Moe, Final Document

Total Page:16

File Type:pdf, Size:1020Kb

Moe, Final Document The Development of the Brass Band Movement in North America: An Analysis of the Structure, History, and Condition of Active British-Style Brass Bands. by Nathanael Moe, M.M., B.M. A Doctoral Project In Music Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Approved Dr. Andrew Stetson Chair of Committee Dr. Lisa Garner Professor James Decker Dr. Mark Sheridan Dean of the Graduate School May 2020 Copyright 2020, Nathanael Moe Texas Tech University, Nathanael Moe, May 2020 ACKNOWLEDGMENTS This project is the conclusion to my dream of achieving my doctorate in music that started twelve years. Along the way, I have had some incredible mentors, teachers, and friends; but most importantly, I must thank my parents. Without their incredible financial help, moral support, and guidance, I would not have made it this far. Next, I would like to thank Darrell Bartel, who, without even knowing me, recognized the potential in my playing and invested so much time into training me from an early age. It was from him that I learned the value of hard work, and because of him that I have become who I am today. To all my other teachers, Mark Baldin, Dr. Frank Hanson, Eric M. Berlin, I owe a debt of gratitude for patiently teaching me how to be a mature musician and educator. Most importantly, Dr. Stetson, who graciously invited me to study with him here at Texas Tech University. You pushed me harder than I thought possible to be a better person, musician, and educator. To my committee. Dr. Stetson, Dr. Garner, and Prof. Decker, who provided endless hours of help and guidance through my entire degree. Watching them teach, perform, and interact in their respective studios has taught me what it means and looks like to be an effective educator. ii Texas Tech University, Nathanael Moe, May 2020 TABLE OF CONTENTS ACKNOWLEDGMENTS ................................................................................... ii ABSTRACT ........................................................................................................... v LIST OF FIGURES............................................................................................. vi I. INTRODUCTION ............................................................................................ 1 Need for Study ................................................................................................................. 3 Purpose of This Study ..................................................................................................... 5 Definition of Terms ......................................................................................................... 6 Various Types of Brass Bands ................................................................................. 6 Other Terms .............................................................................................................. 9 Scope ................................................................................................................................ 10 II. REVIEW OF RELATED RESEARCH ....................................................... 11 Brass Bands in Great Britain ........................................................................................ 11 Pre-history ................................................................................................................ 11 Technology ............................................................................................................... 13 The Salvation Army ................................................................................................ 15 The “Golden Age” .................................................................................................. 16 The Twentieth Century .......................................................................................... 18 Brass Bands in North America .................................................................................... 19 Early North American Music ................................................................................ 19 The Salvation Army in the United States ............................................................ 21 Mid-century Renewing Interest ............................................................................. 23 The Twentieth Century .......................................................................................... 26 Research Regarding Specific Bands ............................................................................. 27 Recent Surveys Related to Brass Banding .................................................................. 28 III. METHODOLOGY....................................................................................... 31 Assembly of the List ...................................................................................................... 31 Development of Survey ................................................................................................ 32 Software used for Survey .............................................................................................. 32 IV. RESULTS ...................................................................................................... 34 Results from the Survey ................................................................................................ 34 Presentation of Data ...................................................................................................... 