DOCSLIB.ORG

Música Antiga Além Da Presença De Grupos Especializados, Programação Revela Interesse Das Orquestras Modernas Pelo Repertório Dos Séculos XVII E XVIII

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Música Antiga Além Da Presença De Grupos Especializados, Programação Revela Interesse Das Orquestras Modernas Pelo Repertório Dos Séculos XVII E XVIII O compositor britânico Mark-Anthony Turnage • Editor’s choice: os melhores CDs u NOVEMBRO 2017 R$ 16,90 Guia mensal de música clássica www.concerto.com.br ISSN 1413-2052 - ANO XXIII Nº 244 1413-2052 ISSN Novos CAMINhOs da MÚSICA ANTIGA Além da presença de grupos especializados, programação revela interesse das orquestras modernas pelo repertório dos séculos XVII e XVIII TEMporadas 2018 JOãO Marcos COELhO Cultura Artística traz estrelas internacionais A invenção da música segundo Manoury JORgE COLI pALCO JúLIO MedagLIA A profundida na arte pianista Ronaldo Rolim Francisco Mignone, 120 anos CLÁUDIO CRUZ JOCY DE OLIVEIRA Maestro fala de suas atividades, Compositora lança o DVD da música de câmara à ópera Meu encontro com Luciano Berio u EDITORIAL Prezado leitor, Todos os meses, a equipe editorial da Revista CONCERTO se reúne para deliberar sobre a pauta da publicação. São encontros longos, com ricas discussões, sempre abordando os mais diversos aspectos da atividade musical clássica brasileira. Um dos objetivos que perseguimos é o de oferecer uma visão ampla da programação, contemplando diversos gêneros, estilos, épocas e tendências. Para este mês de novembro, chamou-nos a atenção o acúmulo de eventos relacionado à música antiga, o que acabou levando à matéria de capa desta edição. Além de apresentações do conjunto Cappella Mediterranea (foto da capa) no Rio de Janeiro e em São Paulo, interpretando, entre outras obras, a ópera Orfeo de Monteverdi – tida como marco inicial do gênero –, a programação revela interesse renovado também das Foto: CAPPELLA Mediterranea [DIVULGAÇÃO / Bertrand PICHÊNE] orquestras modernas por esse repertório. Em São Paulo, por exemplo, dois especialistas brasileiros, Bruno Procópio e Luis Otávio Santos, regem a Osesp em obras dos séculos XVII e XVIII. Na matéria de capa desta edição, Camila Frésca conversou com maestros e músicos para descobrir os novos caminhos da música antiga em nossos dias (página 20). COLABORARAM NESTA EDIÇÃO Certamente muitos leitores da Revista CONCERTO conhecem a brilhante trajetória Camila Frésca, jornalista e pesquisadora de Cláudio Cruz: de violinista extraordinário – durante mais de vinte anos spalla da Irineu Franco Perpetuo, jornalista Osesp – a maestro de intensa atuação no Brasil e no exterior, Cláudio desenvolveu uma e crítico musical singular carreira artística. Em meio aos ensaios de Don Giovanni, que ele rege em São João Luiz Sampaio, jornalista Paulo, e já se preparando para diversos outros compromissos musicais, Cláudio Cruz e crítico musical conversou com João Luiz Sampaio para falar de ópera, música de câmara, orquestra João Marcos Coelho, jornalista jovem e muito mais (leia a entrevista na página 12). e crítico musical Jorge Coli, professor e crítico musical Também a música contemporânea encontra espaço nesta edição, e com uma Júlio Medaglia, maestro representante de alta categoria: a compositora Jocy de Oliveira. Após estrear uma nova ópera em fins do mês passado, Jocy agora lança um DVD, Meu encontro com Luciano Berio, que reúne excertos de sua ópera multimídia Berio sem censura (página 52). O