Victoria County History. Shropshire
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Our Parish Grouping
St. Winifred was born in North Wales in the early seventh century and was of noble lineage, a descendant of early Welsh kings. Her mother’s brother was an abbot, St. Beuno, Abbot. From an early age, Winifred was instructed in the spiritual life by her uncle, and her sole desire was to dedicate herself to God and become a nun. She lived under St. Beuno’s care, near a chapel he had built in her native town of Abeluyc. The feastday of St. Winifred, virgin and martyr, is November 3. Saint Winifred Mission Statement OurWe the parishioners Parish of Saint Winifred are a communityGrouping that strives to give witness to Jesus Christ and embody His presence in the daily lives of those with whom we live. WeSaint live our faith withWinifred others through full participation in prayer rooted in the Sacred Liturgy of the Universal Roman Catholic Church. Prayer to Saint Winifred O Blessed and Holy St. Winifred, intercede for me before the Throne of God. Ease my troubles and cure my bodily illnesses. Give me the inspiration and courage to overcome rejections and hardships in my daily life. Amen. Saint Anne is the mother of the Blessed Virgin Mary and therefore grandmother of Our Lord. Not only is she significant in her relationship to Our Savior, but is commended as a saint in her own right for having raised her daughter Mary as a devout and holy Jew. The feastday of Saints Anne and Joachim, her husband, is July 26. Saint Anne Mission Statement Saint Anne Parish is an inviting and welcoming Catholic community where together we seek to proclaim and live the Gospel by loving and serving as Jesus teaches us to do. -
Grants & Pledges Awarded Period: 30Th March 2017
Grants & Pledges Awarded Period: 30th March 2017 – 30th June 2017 Organisation Name Location Grant Amount Arts Hallé Concerts Society Manchester £300,000 Hospitalfield Angus £200,000 Polka Children's Theatre Ltd. London £150,000 Regent's Park Open Air Theatre London £100,000 English National Ballet School London £60,000 Trinity Community Arts Ltd Bristol £30,000 House of Illustration London £30,000 Seven Stories, The National Centre for Children's Newcastle upon Tyne £30,000 Books MAC Birmingham Birmingham £25,000 The Poetry Archive Stroud £25,000 Cardboard Citizens London £20,000 The Roche Court Educational Trust Salisbury £20,000 Artsadmin London £15,000 Daisi (Devon Arts in Schools Initiative) Exeter £15,000 Theatre Sans Frontieres Limited Hexham £10,000 St Paul's Arts Trust London £10,000 The People's Theatre Arts Group Newcastle upon Tyne £10,000 Music in the Round Sheffield £10,000 Reading Repertory Theatre Reading £10,000 St Albans International Organ Festival St. Albans £10,000 Kent Opera Lower Bourne £7,500 Fermynwoods Contemporary Art Ltd Thrapston £5,000 Seaham Music Academy Seaham £5,000 Maiden Voyage NI Ltd Belfast £5,000 Highlights Rural Touring Scheme Cumbria £5,000 Abram Wilson Foundation for Creative Arts London £3,500 The Lancastrian Theatre Organ Trust Macclesfield £3,000 Total Arts (27 items) £1,114,000 Community Pilotlight London £725,000 Royal Foundation of St Katharine London £75,000 North London Samaritans London £30,000 Scotswood Natural Community Garden Newcastle Upon Tyne £30,000 Clipstone Miners Welfare Community -
The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays
Transformed Within, Transformed Without: The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays Emily Ciavarella Kuntz Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Emily Ciavarella Kuntz All Rights Reserved Abstract Transformed Within, Transformed Without: The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays Emily Ciavarella Kuntz My dissertation investigates the ways in which both medieval and early modern saint plays depict and incite religious conversion through self-aware theatrical techniques. In each of my chapters, I examine one or two popular saint plays from a given period and area (medieval England, medieval France, early modern Spain, and early modern England) and show how each play invites the audience to undergo a spiritual shift parallel to that of the saint protagonist. These playmakers harnessed the affective power and technology of theatrical performance to invite the audience to engage with performed religious conversion in a controlled, celebratory environment and to encourage them to convert toward a more deeply felt Christianity. The plays reconfigured the audience’s sensory and intellectual understanding of Christian theology in order for the audience to recognize spiritual truth within an inherently communal, participatory, and performative space. The plays I examine depend on the audience’s familiarity with theatrical culture and practice in order to distinguish between sincere and insincere religious performance. By making the process of conversion a theatrical performance onstage, these plays could advocate for the theatrical medium as a genuine and effective catalyst for spiritual renewal. -