34 iii Texas Tech University, Nathanael Moe, May 2020 Historical Data ......................................................................................................... 35 Current Demographics and Instrumentation ...................................................... 37 Administrative Structure and Rehearsals/Performances .................................. 55 Community Support and Repertoire .................................................................... 66 Competition/Organization Participation ............................................................ 74 V. DISCUSSION ................................................................................................. 79 Summary .......................................................................................................................... 79 Historical Data Summary ....................................................................................... 80 Current Demographics and Instrumentation Summary .................................... 81 Organizational and Administrative Structure Summary .................................... 83 Community Support and Repertoire Summary .................................................. 84 Participation in Competitions/Organizations Summary ................................... 85 Suggestions for Further Research ................................................................................ 86 Conclusion ...................................................................................................................... 86 BIBLIOGRAPHY ................................................................................................ 88 APPENDICES ................................................................................................... 91 A. INSTITUTIONAL REVIEW BOARD APPROVAL LETTER ............... 91 B. SURVEY CONSENT PAGE ......................................................................... 93 C. CORRESPONDENCE .................................................................................. 94 D. NORTH AMERICAN BRASS BAND SURVEY ........................................ 96 E. CURRENT BRASS BANDS WITH AN INTERNET PRESENCE BY STATE ............................................................................ 107 F. ALPHABETICAL LIST OF CURRENT BRASS BANDS WITH AN INTERNET PRESENCE ...................................................... 112 iv Texas Tech University, Nathanael Moe, May 2020 ABSTRACT The tradition of brass bands is a movement that has existed in North America, much like in Europe, since the seventeenth century. British-style brass bands appeared on the continent near the end of the nineteenth century, seem to have slowly gained popularity since the 1980s. Research regarding structure, history, and condition of the movement and the bands that make up the movement has needed updating. The purpose of this study is to provide an update on the status of the brass band movement in North America through the lens of currently functioning brass bands that possess an internet presence. Representatives from presently operating brass bands completed a survey in REDCap software, which assesses each band's history, demographics, instrumentation, organizational and administrative structure, community support, and participation in competitions and organizations. The data from this study showed that most participating brass bands began after 1980 and that, although participants indicated an interest in brass band contests, less than half actively compete in them. Many responding bands reported a low estimated annual budget and relied on its members to provide their equipment and uniforms. Finally, most bands that participated in the study reported that they purchase their music from an internet source, while a minority of bands rely on their members to write and arrange their music. v Texas Tech University, Nathanael Moe, May 2020 LIST OF FIGURES 6.1 Founding year of participating bands ..............................................................
Recommended publications
  • William Booth Leader's Guide
    Leader’s Guide to accompany the DVD The Torchlighters: The William Booth Story Table of Contents Introduction to the Torchlighters Series . 3 Synopsis of The Torchlighters: The William Booth Story . 4 Teaching Plan for The William Booth Story . 5 Session 1 - No Compromise: Called! . 6-8 Session 2 - No Compromise: Courage! . 9 Session 3 - No Compromise: Commitment! . 10 Session 4 - No Compromise: Continue! . 11-12 Letter to Parents . 13 Supplementary Materials Key People in The William Booth Story . 14 The Nineteenth-Century World of William Booth . 15-16 Timeline of the Booths and The Salvation Army . 17-18 Additional Materials . 19 The Torchlighters Series . 20 Answer Key for Select Student Pages . 21 © Christian History Institute Learn more about The Torchlighters: Heroes of the Faith programs at www.torchlighters.org.2 Leader’s Guide to accompany the DVD The Torchlighters: The William Booth Story Introduction to the Torchlighters Series Torchlighter: One who commits to serving God and passing on the light of the Gospel, even if the going gets tough. Kids today have no shortage of heroes. From Hollywood celebrities to music artists and sports figures, it would seem that there are plenty of heroes to go around. The heroes being offered by popular culture are teaching children that physical perfection, financial success, and fame are the most important goals in life. The morals and values presented by these heroes are often in direct opposition to the standards parents want to pass on to their children. So, while there is no shortage of heroes, there is a dreadful shortage of heroes worth emulating.
