The 2020 NAMM Global Report Provides Members with Industry Data to Guide Decision Making
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And How to Fix It
} PAGE 36 PAGE PAGE 50 PAGE { BY GREG BILLINGS What Went And How to Fix It to Fix How And ... Piano Industry Piano Wrong With With The Wrong MUSICINCMAG.COM I JUNE 2009 BLUES BUSTERS: SUMMER PROMOTIONS TO DRIVE TRAFFIC, SALES MI0906_01_Cover.qxd 5/8/09 1:42 PM Page 1 MUSIC INC. SCOTT'S MUSIC I PIANO INDUSTRY RECOVERY PLAN I SUMMER PROMOTIONS JUNE 2009 Project5 5/4/09 4:13 PM Page 1 Project4 5/8/09 1:36 PM Page 1 MI0906_04_Masthead.qxd 5/8/09 2:47 PM Page 4 JUNE 2009 I VOL. 20, NO. 5 PUBLISHER Frank Alkyer EDITOR Zach Phillips ASSOCIATE EDITOR Jenny Domine CONTRIBUTING EDITORS Jason Koransky, Aaron Cohen WEST COAST CORRESPONDENT Sara Farr ADVERTISING SALES MANAGER John Cahill WESTERN ACCOUNT EXECUTIVE Tom Burns CLASSIFIED AD SALES Sue Mahal ART DIRECTOR Andy Williams PRODUCTION ASSOCIATE Ara Tirado CIRCULATION Kelly Grosser BOOKKEEPING Margaret Stevens INTERN Katie Kailus PRESIDENT Kevin Maher OFFICES Ph (630) 941-2030 • Fax (630) 941-3210 e-mail: [email protected] CUSTOMER SERVICE (800) 554-7470 Jack Maher, President 1970-2003 SUBSCRIPTION RATES: $50 one year (11 issues). $90 two years (22 issues) to U.S.A. addresses. $75 one year (11 is- sues), $140 two years (22 issues) to Canada and other for- eign countries. Air mail delivery at cost. SINGLE COPY (and back issues, limited supply): $9.95 to any address, surface mail. Air mail delivery at cost. We cannot be responsible for unsolicited manuscripts and photos. Nothing may be reprinted in whole or in part without written permission from Maher Publications Inc. -
Volume 71, Number 09 (September 1953) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1953 Volume 71, Number 09 (September 1953) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 71, Number 09 (September 1953)." , (1953). https://digitalcommons.gardner-webb.edu/etude/114 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Preparation for Opera Licia Albanese The Piano Art of Ferruccio Busoni Christopher Paddack What Can Technical Instruction Achieve? Martha Neumark Mental Practice Aldo Ciccolini What the Junior Music Festival Can Do For Your State Norma Ryland Graves A Symphony of Bells Paul D. Peery The Place of the Non-Concertizing Artist in American Music LeRoy V. Brant E PRESSER COMPANY, Letters from THEODOR PENNSYlVANIA :bear Cenfurlp BRYN MAWR, b hearing that your to the Editor I have een I new issues are t he best ever. Please send me the numbers Articles checked below, am enclosing 25¢ a copy. 'or several months I Dear Sir: F ., to express my have been interndllt'l,ooe edi~orship of • ' ti n 'or . -
The Perception of Movement Through Musical Sound: Towards A
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 7-10-2013 The eP rception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance Alexander P. Demos University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Demos, Alexander P., "The eP rception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance" (2013). Doctoral Dissertations. 155. https://opencommons.uconn.edu/dissertations/155 The Perception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance Alexander Pantelis Demos, PhD University of Connecticut, 2013 Performers’ ancillary body movements, which are generally thought to support sound- production, appear to be related to musical structure and musical expression. Uncovering systematic relationships has, however, been difficult. Researchers have used the framework of embodied gestures, adapted from language research, to categorize and analyze performer’s movements. I have taken a different approach, conceptualizing ancillary movements as continuous actions in space-time within a dynamical systems framework. The framework predicts that the movements of the performer will