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Symphony 1 Orchestrh Forty-Second BOSTON SYMPHONY 1 ORCHESTRH FORTY-SECOND ^SwVVfr} - SEASON J922-J923 PRoGR7W\E TREMONT STREET. BOSTON Drawn from Ha shown by Chandler fir Co. &B Dress Hats, $20, $25 to $75.00 Semi-Dress, Tailored Hats, $15.00 to $25.00 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 l@§t©im Symphony D)relhe§te INC. PIERRE MONTEUX, Conductor FORTY-SECOND SEASON, 1922-1923 torn* MONDAY EVENING, APRIL 23, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1923, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager . <UHE INSTRUMENT OF THE IMMORTALS QOMETIMES people who want a Steinway think it economi- cal to buy a cheaper piano in the beginning and wait for a Steinway. Usually this is because they do not realize with what ease Franz Liszt and convenience a Steinway can at his Steinway be bought. This is evidenced by the great number of people who come to exchange some other piano in partial payment for a Steinway, and say: "If I had only known about your terms I would have had a Steinway long ago!" You may purchase a new Steinway piano with a cash deposit of 10%, and the bal- ance will be extended over a period of two years. Trices: $875 and up Convenient terms. Used pianos taken in exchange. S I bill 109 EAST 14th STREET NEW YORK Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE SYMPHONY HALL Make early reservations for the Opening Night, Monday, May 7 (38th Season) p;t w x Orchestra of Symphony Players AGIDE JACCHIA, Conductor TICKET SALE BEGINS MONDAY, APRIL 23 TONE i zJl voice that quickens the musical ear of childhood — a voice that stirs the musician to his most inspired moments, and yet a voice that is as human and intimate as the voice of a lifelong friend" Thus is described the exquisite Tone — the "Voice" of the ®U Established F i823C^ PIANO We shall be glad to welcome you to our Music Rooms, and let the Chickering carry its own message to you in a half hour or so of good music. The £hickering may be purchased on easy terms of payment CHICKERING WAREROOMS 169 TREMONT STREET 'ORTY-SECOND SEASON, NINETEEN HUNDRED TWENTY-TWO & TWENTY-THREE 'iftfa TO mime MONDAY EVENING, APRIL 23 AT 8.15 Weber Overture to the Opera "Oberon" Mendelssohn Symphony No. 3 in A minor, "Scotch," Op. 56 I. Andante con moto; Allegro un poco agitato. II. Vivace non troppo. III. Adagio. IV. Allegro vivacissimo; Allegro maestoso assai. (To be played without pause) Wagner Prelude to "The Mastersingers of Nuremberg" Mozart Aria, "Ah, lo so," from "The Magic Flute" Mozart Aria, "Con vezzie, con lusinghe" from "II Seraglio" Saint-Saens Septet for Trumpet, Strings and Piano, Op. 65 Piano solo — Jesus Sanroma Trumpet solo — Georges Mager I. Preamble. II. Minuet. III. Intermezzo. IV. Gavotte and Finale. Berlioz Hungarian March, "Rakoczy," from "The Damnation of Faust" SOLOIST FLORENCE MACBETH MASON & HAMLIN PIANOFORTE There will be an intermission of ten minutes after the symphony City of Boston, Revised Regulation of August 5, 1898,—Chapter 3, relating to the covering of the head in places of public amusement Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators . it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk. The works to be played at these concerts may be seen in the Allen A. Brown Music collection of the Boston Public Library one week before the concert. 5 »paire The independent traveler to Europe this summer will save time, money and effort and will eliminate disappoint- ment by using our INDIVIDUAL TRAVEL SERVICE. We make advance arrangements for you, relieving you of the worry and all the burdensome travel details. We secure your steamship tickets at schedule rates, take care of your accommodations and incidental expenses at hotels in Europe, and arrange for a large part of your sightseeing. We also protect you from many local overcharges, costly delays and expensive changes of plans due to insufficient arrangements. In the popular season when reservations are at a premium, you can readily appreciate the inestimable value of this service. In helping you plan your route, we, as America's oldest and largest Travel Concern, with our intimate knowledge of present-day conditions in Europe, can assure you the inclusion of all those things which you as a discriminating American traveler want to see. By paying us a net price for your entire trip you are Jgfr relieved of uncertainty regardingexpenses. ^H Besides this Individual Travel Service r^^^lH we offer an attractive series of well- ^Bf^* planned and ideally arranged Escorted eJJLmBjLm Tours to Europe. For complete information about either our Individual Travel Service or our Escorted Tours, call, write or telephone THE BEST IN TRAVEL ) c©. 17 Temple Place BOSTON Tel. Beach 6964 f Overture to the Opera "Oberon" . Carl Maria von Weber (Born at Eutin, Oldenburg, December 18, 1786; died at London, June 5, 1826.) "Oberon; or, the Elf-king's Oath," a romantic opera in three acts, book by James Robinson Planche, music by Carl Maria von Weber, was first performed at Covent Garden, London, on April 12, 1826. |l Weber conducted. The cast was as follows: Rezia, Mary Anne Paton; Mermaid, Mary Anne Goward; Fatima, Mme. Vestris; Puck, Harriet Cawse; Huon, John Braham; Oberon, Mr. Gownell; Scherasmin, acted by Mr. Fawcett, "but a bass singer, named Isaacs, was lugged in head and shoulders to eke out the charming quatuor, 'Over the Dark Blue " (Waters.' The first performance in Boston was in Music Hall by the Parepa- Rosa Company, May 23, 1870.* The first performance in Germany of "Oberon" in "its original shape" .was at Leipsic, December 23, 1826. *The cast was as follows: Rezia, Mme. Parepa-Rosa; Fatima, Mrs. E. Seguin; Puck, Miss Geral- idinc Warden; Sir Huon, William Castle; Scherasmin, A. Laurence (sic); Oberon, G. F. Hall; Mermaid, Miss Isaacson (?). Carl Rosa conducted. A song "Where Love is, there is Home,'' arranged by Howard T Glover from a theme in one of W eber's pianoforte sonatas, was introduced. The audience was not large, and it was cool. fThe part of Rezia was then taken by Miss Canzi, and that of Sir Huon by Vetter. Catherine Canzi, daughter of a Hungarian mother, was born at Baden, Austria, in 1*05. She si tidied with several ten iers, and became the pupil of Salieri in 1819. She sang at court concerts in 1821, appeared at the ' Court Opera House in operas by Rossini, and visited German opera houses as a "guest." In 1822 she went to Milan, where she studied with Banderali. She sang at La Scala in May, 1823, in Rossini's "Barbiere di Siviglia" and "L'Inganno Felice," sang with success in other Italian opera houses, re- turned to Germany in 1825, and was engaged for the Leipsic opera house. She visited London and ' Paris in 1826, but did not make a sensation. In 1827 she became a member of the Stuttgart opera h )use company, and remained there about ten years. In 1830 she married Wahbach, the stage manager of the opera house. She retired with a pension given by the King of Wurtemberg. Free Offer to 'Piano Teachers The First Quarter of the First Year of the wsxc Siu<.lou.i:s Piano Has been as highly praised as it has been widely used, but the editors, seeking perfection, have just revised and enriched this beginners' book. In accord with the progressive methods of today both clefs are used at the start; and in order to give the beginner an abundance of material the 56 pages of these first nine lessons have been crowded as full of attractive music as possible. We want every user of the course and every wide-awake teacher to have a free copy of this new edition, therefore send at once your full name and address with the number of your piano pupils to OLIVER D1TSON COMPANY, DePt. 21 BOSTON 10, MASS. (This offer expires May 15th) A new version prepared by the royal conductor Josef Schlar and the librettist Josef Lauff was brought out at Wiesbaden in May, 1900, as one of festal performances in which William Hohenzollern took special interest. For an account of the revision see the Monthly Musical Record (London), July 1, 1900. * * * Weber was asked by Charles Kemble in 1824 to write an opera for Covent Garden. A sick and discouraged man, he buckled himself to the task of learning English, that he might know the exact meaning of the text. He therefore took one hundred and fifty-three lessons of an Englishman named Carey, and studied diligently, anxiously. Planche sent the libretto to Dresden an act at a time. Weber made his first sketch on January 23, 1825. The autograph score contains this note at the end of the overture: "Finished April 9, 1826, in the morning, at a quarter of twelve, and with it the whole opera.
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