Official Newsletter of the Iwbc
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The Linoleum Tuba Mute Colorado Boulevard
Program About the Artists The Tubadours (playing outside) Dual School Duel - comp./arr. Steven James Taylor March from 1941 - comp. John Williams, arr. Todd Fiegel Dylan Bellusci (9 years old) Euphoniums: Loren Marsteller, Monique Churchill; Take Me Out to the Ball Game - arr. Brad Warnaar Combined USC/UCLA Tuba/Euphonium Ensemble Dylan is the son of our daughter, Jennifer. He loves the Tubas: Doug Tornquist, Fred Greene For Double Brass Sextet Conductor: Jim Self; Euphoniums: Carl Berdahl, Jennifer Jester, trumpet and performing. He is in the 4th grade. Conductor: Steven James Taylor; William Baker, Shelly Suminsky, Alex Zarcharella, Noah Gladstone, s Sextet 1 - The Dodger Dogs - Trumpets: Gary Grant, Wayne Bergeron; Lee Allen; Tubas: Zach Collins, Chris Miller, Steven Caron, Daniel s America the Beautiful - Samuel Ward French Horn: Joseph Meyer; Trombone: Alex Isles; Safford, Andy Green, Greg Koprowski, Phillip Herrera, Laura Potter, Daniel Bellusci (11 years old) Trumpet: Dylan Bellusci; Euphonium: Daniel Bass trombone: Phillip Teele; Tuba: Randy Jones David McLemore, Jon Hansen, Luke Diebolt, William Plenk, Zach Daniel is Dylan’s older brother. He has played euphonium for 1 Bellusci; Piano: Roberta Garten Sextet 2 - The Sports Dodgers - Trumpets: Rick Baptist, Warren Van Pelt, Marshall Voit; Percussion: Professor Erik Forrester, Daniel month. Grandpa gave him one lesson. Daniel also loves to perform. Luening; French horn: Rick Todd; Trombone: Charlie Loper; Kaminski, Yuri Inoo, Jessica Cameron, Erik Ohlson, Sidney Hopson s Bass trombone: Bill Reichenbach; Tuba: John Van Houten s From My Homeland - Bedrich Smetana Anne-Marie Johnson (15 years old) Dual School Duel is a short piece for two dueling brass sextets that s For Violin & Piano Variations on a Sonata - Bruce Broughton Anne-Marie is the daughter of our son, Keith and his draws its inspiration from aspects of Tommy’s life and character. -
Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
The 2020 NAMM Global Report Provides Members with Industry Data to Guide Decision Making
2020 The 2020 NAMM Global Report Provides Members with Industry Data to Guide Decision Making This copy belongs to Markus Theinert A MESSAGE FROM THE CHAIR AND PRESIDENT/CEO The current economic and health situation reveals just how interconnected we all are. From trade to travel, our world has been turned upside down, but even as we grapple with change, one thing is certain: We are in this together. Regardless of political rhetoric, global supply chains and digital integration are here to stay. Our industry requires global growth to maintain our bottom lines, and data-driven decision-making will define the next century. While growth is never a straight line and there will certainly be bumps in the road, the trends and forces at play provide hope for a brighter, stronger future—one in which membership can power both a feeling of collectivity and the means to succeed. We believe that music unites us and brings out the best in humanity. In pursuit of this noble goal, NAMM is committed to providing tools to support our members all around the world. Whether it’s by offering business-building educational resources or connecting buyers and sellers, or through data analysis such as this report, we seek to empower you to make broad, economic decisions, while growing your network and skills. For this reason, we bring you the 2020 NAMM Global Report, capturing a snapshot of 28 markets. With 132 countries and regions attending The NAMM Show and international firms composing 32 percent of our total membership base, we recognize and value the need for a global industry perspective. -
The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
A S E B R S B A T H N D BRIDGE H issue 110 The Official Publication of the North American Brass Band Association august, 2008 Once again, Ronald W. Holz has provided UNDER THE BRIDGE readers of The Brass Band Bridge with a IN THIS ISSUE tremendous number of reviews of new brass band recordings. I’d like to add a hearty, “hear, Douglas Yeo hear” to his enthusiastic recommendation of ATOP THE BRIDGE the new recording of Elgar’s Severn Suite, with From the President, pg. 2 Editor Black Dyke Band, conducted by Sir Colin Davis. This performance is revelatory, and having worked with Sir Colin myself when he RECORDING OF THE his issue of The Brass Band Bridge fea- has guest conducted the Boston Symphony YEAR CONTEST tures reports from several recent brass (including memorable performances of Elgar’s pg. 3 band festivals which were sponsored, in Enigma Variations and The Dream of Gerontius), Tpart, by NABBA. The Great American Brass I can very well imagine how the Black Dyke Band Festival is the premier brass band festival players felt when sitting under the leading NEWS FROM NABBA in the USA and it always features performances interprer of Elgar in our time. The recording BANDS by at least one of NABBA’s most distinguished is truly stupendous. Ron’s reviews are also a bands. The Fifth Toronto Festival of Brass fea- reminder to all NABBA member bands to get pg. 5 tured world premiere performances, and several in their entries for NABBA’s “Recording of the youth bands. -