Sacred Places Europe: 108 Destinations
Reviews from Sacred Places Around the World “… the ruins, mountains, sanctuaries, lost cities, and pilgrimage routes held sacred around the world.” (Book Passage 1/2000) “For each site, Brad Olsen provides historical background, a description of the site and its special features, and directions for getting there.” (Theology Digest Summer, 2000) “(Readers) will thrill to the wonderful history and the vibrations of the world’s sacred healing places.” (East & West 2/2000) “Sites that emanate the energy of sacred spots.” (The Sunday Times 1/2000) “Sacred sites (to) the ruins, sanctuaries, mountains, lost cities, temples, and pilgrimage routes of ancient civilizations.” (San Francisco Chronicle 1/2000) “Many sacred places are now bustling tourist and pilgrimage desti- nations. But no crowd or souvenir shop can stand in the way of a traveler with great intentions and zero expectations.” (Spirituality & Health Summer, 2000) “Unleash your imagination by going on a mystical journey. Brad Olsen gives his take on some of the most amazing and unexplained spots on the globe — including the underwater ruins of Bimini, which seems to point the way to the Lost City of Atlantis. You can choose to take an armchair pilgrimage (the book is a fascinating read) or follow his tips on how to travel to these powerful sites yourself.” (Mode 7/2000) “Should you be inspired to make a pilgrimage of your own, you might want to pick up a copy of Brad Olsen’s guide to the world’s sacred places. Olsen’s marvelous drawings and mysterious maps enhance a package that is as bizarre as it is wonderfully acces- sible. -
An Examination of the Artist's Depiction of the City and Its Gardens 1745-1756
Durham E-Theses Public and private space in Canaletto's London: An examination of the artist's depiction of the city and its gardens 1745-1756 Hudson, Ferne Olivia How to cite: Hudson, Ferne Olivia (2000) Public and private space in Canaletto's London: An examination of the artist's depiction of the city and its gardens 1745-1756, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4252/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Public and Private Space in Canaletto's London. An Examination of the Artist's Depiction of the City and its Gardens 1745-1756. The copyright of this thesis rests with the author. No quotation from it should be published in any form, including Electronic and the Internet, without the author's prior written consent. -
Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham
Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham Royal Academy of Arts 2 Contents President’s Foreword 000 Edward Middleton Barry ra (1869) 000 Sir Howard Robertson ra (1958) 000 Paul Koralek ra (1991) 000 Preface 000 George Edmund Street ra (1871) 000 Sir Basil Spence ra (1960) 000 Sir Colin St John Wilson ra (1991) 000 Acknowledgements 000 R. Norman Shaw ra (1877) 000 Donald McMorran ra (1962) 000 Sir James Stirling ra (1991) 000 John Loughborough Pearson ra (1880) 000 Marshall Sisson ra (1963) 000 Sir Michael Hopkins ra (1992) 000 Architecture at the Royal Academy of Arts 000 Alfred Waterhouse ra (1885) 000 Raymond Erith ra (1964) 000 Sir Richard MacCormac ra (1993) 000 Sir Thomas Graham Jackson Bt ra (1896) 000 William Holford ra, Baron Holford Sir Nicholas Grimshaw pra (1994) 000 The Architect Royal Academicians and George Aitchison ra (1898) 000 of Kemp Town (1968) 000 Michael Manser ra (1994) 000 Their Diploma Works 000 George Frederick Bodley ra (1902) 000 Sir Frederick Gibberd ra (1969) 000 Eva M. Jiricna ra (1997) 000 Sir William Chambers ra (1768, Foundation Sir Aston Webb ra (1903) 000 Sir Hugh Casson pra (1970) 000 Ian Ritchie ra (1998) 000 Member, artist’s presentation) 000 John Belcher ra (1909) 000 E. Maxwell Fry ra (1972) 000 Will Alsop ra (2000) 000 George Dance ra (1768, Foundation Member, Sir Richard Sheppard ra (1972) 000 Gordon Benson ra (2000) 000 no Diploma Work) 000 Sir Reginald Blomfield ra (1914) 000 H. T. Cadbury-Brown ra (1975) 000 Piers Gough ra (2001) 000 John Gwynn ra (1768, Foundation Member, Sir Ernest George ra (1917) 000 no Diploma Work) 000 Ernest Newton ra (1919) 000 Ernö Goldfinger ra (1975) 000 Sir Peter Cook ra (2003) 000 Thomas Sandby ra (1768, Foundation Member, Sir Edwin Lutyens pra (1920) 000 Sir Philip Powell ra (1977) 000 Zaha Hadid ra (2005) 000 bequest from great-grandson) 000 Sir Giles Gilbert Scott ra (1922) 000 Peter Chamberlin ra (1978) 000 Eric Parry ra (2006) 000 William Tyler ra (1768, Foundation Member, Sir John J. -
