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Experience Glee
FREE YOUR A three-week Newspapers In Education program in partnership gleewith The Puyallup Fair Jingle History What is Find (and A jingle can be thought of as a musical commercial. Jingles began in the 1920s, about the time commercial radio became popular in the United States. Most jingles you hear on radio and television tend to be share!) your short and upbeat (all the better to get stuck in your head!) They are designed to make you feel happy and associate good feelings with the product they are advertising. They are often fun and easy to sing glee? — some jingles are so catchy that they become part of our cultural memory, something that everyone from a particular time and place What is the first thing you think of when you hear glee might remember. the word “glee?” You may think of the feelings The “Do the Puyallup” jingle has celebrated the Fair since 1976. associated with glee, or feeling “gleeful,” which Originally it was a slogan created by famed advertising copywriter can be described as extremely happy. Or your first Denny Hinton. Fellow copywriter Saxon Rawlings got out his guitar, thoughts might be of a “glee club,” a group of started writing lyrics and the rest is history. The Fair loved it. And it singers like the ones in the television show Glee. became a hit. The jingle has been sung in a variety of styles, including There is no correct answer to this question — glee rock, country or gospel. Listen to different versions on the Fair website: means different things to different people. -
A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: the Role of Social Network Norms and Social Support
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support Stephanie J. Begun University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Social Work Commons Recommended Citation Begun, Stephanie J., "A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support" (2017). Electronic Theses and Dissertations. 1293. https://digitalcommons.du.edu/etd/1293 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support ___________ A Dissertation Presented to the Faculty of the Graduate School of Social Work University of Denver ___________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ___________ by Stephanie J. Begun June 2017 Advisor: Kimberly Bender, Ph.D., M.S.W. ©Copyright by Stephanie J. Begun 2017 All Rights Reserved Author: Stephanie J. Begun Title: A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support Advisor: Kimberly Bender, Ph.D., M.S.W. -
The Piano Duet Play-Along Series Gives You the • I Dreamed a Dream • in My Life • on My Own • Stars
1. Piano Favorites 13. Movie Hits 9 great duets: Candle in the Wind • Chopsticks • Don’t 8 film favorites: Theme from E.T. (The Extra-Terrestrial) Know Why • Edelweiss • Goodbye Yellow Brick Road • • Forrest Gump – Main Title (Feather Theme) • The Heart and Soul • Let It Be • Linus and Lucy • Your Song. Godfather (Love Theme) • The John Dunbar Theme • Moon 00290546 Book/CD Pack ............................$14.95 River • Romeo and Juliet (Love Theme) • Theme from Schindler’s List • Somewhere, My Love. 2. Movie Favorites 00290560 Book/CD Pack ...........................$14.95 8 classics: Chariots of Fire • The Entertainer • Theme from Jurassic Park • My Father’s Favorite • My Heart Will Go 14. Les Misérables On (Love Theme from Titanic) • Somewhere in Time • 8 great songs from the musical: Bring Him Home • Castle on Somewhere, My Love • Star Trek® the Motion Picture. a Cloud • Do You Hear the People Sing? • A Heart Full of Love The Piano Duet Play-Along series gives you the • I Dreamed a Dream • In My Life • On My Own • Stars. flexibility to rehearse or perform piano duets 00290547 Book/CD Pack ............................$14.95 00290561 Book/CD Pack ...........................$16.95 anytime, anywhere! Play these delightful tunes 3. Broadway for Two 10 songs from the stage: Any Dream Will Do • Blue Skies 15. God Bless America® & Other with a partner, or use the accompanying CDs • Cabaret • Climb Ev’ry Mountain • If I Loved You • Okla- to play along with either the Secondo or Primo Songs for a Better Nation homa • Ol’ Man River • On My Own • There’s No Business 8 patriotic duets: America, the Beautiful • Anchors part on your own. -