pianista brasileiro Ronaldo Rolim tem realizado uma destacada carreira, que o coloca entre os mais completos artistas de sua geração. Detentor de importantes premiações nacionais e internacionais, Ronaldo já se apresentou em consagradas salas pelo mundo. Neste mês, o jovem artista estará tocando em São Paulo, no Rio de Janeiro e em Minas Gerais, como você poderá ler na matéria da página 24. Na seção Gramophone, que traz conteúdo da prestigiosa revista britânica, publicamos uma reportagem sobre Mark-Anthony Turnage, “compositor britânico cuja MEMÓRIA MUSICAL música impregnada de jazz é nova, mas impulsionada por forças bastante tradicionais”, Há 20 anos na Revista CONCERTO como escreve Paul Griffiths (página 16); e, na página 47, apresentamos a escolha do editor para os principais lançamentos de CDs e DVDs do mercado internacional. Especial: Amazonas ganha Filarmônica “Estreia com um concerto no próximo Leia ainda nesta edição uma reportagem sobre as novidades da temporada 2018 dia 15 de novembro, com a presença de da Cultura Artística (página 8), a seção Brasil Musical, que fala da turnê da Orquestra personalidades de todo o país, a mais nova Filarmônica Jovem de Israel pelo Brasil (página 18), e os artigos de nossos colunistas orquestra sinfônica do Brasil: a Amazonas João Marcos Coelho (sobre as ideias do francês Philippe Manoury, que no ano que vem Filarmônica, primeiro corpo sinfônico na história do Teatro Amazonas de Manaus.” será compositor visitante da Osesp), Jorge Coli (refletindo sobre a encenação de obras do passado) e Júlio Medaglia (que lembra os 120 anos de Francisco Mignone). Em conversa: Caio Pagano, pianista E, a partir da página 26, você acompanha o Roteiro Musical ilustrado da Revista “No contato com os compositores, eu vi o quão exigentes eles são. No trabalho CONCERTO, com as principais atrações clássicas de São Paulo, do Rio de Janeiro com o Willy Corrêa de Oliveira percebi e de outras cidades do Brasil. o quanto as pessoas eram descuidadas Escolha sua programação e participe com a gente da temporada lendo uma partitura de Beethoven, por exemplo. E faziam dessas partituras mais musical. Bom CONCERTO a todos! uma expressão pessoal da sua maneira de ser do que uma leitura de Beethoven antes de mais nada, e depois uma contribuição pessoal.” Roteiro musical de novembro de 1997 • Nelson Freire toca com a Orquestra Filarmônica de Strasbourg no Teatro Cultura Artística Nelson Rubens Kunze • Theatro Municipal de São Paulo recebe diretor-editor a ópera O elixir do amor, de Donizetti 2 Novembro 2017 CONCERTO u ÍNDICE @RevistaConcerto ConcertoRevista concerto.com.br u NOVEMBro 2017 nº 244 20 2 Editorial 4 Cartas 6 Contraponto As notícias do mundo musical 8 Temporadas 2018 Conheça a programação da Cultura Artística 10 Atrás da Pauta Os 120 anos de Francisco Mignone, por Júlio Medaglia 12 8 12 Em Conversa O maestro e violinista Cláudio Cruz fala de seus projetos, da ópera à música de câmara, por João Luiz Sampaio 14 14 Notas Soltas Profundidade em vez de facilidade, por Jorge Coli 18 Brasil Musical Orquestra Filarmônica Jovem de Israel faz turnê pelo Brasil 20 Capa Novos caminhos da música antiga, por Camila Frésca 22 Música Viva A invenção da música segundo Philippe Manoury, 16 por João Marcos Coelho 24 Palco Pianista Ronaldo Rolim faz recitais e se apresenta com a Orquestra Filarmônica de Minas Gerais 48 26 Roteiro Musical São Paulo 36 Roteiro Musical Rio de Janeiro 41 Roteiro Musical Brasil 48 Lançamentos de