June 2018 List
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Música Antiga Além Da Presença De Grupos Especializados, Programação Revela Interesse Das Orquestras Modernas Pelo Repertório Dos Séculos XVII E XVIII
O compositor britânico Mark-Anthony Turnage • Editor’s choice: os melhores CDs u NOVEMBRO 2017 R$ 16,90 Guia mensal de música clássica www.concerto.com.br ISSN 1413-2052 - ANO XXIII Nº 244 1413-2052 ISSN Novos CAMINhOs da MÚSICA ANTIGA Além da presença de grupos especializados, programação revela interesse das orquestras modernas pelo repertório dos séculos XVII e XVIII TEMporadas 2018 JOãO Marcos COELhO Cultura Artística traz estrelas internacionais A invenção da música segundo Manoury JORgE COLI pALCO JúLIO MedagLIA A profundida na arte pianista Ronaldo Rolim Francisco Mignone, 120 anos CLÁUDIO CRUZ JOCY DE OLIVEIRA Maestro fala de suas atividades, Compositora lança o DVD da música de câmara à ópera Meu encontro com Luciano Berio u EDITORIAL Prezado leitor, Todos os meses, a equipe editorial da Revista CONCERTO se reúne para deliberar sobre a pauta da publicação. São encontros longos, com ricas discussões, sempre abordando os mais diversos aspectos da atividade musical clássica brasileira. Um dos objetivos que perseguimos é o de oferecer uma visão ampla da programação, contemplando diversos gêneros, estilos, épocas e tendências. Para este mês de novembro, chamou-nos a atenção o acúmulo de eventos relacionado à música antiga, o que acabou levando à matéria de capa desta edição. Além de apresentações do conjunto Cappella Mediterranea (foto da capa) no Rio de Janeiro e em São Paulo, interpretando, entre outras obras, a ópera Orfeo de Monteverdi – tida como marco inicial do gênero –, a programação revela interesse renovado também das Foto: CAPPELLA Mediterranea [DIVULGAÇÃO / Bertrand PICHÊNE] orquestras modernas por esse repertório. Em São Paulo, por exemplo, dois especialistas brasileiros, Bruno Procópio e Luis Otávio Santos, regem a Osesp em obras dos séculos XVII e XVIII. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
George Frideric Handel Cc 9127 George Frideric Handel
GEORGE FRIDERIC HANDEL CC 9127 GEORGE FRIDERIC HANDEL male lead in The Bear for Hemsley, who played it under the composer on BBC Television in George Frideric Handel (1685-1759) 1970. His book Singing and Imagination is a lucid guide to his finely-honed art. = `çåÅÉêíç=áå=_JÑä~í=ets=OVQ=léK=Q=kçK=S=ENTPSF= NNKNN Geraint Jones (1917-98). The son of a Glamorgan minister, Jones studied at the Royal 1-3 I Andante allegro 3.53 2 II Larghetto 4.31 3 III Allegro moderato 2.53 Academy of Music before being rejected for World War II service on grounds of poor health. Osian Ellis, harp. The Boyd Neel Orchestra directed by Thurston Dart Determined to ‘do his bit’, he made his debut as a harpsichordist in 1940 at one of Myra Hess’s A BBC studio broadcast, 26 February 1957 National Gallery concerts, later touring widely with his wife, the violinist Winifred Roberts. After the war he became highly influential in the ‘authentic’ baroque movement, forming his own = ^éçääç=É=a~ÑåÉ=ets=NOO=ENTNMF= QPKMR orchestra for the acclaimed performances at London’s Mermaid Theatre in 1951 of Dido and Aeneas, with Kirsten Flagstad and Thomas Hemsley. Jones’s many recordings included Dido 4 Recitative and Aria Apollo ‘La terra è liberata … Pende il ben dell’universo’ 5.18 (The earth is set free … The good of the universe) with those singers (plus Elisabeth Schwarzkopf as Belinda and Arda Mandikian as the 5 Recitative and Aria Apollo 3.54 Sorceress) as well as music by Bach, Handel and Mozart. -
Concert Program
FLAGLER MUSEUM THE STRADIVARI QUARTET February 7, 2012 7:30 p.m. Sponsored by WILLIAM R. KENAN, JR. CHARITABLE TRUST THE STRADIVARI QUARTET Xiaoming Wang Soyoung Yoon Lech Antonio Uszynski Maja Weber violin violin viola cello PROGRAM String Quartet in G minor, D. 173 FRANZ SCHUBERT Allegro con brio Andantino Menuetto: Allegro vivace Allegro String Quartet No. 4 BÉLA BARTÓK Allegro Prestissimo, con sordino Non troppo lento Allegretto pizzicato Allegro molto INTERMISSION String Quartet in A minor, Op. 51, No. 2 JOHANNES BRAHMS Allegro non troppo Andante moderato Quasi Minuetto, moderato Chamber music, as we know it, began in the Baroque era with early trio sonatas, and some of history’s greatest composers used chamber music as a vehicle to create their most profound and important works. Others used the medium as an outlet for fun and lighthearted entertainment. The music was traditionally performed in homes. The Flagler name has long been associated with great music, as Henry and Mary Lily Flagler frequently hosted musical performances in Whitehall’s elaborate Music Room. The Flagler Museum Music Series captures the spirit of traditional chamber music, and welcomes world renowned performers to the finest chamber music venue in South Florida. Here, performers and visitors can experience chamber music as it was intended in a gracious and intimate setting. Due to its intimate nature, chamber music has been described as “the music of friends.” Consequently it is frowned upon to use stages and amplifying devices. The audio devices you will see tonight record the performance for national public radio broadcast and archival purposes. -
MASTERS of the PAST / NEWLY DISCOVERED Simon Ferdinand LECHLEITNER (XVIII C.) : Litaniae De Corde Jesu (1734) Jacek SZCZUROWSKI
DUX 1175 / 2015 _______________________________________________________________________________________ MASTERS OF THE PAST / NEWLY DISCOVERED Simon Ferdinand LECHLEITNER (XVIII c.) : Litaniae de Corde Jesu (1734) Jacek SZCZUROWSKI (1716-1773) : Litaniae in D Just CASPAR (1717-1760) : O Jesu mi dilecte *** The Early Music Ensemble DILETTO Marta Wróblewska – soprano solo, Jan Mędrala – alto solo, Maciej Gocman – tenor solo, Piotr Zawistowski – bass solo, Małgorzata Trojanowska – soprano, Sławomit Bronk – alto Piotr Szewczyk – tenor, Przemysław Kummer – bass Tomasz Ślusarczyk – clarino I, Michał Tyrański – clarino II, Paweł Polak – violin (concertmaster) Anna Polak – violin, Radosław Koper – viola basso continuo: Tomasz Frycz – cello, Rafał Makarski – double-bass, Krzysztof Garstka – positive organ Anna MONIUSZKO – conductor _______________________________________________________________________________________________ DUX Małgorzata Polańska & Lech Tołwiński ul. Morskie Oko 2, 02-511 Warszawa tel./fax (48 22) 849-11-31, (48 22) 849-18-59 e-mail: [email protected], www.dux.pl Aleksandra Kitka-Coutellier – International Relations kitka@dux Among the numerous religious congregations which made a significant contribution to the development of musical life in the former Republic of Poland, pride of place goes to the Piarists. Originally a teachers’ congregation founded by Saint Joseph Calasanctius (1556-1648) in Rome in 1617, it was approved as a religious order, whose members professed solemn vows (Ordo Clericorum Regularium Pauperum Matris Dei Scholarum -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom. -
CYFRES I'r DELYN Benjamin Britten
CYNGERDD YR ŴYL. MAWRTH 31, 2021. 8.30pm Nodiadau Rhaglen ELINOR BENNETT (Telyn) Mae'r perfformiad cyhoeddus cyntaf hwn o "Dagrau / Lachrymae" yn deyrnged arbennig i OSIAN ELLIS gan Elinor Bennett, ei gyn-ddisgybl a Chyfarwyddwraig Gŵyl Delynau Cymru. Gellir gwrando ar y recordiad sain a wnaeth Osian Ellis ei hun yn 2019 ar : https://soundcloud.com/popd_ping/lachrymae-oe-20-03-27-b DAGRAU / LACHRYMAE Osian Ellis Gair gan y Cyfansoddwr : " Cyfansoddwyd yr unawd hwn i'r delyn mewn cyfnod annifyr iawn pan oedd Llinos yn yr ysbyty yn cael triniaeth am gancr a phan oedd ei mam, Glynis, yn ei chwmni ddydd a nos am dair wythnos cyn y bu farw ym mis Tachwedd 2018, a hithau ond yn 39 oed. Serch hynny, da yw dweud fod ei merch, Elin (13) yn dal i ganu fel y gôg o amgylch ei chartref, ac wedi ymgodymu â'r brofedigaeth. " Term clasurol am ddagrau yw'r teitl "Lachrymae", ac fe'i defnyddiwyd gan John Dowland yn ystod oes Elisabeth 1af gan wneud defnydd o'i gân "Flow my tears". Defnyddiodd Benjamin Britten, yntau, y ffurf i fiola a phiano, ac fe'i cymhwysais i fiola a thelyn a'i ganu gyda Cecil AronowitZ yn y Philharmonie yn Berlin, ac hefyd gyda Peter Schidloff yng Ngŵyl Aldeburgh. " Rwy'n deisyf ar y delyn i swnio'n ymosodol a chreulon yn y rhan gyntaf gan adlewyrchu gofid a phoen, ond clywir hefyd atgof am blentyndod rhwng yr ebychiadau a'r gwanobeithio, ond wedi'r glissando a chanu cnul y gloch, daw Emyn y Cynhebrwng (Cortege) yn y Modd Dorian, a'r daith i fforest ger Boduan. -
MS Mus. 1738. Music Manuscripts of the Composer Robert Simpson (B.1921; D.1997); 1942-1997, N.D. Manuscripts Are Autograph Except Where Specified Otherwise
THE ROBERT SIMPSON COLLECTION AT THE BRITISH LIBRARY MS Mus. 1738. Music manuscripts of the composer Robert Simpson (b.1921; d.1997); 1942-1997, n.d. Manuscripts are autograph except where specified otherwise. Presented by Angela Simpson on 9 June 2000, with additional material subsequently received from the archives of the Robert Simpson Society (formerly housed at Royal Holloway, University of London), and from individual donors. See also MS Mus. 94, the autograph manuscript of Simpson’s String Quartet no. 7. The collection is arranged as follows: MS Mus. 1738/1 Symphonies MS Mus. 1738/2 Concertos MS Mus. 1738/3 Other orchestral music MS Mus. 1738/4 Incidental music MS Mus. 1738/5 Music for brass band MS Mus. 1738/6 Vocal music MS Mus. 1738/7 String quartets MS Mus. 1738/8 Other chamber music MS Mus. 1738/9 Keyboard music MS Mus. 1738/10 Arrangement MS Mus. 1738/11 Miscellaneous sketches MS Mus. 1738/1. SYMPHONIES MS Mus. 1738/1/1. Robert Simpson: Symphony no. 1; 1951. Score, in green ink, with various ink and pencil annotations. Dated at the end ‘21. vii. 1951 at Muswell Hill’. Submitted by the composer for his doctorate at the University of Durham in 1951. First performed in Copenhagen on 11 June 1953. Published by Alfred Lengnick & Co, 1956. Presented by the Robert Simpson Society in 2006. ff. i + 73. Green buckram binding. MS Mus. 1738/1/2. Robert Simpson: Symphony no. 2; 1955-1956. Score, in ink, with numerous ink and pencil annotations. Dedicated to Anthony and Mary Bernard. Published by Alfred Lengnick & Co., 1976. -
Telemann.Pdf
Enthält außerdem: Georg Philipp • [Kantaten TWV 1, 262] Telemann Der Herr hat offenbaret. CD-Empfehlungen, • [Kantaten TWV 1, 1334] CD's Siehe, ich verkündige Euch. Noten und Bücher "Eine farbige, bilderreiche Parti- Liebe Musikfreunde, tur, die nach mehrmaligem Hören auf den folgenden Seiten stellen Vokalmusik - durchaus auch im Vergleich mit wir Ihnen eine repräsentative Bachs Oratorium - durch Präg- Werkauswahl zum Thema "Georg nanz des melodischen Ausdrucks Philipp Telemann" in empfeh- und vielfach beziehungsreiche lenswerten CD-Aufnahmen, Noten Verzahnungen von Text und Tö- und Büchern vor. Eine Präsenta- nen überzeugt. Sehr stilkundig, Telemann, Georg Philipp: tion der CDs bieten wir Ihnen am spannungsreich und lebendig [Kantaten / Ausw.] 15. Oktober 2001, 19:30 Uhr in musiziert. Hörbar wird auch, daß Kantaten aus dem Harmonischen der Stadtbücherei, Musikbiblio- Telemann in seinen späten Partitu- Gottesdienst / Georg Philipp thek anläßlich der Veranstaltung ren bereits den empfindsamen Stil Telemann. - „Thomas Rink erläutert Tele- einer neuen Zeit anklingen läßt." Neumünster : Canterino, 1990. - 1 mann". (J.Berger im Coburger Tageblatt Compact Discs DDD + 1 Beih. - Die CDs, Noten und Bücher kön- v.28.10.96) (Musica sacra ; 1) nen Sie ab 15. Oktober 2001 Interpr.: Schmithüsen, Ingrid (nach der Veranstaltung) bei uns "Großartige Musik. Eine tolle CD, [Sopr]; Concertino-Ensemble ausleihen. Telemann, Georg Philipp: die in Technik und Präsentation <Köln>; [Die Hirten an der Krippe zu vom Feinsten ist. Best.Nr.: 1041 (CNT) Bethlehem] -