The Medley Volume 2, Issue 1, Fall 2010 October 17, 2010 Editor: Jessica Trask
The Medley Volume 2, Issue 1, Fall 2010 October 17, 2010 Editor: Jessica Trask Visit us soon at www.wgc.osu.edu! Email us at [email protected] Announcements Upcoming Dates Get ready for Halloween! Start thinking about your Friday, Oct. 29th at 8pm: HalleBOOia! Concert Halloween costume, as all performers at the HalleBOOia! concert are expected to wear a costume Monday, Nov. 8th at 7:30pm: Concert with or all black. Most people wear costumes, so have fun Kent State Women's Chorus with it! See page 2 for more details. Saturday, Nov. 13th (time TBA): Sing at Hem your dresses! When dresses come in you are responsible for getting them hemmed as soon as President's Brunch possible. If you can't get it hemmed before the November 8th concert, talk to Vice PResident Sunday, Nov. 14th at 3pm: Concert with WGC Shannon Tarbutton(.4) about a "quick-fix". Don't forget that Ashley Donmoyer(.6) will hem for a small fee! President's Brunch Gig 11/13 We have been invited to sing at the President's Brunch before the football game of November 13th. Report is TBA, so try Musical Words of Wisdom to keep your schedule clear if possible! This is always a fun gig because people love us! Remember, information is not knowledge; knowledge is not wisdom; wisdom is not truth; truth is not beauty; beauty is not love; love is not music; music is the best. ~ Frank Zappa In This Issue A few highlights to look for... Presidential Welcome....................................................2 Conductor's Corner........................................................2 Glee MadLib!.................................................................3 HalleBOOia Concert info...............................................3 Kick-Off Retreat: A Success!.........................................4 "Our Best, Ohio": Behind the Music..............................5 First WGC Tailgate: OSU vs. -
Network TEN – RADIO SCRIPT
Network TEN – RADIO SCRIPT PROGRAMME GLEE CAST RADIO VERSIONS / DUR ALL VERSIONS. 30-45s PRODUCER ANDREW GARRICK: 0416 026 408 SUE SYLVESTER SOURCE AUDIO JANE LYNCH AUDIO TEN'S GLEE PROMO TAKE 1. [BEEP] OKAY SUE… ENG SUE WAIT A MOMENT…SNIFFS THE AIR. I CAN SMELL SYLVESTER SOMETHING IN HERE. AUDIO UMMM ENG SUE HAVE YOU HAD A GEEK HERE IN THE BOOTH? SYLVESTER AUDIO UMM, YEAH ENG SUE OKAY, LET ME STOP YOU THERE, BUTTON PUSHER. I SYLVESTER DON'T DO THIS. I DON'T GET IN CRAMPED SPACES WHERE PEOPLE WHO ARE BELOW ME HAVE BEEN. I DON'T SIT IN PHONE BOXES WITH MY GARDNER JORGE AND I DON'T DO THIS. AUDIO AHHH..OKAY. ENG SUE YOU DO IT. I WILL NOT BE A PART OF THIS…DISRESPECT. SYLVESTER AUDI HIT NEW SERIOUS GLEE. TONIGHT, ON TEN. ENGINEER SUE SERIOUSGLEE SYLVESTER Network TEN – RADIO SCRIPT FINN HUDSON SOURCE AUDIO CORY MONTEITH FEMALE TEN'S GLEE PROMO TAKE 1. [BEEP] AUDIO ENG FINN OKAY. THANKS. HI AUSTRALIA, IT'S FINN HUSON HERE, HUDSON FROM TEN'S NEW SHOW GLEE. FEMALE IT'S REALLY GREAT, AND I CAN ONLY TELL YOU THAT IT'S FINN COOL TO BE A GLEEK. I'M A GLEEK, YOU SHOULD BE TOO. HUDSON FEMALE OKAY, THAT'S PRETTY GOOD FINN. CAN YOU MAYBE DO IT AUDIO WITH YOUR SHIRT OFF? ENG FINN WHAT? HUDSON FEMALE NOTHING. AUDIO ENG FINN OKAY… HUDSON FEMALE MAYBE JUST THE LAST LINE AUDIO ENG FINN OKAY. UMM. GLEE – 730 TONIGHT, ON TEN. SERIOUSGLEE HUDSON FINN OKAY. -
New Business Listing Print Date: 5/1/2019 Date Range: 04/01/2019 to 04/30/2019 Records Printed: 452