CDs Consulte os novos lançamentos e os títulos à venda Uma seleção exclusiva do melhor 50 Livros da revista Gramophone 50 Outros Eventos 16 Compositores Contemporâneos 51 Classificados O compositor britânico Marc-Anthony Turnage 52 Fermata 47 Editor’s Choice Compositora Jocy de Oliveira lança o DVD Os melhores lançamentos do mês Meu encontro com Luciano Berio Novembro 2017 CONCERTO 3 u CARTAS Júlio Medaglia Diversidade de opiniões Profundamente lamentável a incompreensão de Mais uma vez a Revista CONCERTO mostra Clássicos Editorial Ltda. algumas pessoas pelo artigo de nosso querido ser o periódico indispensável no mundo Nelson Rubens Kunze (diretor) maestro Júlio Medaglia sobre a contribuição da música. A reportagem especial com a Cornelia Rosenthal negra na música e nas artes brasileiras, trajetória, polêmicas e superações do pianista Mirian Maruyama Croce fantásticas até hoje (Revista CONCERTO nº 242). e maestro João Carlos Martins (CONCERTO nº Portanto, nenhum reparo merece seu impecável 241) é um verdadeiro documento acerca deste trabalho, que de conteúdo racista ou outro artista e importante para se compreender qualquer nada contém. sua presença no cenário cultural. Parabéns Maria Magdalena Marks Biel, por e-mail também pela entrevista com Paulo Zuben, que faz uma ampla reflexão sobre a ópera e Causou-me arrepios ver a seção Cartas do os teatros em nosso país. Parabéns e obrigado último mês (Revista CONCERTO nº 243), tomada pela preocupação em trazer a diversidade de Guia mensal de música clássica por uma discussão que nada tinha a ver com opiniões e trajetórias ao público leitor. www.concerto.com.br música clássica, mas apenas com a discussão Aldo Moraes, compositor sobre cotas. Eu me pergunto quantos dos NOVEMBRO 2017 autores das cartas são assinantes da revista ou Ano XXIII – Número 244 Periodicidade mensal – ISSN 1413-2052 se interessam por música clássica, e quantos, Jerzy Milewski em nome de uma defesa de uma posição, RedaÇÃO E PUBLICidade simplesmente demonizaram todas as palavras Consternado, fiquei sabendo, através da Rua João Álvares Soares, 1.404 de quem disse algo diferente do que acreditam. revista CONCERTO de agosto, do falecimento do 04609-003 São Paulo, SP Tel. (11) 3539-0045 – Fax (11) 3539-0046 Em tempos de patrulhas em nome de uma arte violinista Jerzy Milewski (1946-2017). O artista e-mail: [email protected] ‘chapa branca’, manifesto meu repúdio, não ao enriqueceu a música brasileira com seu toque artigo do Júlio Medaglia ou àqueles que usaram único do violino e com suas apresentações diretor-editor de bons argumentos para contestá-lo, mas a de alto nível, que encantavam as plateias, Nelson Rubens Kunze (MTb-32719) esta censura burra contra os nossos artistas e unânimes no aplauso e na consagração do editor executivo João Luiz Sampaio suas opiniões. grande virtuose. coordenação editorial Francisco Braga, por e-mail Evandro Veloso Gomes, por e-mail Cornelia Rosenthal coordenação de produção Vanessa Solis da Silva Emmanuel Pahud ue-mail: [email protected] revisão Thais Rimkus editoração e produção gráfica Excepcional a entrevista de Emmanuel Pahud, Cartas para esta seção devem ser remetidas por Lume Artes Gráficas / Guilherme Lukesic e-mail: [email protected], fax (11) 3539-0046 na edição de junho (Revista CONCERTO nº 239). execução financeira ou correio (Rua João Álvares Soares, 1.404 – CEP Mirian Maruyama Croce A maneira como ele encara a música e se 04609-003, São Paulo, SP), com nome e telefone.
Load more

Recommended publications
  • Mark-Anthony Turnage Signs with Boosey & Hawkes
    Boosey & Hawkes Music Publishers Limited 295 Regent Street London W1B 2JH Telephone 020-7580 2060 Fax 020-7637 3490 11 Dec 2002: for immediate release Website www.boosey.com Mark-Anthony Turnage signs with Boosey & Hawkes Mark-Anthony Turnage We are pleased to announce that Mark-Anthony Turnage, one of the most admired and new publishing contract widely-performed composers of his generation, has signed a long-term exclusive with Boosey & Hawkes publishing agreement with Boosey & Hawkes Music Publishers. The new contract, which runs from 1 January 2003, covers all future Turnage compositions from Crying Out Loud, a new work for Ensemble Modern to be premiered in Taipei in April 2003. Turnage’s existing output, including new works being premiered in January, remains published by Schott, and both publishers will be collaborating closely in the overall promotion of Turnage’s music. future works under Turnage’s future projects reflect his international stature, including commissions for the the new contract New York Philharmonic, London Philharmonic, Berlin Radio Choir and Berlin Philharmonic, the Hallé and clarinetist Michael Collins, Nash Ensemble, Ensemble Modern and flautist Dietmar Wiesner, and the Chicago Symphony Orchestra’s contemporary music ensemble. Turnage festival at the The BBC Symphony Orchestra appointed Mark-Anthony Turnage as its first Associate Barbican Centre in London Composer in 2000, and this fruitful partnership is celebrated in a weekend festival of 17-19 January 2003 Turnage’s music at the Barbican Centre on 17-19 January 2003. Chandos has recently released a disc of works by Turnage, performed by the BBC Symphony Orchestra under Slatkin, featuring Fractured Lines, Another Set To, Silent Cities and Four Horned Fandango (Chandos 10018).
    [Show full text]
  • June 2018 List
    June 2018 Catalogue Issue 26 Prices valid until Friday 27 July 2018 unless stated otherwise 0115 982 7500 The Temptation of St Anthony (detail from right hand panel) by Hieronymus Bosch (used as the cover for Stephen Hough’s Dream Album (Hyperion CDA68176). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Welcome to another bumper catalogue! It never ceases to amaze us how quickly our monthly publications get filled, especially when classical music was supposed to be ‘dead’ many years ago. New releases continue to number in their hundreds every month, and it is certainly not difficult to find superb back-catalogues to promote and explore. Our ‘Disc of the Month’ is as good a place as any to start for our new release highlights: Stephen Hough’s recitals for Hyperion never fail to ignite a spark of interest, and his latest compendium features a delightful selection of both romantic and light piano repertoire, many arranged by Hough himself. We have been thoroughly enjoying it in recent days, making it a clear choice for our pick in June - please find more information below. Another pianist we think deserves some attention this month is Kevin Kenner, who has recorded a brand new album of Chopin’s late works for Warner Classics. Kenner has long been associated with Chopin and his interpretations have been compared in the past to the likes of Rubinstein, Michelangeli and Lipatti, so it is pleasing to see him now receiving some long-overdue exposure on a major label in the UK.
    [Show full text]
  • Library Orders - Music Composition/Electronic Music
    LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT PUBLISHER PRICE In Collection? Babbitt, Milton A Three Compositions for Piano score Boelke-Bomart 9.50 Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 1, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 2, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 3, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 4, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 5, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 6, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Music for strings, percussion, and celesta score Boosey & Hawkes Inc. 0.00 YES Berbarian, Cathy A Stripsody : for solo voice score C.F. Peters Corp. 18.70 Berg, Alban A Violin Concerto score Warner Brothers Music Pub. 0.00 YES Berio, Luciano A Sequenza V, for trombone score Warner Brothers Music Pub. 19.95 Berio, Luciano A Sequenza VII; per oboe solo score Warner Brothers Music Pub. 15.95 Berio, Luciano A Sequenza XII : per bassoon solo score Warner Brothers Music Pub. 35.00 Berio, Luciano A Sinfonia, for eight voices and orchestra score Warner Brothers Music Pub. 125.00 Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments score Warner Brothers Music Pub.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>4 GREAT BRITAIN: digital, 1979-2008 In the early 1970s the advent of Anthony Rooley, the Consort of Musicke, Emma Kirkby, Christopher Hogwood and the Academy of Ancient Music brought a fresh look at repertoire from Dowland to Purcell, Handel, Mozart and eventually Beethoven. Solti recorded with the LPO from 1972 and the National Philharmonic was booked regularly from 1974-84. Also during the 1970s the London Sinfonietta’s surveys of Schönberg and Janá ček were recorded. Ashkenazy’s second career as a conductor centred initially on London, with the Philharmonia from 1977 and the RPO from 1987. Philip Pickett’s New London Consort joined the Florilegium roster in 1985 and Argo’s new look brought in a variety of ensembles in the 1990s. But after an LPO Vaughan Williams cycle was aborted in 1997, Decca’s own UK recordings comprised little more than piano music and recital discs. Outside London, Argo recorded regularly in Cambridge and Oxford. Decca engaged the Welsh National Opera from 1980-96 and the Bournemouth Symphony from 1990-96, but otherwise made little use of regional British orchestras. By the time they raised their performing standards to an acceptable level, Chandos, Hyperion and Naxos had largely replaced the old majors in the market for orchestral sessions. >RV0 VENUES One hundred and seventy different venues were used, eighty-eight in the London area and eighty-two elsewhere in Britain, but only one in ten (those in bold ) hosted thirty or more entries, whilst seventy were only visited once. LONDON AREA ABBEY ROAD STUDIOS , St.John’s Wood, London NW8 (1931), initially restricted to EMI labels, were opened to all from 1968.
    [Show full text]
  • Prima Donna Tribute to a Friend War Heroes
    Auckland Philharmonia Orchestra Summer 2018 Vol.40 No.1 Your free copy ANDREAS OTTENSAMER IS AT THE TOP OF HIS GAME PRIMA TRIBUTE TO WAR DONNA A FRIEND HEROES The lives An exclusive Composing and deaths of interview with for medical Verdi’s women Mark-Anthony pioneers Turnage 06246 NZSO Program Ad A4 210x297mm.indd 1 11/12/17 10:27 AM CONTENTS FRONT DESK Upfront with Barbara Glaser 3 APO News 5 FEATURES Auckland Philharmonia Orchestra PO Box 7083 Wellesley St A Model Musician 8 The Scars of War 12 Auckland 1141 Phone (09) 638 6266 Berlin Philharmonic’s Andreas Ottensamer A special commission honouring pioneering APO Ticketing (09) 623 1052 defies the mould plastic surgeons Email [email protected] Website apo.co.nz Facebook facebook.com/aporchestra Twitter @aporchestra Instagram aporchestra Phil News Summer 2018 Editor Tiana Lyes Cover Andreas Ottensamer © Anatol Kotte, Mercury Classics, DG Re-gifts of Love 11 Verdi’s Women 14 Design What does a composer give to the A look at some of the most memorable Printing woman he loves on her birthday? heroines in opera Paper Sponsor Phil News printed on Turnage’s Tribute 16 Musical Memories 23 Tauro Offset 100gsm; cover 300gsm An exclusive interview with Mark-Anthony Farewell to Rebecca Harris and Norman Turnage about his new work McFarlane Patrons Dame Kiri Te Kanawa, ONZ, DBE Connecting News 19 My Great Listen 25 Dame Catherine Tizard, ONZ Inside a busy week at APO Connecting Kiwi actor Kevin Keys Sir James Wallace, KNZM Dame Rosanne Meo, DNZM Development News 20 Me and My 27 Vice Patron Dame Jenny Gibbs, DNZM The Onehunga Project Cor Anglais – Martin Lee Chair Donor Spotlight Auckland Philharmonia Me and My 29 Orchestra Board Geraint A.
    [Show full text]
  • Marin Alsop Music Director | Conductor
    SANTA CRUZ CIVIC AUDITORIUM MISSION SAN JUAN BAUTISTA MUSIC DIRECTOR|CONDUCTOR MARIN ALSOP OF CONTEMPORARY MUSIC CONTEMPORARY OF ´:KHQ,FDPH,GLGQ·WHYHQIHHOOLNH,ZDVFDSDEOHRIOHDUQLQJ ,KDYHOHDUQHGVRPXFKKHUHDW+*3DERXWIDUPLQJDQGRXUIRRG V\VWHPVDQGDERXWOLYLQJDSURGXFWLYHOLIHµ ²0$5<&+(55<)250(575$,1(( &KDQFHVDUH\RXKDYHKHDUGRXUQDPHEXWZKDWH[DFWO\LV WKH+RPHOHVV*DUGHQ3URMHFW"2QRXU1DWXUDO%ULGJHVRUJDQLF IDUPZHSURYLGHMREWUDLQLQJWUDQVLWLRQDOHPSOR\PHQWDQGVXSSRUW VHUYLFHVWRSHRSOHZKRDUHKRPHOHVV :HLQYLWH\RXWRVWRSE\DQGVHHRXUEHDXWLIXOIDUP<RXFDQ SLFNXSVRPHWRROVDQGJDUGHQDORQJZLWKXVRQYROXQWHHU GD\VRUFRPHSLFNDQGEX\GHOLFLRXVRUJDQLFDOO\JURZQ YHJHWDEOHVIUXLWVKHUEVDQGÁRZHUV *RRGIRUWKHFRPPXQLW\*RRGIRU\RX6KDUHWKHORYH KRPHOHVVJDUGHQSURMHFWRUJ_ 9,6,7285'2:172:1*,)76725( 8QLTXH/RFDO2UJDQLFDQG+DQGPDGH*LIWV 23(1)ULGD\V 6DWXUGD\VSP6XQGD\VSP &RRSHU+RXVH%UHH]HZD\ &RRSHU3DFLÀF$YH6WH* CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 1 2 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 2014JULY 27–AUG 10 SANTA CRUZ OF CONTEMPORARY MUSIC PROGRAM BOOK CONTENTS The 2014 Cabrillo Festival of Contemporary Music 5 Calendar of Events Program Book is a publication of Summer Fests, 7 President’s Message a Cultural Arts Collaborative of: 9 Board of Directors & Staff 11 Music Director Marin Alsop Cabrillo Festival of Contemporary Music 12 Hall of Fame Santa Cruz Shakespeare 13 Festival History 14 Cabrillo Festival Experience For information contact: 16 Church Street Fair Cabrillo Festival of Contemporary Music 19 Creativity Tent for Kids 147 South River Street, Suite 232 20 Guest Composers Santa Cruz, CA 95060
    [Show full text]
  • Brass Partout Black Castles
    brass partout hermann bäumer black castles elgar butterworth bourgeois tavener pickard turnage british music for brass BIS-CD-1354 BIS-CD-1354 brass:booklet 13/2/07 15:32 Page 2 ELGAR, Sir Edward (1857-1934), arr. Dudley Bright Severn Suite, Op. 87 (1930) 17'33 1 I. Introduction. Pomposo: Worcester Castle 2'09 2 II. Toccata. Allegro molto: Tournament 4'10 3 III. Fugue. Andante: The Cathedral 3'53 4 IV. Minuet. Moderato: Commandery 5'30 5 V. Coda. Lento 1'45 BUTTERWORTH, Arthur (b. 1923) Triton Suite, Op. 46 (1972) (King) 11'44 6 I. Maestoso 1'38 7 II. Vivace 2'39 8 III. Lament. Adagio 3'16 9 IV. Scherzo. Allegretto 3'46 BOURGEOIS, Derek (b. 1941) William and Mary, Op. 106 (1981) (Brass Wind Publications) 17'48 10 I. Fanfare 1'47 11 II. The Landing at Torbay and the Journey to London 3'48 12 III. The King’s Champion 2'29 13 IV. The Death of Mary 4'31 14 V. The Achievement 4'52 2 BIS-CD-1354 brass:booklet 13/2/07 15:33 Page 3 TAVENER, Sir John (b. 1944), adapted for tentet by Roger Harvey 15 Trisagion (1981) (Chester Music Limited) 14'21 PICKARD, John (b. 1963) 16 Black Castles (2002) (Bardic Edition) 10'59 TURNAGE, Mark-Anthony (b. 1960) 17 Set To (1992/93) (Schott) 7'40 Bacchanale TT: 81'36 brass partout · Hermann Bäumer direction Markus Finkler piccolo trumpet (Bourgeois, Turnage, Elgar, Pickard)/ trumpet (Turnage, Elgar) Thomas Ratzek piccolo trumpet (Tavener)/ trumpet (Bourgeois, Pickard, Turnage, Butterworth) Raphael Mentzen piccolo trumpet (Tavener)/ trumpet (Butterworth, Turnage, Pickard)/ flugelhorn (Bourgeois, Elgar) Mario Schlumpberger trumpet (Elgar, Pickard, Butterworth, Turnage, Bourgeois)/ flugelhorn (Tavener) Matthias Kamps trumpet (Elgar, Pickard)/ flugelhorn (Tavener) Jörg Brückner horn (Bourgeois, Turnage, Pickard) Julius Rönnebeck horn (Tavener, Elgar, Pickard) Andreas Klein tenor trombone (Bourgeois, Turnage, Butterworth, Elgar, Pickard) Tobias Unger tenor trombone (Bourgeois, Tavener, Elgar, Pickard)/ euphonium (Turnage) Nils M.
