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Polka Sax Man More Salute to Steel 3 from the TPN Archives Donnie Wavra July 2006: 40Th National Polka by Gary E
Texas Polka News - March 2016 Volume 28 | Isssue 2 INSIDE Texas Polka News THIS ISSUE 2 Bohemian Princess Diary Theresa Cernoch Parker IPA fundraiser was mega success! Welcome new advertiser Janak's Country Market. Our first Spring/ Summer Fest Guide 3 Editor’s Log Gary E. McKee Polka Sax Man More Salute to Steel 3 From the TPN Archives Donnie Wavra July 2006: 40th National Polka By Gary E. McKee Festival Story on Page 4 4-5 Featured Story Polka Sax Man 6-7 Czech Folk Songs Program; Ode to the Songwriter 8-9 Steel Story Continued 10 Festival & Dance Notes 12-15 Dances, Festivals, Events, Live Music 16-17 News PoLK of A Report, Mike's Texas Polkas Update, Czech Heritage Tours Special Trip, Alex Says #Pep It Up 18-19 IPA Fundraiser Photos 20 In Memoriam 21 More Event Photos! 22-23 More Festival & Dance Notes 24 Polka Smiles Sponsored by Hruska's Spring/SummerLook for the Fest 1st Annual Guide Page 2 Texas Polka News - March 2016 polkabeat.com Polka On Store to order Bohemian Princess yours today!) Texas Polka News Staff Earline Okruhlik and Michael Diary Visoski also helped with set up, Theresa Cernoch Parker, Publisher checked people in, and did whatever Gary E. McKee, Editor/Photo Journalist was asked of them. Valina Polka was Jeff Brosch, Artist/Graphic Designer Contributors: effervescent as always helping decorate the tables and serving as a great hostess Julie Ardery Mark Hiebert Alec Seegers Louise Barcak Julie Matus Will Seegers leading people to their tables. Vernell Bill Bishop Earline Berger Okruhlik Karen Williams Foyt, the Entertainment Chairperson Lauren Haase John Roberts at Lodge 88, helped with ticket sales. -
Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times. -
Environmental and Social Management Framework (ESMF)
Public Disclosure Authorized PUNJAB MUNICIPAL SERVICES IMPROVEMENT PROJECT (PMSIP) Public Disclosure Authorized Environmental and Social Management Framework Draft April 2020 Public Disclosure Authorized Prepared by: Punjab Municipal Infrastructure Development Company, Department of Local Government, Government of Punjab Public Disclosure Authorized i TABLE OF CONTENTS EXECUTIVE SUMMARY ................................................................................................................................... VI CHAPTER 1: INTRODUCTION .......................................................................................................................... 13 1.1 BACKGROUND ................................................................................................................................................ 13 1.2 PURPOSE OF THE ESMF .................................................................................................................................. 13 1.3 APPROACH AND METHODOLOGY ........................................................................................................................ 13 CHAPTER 2: PROJECT DESCRIPTION ............................................................................................................... 15 2.1 PROJECT COMPONENTS .................................................................................................................................... 15 2.2 PROJECT COMPONENTS AND IMPACTS................................................................................................................ -
Giddha Folk Dance: an Embodiment of Healing Through Creative Artistic Punjabi Dance Culture and Connection with Somatic Dance Therapy & Practice
GIDDHA FOLK DANCE: AN EMBODIMENT OF HEALING THROUGH CREATIVE ARTISTIC PUNJABI DANCE CULTURE AND CONNECTION WITH SOMATIC DANCE THERAPY & PRACTICE Giddha is a form of folk dance from the land of five rivers called Punjab in North- Western part of India. So many rivers in one place signifying fertility and precious land for cultivation and farming. Punjabi culture is filled with vibrancy and fun loving loud people. They believe in expressing themselves with full power and intensity. Punjabi dances are based around energy and happiness. This form has freedom, expression, dramatic voice, facial and body dialoguing. It is a kinaesthetic, preoperceptive and muscular activity with elements of clapping and voicing emotions. It is an act of body, mind and emotions. Clapping helps to release toxins and also can be related to acupressure, as this triggers the points that effect major inner body organs. This form of movement exploration is therapeutic and has the ability to heal from a holistic perspective. Healing here is not when one goes into hospital and finds external source of therapy but from this perspective it simply means uniting the wholeness of being. This supports body, mind and spirit energy, bringing many people together to perform in a sacred circle; thus helping socialising to become artistic and motivational. It allows women of small knit family structures, villages and controlled environment societies to voice their inner feelings and releasing painful toxins through singing, dancing and bodily expression. It gives time to people to release everything in a joking fun loving manner and especially in a non- judgmental circle. -
'What Ever Happened to Breakdancing?'