VIRGINIA BEACH New Business Listing Print Date: 5/1/2019 Date Range: 04/01/2019 to 04/30/2019 Records Printed: 452 ID Mont Year Owner Name Trade Name Address City State Zip Zip+4 Telephone h 14 2019 100% LLC TINT DADDYS 2841 VIRGINIA BEACH BLVD VIRGINIA BEACH VA 23452 7616 757-289-3321 24 2019 1ST LIGHT PRODUCTS LLC ROCK-IT SURF 2800 WOOD DUCK DR VIRGINIA BEACH VA 23456 4454 757-477-2729 34 2019 203 66TH STREET LLC 203 66TH STREET LLC 203 66TH ST VIRGINIA BEACH VA 23451 2040 757-321-4978 44 2019 4 SPICES MEDITERRANEAN FOOD LL 4 SPICES MEDITERRANEAN FOOD 1528 TAYLOR FARM RD STE 101 VIRGINIA BEACH VA 23453 0000 757-636-7783 54 2019 408 26TH ST LLC 408 26TH ST LLC 408 26TH ST VIRGINIA BEACH VA 23451 3117 540-722-2616 64 2019 636 16TH STREET LLC 636 16TH STREET LLC 636 16TH ST VIRGINIA BEACH VA 23451 4203 757-816-1169 74 2019 7 CITIES CAFE & GRILL LLC 7 CITIES CAFE & GRILL 2720 N MALL DR STE 160 VIRGINIA BEACH VA 23452 0000 757-416-4248 84 2019 7 ELEVEN INC 7 ELEVEN #39177 3673 VIRGINIA BEACH BLVD VIRGINIA BEACH VA 23452 3415 757-335-0392 94 2019 7 HILLS ADVISORS HAMPTON ROADS LLC 7 HILLS ADVISORS HAMPTON ROADS LLC 2404 POTTERS RD STE 600 VIRGINIA BEACH VA 23454 4335 757-647-3785 104 2019 7TH STREET NY PIZZA INC 7TH STREET NY PIZZA 712 ATLANTIC AVE VIRGINIA BEACH VA 23451 3526 757-236-2354 114 2019 A AND J TILE INSTALLATION LLC A AND J TILE INSTALLATION LLC 884 STRICKLAND BLVD VIRGINIA BEACH VA 23464 3944 757-752-7770 124 2019 A V ELECTRIC INCORPORATED A V ELECTRIC INCORPORATED 301 TERRACE AVE VIRGINIA BEACH VA 23451 3788 757-274-3940 134 -
Cata Resume Sept 2015
Cat Rendic SAGAFTRA TELEVISION/FILM LIP SYNC BATTLE season 1 Dancer Danielle Flora NBA Allstar Game 2015 Christina Aguilera Dancer Jeri Slaughter, Paul Morente Miss Universe Nick Jonas Dancer Casper Smart, Kevin Maher A Step Away Docu Series. Entire Season. Main Character NUVO TV. Jennifer Lopez Nicki Minaj iHeartRadio, Emas, Fashion Rocks Dancer Casper Smart Pitbull Chris Brown Wisin Latin Grammys Dancer/Assistant Choreo Anibal Marrero Jessie J Halo Awards, NNNAwards Dancer Casper Smart The Voice, Gwen Stefani and Pharrell Dancer Jeri Slaughter/Fatima Robinson Ellen Degeneres Show with Julianne and Derek Hough Dancer Nappytabs XFactor season 3 Dancer Jamie King, Galen Hooks American Idol “Carly Rae Jepsen” Dancer Nick Demoura/Kevin Maher Super Bowl Half Time Show Beyonce/Destiny’s Child Dancer F. Gatson/Jaquel Knight/Chris Grant American Idol Jennifer Lopez Dancer Nappytabs NBA Allstar Pitbull, Neyo, Chris Brown Dancer Anibal Marrero/Jamaica Craft Dancing with the Stars with Pitbull Dancer/asst Anibal Marrero Britney Spears Jimmy Kimmel, GMA, MTV PROMO Dancer Jamie King/Brian Friedman Sing Your Face Off Season 1 Dancer Nappytabs Academy Awards with Ann Hathaway and James Franco Dancer Jamal Sims/Draico Johnson Home For The Holidays w. Ricky Martin Dancer Stephanie Roos Fresh Beat Band “Halloween, Graduation, Victorious” Dancer Chuck Maldonado/Nickelodeon Glee “Britney/Brittany” “Hairography” Dancer Zach Woodle/Brooke Lipton/FOX America’s Got Talent Eps 527 Dancer B.Friedman,C. Dupre, Oprah w/ Christina Aguilera Dancer Jeri Slaughter -
Albany, NY - March 10-12, 2017 Results Solo Intermediate ~ Mini PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE
Albany, NY - March 10-12, 2017 Results Solo Intermediate ~ Mini PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE 9TH 345 OUTSIDE LOOKING IN (ELLIE STIMSON) Leslie School of Dance 237.5 8TH 344 FRIEND LIKE ME (SADIEMAE SCHWALB) The Dance Experience 243 7TH 319 MONEY (SABRINA O'CONNOR) Leslie School of Dance 244 6TH 196 SHINE ON YOUR SHOES (BAILEY KELLER) Eleanor's School of Dance 250 6TH 219 I'M GONNA SIT RIGHT DOWN (ADDISON FURZE) JDC Dance Center 250 Ballet and All That Jazz, 5TH 331 KEEP ON DANCING (SYDNEY GIER) 251 LLC 4TH 211 HONEYBUN (AVA JONES) Eleanor's School of Dance 252 4TH 123 TAKE A LITTLE ONE STEP (EMILY HYE) JDC Dance Center 252 3RD 128 BLAME IT ON THE BOOGIE (SOPHIA JACKSON) JDC Dance Center 252.5 3RD 353 BABY FACE (ASHYTN BARTHELMAS) Class Act Dance 