be complexly, but systematically, related to the musical movement and that listeners will be able to hear both the metaphorical motion implied by the musical structure and the real movements of the performer. In three experiments, I adapted a set of statistical, time-series, and dynamical systems tools to music performance research to examine these predictions. In Experiment 1, I used force plate measurements to examine the postural sway of two trombonists playing two solo pieces with different musical structures in different expressive styles (normal, expressive, non-expressive). -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
The Flute Works of Erwin Schulhoff
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2019 The Flute Works of Erwin Schulhoff Sara Marie Schuhardt Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Schuhardt, Sara Marie, "The Flute Works of Erwin Schulhoff" (2019). Dissertations. 590. https://digscholarship.unco.edu/dissertations/590 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 SARA MARIE SCHUHARDT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE FLUTE WORKS OF ERWIN SCHULHOFF A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Sara Marie Schuhardt College of Performing and Visual Arts School of Music August 2019 This Dissertation by: Sara Marie Schuhardt Entitled: The Flute Works of Erwin Schulhoff has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in School of Music Accepted by the Doctoral Committee ______________________________________________________ Carissa Reddick, Ph.D., Research Advisor ______________________________________________________ James Hall, D.M.A., Committee Member _______________________________________________________ -
MUSIC RETAILERS.Htm
MUSIC RETAILERS UNITED STATES ALASKA Best Buy Mammoth Matanuska Music Music McPherson Music ALABAMA Alabama Music Andy's Music Art's Music Shop Beanstalk Music Ellis Piano Encore Music & Electronics Gadsden Music Gear 1 Music Guitar Center Music Go Round Southeastern Music The Guitar Gallery ARKANSAS Arkansas Carolyn's Guitar Center School Band Keyboard Service Corner J & B Music Janet Davis Saied Music Sales Music Company Sigler Music ARIZONA Beaver's Band Box Inc Best Buy Boogie Music/Drum Alley Brindleys Music Center Cedar Music Central Music Guitar & Keyboard City Guitar Center Instrumental Music Center Linton-Milano Music Music And Arts Center Pop's Music Southwest Strings Synthony Music The Chicago Store The Folk Shop The Music Store Vintage Vibes Music CALIFORNIA San Francisco Santa Barbara Santa Monica Conservatory ofSheet Music Music Center Music / Music Rack Bookstore Serramonte Singer Music Skip's Music Music Sonoma Valley Stanroy Music Sylvan Music Music Center Talking Owner'sTall Toad MusicThe Magic Flute Manuals Theodore Front Thomas THE BOOK Musical Metzler Violins JUGGLER Literature, Inc. Ukiah Music Vacaville MusicVibe Performing Center Arts Studio Watermelon West L.A. West Valley Music Music Music npc Imaging Alison's World Allegro Music of Music Alley Kat Music Alta Loma Alternate Music Tunings Alva's Music Anaheim Band Balloonheads Instruments Pro audio Bananas at Barkers Music Best Buy Large Bookmark Boulevard Burt's Music in Music Print California California Camerata Music Keyboards Music Matters Music Center Carlsbad Music Clark Baker D C Pianos Music Divine Drum World DB Music & Appointment Sound Guitars Emerson Escondido Everjoy Music Enterprises Music Fiddler's Five Star Music Foggy Mountain Crossing Music Garrett Music Gelb Music Gottschalk Music Groovin' on Gryphon Guitar Center Music Stringed Instruments Guitar Sounds Guitar Trader Haight Ashbury Music Herreid Music House of Infinity Music Woodwinds Instruments Instrumental Island Bazaar J.W. -
SHOW GUIDE Your Guide to NAMM Show Concerts, Events, Celebrity Appearances and More! Keep Music Education Strong: Let Your Voice Be Heard!
WINTER 2007 PAGE 8 Your Association’s New Consumer Campaign Featuring Musical Artist Gavin DeGraw SHOW GUIDE Your Guide to NAMM Show Concerts, Events, Celebrity Appearances and More! Keep Music Education Strong: Let Your Voice Be Heard! Looking for ways to support music programs in your community? Order your new, FREE SupportMusic Community Action Kit and get started today! The multimedia kit helps you organize community efforts with: -presentation materials -a petition to keep music in schools -brochures -public service announcements -tips to form a local coalition -many items in English and Spanish To affiliate with the SupportMusic Coalition, e-mail [email protected]. To find out more and order your FREE kit, visit the NAMM Idea Center in Booth #5501 or e-mail [email protected]. For more advocacy tools and information, log on to www.SupportMusic.com. TABLE OF CONTENTS 8 Wanna Play? NAMM LAUNCHES NEW CONSUMER CAMPAIGN The association’s new consumer campaign is all about spreading the word about the benefits of making music and driving more customers into NAMM Member retail stores. Retailers can even opt-in on regional promotions, asking local consumers, “Wanna play?” 4 From the President 18 Retail NAMM President/CEO Joe Lamond Independent Retailer Johnny introduces PLAYback’s new look, as Thompson Shares His Thoughts on well an the industry’s new Wanna Ways Other Small Dealers Can Play? consumer campaign. “Survive and Thrive” • Independent Retailers Have a New Voice • 6 NAMM Events 5 Ways to Stay Alive in 2007 • The NAMM Show—It’s Your Show -
Abington School District the Elementary Instrumental Team
ABINGTON SCHOOL DISTRICT MUSIC DEPARTMENT www.abingtonarts.org 2018-2019 Education in music is most sovereign, because, more than anything else, rhythm and harmony find their way into the secret places of the soul. - Plato The Abington School District takes great pride in being able to offer string, brass, woodwind, and percussion instrument classes at the Elementary, Junior and Senior High Schools. It is the goal of the directors to produce outstanding orchestras and bands. It is also the belief of the directors that students who are involved in an outstanding band and/or orchestra program learn more and develop better self-discipline, responsibility, and knowledge, and take pride in their musical accomplishments. To produce an outstanding orchestra or band requires that each student accept certain responsibilities: 1. Responsible Behavior 2. Dependability 3. Musical Excellence 4. Dedication One of the most wasteful decisions any school could make would be to discard arts education as a “frill." The investment in a fine arts curriculum is repaid many times over by the quality of life it fosters in the community and by the growth it encourages in our most valuable asset: our children. - William E. LaMothe Chairman & CEO Kellogg Company Band Program Description In the fourth grade students receive band instruction one day per week for 45 minutes. While the students are out of their regular classroom no new concepts are to be introduced. In the fifth and sixth grades band students receive one small group instruction class per week for 45 minutes. In addition, fifth and sixth grade band students are combined into a band for 45 minutes per week. -
Member of Congress Information Sheet – Namm Fly-In 2016
MEMBER OF CONGRESS INFORMATION SHEET – NAMM FLY-IN 2016 EDUCATION STAFFER NAMM MEMBER MEMBER OF CONGRESS OFFICE ADDRESS SCHEDULER W/EMAIL ADDRESS PHONE NUMBER (R) = RETURNING DELEGATE (N) = NEW DELEGATE W/EMAIL ADDRESS AlABAmA Spicer, Tim/Lana (R) Sen. Richard Shelby (R) 304 Russell Bldg. Anne Caldwell Kara Conrad, Legislative Correspondent 202.224.5744 Spicer's Music Requested 4/27 CONFIRMED [email protected] [email protected] [email protected] c: (334) 559-2806 - Lana c: (334) 319-1893 - Tim Sen. Jeff Sessions (R) 326 Russell Bldg. Kate Hollis Mary Blanche Hankey, Legislative Counsel 202.224.4124 Requested 4/27 CONFIRMED [email protected] [email protected] Cong. Mike Rogers (R-3rd) 324 Cannon Bldg. Vincent Lynch Forrest McConnell, Legislative Counsel 202.225.3261 Business/Residence [email protected] [email protected] Requested 4/27 CONFIRMED CaliforniA Jewell, DAvid (R) Sen. Dianne Feinstein (D) 331 Hart Bldg. Shaeda Ahmadi Crystal Martinez, Legislative Assistant 202.224.3841 Yamaha Corp. of America Requested 4/26; 5/4 [email protected] [email protected] [email protected] CONFIRMED c: (714) 273-7608 Sen. Barbara Boxer (D) 112 Hart Bldg. Michael Weiss Julia Sferlazzo, Legislative Assistant 202.224.3553 Requested 4/26; 5/4 [email protected] [email protected] CONFIRMED Cong. Mimi Walters (R-45th) 236 Cannon Bldg. Gabriela Sterling Alexander Lee, Legislative Aide 202.225.5611 Residence Requested 4/26 [email protected] [email protected] CONFIRMED Cong. Ed Royce (R-39th) 2310 Rayburn Bldg. Kate Barlow Alexander "Alex" Gleason, Legislative Aide 202.225.4111 Business Requested 4/26; 5/4 [email protected] [email protected] CONFIRMED Lamond, Joe (R) Sen. -
2021 Virtual Music Education Marketplace Exhibitors