'What ever happened to breakdancing?' Transnational h-hoy/b-girl networks, underground video magazines and imagined affinities. Mary Fogarty Submitted in partial fulfillment Of the requirements for the degree of Interdisciplinary MA in Popular Culture Brock University St. Catharines, Ontario © November 2006 For my sister, Pauline 111 Acknowledgements The Canada Graduate Scholarship (SSHRC) enabled me to focus full-time on my studies. I would also like to express my deepest gratitude to my committee members: Andy Bennett, Hans A. Skott-Myhre, Nick Baxter-Moore and Will Straw. These scholars have shaped my ideas about this project in crucial ways. I am indebted to Michael Zryd and Francois Lukawecki for their unwavering kindness, encouragement and wisdom over many years. Steve Russell patiently began to teach me basic rules ofgrammar. Barry Grant and Eric Liu provided comments about earlier chapter drafts. Simon Frith, Raquel Rivera, Anthony Kwame Harrison, Kwande Kefentse and John Hunting offered influential suggestions and encouragement in correspondence. Mike Ripmeester, Sarah Matheson, Jeannette Sloniowski, Scott Henderson, Jim Leach, Christie Milliken, David Butz and Dale Bradley also contributed helpful insights in either lectures or conversations. AJ Fashbaugh supplied the soul food and music that kept my body and mind nourished last year. If AJ brought the knowledge then Matt Masters brought the truth. (What a powerful triangle, indeed!) I was exceptionally fortunate to have such noteworthy fellow graduate students. Cole Lewis (my summer writing partner who kept me accountable), Zorianna Zurba, Jana Tomcko, Nylda Gallardo-Lopez, Seth Mulvey and Pauline Fogarty each lent an ear on numerous much needed occasions as I worked through my ideas out loud. -
Barinder Kaur
Barinder Kaur (Dr.) 11,Sangam Vihar, P.O.Chogitty Principal Jalandhar-144009(Pb.) Mata Sundri University Girls College Phone:-0181-2412033(R) Mansa,Punjab,INDIA Email:[email protected] Mob.92562-15590, 98885-11223 Summary Approved Principal by Punjab University Chandigarh, Punjabi University Patiala, Approved Lecturer by Guru Nanak Dev University, Amritsar & D.PI.(C) Chandigarh. Ph.D. (Research work Published), M.Phil. (First class first with distinction), M.A (First division). Presented Punjabi news at DoorDarshan Kendra, jalandhar for more then two decades.Anchor for Khas Khabar Ik Nazar & RUBRU etc. Founder Editor in Chief of College Magazine ‘Aadjugaad’ (Trai shatabadi G.G.S Khalsa college, Amritsar), Started Publication in 2001-2002. Started another Publication of college magazine Pritam Prerna of G.G.S College for Women, Kamalpur in 2008(3 Issues). Secured ‘B’ Grade in Hockey Adjudged by Sports Department, Chandigarh. Executive Member of Sports Sub-committee of S.G.P.C Amritsar from 2002- 2006. Recipient of Best Citizen of India Award -2004 by International Publishing House, New Dehli. Received Rural Olympic Heritage Award-2010 at 75th Qila Raipur Sports festival known as Mini Olympics. Recipient of SMISS AWARD-2010 by shaheed Memorial sewa society(regd.)Ludhiana. Recipient of ‘Best Principal’s Awardi-2011’ by International Institute of Management & Education, New Dehli. Executive Member, Punjab University Chandigarh Sports Committee 2010- 2011 & GNDU, Amritsar 2012-14. Manager of Punjab University Chandigarh Net Ball Women’s team & won Inter University Championship in 2010-2011. Member of Program Committee organized 28th ‘North-Zone Inter-University’ Youth Festival held at GNDU, Amritsar from 7th-11th Nov. -
Most Important Mcqs (Set III) for CSS, PMS, PCS, NTS
Pakistan Studies/Affairs: Most Important MCQs (Set III) for CSS, PMS, PCS, NTS Jinnah Barrage is located near: (a) Kalabagh (b) Tarbela Dam (c) Warsak Dam (d) None of these Answer: a The largest desert of Pakistan is: (a) Thal (b) Thar (c) Sehan (d) Cholistan Answer: b The total height of Peshawar from sea level is: (a) 1160 ft (b) 1164 ft (c) 1164 ft (d) 1178 ft Answer: b How high is Quetta from sea level? (a) 5000 ft (b) 5500 ft (c) 6000 ft Answer: b Taunsa Barrage was completed in: (a) 1953 (b) 1955 (c) 1956 (d) 1958 Answer: d Check Also: Important and Most Wanted MCQs about Current Federal Cabinet of Pakistan Sindh Sagar Doab is between the rivers of: (a) Indus and Jhelum Downloaded from www.csstimes.pk | 1 Pakistan Studies/Affairs: Most Important MCQs (Set III) for CSS, PMS, PCS, NTS (b) Indus and Chenab (c) Sutluj and Ravi (d) Ravi and Chenab Answer: a Ganji Bar is between the rivers of: (a) Ravi and Chenab (b) Ravi and Satluj (c) Jhelum and Chenab (d) Indus and Jhelum Answer: b The city has maximum height from sea level is: (a) Ziarat (b) Murree (c) Khanpur (d) Loralai Answer: b Chaj Doab is located between the rivers: (a) Ravi and Chenab (b) Jhelum and Chenab (c) Indus and Ravi (d) Ravi and Jhelum Answer: b Jinnah Barrage was completed in: (a) 1970 (b) 1946 (c) 1965 (d) None of these Answer: b The first canal built by British in the subcontinent is: (a) Sohag Canal (b) Upper Bari Doab (c) Chenab Canal (d) Lower Bari Doab Answer: b Downloaded from www.csstimes.pk | 2 Pakistan Studies/Affairs: Most Important MCQs (Set III) for CSS, -