252.5 2ND 221 IT'S A SMALL WORLD (RILEY MARX) JDC Dance Center 262 1ST 356 BORN TO ENTERTAIN (MACIE KUNATH) Class Act Dance 262.5 Solo Intermediate ~ Junior PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE 10TH 235 MISS INVISIBLE (ARIANNA BENNETT) Class Act Dance 251.5 PARDON MY SOUTHERN ACCENT (ALYSON 9TH 138 JDC Dance Center 252.5 O'CONNOR) Art In Motion Dance 8TH 394 LANDSLIDE (MORGAN HANNAFIN) 253 Academy 7TH 146 UNSTEADY (GRACE CERNIGLIA) The King's Dancers 253.5 Premier Dance Performing 6TH 320 WAKE ME UP (PAYTEN BRETON) 254 Arts Center 5TH 93 MR. PINSTRIPE SUIT (MESKILL AMELIA) Class Act Dance 256 The Isabelle School of 4TH 135 WALKING PAPERS (EMILY MARX) 258.5 Dance Premier Dance Performing 3RD 100 SHOWOFF (KEEGAN ROGERS) 260.5 Arts Center Premier Dance Performing 2ND -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Steakhouse Live
Critical Interup tions Vol 1 Steakhouse Live EDITED BY CRITICAL INTERRUPTIONS WITH PALIN ANSUSINHA, KATY BAIRD, KATHARINA JOY BOOK, JENNIFER BOYD, JASMINE SHIGEMURA LEE, EMMA SELWYN AND MARIKISCRYCRYCRY (MALIK NASHAD SHARPE) Critical interruptions Vol 1: Steakhouse Live By Critical Interruptions (Diana Damian Martin and Bojana Janković) [criticalinterruptions.com] with Palin Ansusinha, Katy Baird, Katharina Joy Book, Jennifer Boyd, Jasmine Shigemura Lee, Emma Selwyn and Marikiscrycrycry (Malik Nashad Sharpe) Designed by Gareth Damian Martin Images by Julia Bauer and Manuel Vason Printed by Book Printers UK Copyright © Critical Interruptions and the contributors 2018 Supported by Live Art UK and Steakhouse Live Live Art UK is supported by Arts Council England through the Live Art Development Agency’s National Portfolio Organisation funding. The Steakhouse: Live Writing project was supported through Steakhouse Live Festival 2016 funded by Arts Council England. To the community of criticism: those who make, write, curate, support, sustain, activate, agitate and labour in and around Live Art. 4 Over the last twenty years, the ecologies of critical practice under- went fundamental shifts. Criticism moved online; it moved away from full-time jobs; it moved into venues, inhabited festivals, be- came embedded. Yet, for all the changes, no dent was made in the structures underpinning the practice. Blogs broke the word count constraints of broadsheets but often continued awarding stars. On- line publications created space for more writers, many of whom were women, but most of whom were still white, British and middle class. Meanwhile, no one was getting paid; most lived in London; every- one still wanted the press ticket for the mainstream, not the radical. -
Confinement: a Memoir of Abortion
CONFINEMENT: A MEMOIR OF ABORTION by Jessica Hadley Woolford A Thesis Submitted to the Faculty of Graduate Studies in Partiat Fulfillment of the Requirements for the Degree of Master of Arts Department of English University of Manitoba Winnipeg, Manitoba @ Copyright Jessica Hadley Woolford 2005 0-494-08994-6 Library and Bibliothèque et a*I Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellinqton Street 395, rue Wellinoton Ottawa ON-K1A 0N4 Ottawa ON K1A-0N4 Canada Canada Your file Votre référence /SB¡úi ourfrle Notre ré\érence /SB/Vi NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclus¡ve exclusive license alloWing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publÍsh, preserve, arch¡ve, conserve, sauvegarder! conserver, transmettre au public communicate to the public by par télécommunication ou par I'lnternet, prêter, telecommunication or on the lnternet, distribuer et vendre des thèses partout dans loan, distribute and sell theses le monde, à des fins commerciales ou autres, worldwide, for commerc¡al or non- sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author reta¡ns copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwíse reproduits sans son autorisation. -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp.