DOCSLIB.ORG

Grant Doyle Baritone

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grant Doyle Baritone Grant Doyle Baritone He appears frequently with numerous UK He played the lead role in the Channel 4/ABC film companies, where his roles have included Sasha of The Eternity Man, which won the Rose d’Or Paradise Moscow, Albert Werther and Robin Award for Best Performing Arts programme; he Oakapple/Sir Ruthven Murgatroyd Ruddigore for also recorded the Forester for the BBC animated Opera North; Count Le nozze di Figaro, Don film of The Cunning Little Vixen with the Giovanni (title role) and Forester The Cunning Deutsches Symphonie-Orchester Berlin, Little Vixen for Garsington Opera; Figaro Barber of conducted by Kent Nagano, as well as creating the Seville, Paolo Simon Boccanegra, Emireno role of Carlo in Judith Weir’s opera Armida for Ottone, Hector King Priam, Edoardo The Siege of Channel 4 TV. Calais, Nello Pia de' Tolomei, Oreste Iphigénie en Tauride, and Marcello La Bohème for English As a busy concert soloist, Grant Doyle performs Touring Opera; Frédéric Lakmé, Marcello, regularly throughout the UK and Australia in Yeletsky PiQue Dame, Fantastic Mr Fox (title role), repertoire which includes Carmina Burana (The Zurga Les pêcheurs de perles and Robert Iolanta Bach Choir/Royal Festival Hall, Bournemouth for Opera Holland Park; Figaro Le nozze di Figaro Symphony, Royal Philharmonic and Ulster for Longborough Festival Opera, Apparition of a orchestras, Australian Ballet and Ex Cathedra), Poet The Adventures of Mr Brouček for Scottish Fauré Requiem (Hallé Orchestra), Bach Christmas Opera and Eugene Onegin (Stanley Hall Oratorio (Copenhagen Philharmonic), Judas Opera/Opera Project). He has also appeared for Maccabeus (King’s Lynn Festival), Janáček’s Glyndebourne on Tour and opera in the round at Glagolitic Mass (Philharmonia/Brighton Festival), Royal Albert Hall. Brahms German ReQuiem (Tasmanian Symphony Orchestra, The Bach Choir/Philharmonia at the His international roles include Demetrius at the Cheltenham Festival and Westminster Cathedral), Komische Oper Berlin and Teatro Real in Madrid, Britten’s War ReQuiem (Hertfordshire Chorus, where he also sang Der Einäugige Die Frau ohne Huddersfield Choral Society, Viva Orchestra), A Schatten as well as Ned Keene Peter Grimes at the Child of Our Time (Crouch End Festival Teatro Pérez Galdós Las Palmas, Mike I was Chorus/Barbican), Christus St John Passion (Irish Looking at the Ceiling (John Adams) for Opera di Chamber Orchestra), Christus St Matthew “Grant Doyle sings with a pure, Roma and Count Le Nozze di Figaro for Xi’an Passion (Leicester Bach Choir) and Messiah with Symphony Orchestra. the Royal Choral Society at the Royal Albert Hall. uncomplicated richness one could happily listen to all night” In his native Australia, Grant has appeared as Recent highlights include Vater/Andervater Starbuck in Jake Heggie’s Moby-Dick, Don Coraline for Zurich Opera, Robert Iolanta for The Stage Giovanni, Zurga, Count Le nozze di Figaro and Opera Holland Park, Tiridate Radamisto and the Pooh-Bah The Mikado for State Opera of South title role in Macbeth in his return to English Born in Adelaide, Grant Doyle completed his Australia, Zurga Pearl Fishers for Opera Touring Opera, and Rigoletto at Opéra de Baugé. studies at the Royal College of Music in London, Queensland, repeated at SOSA, Yamadori In July 2018, Grant Doyle stepped in at short before joining the Young Artists Programme at Madama Butterfly for Opera Australia and Oreste notice to create the role of Enric in the world the Royal Opera House, Covent Garden. Iphigenie en Tauride with Pinchgut Opera. He premiere of David Sawer’s The Skating Rink at Subsequent roles there include Tarquinius The sang King Phillip II in Isaac Nathan's ballad opera Garsington Opera, and was praised for his Rape of Lucretia, Ping Turandot, Harlequin Don John of Austria especially orchestrated by Sir “beautifully crafted, multilayered performance”. Ariadne auf Naxos, Schaunard La Bohème, Bello Charles Mackerras for the Sydney Symphony Invitations include roles at the Royal Opera House La fanciulla del West, Demetrius A Midsummer Orchestra and recorded by the ABC. Linbury Theatre, Garsington Opera and Opera Night’s Dream, Morales and Dancaïro Carmen, Holland Park. Cekunov/Cook From the House of the Dead (ROH Other roles include the title roles in Britten’s premiere) and roles in four world premieres, the Owen Wingrave and Thomas' Hamlet, Papageno Narrator in Dominique LeGendre’s Bird of Night, Die Zauberflöte, Silvio I Pagliacci, Escamillo, Billy in Mark-Anthony Turnage’s Anna Nicole, Sir Frank/Fritz Die tote Stadt, Dandini Cenerentola, Valid for use until 1 February 2021 For updated versions please contact Thomas Bertram in the new orchestrated version Belcore L'elisir d'amore, Sid Albert Herring, [email protected] of Jonathan Dove’s Mansfield Park at the Paquiro Goyescas and Nathan in Nicholas Maw’s inaugural festival at The Grange, and Abraham in Sophie’s Choice. James MacMillan’s Clemency, a role he repeated for Scottish Opera. Rayfield Allied Member of the International Artist 9-12 The Stableyard Managers’ Association Broomgrove Road, London SW9 9TL, UK Rayfield Allied acts as agent only and can www.rayfieldallied.com accept no responsibility as principal E-mail [email protected] Telephone +44 (0)20 3176 5500 Facsimile +44 (0)700 602 4143 .