By Mark Ronson | Amy Winehouse the Zutons | Annenmaykantereit
Analyse von Musikaufnahmen (253082b) Dozent: Prof. Oliver Curdt Studiengang: Audiovisuelle Medien - Master (Externes Wahlpflichtfach) Semester: SoSe 2020 Hochschule der Medien Stuttgart, den 06.08.2020 Valerie By Mark Ronson | Amy Winehouse The Zutons | AnnenMayKantereit Vorgelegt von: Korinna Lorentz (Matrikel-Nr.: 39708; Studiengang: Crossmedia Publishing & Management) Inhaltsverzeichnis 1 Einleitung ..................................................................................................................................................... 4 2 The Zutons ................................................................................................................................................... 4 2.1 Entstehunggeschichte von Valerie................................................................................................................................ 5 2.1 Analyse von Valerie (The Zutons 2006) .................................................................................................................... 6 3 Amy Winehouse ............................................................................................................................................ 7 3.1 Live at BBC Radio.................................................................................................................................................. 8 3.2 Mark Ronson feat. Amy Winehouse .......................................................................................................................... 8 4 AnnenMayKantereit .................................................................................................................................... -
The Perception of Movement Through Musical Sound: Towards A
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 7-10-2013 The eP rception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance Alexander P. Demos University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Demos, Alexander P., "The eP rception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance" (2013). Doctoral Dissertations. 155. https://opencommons.uconn.edu/dissertations/155 The Perception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance Alexander Pantelis Demos, PhD University of Connecticut, 2013 Performers’ ancillary body movements, which are generally thought to support sound- production, appear to be related to musical structure and musical expression. Uncovering systematic relationships has, however, been difficult. Researchers have used the framework of embodied gestures, adapted from language research, to categorize and analyze performer’s movements. I have taken a different approach, conceptualizing ancillary movements as continuous actions in space-time within a dynamical systems framework. The framework predicts that the movements of the performer will be complexly, but systematically, related to the musical movement and that listeners will be able to hear both the metaphorical motion implied by the musical structure and the real movements of the performer. In three experiments, I adapted a set of statistical, time-series, and dynamical systems tools to music performance research to examine these predictions. In Experiment 1, I used force plate measurements to examine the postural sway of two trombonists playing two solo pieces with different musical structures in different expressive styles (normal, expressive, non-expressive). -
AMY Discussion Guide
www.influencefilmclub.com AMY Discussion Guide Director: Asif Kapadia Year: 2015 Time: 128 min You might know this director from: Ali and Nino (2016) Senna (2010) Far North (2007) The Return (2006) The Warrior (2001) FILM SUMMARY If you live in the Western World and have access to the mainstream press in any capacity, you’ve most likely heard of Amy Winehouse. Regardless of your knowledge of her before spending two hours in her filmic company, you probably have some notion of her - in many cases, not the most squeaky clean perception. Whenever Amy made it into the headlines, it was generally some kind of self-damaging drama that dragged her there. So when asked by Universal Records to make a documentary on the life of this renowned international pop star, director Asif Kapadia felt compelled to challenge the widely accepted notion of Amy as a train wreck. Lucky for him, hours and hours of amateur footage was offered his way, portraying a younger, fresher, happier, and healthier Amy, a young woman as of yet untouched by the destructive claws of fame, money, and addiction. Over the course of 128 hypnotic minutes, Kapadia takes us on a chronological ride through Amy’s short-lived time on earth. By adopting this approach, he grasps his audience by the heartstrings with early images of a charming and very talented young woman. As time progresses and success tsunamis her way, the natural arch of her life, however fast-lived, gains a clearer context, as does her untimely death. Despite the cast of dubious relationships and her substance-abusing decisions, Amy maintained an incredible natural talent up until her death. -