Sprawozdanie Z Działalności - Capella Cracoviensis 2016
Sprawozdanie z działalności - Capella Cracoviensis 2016 W 2016 r. Capella Cracoviensis zrealizowała 84 koncerty (74 krajowe, 10 zagranicznych), których wysłuchało 32.768 słuchaczy Realizacje koncerty repertuarowe projekt CCExtreme: Haydn Extreme, Karłowicz Extreme, Bach Extreme, Beethoven Extreme otwarte dla publiczności próby otwarte dla publiczności przesłuchania dla śpiewaków Cykl Salon VIP Tryptyk Musica Sacra koncerty na zamówienie udział w festiwalach zewnętrznych Współorganizacja: Opera Rara Festiwal Bachowski - Świdnica Kromer Festival Festiwal Gorczyckiego Musica Poetica Tarnów Theatrum Musicum Edukacja cykl Matinée - koncerty dla juniorów i seniorów Akademia Bachowska Realizacja nagrań styczeń - Mozart, Lessel, Krommer kwiecień - Karłowicz Serenada lipiec - Porpora Germanico in Germania październik - arie z oper płyty, które ukazały się w 2016 r. : Karłowicz Serenada, Pergolesi Adriano in Siria Współpraca/nowa publiczność Firmy korporacyjne Uniwersytet Dzieci Uniwersytety Trzeciego Wieku Rada Krakowskich Seniorów Krakowskie uczelnie Miejskie Instytucje Kultury Placówki edukacyjne Fundacje Środowiska naukowe, akademickie, parafialne Areszt Śledczy - Kraków Odpowiedzialność społeczna zatrudnienie osoby niepełnosprawnej udział w programie Krakowska Karta Rodzinna 3+ działania na rzecz przeciwdziałania wykluczeniu społecznemu - współpraca z Miejskim Ośrodkiem Pomocy Społecznej, fundacjami działającymi na rzecz Osób Niepełnosprawnych, Uniwersytetem Trzeciego Wieku realizacja projektu społecznego - 2 spektakle przygotowane z udziałem -
ALEXEI VOLODIN, Piano
ALEXEI VOLODIN, Piano Acclaimed for his highly sensitive touch and technical brilliance, Alexei Volodin is in demand by orchestras at the highest level. He possesses an extraordinarily diverse repertoire, from Beethoven and Brahms through Tchaikovsky, Rachmaninov, Prokofiev and Scriabin to Gershwin, Shchedrin and Medtner. Highlights of the 2019/20 season include concerts with Orchestra dell’Accademia Nazionale di Santa Cecilia, Sydney Symphony Orchestra, Japan Philharmonic Orchestra, Philharmonisches Staatsorchester Hamburg, Royal Philharmonic and St Petersburg Philharmonic orchestras, and Sinfonica di Milano Giuseppe Verdi, working with conductors Valery Gergiev, Vladimir Ashkenazy, Kent Nagano, Pietari Inkinen and Robert Trevino. He will also appear with the Winnipeg Symphony Orchestra for a special project performing a cycle of Beethoven Concertos and the Choral Fantasy. Previous seasons have included performances with Orchestre symphonique de Montréal, The Mariinsky Orchestra, Antwerp, BBC and NHK symphony orchestras and NCPA Orchestra China, as well as tours with SWR Symphonieorchester, Russian National Orchestra and Polish National Radio Symphony Orchestra. Volodin regularly appears in recital and has performed in venues including Wiener Konzerthaus, Barcelona’s Palau de la Música, Mariinsky Theatre, Paris’ Philharmonie, Alte Oper Frankfurt, Tonhalle Zürich and Madrid’s Auditorio Nacional de Música. This season he appears in the International Piano Series at the Southbank Centre, Wigmore Hall and the Meesterpianisten Series at the Concertgebouw Amsterdam, as well as recitals in Bratislava, Ostrava, Den Haag, Oxford and Winnipeg. An active chamber musician, he has a long-standing collaboration with the Borodin Quartet. In 19/20, they will be joined by trumpeter Sergei Nakariakov for performances at the Southbank Centre and Istanbul Music Festival.