2021 Virtual Music Education Marketplace Exhibitors *denotes PMEA Corporate Sponsor **denotes PMEA Bronze Sponsor ***denotes PMEA Silver Sponsor ****denotes PMEA Gold Sponsor Air National Guard Band of the Northeast – The Air National Guard Band of the Northeast supports the total Air Force mission in war and peace by preserving our national heritage, accomplished mainly through the professional music it provides for official military, recruiting and community events. Like all Air National Guard bands, the Band of the Northeast is assigned the state mission of supporting regional Air National Guard units through performances in military ceremonies, by promoting recruitment and retention of Air National Guard members, and in annual public relations concert tours. As traditional guardsmen, band members can also be called upon to augment other National Guard or Active Duty Bands or assist other Air and Army National Guard units with civil defense duties and disaster relief efforts. The band performs as a concert band, ceremonial band, “High Altitude” Popular Music Ensemble, “Flightline Brass” New Orleans Style Brass Band, “Brass in Blue” brass quintet, “In Flight” woodwind quintet, trombone quartet, and a jazz/popular combo group. Alfred Music – Alfred Music, the leader in music education for over 99 years, produces educational, reference, pop, and performance materials for teachers, students, professionals, and hobbyists spanning every musical instrument, style, and difficulty level. Alfred Music is now also paired with MakeMusic, which is part of Peaksware Holdings, LLC portfolio of companies, to transform how music is composed, published, taught, learned, and performed by bringing together the leaders in educational music publishing and music technology. -
Esa-Pekka Salonen Conductor Christian Tetzlaff Violin Janáček
PROGRAM ONE HUNDRED TWENTy-Third SEASON Chicago Symphony Orchestra Riccardo Muti Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, April 10, 2014, at 8:00 Friday, April 11, 2014, at 8:00 Saturday, April 12, 2014, at 8:00 Sunday, April 13, 2014, at 3:00 Esa-Pekka Salonen Conductor Christian Tetzlaff Violin Janáček Overture to From the House of the Dead First Chicago Symphony Orchestra subscription concert performances Dvořák Violin Concerto in A Minor, Op. 53 Allegro, ma non troppo Adagio, ma non troppo Finale: Allegro giocoso, ma non troppo CHRISTIAN TETZLAFF INTERMISSION Salonen Nyx First Chicago Symphony Orchestra performances Janáček Sinfonietta Allegretto Andante—Allegretto Moderato Allegretto Allegro The appearance of Christian Tetzlaff is made possible with generous gifts from Daniel R. Murray and the John Ward Seabury Distinguished Soloist Fund. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Leoš Janáček Born July 3, 1854, Hukvaldy, Moravia. Died August 12, 1928, Moravská Ostrava, Czechoslovakia. Overture to From the House of the Dead “Th at black opera of mine memoir of his four years in a Siberian prison is giving me plenty of camp, in 1860. (When Dostoyevsky entered work,” Janáček wrote to prison in 1850, at the age of twenty-eight, he was his muse Kamila already a published novelist. Forbidden to write Stösslová in November in prison, he started making notes, the source 1927. He was of the novel itself, during a stay in the prison seventy-four; From the hospital.) Like the opera Janáček made from House of the Dead would its pages, Th e House of the Dead is populated by be his last opera. -
A National Survey of College Level Percussion Teachers Regarding the Importance of Certain Characteristics of Percussion Materials in Beginning Instrumental Methods
A National Survey of College Level Percussion Teachers Regarding the Importance of Certain Characteristics of Percussion Materials in Beginning Instrumental Methods Ronald George Horner Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Performance Division of Music Paschal Yao Younge, Ed.D., Chair Molly A. Weaver, Ph.D., Research Advisor Mary T. Ferer, Ph.D. Ernest R. Goeres, Ph.D Dan C. Armstrong, M.M. Division of Music Morgantown, West Virginia 2005 ABSTRACT A National Survey of College Level Percussion Teachers Regarding the Importance of Certain Characteristics of Percussion Materials in Beginning Instrumental Methods Ronald George Horner Teaching percussion instruments in elementary school settings presents unique challenges. Development of reading skills, musicality, technique, and listening skills are often cited as concerns. Materials selected by educators can facilitate or encumber the process. This study examined the characteristics of beginning methods materials from the perspective of college level percussion teachers. 269 teachers participated in a researcher-developed survey as a representative cross- section of institutions of higher learning including community colleges, baccalaureate institutions, and institutions with graduate programs. Results were analyzed from frequency distributions and manually generated stem-and-leaf plots. The survey examined respondent background and teaching experience, institutional information, and professional information. Also, respondents rated the importance of certain characteristics of beginning percussion methods materials. Respondents displayed a clear preference for materials that included many instruments from the percussion family. They indicated that method books should promote musicality. Most cited development of student technique as an important factor.