 NERTEC Daily Events Schedule Pages 6-17 Biographies Pages 22-46 Dear Friends, It was in the seventh grade that the band director, Mr. Geary, decided that while I already played the piano and the violin, I was going to take up the tuba. I was the biggest kid in the school, unusually big at an early age, and this was not only pre-internet, but pre-fiberglass. Real sousaphones—the brass kind—weigh close to 50 pounds (at least mine did). It was assigned to me; I didn’t exactly choose it. While it was an arranged marriage, we did manage to fall in love. As college approached and even through my freshman year in music school, it was a toss-up between the piano (my other instrument) and my Miraphone 184. Two more different instruments have never existed. The piano has over ten thousand moving parts, requires a whole extra person to play in tune, and is for many people a cross between a piece of furniture and a typewriter. Not so the tuba. This is not something you sit in front of. This, you wrap your arms around and hold lovingly on your lap. The piano produces sound by hitting things; the tuba, we sing through, sometimes to the point where I couldn’t tell whether the vibration was in the tuba or in my body. The two become one. And on a good day, we can play in tune all by ourselves, thank you. -
2016 MASTER FILE 3.Indd
for EUPHONIUM and TUBA 2016 Adam Frey Depends on Yamaha. “The YEP-842S combines incredibly precise tuning, superb response and an evenness of tone that is unmatched…exactly what I need as a musician.” Welcome to our 13th Anniversary of the International Euphonium and Tuba Festival!! My vision of the fi rst event in 2004 remains crystal clear with its humble beginnings of 14 participants and 4 staff. My heartfelt thanks go to those number that had the courage to attend and help start something special that has helped create a lifetime of friendships around the world, a trail of inspiration that has led to numerous professional musicians, and a plethora of players that have gained insight into being the best they can be. It warms my heart and soul to see this dream achieved and I thank YOU for being a part of this grand tradition of excellence, motivation, and global camaraderie. You join a special group of people from around the world. Thank you for being here!! Adam Frey, Artistic Director Presenting Sponsors Bienvenidos • Tervetuloa • Dobrodošli • Willkommen • • Dobrodošli Tervetuloa • Bienvenidos Major Sponsors Supporting Sponsors WELCOME Program of Events Sunday, June 19 1:00-5:00 PM Competitions/Registration at Tharp Rehearsal Hall 5:30 PM Meeting, Social, and Dinner – Tharp Rehearsal Hall 7:30 PM Opening Recital – Meet the Staff of IET Recital Monday, June 20 7:30 AM Breakfast – Dining Hall (DUC) 8:30 AM Warm-up and Fundamentals – Van Looy / Deck (tubas) 9:15 AM Massed Ensemble Rehearsal 11:00 AM Master Class –Genn Van Looy -
Issue 117 the Official Publication of the North American Brass Band Association March 2010
A S E B R S B A T H N D BRIDGE ISSUE 117 The Official Publication of the North American Brass Band Association march 2010 opened in 2001. The Marriott City UNDER THE BRIDGE Center is a short walk from the Progress IN THIS ISSUE Energy Center, but you’ll want to make the trip there to visit our vendor exhibits and the NABBA information table. The Marriott is also home to Posta Tuscan Betsy Jones Grille and a Starbucks coffee shop. Visit From the President p. 2 progressenergycenter.com for a mile-long Editor list of nearby restaurants, cafes, and pubs. NABBA Band news p. 3 Photo by Tim Redman. For this NABBA weekend, I need more Being a relative newcomer on the friends than ever. I need your photos for Upcoming Events p. 3 competitive brass band scene, I have these pages, and your stories and ideas for only ever attended the NABBA Cham- future issues. I want to meet people from News from Overseas p. 5 pionships in New Albany, IN and every competing band. I’m planning a Louisville, KY. We’ve all gotten to few new features for upcoming Bridge Band Programs p. 5 know the city of Louisville pretty well: issues, and I need your participation. I’m the popular restaurants, bars, hotels, looking for personal stories, band sto- NABBA Summer Camp p. 7 and various attractions, as well as the ries, professional articles, or performance Brown Theater and Hotel, our gra- reviews. If you have an idea, or if you’ve Championships Preview p. -
Dwf8 Program V4
Don Winston And Friends #8 A special thanks to Brass Recital Demondrae Thurman Anthony Barfield Jon Whitaker Featuring Special Guest Artists Burt Mason Eri Miyashita Demondrae Thurman, Colin Williams George Martin George Curran, Burt Mason Pia Haselbach Karen Linwood Jeff Ball David Bernard Peter Meechan Tom Davoren Metropolitan Music Community Perry Winston The Lutheran Church of our Savior Miraphone Please join us after the performance at Lennon’s Pub 105 Main Street Port Washington, NY 11050 Saturday June 9, 2018 at 4:30 pm Lutheran Church of Our Savior Port Washington, NY Program Magnificent ................................................................................................... Tom Davoren World Premiere Don Winston & Friends Large Ensemble David Bernard conducting Donegal Bay .................................................................... Paul Lovatt-Cooper (b. 1976)) Don Winston, Baritone; Eri Miyashita, Piano Elegy .................................................................................................. Joe Buono (b. 1990) George Curran, Bass Trombone; Hanako Yamagata Greenberg, Piano Euphonium Concerto ................................................................ Joseph Horovitz (b. 1926) III. Con Moto Jonathan Herbert, Euphonium; Hanako Yamagata Greenberg, Piano In Christ Alone ............................................................................................. Keith Getty Arr. Richard Phillips Orch. Burt Mason Burt Mason, Trombone Ballade .................................................................................. -
IWBC 2019 - Arizona State University | Tempe, AZ Myiwbc.Org 3 WELCOME to IWBC 2019: INNOVATE, COLLABORATE, INSPIRE!
2019 International Women’s Brass Conference May 21–25 | 2019 Arizona State University Tempe, Arizona TABLE OF CONTENTS International Women’s EXHIBITORS Brass Conference Balu Musik Buffet Crampon may 21–25 | 2019 Conn-Selmer, Inc. Gapper Arizona State University HornBone Press Tempe, Arizona International Trombone Festival International Trumpet Guild KFS Publishing KHS America Lukas Horns Milano Music Center Mountain Peak Music My Mute Bag Osmun Music Patterson Hornworks WELCOME! 4 Pickett Brass SCHEDULE AT A GLANCE 6 The Brass Herald The Horn Guys PROGRAMS 13 U.S. Army Band Recruiting University of North Texas PRESENTATIONS 32 College of Music Warburton FEATURED ARTISTS 36 AWARDEES 38 ADVERTISERS FEATURED COMPOSERS 40 Buffet Crampon COMPETITIONS 41 Cavitt Productions Eastman Music Company COLLABORATIVE PIANISTS 42 Joanna Ross Hersey THANK YOU! 46 KHS America Milano Music Center CONTRIBUTORS 47 Miraphone CAMPUS MAP 48 The Brass Herald U.S. Army Recruiting FOOD OPTIONS 50 Warburton 2 IWBC 2019 - Arizona State University | Tempe, AZ myiwbc.org 3 WELCOME TO IWBC 2019: INNOVATE, COLLABORATE, INSPIRE! THE 2019 INTERNATIONAL Dear friends, colleagues and brass musicians, WOMEN’S BRASS CONFERENCE! We are thrilled about hosting the a comprehensive public research university, measured International Women’s Brass not by whom it excludes, but rather by whom it includes Conference at Arizona State and how they succeed; advancing research and discovery University. I want to thank of public value; and assuming fundamental responsibility I can’t believe it’s finally here! This organization and thank them for supporting us, and leave your each of you for your for the economic, social, cultural and overall health of the and I first crossed paths when, as a young tubist stories on our Timeline Project, where we can participation, performances, communities it serves. -
Issue 99 the Official Publication of the North American Brass Band Association May, 2006
A S E B R S B A T H N D BRIDGE H issue 99 The Official Publication of the North American Brass Band Association may, 2006 The reason for this decision is many fold. UNDER THE BRIDGE First, fewer than 20% of NABBA’s members IN THIS ISSUE have elected to receive a printed copy of the Bridge. Unfortunately, the cost of produc- Douglas Yeo ing and printing the Bridge to be delivered to those members greatly exceeds the added fee UNDER THE BRIDGE Editor those members pay to receive a print copy. In Bridge Renovation, pg.1 addition a print publication, by its very nature, takes a great deal of time to bring from desktop hile crossing a bridge—large or to mailbox. With this issue The Bridge embarks small—we are captivated by the on a new era that will see the following benefits ATOP THE BRIDGE view, entranced by its architecture, to NABBA members: Wand transported from one location to another. After NABBA XXIV: Yet there is more. Viewed from below, one can • The Bridge will be published more fre- Reflections and Goals, pg. 2 see important elements of the bridge’s struc- quently and be able to meet deadlines ture. The mighty pylons, capstones that sup- more easily. port arches and the supporting structure can • The Bridge will contain timely informa- only be seen from under the bridge. For all the NABBA XXIV majesty of a bridge, it is the often inelegant un- tion that can be distributed quickly to the derside that supports its beauty and function.