Growth of Urban Population in Malwa (Punjab)
International Journal of Scientific and Research Publications, Volume 8, Issue 7, July 2018 34 ISSN 2250-3153 Growth of Urban Population in Malwa (Punjab) Kamaljit Kaur DOI: 10.29322/IJSRP.8.7.2018.p7907 http://dx.doi.org/10.29322/IJSRP.8.7.2018.p7907 Abstract: This study deals with the spatial analysis of growth of urban population. Malwa region has been taken as a case study. During 1991-2001, the urban growth has been shown in Malwa region of Punjab. The large number of new towns has emerged in this region during 1991-2001 periods. Urban growth of Malwa region as well as distribution of urban centres is closely related to accessibility and modality factors. The large urban centres are located along major arteries. International border with an unfriendly neighbour hinders urban growth. It indicates that secondary activities have positive correlation with urban growth. More than 90% of urban population of Malwa region lives in large and medium towns of Punjab. More than 50% lives in large towns. Malwa region is agriculturally very prosperous area. So Mandi towns are well distributed throughout the region. Keywords: Growth, Urban, Population, Development. I. INTRODUCTION The distribution of urban population and its growth reflect the economic structure of population as well as economic growth of the region. The urban centers have different socio economic value systems, degree of socio-economic awakening than the rural areas. Although Urbanisation is an inescapable process and is related to the economic growth of the region but regional imbalances in urbanization creates problems for Planners so urban growth need to be channelized in planned manner and desired direction. -
Phulkari Baghs of the Punjab: Another Perspective
PHULKARI BAGHS OF THE PUNJAB: ANOTHER PERSPECTIVE Arjmand Aziz MAP OF UNDIVIDED PUNJAB. SOURCE: THE IMPERIAL GAZETTEER OF INDIA (1907-1909) HTTP://DSAL.UCHICAGO>EDU/ lthough the most recognised of South A Asian embroidery there is curiously little scholarship available about the deeper meanings of phulkari chadars or shawls. Phulkari, literally translated as ‘flower’ (phul) and ‘work’ (kari), is used to describe several different styles of cloths historically made in the region of Punjab that today comprise the states of Punjab, Haryana, Himachal Pradesh in northern India, and the Punjab province of Pakistan including parts of Swat and Hazara. Within the hierarchy of phulkaris, baghs (literally ‘gardens’) were the most prestigious and precious. Created over many years to become family heirlooms, baghs were embroidered in silk floss covering the entire base khaddar (cotton) material. They were created by women within their own families, for wearing and presenting on auspicious religious occasions and as markers of significant life events such as marriages and births. Made by Hindu, Sikh and Muslim women they were never intended to be made or sold for a market or gifted to outsiders. The holding aloft of a bagh above of the embroidered fabric. More specifically, narrow strips were sewn together to form a bride as she made her way to the marriage I propose baghs should be seen as conceptual one rectangular piece. Sometimes the strips mandap, or the draping of a bagh upon her maps of ancestral land, daily and seasonal were sewn together after embroidering or the as she entered her new home, marked and interaction with it and the social relationships embroidery only commenced once the strips commemorated significant events both which are renewed and sustained by this had been joined together. -
Genome-Wide Association Study Identifies a Novel Locus Contributing to Type 2 Diabetes Susceptibility in Sikhs of Punjabi Origin from India