Load more

Recommended publications
  • RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
    RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal
    [Show full text]
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • English Translation of the German by Tom Hammond
    Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p.
    [Show full text]
  • An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A. (Katherine Amanda) Guin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES AN ARISTOTELIAN APPROACH TO JANE AUSTEN’S MANSFIELD PARK By KATHERINE A. GUIN A Dissertation submitted to the Department of Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 Katherine A. Guin defended this dissertation on March 30, 2015. The members of the supervisory committee were: David McNaughton Professor Directing Dissertation Eric Walker University Representative John Roberts Committee Member J. Piers Rawling Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To my father and mother, And To my husband iii ACKNOWLEDGMENTS This project began almost twenty years ago when I read Mansfield Park and the Nicomachean Ethics both for the first time and in quick succession. My father, Greg Guin, had pushed me to read both and I waited far too long to take his excellent advice. I am very grateful not only to my father but his friend, Bill Henry, for inspiring my interest in great literature. As an undergraduate at Millikin University, I had the privilege of being taught by several gifted teachers in the Philosophy, English, and History departments. I thank my English Professor, Bonnie Gunzenhauser, for encouraging me in my first attempt at exploring the connection between Austen and Aristotle.
    [Show full text]
  • Opera Birmingham Classical Singers Birmingham
    OPERA BIRMINGHAM Welcome to our page on Opera and Classical Singers in Birmingham. We created this web-page to promote a concert at the Royal Birmingham Conservatoire in February 2019 directed by and featuring soprano Emily Sloan. See below. We were delighted and amazed by the number of "hits" this web-page received so we have left it in place and are now looking to regularly up-date the information for the benefit of any individual or organisation promoting an opera, or an event featuring classical singers in Birmingham. If you are organising any event involving opera or classical singers in the city, including at the Conservatoire, we would love to receive details at [email protected] and we will upload these free to this web-page. Should you be in a position to offer two free tickets to your event this would be much appreciated, but this is NOT a requirement to be listed here. We appreciated that for some they may not be able to offer tickets, please however still send us details of your event. We are particularly keen to promote student recitals / concerts / operas. This page is sponsored by Chartered Surveyors BANKIER SLOAN www.centre-p.co.uk Last updated: 19th August 2019 ANDREA BOCELLI Presented By Tickets from Kilimanjaro Live Ltd £57.75Includes service https://www.emilysloansoprano.com 19 October 2019 It's a Saturday fee and £1.20 facility fee. A £2.55 admin fee applies. Special Guest: Beverley Knight Event Details The world’s most beloved tenor, Andrea Bocelli, is delighted to announce that the queen of British Soul Beverley Knight will join him on his highly anticipated upcoming headline tour this autumn, including a date at Birmingham’s Resorts World Arena.
    [Show full text]
  • Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
    The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano.
