Week 4 Haydn Turnage Elgar
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21 MARCH FRIDAY SERIES 11 Helsinki Music Centre at 19
21 MARCH FRIDAY SERIES 11 Helsinki Music Centre at 19 Oliver Knussen, conductor Leila Josefowicz, violin Kirill Gerstein, piano Hans Werner Henze: Barcarola 20 min INTERVAL 20 min Alban Berg: Chamber Concerto 39 min I Thema scherzoso con variazioni II Adagio III Rondo ritmico con introduzione Interval at about 19.30. The concert ends at about 20.45. Broadcast live on Yle Radio 1 and the internet (yle.fi/klassinen). 1 The LATE-NIGHT CHAMBER MUSIC will begin in the main Concert Hall after an interval of about 10 minutes. Those attending are asked to take (unnumbered) seats in the stalls. Petri Aarnio & Jari Valo, violin Riitta-Liisa Ristiluoma & Martta Tolonen, viola Tuomas Lehto & Mikko Ivars, cello Arnold Schönberg: Verklärte Nacht (Transfigured Night) 28 min I Sehr langsam II Etwas bewegter III Schwer betont IV Sehr breit und langsam V Sehr ruhig 2 HANS WERNER ginning of the piece the Eton Boating Song from my opera We Come to the HENZE (1926–2012): River, can be heard briefly in the harps. BARCAROLA Later, after extended cantilenas, the real Barcarola is played by the solo vi- Hans Werner Henze was one of the ola, accompanied lightly by flutes and leading post-WWII composers in harps. In the score, the musical progress both his native Germany and Europe. is carried out like a journey: the musi- Barcarola was commissioned by the cal material is transformed, changed Tonhalle-Gesellschaft Zürich and and developed in the same sense as is was first performed there with Gerd the mental process of metamorphosis. Albrecht conducting in April 1980. -
English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
Música Antiga Além Da Presença De Grupos Especializados, Programação Revela Interesse Das Orquestras Modernas Pelo Repertório Dos Séculos XVII E XVIII
O compositor britânico Mark-Anthony Turnage • Editor’s choice: os melhores CDs u NOVEMBRO 2017 R$ 16,90 Guia mensal de música clássica www.concerto.com.br ISSN 1413-2052 - ANO XXIII Nº 244 1413-2052 ISSN Novos CAMINhOs da MÚSICA ANTIGA Além da presença de grupos especializados, programação revela interesse das orquestras modernas pelo repertório dos séculos XVII e XVIII TEMporadas 2018 JOãO Marcos COELhO Cultura Artística traz estrelas internacionais A invenção da música segundo Manoury JORgE COLI pALCO JúLIO MedagLIA A profundida na arte pianista Ronaldo Rolim Francisco Mignone, 120 anos CLÁUDIO CRUZ JOCY DE OLIVEIRA Maestro fala de suas atividades, Compositora lança o DVD da música de câmara à ópera Meu encontro com Luciano Berio u EDITORIAL Prezado leitor, Todos os meses, a equipe editorial da Revista CONCERTO se reúne para deliberar sobre a pauta da publicação. São encontros longos, com ricas discussões, sempre abordando os mais diversos aspectos da atividade musical clássica brasileira. Um dos objetivos que perseguimos é o de oferecer uma visão ampla da programação, contemplando diversos gêneros, estilos, épocas e tendências. Para este mês de novembro, chamou-nos a atenção o acúmulo de eventos relacionado à música antiga, o que acabou levando à matéria de capa desta edição. Além de apresentações do conjunto Cappella Mediterranea (foto da capa) no Rio de Janeiro e em São Paulo, interpretando, entre outras obras, a ópera Orfeo de Monteverdi – tida como marco inicial do gênero –, a programação revela interesse renovado também das Foto: CAPPELLA Mediterranea [DIVULGAÇÃO / Bertrand PICHÊNE] orquestras modernas por esse repertório. Em São Paulo, por exemplo, dois especialistas brasileiros, Bruno Procópio e Luis Otávio Santos, regem a Osesp em obras dos séculos XVII e XVIII. -
Poul Ruders Four Dances Birmingham Contemporary Music Group, Oliver Knussen DACAPO 8.226028 POUL RUDERS (B