    [Show full text]
  • Mark-Anthony Turnage
    Mark-anthony turnage Twice Through The hearT hidden Love Song | The Torn FieLdS Marin alSoP conductor SARAH CONNOLLY mezzo-soprano MARTIN ROBERTSon soprano saxophone GERALD FINLEY baritone LONDON PHILHARMONIC orCHESTRA Such is the immediacy of the names lifers [prisoners serving life sentences], and Mark-Anthony Turnage gives his works that felt great empathy with them, as well as an even a glance through his catalogue can attraction to the solitude”, Turnage said in provoke an emotional response. Many of his 1997. He was drawn to a BBC film of Kay’s titles generously reveal the content of the poetry, including Twice Through the Heart, piece they label, none more so than those on some years earlier. “This story struck me this disc: one, a literal description of the because the woman had refused to testify human act which gave birth to the piece; the against her husband. When Jackie and I tried next a touchingly disarming reference to the to make it into an opera, we realised that the work’s emotional tectonics; the third an image strength lay in the poetry, and so it became a that seems to encapsulate both the pace of ‘dramatic scena’, from the woman’s point of the work and the terror of its subject. This view.” The resulting drafts were nurtured by point-blank communication extends beyond the Contemporary Opera Studio at English titling to the works’ very thematic and musical National Opera, and the finished piece was fabric. “I pick strong emotional subject matter first performed on 13 June 1997 at the because it stimulates me”, says the composer Aldeburgh Festival by Sally Burgess and – those subject matters frequently include the members of the Orchestra of English National human effects of drug addiction, abuse, death Opera, conducted by Nicholas Kok.
    [Show full text]
  • Royal Scottish National Orchestra
    Noltingk, Jacqueline Susan (2017) The Scottish orchestras and new music, 1945-2015. PhD thesis. http://theses.gla.ac.uk/8727/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] The Scottish Orchestras and New Music, 1945-2015 Jacqueline Susan Noltingk Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow December 2017 © Jacqueline Noltingk 2017 2 ABSTRACT This dissertation critically examines the presentation of new music in live concerts by three Scottish orchestras. It considers what they have commissioned, what performed, the context in which the music has been programmed, and who was involved. The orchestras are the three which are established on a permanent basis and give regular subscription series in Scotland: the BBC Scottish Symphony, Royal Scottish National, and Scottish Chamber Orchestras. The study contributes to the debate around classical music programming of new music, taking these orchestras as examples. It asks how in practice some of those responsible for programming in the period from 1945 to 2015 have reconciled conflicting expectations and desires.
    [Show full text]
  • Week 4 Haydn Turnage Elgar
    2018–19 season andris nelsons bostonmusic director symphony orchestra week 4 haydn turnage elgar Season Sponsors seiji ozawa music director laureate bernard haitink conductor emeritus supporting sponsorlead sponsor supporting sponsorlead thomas adès artistic partner Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to care and cure, but our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the Takeda Pharmaceutical Company Limited future of healthcare. www.takeda.com Takeda is proud to support the Boston Symphony Orchestra Table of Contents | Week 4 7 bso news 1 5 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 23 music, the ultimate renewable energy by gerald elias 31 a message from andris nelsons 3 2 this week’s programs Notes on the Program 36 The Program in Brief… 37 Joseph Haydn 43 Mark-Anthony Turnage 51 Edward Elgar 63 To Read and Hear More… 7 0 sponsors and donors 88 future programs 90 symphony hall exit plan 9 1 symphony hall information program copyright ©2018 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Marco Borggreve cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org Now on view mfa.org/pastels Supported by the Robert Lehman Foundation and Davis and Carol Noble.
    [Show full text]