    [Show full text]
  • Performance 030719.Indd
    Aufführungen / Performances Aufführungen Aufführungen zeitgenössischer Musik Performances of contemporary music 01.07.- 06.07.2019 Minas Borboudakis, Z, Musiktheater, Bayerische Staatsoper, Cond: Minas Borboudakis, Festspiel-Werkstatt, Reithalle, München DEUTSCHLAND 02.07.2019 Daníel Bjarnason, Brothers, (Version for Reduced Orchestra), The Icelandic Opera, Cond: Bjarni Frímann Bjarnason, MÜPA, Festival Theatre, Budapest UNGARN 05.07./ 06.07./ 08.07./ 09.07.2019 Jonathan Dove, Das Labyrinth, Oper Wuppertal, Cond: Markus Baisch, Wuppertal, Deutschland 05.07.2019 Jonathan Dove, Mansfield Park, Opera in 2 Acts, Royal Birmingham Conservatoire, Lichfield Festival, Swinfen Hall Hotel, Lichfield UK 06.07.2019 Jonathan Dove, Far Theatricals of Day, The Cantus Ensemble, Cond: Dominic Brennan, St Mary le Bow Church, London UK 07.07.2019 Emily Howard, The Anvil An Elegy for Peterloo, BBC Philharmonic / BBC Singers / Halle combined choirs, Cond: Ben Gernon, Bridgewater Hall, Manchester UK 08.07.2019 Jonathan Dove, Arion and the Dolphin, Bar Choral Society, Cond: Greg Morris, Temple Church, London, UK 10.07./ 12.07.2019 Alan Hovhaness, And God Created Great Whales op. 229 Nr. 1, Sinfonisches Orchester Mainz e.V., Cond: Georg Ziegler, P1 Hörsaal der Johannes-Gutenberg-Universität, Mainz DEUTSCHLAND 11.07.2019 Jonathan Dove, Vertue, Ensemble VOCES8, Lichfield Cathedral, Lichfield, UK World Premiere 12.07.2019 Jonathan Dove, Youth Gone, Lucy Crowe (soprano) / Anna Tilbrook (piano), Cheltenham Music Festival, Cheltenham, UK 12.07.2019 Berhard Gander, deathtongue,
    [Show full text]
  • "Woman.Life.Song" by Judith Weir Heather Drummon Cawlfield
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-1-2015 Study and analysis of "woman.life.song" by Judith Weir Heather Drummon Cawlfield Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Cawlfield, Heather Drummon, "Study and analysis of "woman.life.song" by Judith Weir" (2015). Dissertations. Paper 14. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2015 HEATHER DRUMMOND CAWLFIELD ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School STUDY AND ANALYSIS OF woman.life.song BY JUDITH WEIR A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Heather Drummond Cawlfield College of Performing and Visual Arts School of Music Music Performance May 2015 This Dissertation by: Heather Drummond Cawlfield Entitled: Study and Analysis of “woman.life.song” by Judith Weir has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing Arts in School of Music, Program of Vocal Performance Accepted by the Doctoral Committee ______________________________________________________ Melissa Malde, D.M.A., Research Advisor ______________________________________________________ Brian Luedloff, M.F.A., Co-Research Advisor (if applicable) _______________________________________________________ Robert Ehle, Ph.D., Committee Member _______________________________________________________ Susan Collins, Ph.D., Committee Member Date of Dissertation Defense _________________________________________ Accepted by the Graduate School _________________________________________________________ Linda L. Black, Ed.D.
    [Show full text]
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • Adventures Adventures
    THEADVENTURESADVENTURES COUNTCOUNT ORYORY Music by Gioachino Rossini CAST: PRODUCTION: Count Ory: Nicholas Sharratt Musical Director: Nicholas Jenkins Raimbaud, a friend of Ory: Benedict Nelson Director: Harry Fehr Ory’s Tutor: Steven Page Designer: Max Dorey Isolier, Ory’s brother: Kate Howden Lighting Designer: Christopher Nairne Two cavaliers, friends of Ory: Benjamin Ellis* Assistant Director: Jack Furness and Guy Elliott* Assistant Musical Director: Jeremy Cooke Countess Adele: Anna Devin Production Manager: Rene (Freddy) Marchal Ragonde , a friend of the Countess: Louise Winter Costume Supervisor: Felicity Langthorne A lady, another friend of the Countess: Costume Assistant: Jo Ray Claire Barton* Hair and Make-Up: Maisie Palmer Alice, a villager: Zoe Freedman* Production Assistant: Sophie Horan *Vocal student at Trinity Laban Conservatoire of Music and Dance Senior Stage Manager: Sasja Ekenberg Deputy Stage Manager: Marian Sharkey Blackheath Halls Opera Chorus Assistant Stage Managers: Mimi Palmer-Johnston Blackheath Halls Orchestra and Rosanna Grimes Pupils from Greenvale School Community Stage Manager: Sarah Southerton Pupils from Charlton Park Academy Technical Assistant Stage Manager: Pupils from Year 5 at St Margaret’s Primary School Oliver Ballantyne Pupils from Year 4 at Lee Manor Primary School Project Manager: Rose Ballantyne Assistant Project Manager: Alice Murray BLACKHEATH HALLS TEAM: General Manager: Keith Murray Publicity and Programme Designer: Community Engagement Manager: Rose Ballantyne Colin Dunlop Operations Manager: Hannah Benton TRINITY LABAN PROJECT TEAM: Technical Manager: Malcolm Richards Programme Manager: Anna Wyatt and Marketing and Box Office Co-ordinator:Kyle Jarvis Helen Hendry Development Officer:Helma Zebregs Project Leader: Joe Townsend Bookkeeper: Debra Skeet Administrator: Caroline Foulkes Running time: 2hrs and 30mins We have been staging community operas at Blackheath WELCOME Halls since July 2007.