POUL RUDERS Four Dances Birmingham Contemporary Music Group, Oliver Knussen DACAPO 8.226028 POUL RUDERS (b. 1949) Four Dances in One Movement (1983) 19:04 1 Whispering – 1:44 2 Rocking – 5:03 Four Dances 3 Ecstatic – 3:52 4 Extravagant 8:25 Birmingham Contemporary Music Group Oliver Knussen, conductor 5 Nightshade (1987) 8:35 Marie-Christine Zupancic | flute, piccolo, alto Abysm (2000) 23:32 Melinda Maxwell | oboe * 6 I Abysm 12:32 Rebecca Kozam | oboe, cor anglais ** 7 II Burning 1:48 Joanna Patton | clarinet ** 8 III Spectre 9:09 Mark O’Brien | clarinet, bass clarinet *, contra bass clarinet ** Margaret Cookhon | bassoon, contra bassoon ** Total: 51:08 Mark Phillips | horn Jonathan Holland | trumpet Alan Thomas | trumpet * Ed Jones | trombone Julian Warburton | percussion 1 Adrian Spillett | percussion 2 Malcolm Wilson | piano Alexandra Wood | violin 1 Gabriel Dyker | violin 2 ** Christopher Yates | viola Ulrich Heinen | cello John Tattersdill | double bass * Abysm ** Four Dances; Nightshade Dacapo is supported by the Danish Arts Council Committee for Music POUL RUDERS (b. 1949) Four Dances in One Movement (1983) 19:04 1 Whispering – 1:44 2 Rocking – 5:03 Four Dances 3 Ecstatic – 3:52 4 Extravagant 8:25 Birmingham Contemporary Music Group Oliver Knussen, conductor 5 Nightshade (1987) 8:35 Marie-Christine Zupancic | flute, piccolo, alto Abysm (2000) 23:32 Melinda Maxwell | oboe * 6 I Abysm 12:32 Rebecca Kozam | oboe, cor anglais ** 7 II Burning 1:48 Joanna Patton | clarinet ** 8 III Spectre 9:09 Mark O’Brien | clarinet, bass clarinet -
Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
"Woman.Life.Song" by Judith Weir Heather Drummon Cawlfield
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-1-2015 Study and analysis of "woman.life.song" by Judith Weir Heather Drummon Cawlfield Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Cawlfield, Heather Drummon, "Study and analysis of "woman.life.song" by Judith Weir" (2015). Dissertations. Paper 14. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2015 HEATHER DRUMMOND CAWLFIELD ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School STUDY AND ANALYSIS OF woman.life.song BY JUDITH WEIR A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Heather Drummond Cawlfield College of Performing and Visual Arts School of Music Music Performance May 2015 This Dissertation by: Heather Drummond Cawlfield Entitled: Study and Analysis of “woman.life.song” by Judith Weir has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing Arts in School of Music, Program of Vocal Performance Accepted by the Doctoral Committee ______________________________________________________ Melissa Malde, D.M.A., Research Advisor ______________________________________________________ Brian Luedloff, M.F.A., Co-Research Advisor (if applicable) _______________________________________________________ Robert Ehle, Ph.D., Committee Member _______________________________________________________ Susan Collins, Ph.D., Committee Member Date of Dissertation Defense _________________________________________ Accepted by the Graduate School _________________________________________________________ Linda L. Black, Ed.D. -
Changing Cultural Paradigms in Choral Programming
Changing Cultural Paradigms in Choral Programming Ciara Anwen Cheli Advisor: Lisa Evelyn Graham, Music Wellesley College May 2020 Submitted in Partial Fulfillment of the Prerequisite for Honors in Music © Ciara Cheli, 2020 Cheli 2 Table of Contents Acknowledgements .......................................................................................................................... 3 Introduction ..................................................................................................................................... 4 Part One: Reflecting on Our Past ................................................................................................... 7 Chapter One: An Overview of Choral Programming and Historical Trends ........................................... 7 Chapter Two: Modernism and a Choral Identity Crisis ......................................................................... 10 Chapter Three: Historical Perspectives on Concert Programming and Repertoire .............................. 15 Part Two: Looking To Our Future ................................................................................................ 19 Chapter One: Changing Cultures, Changing Choirs ............................................................................. 19 Chapter Two: Representation Matters .................................................................................................... 20 Chapter Three: Culturally Responsive Programming in the 21st Century .............................................. 24 Chapter Four: -
James Burton, Conductor
andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate thomas adès, deborah and philip edmundson artistic partner Boston Symphony Orchestra 138th season, 2018–2019 Friday, January 11, 9:40pm A special post-concert “Casual Friday” performance by the tanglewood festival chorus james burton, conductor As part of tonight’s “Casual Friday” program, immediately following the BSO concert, the audience is invited to pick up refreshments at Symphony Hall’s first-floor lounge spaces and then return to the concert hall for a special performance by the BSO’s own Tanglewood Festival Chorus, led by its conductor James Burton, of Ildebrando Pizzetti’s “Messa di Requiem” for unaccompanied chorus. Alternatively, audience members may choose to attend the post-concert reception in Higginson Hall, tonight featuring live music with the Tucker Antell Quintet. pizzetti “messa di requiem,” for a cappella chorus I. Requiem (Introitus and Kyrie) II. Dies irae III. Sanctus IV. Agnus Dei V. Libera me Text and translation begin on page 2. Born in Parma, Italy, Ildebrando Pizzetti (1880-1968) at first showed a preference for the theater, only later, in 1895, entering Parma Conservatory to study music. With Italian opera at its height, Pizzetti began trying to combine his two interests, eventually collaborating with the famous writer Gabriele D’Annunzio on two operas and writing incidental music for his plays. Pizzetti was director of the Milan Conser- vatory, then taught at Rome’s Accademia di Santa Cecilia, retiring in 1958. He taught such important composers as Mario Castelnuovo-Tedesco, Franco Donatoni, and Reginald Smith Brindle. -
Mozart: Requiem
LSO Live Mozart Requiem Sir Colin Davis Marie Arnet Anna Stéphany Andrew Kennedy Darren Jeffery London Symphony Chorus London Symphony Orchestra Mozart Requiem, K626 (1791) Page Index Marie Arnet soprano 3 Track listing Anna Stéphany alto 4 English notes Andrew Kennedy tenor 5 French notes Darren Jeffery bass 6 German notes 7 Composer biography Sir Colin Davis conductor 8 Text London Symphony Orchestra 10 Conductor biography London Symphony Chorus 11 Artist biographies 13 Orchestra and Chorus personnel lists 14 LSO biography James Mallinson producer Daniele Quilleri casting consultant Classic Sound Ltd recording, editing and mastering facilities Jonathan Stokes and Neil Hutchinson for Classic Sound Ltd balance engineers Ian Watson and Jenni Whiteside for Classic Sound Ltd editors A high density DSD (Direct Stream Digital) recording Recorded live at the Barbican, London 30 September and 3 October 2007 © 2008 London Symphony Orchestra, London UK P 2008 London Symphony Orchestra, London UK 2 Track listing Introitus and Kyrie 1 No 1 Requiem and Kyrie (chorus, soprano) 7’12’’ p8 Sequence 2 No 2 Dies irae (chorus) 1’44’’ p8 3 No 3 Tuba mirum (soprano, alto, tenor, bass) 3’38’’ p8 4 No 4 Rex tremendae (chorus) 2’13’’ p8 5 No 5 Recordare (soprano, alto, tenor, bass) 6’03’’ p8 6 No 6 Confutatis maledictis (chorus) 2’44’’ p8 7 No 7 Lacrimosa (chorus) 2’59’’ p8 Offertorium 8 No 8 Domine Jesu (chorus, soprano, alto, tenor, bass) 4’16’’ p8 9 No 9 Hostias (chorus) 4’36’’ p9 Sanctus 10 No 10 Sanctus (chorus) 1’47’’ p9 Benedictus 11 No 11 Benedictus (chorus, soprano, alto, tenor, bass) 4’29’’ p9 Agnus Dei and Communio 12 No 12 Agnus Dei (chorus, soprano) 8’46’’ p9 TOTAL 50’35’’ 3 Wolfgang Amadeus Mozart (1756–91) Jesu’ and the ’Hostias’ were written separately. -
Mark-Anthony Turnage Signs with Boosey & Hawkes
Boosey & Hawkes Music Publishers Limited 295 Regent Street London W1B 2JH Telephone 020-7580 2060 Fax 020-7637 3490 11 Dec 2002: for immediate release Website www.boosey.com Mark-Anthony Turnage signs with Boosey & Hawkes Mark-Anthony Turnage We are pleased to announce that Mark-Anthony Turnage, one of the most admired and new publishing contract widely-performed composers of his generation, has signed a long-term exclusive with Boosey & Hawkes publishing agreement with Boosey & Hawkes Music Publishers. The new contract, which runs from 1 January 2003, covers all future Turnage compositions from Crying Out Loud, a new work for Ensemble Modern to be premiered in Taipei in April 2003. Turnage’s existing output, including new works being premiered in January, remains published by Schott, and both publishers will be collaborating closely in the overall promotion of Turnage’s music. future works under Turnage’s future projects reflect his international stature, including commissions for the the new contract New York Philharmonic, London Philharmonic, Berlin Radio Choir and Berlin Philharmonic, the Hallé