Journal of Mortality A musical matter of life and death: the morality of mortality and the coverage of Amy Winehouse’s death in the UK press Keywords: Death, Celebrity, Music, Morality, Media, Journalism, News Values Biography: Paula Hearsum was a music journalist who is now a Senior Lecturer in popular music and journalism at the University of Brighton. Her published work also includes the biography, Manic Street Preachers: Design for Living (Virgin: 1996). Email:
[email protected] Abstract Since the release of her debut album Frank in 2003, Amy Winehouse’s life and death has been broadcast, mediated and much distorted through the lens of the press. Paul Gambaccini described her last years as being on “death watch” (BBC, 2011) and the singer’s mother said that "we're watching her kill herself slowly. It's like watching a car crash.” (in McVeigh: 2011) – a statement telling of the music industry, the media spectacle of death and of the way Winehouse had lived her life. As spectators we are all ‘rubberneckers’ of her car crash, and therefore it is fitting to examine the recurring narratives at play. This article focuses on a sample of UK newspapers covering the period of Winehouse’s death and funeral (July 23rd - August 8th 2011). The implicit ‘news values’ embedded in the content are contextualised through reference to earlier media coverage of Winehouse. This ‘appetite’ for a reader to consume death as the completion of a life ‘story’ is symptomatic of a context of how musicians’ lives are constructed by the media in general.