    [Show full text]
  • Mozart: Requiem
    LSO Live Mozart Requiem Sir Colin Davis Marie Arnet Anna Stéphany Andrew Kennedy Darren Jeffery London Symphony Chorus London Symphony Orchestra Mozart Requiem, K626 (1791) Page Index Marie Arnet soprano 3 Track listing Anna Stéphany alto 4 English notes Andrew Kennedy tenor 5 French notes Darren Jeffery bass 6 German notes 7 Composer biography Sir Colin Davis conductor 8 Text London Symphony Orchestra 10 Conductor biography London Symphony Chorus 11 Artist biographies 13 Orchestra and Chorus personnel lists 14 LSO biography James Mallinson producer Daniele Quilleri casting consultant Classic Sound Ltd recording, editing and mastering facilities Jonathan Stokes and Neil Hutchinson for Classic Sound Ltd balance engineers Ian Watson and Jenni Whiteside for Classic Sound Ltd editors A high density DSD (Direct Stream Digital) recording Recorded live at the Barbican, London 30 September and 3 October 2007 © 2008 London Symphony Orchestra, London UK P 2008 London Symphony Orchestra, London UK 2 Track listing Introitus and Kyrie 1 No 1 Requiem and Kyrie (chorus, soprano) 7’12’’ p8 Sequence 2 No 2 Dies irae (chorus) 1’44’’ p8 3 No 3 Tuba mirum (soprano, alto, tenor, bass) 3’38’’ p8 4 No 4 Rex tremendae (chorus) 2’13’’ p8 5 No 5 Recordare (soprano, alto, tenor, bass) 6’03’’ p8 6 No 6 Confutatis maledictis (chorus) 2’44’’ p8 7 No 7 Lacrimosa (chorus) 2’59’’ p8 Offertorium 8 No 8 Domine Jesu (chorus, soprano, alto, tenor, bass) 4’16’’ p8 9 No 9 Hostias (chorus) 4’36’’ p9 Sanctus 10 No 10 Sanctus (chorus) 1’47’’ p9 Benedictus 11 No 11 Benedictus (chorus, soprano, alto, tenor, bass) 4’29’’ p9 Agnus Dei and Communio 12 No 12 Agnus Dei (chorus, soprano) 8’46’’ p9 TOTAL 50’35’’ 3 Wolfgang Amadeus Mozart (1756–91) Jesu’ and the ’Hostias’ were written separately.
    [Show full text]
  • September October November
    The UBC School of Music returns with a new Oct 14 Wed season of beautiful music — online from the Wednesday Noon Hours stages of the Chan Centre and Old Auditorium. A Tribute to Hans-Karl Piltz Marina Thibeault viola with UBC String Faculty Concerts at the School of Music will look a little different David Gilham violin*, Eric Wilson cello^, Jasper Wood violin# this year. Our soloists, chamber groups, large ensembles, Mozart Duo in B flat for violin and viola* and special guests are excited to bring you the gorgeous Clarke Lullaby & Grotesque for viola and cello^ array of concerts and operas you’ve come to expect — Martinu Three Madrigals# in creative new ways! 12:00 noon, Streaming live from the Chan Centre We will be streaming all our events via the School of Music website music.ubc.ca/streaming until it’s safe Oct 17 – 24 to resume in-person concerts. We’ve reconfigured our Rossini Il viaggio a Reims (The Journey to Reims) ensembles and venues to safeguard the health of our UBC Opera Ensemble musicians, and we’re exploring new technology at our David Agler conductor, Nancy Hermiston director disposal to create a more immersive experience for our Sung in Italian with English Surtitles virtual audiences. Oct 17, 20, 23 7:30 pm | Oct 18, 21, 24 2:00 pm Streaming live from the Old Auditorium SEPTEMBER Sept 30 Wed Oct 28 Wed Wednesday Noon Hours Wednesday Noon Hours Mark Anderson piano Winner of the Eckhardt-Gramatté Competition Chopin Ballades Nos. 1 - 4 12:00 noon, Streamed live.
    [Show full text]