    [Show full text]
  • Composer Suggestions for the Euphonium
    Euphonium: 3-Valve, 4-Valve, and 4-Valve Compensating Euphoniums: (The low range and intonation will differ depending on how many valves you have) *see attached chart Breath capacity Articulations: staccato, accents, slurred, legato tonguing, no marking Trills and Tremoli Double and Triple Tonguing Extended Techniques: Flutter Tonguing and Multi-phonics Mutes (You MUST allow time to put the mute in and adjust tuning slide) Composer Suggestions: “The euphonium is often called the “cello” of the band or the “shortstop” of a ball team.” Counter Melodies are great! It can be treated as an individual or be combined with the Clarinets, Horns, Saxes and other brasses. Earlier band literature treated it as an a “cello”, but more recent composers and arrangers are often treating it in a “new and lesser” role. They often give it the upper octave of the tuba part or treat it like a 3rd trombone. It has many more capabilities! The Euphoniums role changes depending on what group it is in. (Orchestras, Jazz Combos, Chamber Ensembles, and British Brass Bands) For example, in a British Brass Band it is treated in this way: The euphonium part is flexible and is often compared to that of the `cello in an orchestra. It is equally at home doubling the solo cornet line an octave down, as a melodic or counter-melodic lead, doubling the Bb bass an octave up or occasionally with the 1st trombone. The range of the part is large: most players will be comfortable over more than two octaves, from low G to top A, with the occasional higher note.
    [Show full text]
  • Brass Bands of the World a Historical Directory
    Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
    [Show full text]
  • Hbbb Concert Repertory List
    HBBB (Humboldt Bay Brass Band) Concerts by date -- Repertory -- Works Performed ========================================= FRH = concert held in Fulkerson Recital Hall, on the campus of Humboldt State University ======================================== April 2, 2004 -- FRH 1- Prelude .......... Gregson, Edward 2- Moorside Suite (3 mvts)...... Holst, Gustav 3- Fantasy on British Sea Songs ...... Langford, Gordon (arr) 4- Ravenswood (March) ...... Rimmer, William ---intermission--- 5- Helden und Krieger ..... Newton, Rodney 6- Moon River ...... Mancini, Henry (arr Don Morrison) 7- Cousins (duet) ..... Clarke, Herbert L. 8- Blenheim Flourishes ...... Curnow, James =================================================== Nov 14, 2004 -- FRH (w/ Eureka HS Wind Ens) 1- L’Orfeo (suite) ... Monteverdi, Claudio (arr Michael Hopkinson) 2- Pageantry (3 mvts) ....... Howells, Herbert 3- Famous British Marches ..... Langford, Gordon (arr) 4- Slaughter on 10th Avenue ... Rodgers, Richard (arr Robert Bernat) 5- Nunc Dimittis ..... Gabrieli, Giovanni (ed Gil Cline) 6- March from The Great Escape ... Bernstein, Elmer (arr Martin Ellerby) =================================================== Feb 11, 2005 -- at McKinleyville HS 1- Four Dot Flourish ... Cline, Gilbert 2- L’Orfeo (suite) ... Monteverdi, Claudio (arr HBBB) 3- Pageantry (3 mvts) ... Howells, Herbert 4- Fantasy on British Sea Songs ... Langford, Gordon (arr) 5- Sequoia Carnival March ... Inman, J.L. (arr Gil Cline) 6- Nunc Dimittis ... Gabrieli, Giovanni (ed Gil Cline) ===================================================
    [Show full text]
  • The Brass Band Bridge with a in This Issue Tremendous Number of Reviews of New Brass Band Recordings
    A S E B R S B A T H N D BRIDGE H issue 110 The Official Publication of the North American Brass Band Association august, 2008 Once again, Ronald W. Holz has provided UNDER THE BRIDGE readers of The Brass Band Bridge with a IN THIS ISSUE tremendous number of reviews of new brass band recordings. I’d like to add a hearty, “hear, Douglas Yeo hear” to his enthusiastic recommendation of ATOP THE BRIDGE the new recording of Elgar’s Severn Suite, with From the President, pg. 2 Editor Black Dyke Band, conducted by Sir Colin Davis. This performance is revelatory, and having worked with Sir Colin myself when he RECORDING OF THE his issue of The Brass Band Bridge fea- has guest conducted the Boston Symphony YEAR CONTEST tures reports from several recent brass (including memorable performances of Elgar’s pg. 3 band festivals which were sponsored, in Enigma Variations and The Dream of Gerontius), Tpart, by NABBA. The Great American Brass I can very well imagine how the Black Dyke Band Festival is the premier brass band festival players felt when sitting under the leading NEWS FROM NABBA in the USA and it always features performances interprer of Elgar in our time. The recording BANDS by at least one of NABBA’s most distinguished is truly stupendous. Ron’s reviews are also a bands. The Fifth Toronto Festival of Brass fea- reminder to all NABBA member bands to get pg. 5 tured world premiere performances, and several in their entries for NABBA’s “Recording of the youth bands.