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Harvard University - DASH Genome-Wide Association Study Identifies a Novel Locus Contributing to Type 2 Diabetes Susceptibility in Sikhs of Punjabi Origin From India The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Citation Saxena, R., D. Saleheen, L. F. Been, M. L. Garavito, T. Braun, A. Bjonnes, R. Young, et al. 2013. “Genome-Wide Association Study Identifies a Novel Locus Contributing to Type 2 Diabetes Susceptibility in Sikhs of Punjabi Origin From India.” Diabetes 62 (5): 1746-1755. doi:10.2337/db12-1077. http://dx.doi.org/10.2337/db12-1077. Published Version doi:10.2337/db12-1077 Accessed February 16, 2015 1:14:24 PM EST Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12407045 Terms of Use This article was downloaded from Harvard University's DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms- of-use#LAA (Article begins on next page) ORIGINAL ARTICLE Genome-Wide Association Study Identifies a Novel Locus Contributing to Type 2 Diabetes Susceptibility in Sikhs of Punjabi Origin From India Richa Saxena,1 Danish Saleheen,2,3,4 Latonya F. Been,5 Martha L. Garavito,5 Timothy Braun,5 Andrew Bjonnes,1 Robin Young,3 Weang Kee Ho,3 Asif Rasheed,2 Philippe Frossard,2 Xueling Sim,6,7 Neelam Hassanali,8 Venkatesan Radha,9 Manickam Chidambaram,9 Samuel Liju,9 Simon D. -
Authenticity of Standard Version of Dasam Granth: History and Its Text in Literature*
Authenticity of Standard Version of Dasam Granth: History and its Text in Literature* By: Jasbir Singh Mann M.D. Granths with title as Sri Dasam Granth/or Dasam Patshahi Sri Guru Granth Sahib Ji, also known as Standard Version of Dasam Granth has been seen since 1897 AD in Circulation in Title prints with fixed compositions/contents with and arrangement of contents in 1428 pages, which was published after correction of 32 Granths by a Sodhak committee 1896AD and in Print form since 1900AD. Review of Literature shows no such Granth with Title Sri Dasam Granth or Dasmi Patshahi Ka Granth (with fixed pattern of Compositions/contents and arrangement) was seen in Punjab or Delhi area Sikh institutions in 18th century. Indian sources, Persian sources & over 30 European sources were silent about this Granth during 18th Century. In Literature Title “Dasmi Patshahi Granth” was first time reported by Malcolm in 1810 AD (early 19th century). Then onwards in early 19th century, such Granths started appearing in Sikh institutions in Punjab, initially in hand written Birs and then in print form in 19th century. By 1895AD, over 32 versions, with variable patterns of compositions in hand written birs, including six printed versions were available in Punjab. Sodhak committee prepared final standard version in 1897 AD which has been extensively used in literature during 20th century (1900AD-2000AD). This Granth has always remained controversial among scholars and Sikh community and issues of authenticity of its compositions can be traced during Cunningham during Pre-Singhsabha /Singh Sabha period and from 1947AD onwards till 2013. -
Typesetting in Hindi, Sanskrit and Persian: a Beginner's Perspective
Typesetting in Hindi, Sanskrit and Persian: A Beginner’s Perspective Wagish Shukla Maths Department Indian Institute of Technology New Delhi, India [email protected] Amitabh Trehan Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya (MGAHV) 16, 2nd floor, Siri Fort Road New Delhi, India [email protected] Abstract This paper describes our efforts to produce what is, to our knowledge, the first book typeset totally in an Indian language using LATEX: Chhand Chhand par Kumkum, published by Prabhat Prakashan for Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya (MGAHV). We used the devnag package, which made it possible to encode each chapter, including verses, within a single set of \dn commands (much like an environment). Since then, we have also tried the sanskrit and ArabTEX packages and describe some of our experiences. Using devnag alone, typesetting a large file (a full- sized book) was a stable procedure. On the other hand, when using devnag and sanskrit together, even a small file can present problems. Using devnag/sanskrit in conjunction with ArabTEX is also problematic. Additionally, one large part of the text was used to test conversion to HTML via latex2html (l2h) which has led to substantial upgrades of l2h by Ross Moore, its maintainer. This exemplifies the advantages of the free software community we have begun to live in. Ultimately, l2h was used to typeset MGAHV’s website (http://www.hindivishwa.nic.in). The Beginning him as a student and welcomed the connectivity, came in handy. We picked up a lot of new ideas Our tryst with T X began around the beginning of E from the net, the airwaves and the brain waves and the year 2000 A.D.