01. Scheda Presentazione
Associati per l'Istituto Superiore di Studi Musicali Vecchi e ASS.IST. Tonelli di Modena e Carpi Via Aldo Moro 9/c Carpi (MO) - CF90032830367 L’Associazione Ass.Ist., in collaborazione con l'Istituto superiore di studi musicali Vecchi e Tonelli di Modena, e con "B&S - Buffet Group", organizza un seminario del trombettista Malcom McNab che si svolgerà lunedì 12 maggio 2014 a partire dalle ore 15, presso l’auditorium dell’Istituto Superiore di Studi Musicali Vecchi Tonelli, a Modena via Goldoni n. 10. La partecipazione al Seminario comporta il versamento della quota di partecipazione di seguito specificata: • allievi dell'Istituto Vecchi Tonelli: 25 €; • esterni: 35 €; • chi non è già associato ad Ass.Ist. per il 2014 dovrà inoltre versare la quota associativa di 15 €. Chi intende iscriversi è invitato a comunicarlo entro venerdì 9 maggio, a mezzo mail, all'indirizzo [email protected], indicando le proprie generalità, l'indirizzo e un riferimento telefonico (in assenza della preiscrizione, l'ammissione al seminario non è assicurata). Il versamento della quota associativa e di partecipazione sarà effettuato il giorno del Seminario (per evitare ritardi nell'inizio del Seminario, i partecipanti sono invitati a presentarsi con un certo anticipo). Il Seminario è incentrato sul metodo di James Stamp e si svolgerà con il supporto di materiale didattico audiovisivo con un approccio pratico e interattivo; si suggerisce quindi ai partecipanti di intervenire con il proprio strumento musicale. A fine Seminario McNab sarà a disposizione per rispondere a domande sulla sua carriera e sul lavoro negli Studios di Hollywood. Malcolm McNab è il trombettista che ha inciso di più nella storia della musica: ha registrato più di 3000 colonne sonore e un numero imprecisato di sigle televisive e dischi per i più famosi compositori e artisti americani. -
Elmer Bernstein Elmer Bernstein
v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards. -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
KSU Faculty Brass Recital Douglas Lindsey, Trumpet Hollie Lawing-Pritchard, Trombone Richard Williams, Horn Ryan Moser, Trumpet Paul Dickinson, Euphonium J.D
SCHOOL of MUSIC Where PASSION is heard KSU Faculty Brass Recital Douglas Lindsey, trumpet Hollie Lawing-Pritchard, trombone Richard Williams, horn Ryan Moser, trumpet Paul Dickinson, euphonium J.D. Handshoe , bass trombone PROGRAM Caprice EUGENE BOZZA Douglas Lindsey, trumpet Judy Cole, piano A Winter’s Night KEVIN MCKEE Hollie Lawing-Pritchard, trombone Judy Cole, piano Concerto for Horn & Orchestra in A minor, Mvt. II KURT ATTERBURG Richard Williams, horn Eric Jenkins, piano Concerto, Mvt. I GRACE WILLIAMS Ryan Moser, trumpet Judy Cole, piano The Harmonious Blacksmiths G. F. HANDEL, arr. Robertson and Thio Paul Dickinson, euphonium Judy Cole, piano Allegro Maestoso JAN KOETSIER J.D. Handshoe, bass trombone Judy Cole, piano 1 SCHOOL of MUSIC Where PASSION is heard BIOGRAPHIES Douglas Lindsey Dr. Douglas Lindsey joined the faculty at Kennesaw State University in the fall of 2012, and is regularly in demand throughout the United States. As a soloist, he has been a featured artist with the Kennesaw State Orchestra, the Kennesaw State Wind Ensemble, the Georgia Brass Band, at the International Trumpet Guild conference, at the Atlanta Trumpet Festival, and at the Trumpet Festival of the Southeast. As an orchestral musician, he has performed as principal trumpet of the Memphis Symphony, as section trumpet with the Atlanta Symphony Orchestra, as principal trumpet of the Georgia Symphony Orchestra, as section trumpet with the Macon Symphony, and spent two summers as an orchestral fellowship winner at the Aspen Music Festival. Alongside pianist, Judy Cole, he has performed solo recitals all over the Southeast as a founding member of Duo Trompiano. In addition to solo work, Dr. -
The Flute Works of Erwin Schulhoff
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2019 The Flute Works of Erwin Schulhoff Sara Marie Schuhardt Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Schuhardt, Sara Marie, "The Flute Works of Erwin Schulhoff" (2019). Dissertations. 590. https://digscholarship.unco.edu/dissertations/590 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 SARA MARIE SCHUHARDT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE FLUTE WORKS OF ERWIN SCHULHOFF A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Sara Marie Schuhardt College of Performing and Visual Arts School of Music August 2019 This Dissertation by: Sara Marie Schuhardt Entitled: The Flute Works of Erwin Schulhoff has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in School of Music Accepted by the Doctoral Committee ______________________________________________________ Carissa Reddick, Ph.D., Research Advisor ______________________________________________________ James Hall, D.M.A., Committee Member _______________________________________________________