    [Show full text]
  • MUSC 2019.12.12 Honorbandprog
    THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS 2019 DECEMBER 12–14 COLORADO STATE UNIVERSITY Are you interested in joining the largest, loudest, and most visible student organization on the CSU campus? Our students forge enduring skills and lifelong friendships through their dedication and hard work in service of Colorado State University. JOIN THE MARCHING BAND! • 240 MEMBERS REPRESENT ALL MAJORS • SCHOLARSHIPS FOR EVERY STUDENT AUDITION DEADLINE: JULY 13, 2020* *Color guard and drumline auditions (in-person) June 6, 2020 INFORMATION AND AUDITION SUBMISSION: MUSIC.COLOSTATE.EDU/BANDS/JOIN bands.colostate.edu #csumusic THURSDAY EVENING, DECEMBER 12, 2019 AT 7:30 P.M. COLORADO STATE UNIVERSITY SYMPHONIC BAND PRESENTS: HERstory T. ANDRÉ FEAGIN, conductor SHERIDAN MONROE LOYD, graduate student conductor Early Light (1999) / CAROLYN BREMER Albanian Dance (2005) / SHELLY HANSON Sheridan Monroe Loyd, graduate student conductor Terpsichorean Dances (2009) / JODIE BLACKSHAW One Life Beautiful (2010) / JULIE GIROUX Wind Symphony No. 1 (1996) / NANCY GALBRAITH I. Allegro II. Andante III. Vivace Jingle Them Bells (2011) / JULIE GIROUX NOTES ON THE PROGRAM Early Light (1999) CAROLYN BREMER Born: 1975, Santa Monica, California Died: 2018, Long Beach, California Duration: 6 minutes Early Light was written for the Oklahoma City Philharmonic and received its premiere in July 1995. The material is largely derived from “The Star-Spangled Banner.” One need not attribute an excess of patriotic fervor in the composer as a source for this optimistic homage to our national anthem; Carolyn Bremer, a passionate baseball fan since childhood, drew upon her feelings of happy anticipation at hearing the anthem played before ball games when writing her piece.
    [Show full text]
  • The Moravian Music Foundation Shares …
    Moravian Music Foundation ANNUAL REPORT 2018 2018 MMF Board of Trustees Executive Committee The Moravian Music Foundation Harold Garrison, President Winston-Salem, NC G. Randall Gibbs, Vice-President New Philadelphia, OH preserves, shares, and celebrates John T. Webb, Vice-President Cincinnati, OH Rev. Matthew Allen, Secretary Winston-Salem, NC Moravian musical culture. Donna K. Ambler Bethlehem, PA Trustees David Bagby Charlotte, NC Teresa Cude Laurel Springs, NC A revised mission statement Hubert Fort Raleigh, NC Rev. Barry Foster Winston-Salem, NC Over the past several years, the Moravian Dr. Jeffrey Gemmell Landisville, PA Music Foundation Board of Trustees has been Andrew Halverson Winston-Salem, NC reviewing the organization’s mission statement Rev. Paul Harder Winston-Salem, NC Caitlin Heckman Allentown, PA adopted in 2008: The Moravian Music Dr. Barbara Boyce Howard Advance, NC Foundation, preserves, celebrates, and cultivates the John Iobst Fairfax, VA musical life of Moravians. The board adopted the Dr. Jeff Jones Asheville, NC Dr. Ryan Malone Lewisburg, PA recommendation of a subcommittee to revise Rev. Jennifer Moran Maple Grove, MN the mission statement as printed above. Evadne Morrison-Taylor Farmingdale, NY Henry Naisby Coopersburg, PA This Annual Report is structured by those Rev. Dennis Rohn New Philadelphia, OH Jonathan Sidden Winston-Salem, NC three active verbs – preserving, sharing, and Rev. David Wickmann Nazareth, PA celebrating – followed by a review of Ex Officio administration and development activities, the Robyn Glance, Treasurer Winston-Salem, NC Robert G. Spaugh, Legal Counsel Lexington, NC long list of volunteers and donors, and Staff financial reports for 2018. Rev. Dr. Nola Reed Knouse Director Gwyneth A.