and clarinetist Michael Collins, Nash Ensemble, Ensemble Modern and flautist Dietmar Wiesner, and the Chicago Symphony Orchestra’s contemporary music ensemble. Turnage festival at the The BBC Symphony Orchestra appointed Mark-Anthony Turnage as its first Associate Barbican Centre in London Composer in 2000, and this fruitful partnership is celebrated in a weekend festival of 17-19 January 2003 Turnage’s music at the Barbican Centre on 17-19 January 2003. Chandos has recently released a disc of works by Turnage, performed by the BBC Symphony Orchestra under Slatkin, featuring Fractured Lines, Another Set To, Silent Cities and Four Horned Fandango (Chandos 10018). -
Tanglewood Brochure
2020 SEASON AT-A-GLANCE In the 2020 Tanglewood season, BSO Music Director Andris Nelsons leads twelve BSO concerts including Act III of Wagner’s Tannhäuser (7/11) and three programs showcasing Paul Lewis in all five Beethoven piano concertos (7/17–19). Other highlights include: • a weekend-long celebration of the 100th anniversary of Isaac Stern’s birth, with performances by violinists Augustin Hadelich, Midori, Pamela Frank, and Joshua Bell (7/24–26) • the Tanglewood Festival Chorus’s 50th Anniversary celebrated with six BSO collaborations (7/10–11, 8/1–2, 8/22–23) • Keith Lockhart leads the Boston Pops in Star Wars: The Empire Strikes Back (8/21) and the annual John Williams’ Film Night, hosted by Mr. Williams (8/15) • Ozawa Hall appearances by the Mark Morris Dance Group (7/1 & 2), Meow Meow (7/8), Emerson String Quartet with Emanuel Ax (7/9), Paul Lewis (7/14), and more • Popular Artists concerts with Ringo Starr (6/19), Trey Anastasio (6/20), Judy Collins and Arlo Guthrie (6/21), and the return of Wait Wait, Don’t Tell Me! (8/27) The Tanglewood Music Center (TMC) is the Boston Symphony Orchestra’s summer academy for advanced musical study. The TMC offers an intensive schedule of study and performance for emerging professional instrumentalists, singers, conductors, and composers. Orchestra Concerts July 6, 13, 20, 28, August 10 & 16 Chamber Music Concerts Sundays, June 28–August 16 Vocal Concerts July 12, 16, 26, August 3 & 9 Prelude Concerts Saturdays, July 11–August 15 Festival of Contemporary Music August 6–10 TMC-BBC Radio 3 New Generation Artists Recital* Mondays, July 6–August 10 *Free recitals presented in association with BBC Radio 3 Special Events String Quartet MasterPass* June 21–28 Bach Cantatas June 28 Mark Morris Dance Group July 1 & 2 MasterPass* Wednesdays July 1, 8, 15, 22, August 8 & 12 Full Tilt* July 5 & 27 TLI-TMC OpenStudio* July 13, 14 & 24 *Presented in collaboration with TLI 2 2020 SEASON The Tanglewood Learning Institute (TLI) offers engaging programs for curious minds, year-round. -
RNCM OPERA the CUNNING LITTLE VIXEN LEOŠ JANÁČEK WED 02, FRI 04, MON 07 DEC | 7.30PM SUN 06 DEC | 3PM RNCM THEATRE
WED 02 - MON 07 DEC RNCM OPERA The CUNNING LITTLE VIXEN LEOŠ JANÁČEK WED 02, FRI 04, MON 07 DEC | 7.30PM SUN 06 DEC | 3PM RNCM THEATRE LEOŠ JANÁČEK The CUNNING LITTLE VIXEN The Cunning Little Vixen Music by Leoš Janáček Libretto by Leoš Janáček based on the novella by Rudolf Těsnohlídek, translated by David Pountney Translation © David Pountney Used with permission of David Pountney. All Rights Reserved. 3 SYNOPSIS CAST THE ADVENTURES OF THE VIXEN BYSTROUŠKA Emyr Jones*, Ross Cumming** Forester Act I Pasquale Orchard*, Alicia Cadwgan** Vixen Sharp-Ears How they caught Bystrouška Georgia Mae Ellis*, Melissa Gregory** Fox Goldenmane Bystrouška in the courtyard of Lake Lodge Philip O’Connor*, Gabriel Seawright** Schoolmaster/Mosquito Bystrouška in politics Liam Karai*, George Butler** Priest/Badger Bystrouška gets the hell out Ema Rose Gosnell*, Lila Chrisp** Forester’s Wife/Owl Ranald McCusker*, Samuel Knock** Rooster/Mr Pásek Act II Sarah Prestwidge*, Zoë Vallée** Chocholka/Mrs Pásek Bystrouška dispossesses William Kyle*, Thomas Ashdown** Harašta Bystrouška's love affairs Rebecca Anderson Lapák Bystrouška's courtship and love Lorna Day Woodpecker Katy Allan Vixen as a Cub Interval Georgia Curwen Frantík/Cricket Emily Varney Pepík/Frog Act III Anastasia Bevan Grasshopper/Jay Bystrouška outran Harašta from Líšeň How the Vixen Bystrouška died RNCM OPERA CHORUS DANCER FOX CUBS The baby Bystrouška - the spitting image of her mother Lleucu Brookes Jade Carty Lleucu Brookes Jade Carty Jade Carty Dominic Carver HENS Abigail Jenkins James Connolly