    [Show full text]
  • Soprano Cornet
    SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor
    [Show full text]
  • Free Download
    Maud, Emma, Evangeline America’s Love Affairs With the 3 Booth Women R.G. Moyles 2014 Frontier Press All rights reserved. Except for fair dealing permitted under the Copyright Act, no part of this book may be reproduced by any means without written permission from the publisher. Moyles, R.G. Maud, Emma, Evangeline America’s Love Affairs With the 3 Booth Women July 2014 Copyright © The Salvation Army USA Western Territory ISBN 978-0-9768465-9-8 Printed in the United States Table of Contents Foreword 1 Introduction 3 Maud Ballington Booth 7 Emma Booth-Tucker 42 Evangeline Cory Booth 67 Afterword 117 Booth Women / 1 FOREWORD By Major Kevin E. Jackson The history of The Salvation Army is incredibly rich. Those who spend time researching and writing it are keenly aware of this truth. Those who choose to read books, articles and thoughtful studies on The Salvation Army’s past come to understand the depth and importance of the subject. The history of this organization maintains a uniqueness that separates this movement from oth- er religious organizations, churches and nonprofits. We are similar in some respects, but our uniqueness is what tells the story that most readers of our past want to know and profit from. Just prior to the release of Maud, Emma, Evangeline: America’s Love Affair with the 3 Booth Women, I spent several hours interviewing Dr. R. Gordon Moyles for a promotional video about the book. I was taken by Moyles’ pas- sion for the subject of his latest work, and his lifelong study of The Salvation Army.
    [Show full text]
  • The Composer's Guide to the Tuba
    THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love.
    [Show full text]
  • Please Note That Not All Pages Are Included. This Is Purposely Done in Order to Protect Our Property and the Work of Our Esteemed Composers
    Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers. If you would like to see this work in its entirety, please order online or call us at 800-647-2117. Transposed Score Catalog No. 7.0681 commissioned by Carolina Brass Fanfare, Tango and Fughetta on Hebrew Themes for Brass Quintet and optional Timpani Fanfare Stanley M. Hoffman “The soul of every living being shall bless Your Name” (BMI) breve a tempo q = 72 3 3 Trumpet 1 in Bb f Trumpet 2 in Bb mf only3 Horn in F illegal f Trombone is mf Tuba copy mf Fanfare “The soul of every living being shall bless Your Name” q = 72 breve a tempo Timpani (optional) mf Copying Review © Copyright 2016 by Highgate Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. 2 7 3 Tpt. 1 3 molto ff mp Tpt. 2 molto f p 3 Hn. molto p Tbn. molto f p Tba. molto f onlyp Timp. illegal molto f p isTango “When Israel went forth from Egypt” 12 poco rall. breve q = 60 Tpt. 1 - mp copymp mf play 2nd time only Tpt. 2 p - mp Hn. mp p mp - mf Tbn. Copying mp Tba. p - mp ReviewTango “When Israel went forth from Egypt” poco rall. breve q = 60 play 2nd time only Timp. mp 4 Fughetta “How goodly are your tents, O Jacob” q = 84 21 1. 2. Tpt. 1 f cresc. 2x only Tpt. 2 f cresc.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]