Martyrology 12 09 19
Martyrology An Anglican Martyrology - for the British Isles 1 of 160 Martyrology Introduction The base text is the martyrology compiled by Fr. Hugh Feiss, OSB. Copyright © 2008 by the Monastery of the Ascension, Jerome, ID 83338 and available online at the website of the Monastery of Christ in the Desert. The calendars of each of the three Anglican churches of the British isles contain varied group commemorations, I suggest these entries are read only in the province where they are observed and have indicated that by the use of italics and brackets. However, people, particularly in the Church of England, are woefully ignorant of the history of the other Anglican churches of our islands and it would be good if all entries for the islands are used in each province. The Roman dates are also indicated where these vary from Anglican ones but not all those on the Roman Calendar have an entry. The introductions to the saints and celebrations in the Anglican calendars in England, Ireland, Scotland and Wales in Exciting Holiness, ed. Brother Tristam SSF, The Canterbury Press, 1997, have been added where a saint did not already appear in the martyrology. These have been adapted to indicate the place and date of death at the beginning, as is traditional at the reading of the martyrology. For the place of death I have generally relied on Wikipedia. For Irish, Welsh and Scottish celebrations not appearing in Exciting Holiness I have used the latest edition of Celebrating the Saints, Canterbury Press, 2004. These entries are generally longer than appear in martyrologies and probably need editing down even more than I have done if they are to be read liturgically. -
European Architecture 1750-1890
Oxford History of Art European Architecture 1750-1890 Barry Bergdoll O X fO R D UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford 0 x2 6 d p Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the U K and in certain other countries © Barry Bergdoll 2000 First published 2000 by Oxford University Press All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the proper permission in writing o f Oxford University Press. Within the U K, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Design and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above. This book is sold subject to the condition that it shall not, byway o f trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Riverside Conservation Area
Riverside Conservation Area 1 Contents Introduction Historic Development Townscape and Built Environment Topography and Landscape Views Character Areas (inc. Management Plans) 1. Northwick 2. Barbourne and Kepax 3. Pitchcroft 4. Quayside 5. Chapter Meadows 6. Diglis Island 7. Cherry Orchard and the Ketch 8. Teme Meadows and Powick Mills Appendix 1 – Historic Mapping Appendix 2 – Designations Appendix 3 – Links to Further Information 2 Introduction The River Severn is an extremely important feature in Worcester. It is the reason for the city’s existence, has historic importance as a means of transportation and today is a significant recreational and amenity facility. The Riverside Conservation Area was first designated on 8th September 1992 and boundary amendments were previously made on 13th June 2000. View of the cathedral from Diglis A conservation area is defined in the Planning (Listed Buildings and Conservation Areas) Act 1990 as an area of special architectural or historic interest, the character or appearance of which it is desirable to preserve or enhance. This appraisal is in line with sections 69 and 71 of the 1990 Act, which places a duty on the local authority to designate and manage their conservation areas. Designation helps to ensure that an area identified for its special interest and significance is protected and managed appropriately. 3 Conservation is the management of change to a significant place or asset, in a way that will best sustain its heritage values, while recognising opportunities to reveal or reinforce those values for present and future generations. The conservation area appraisal is a means of identifying and assessing what the special architectural or historic interest of an area is, how this contributes to the areas character and appearance, and is an opportunity to identify where this can be enhanced. -
James Mallinson, Received
Diary Dates Saturday 30 September 2017 Saturday 18 November 2017 The newsletter of the Friends of Shropshire Archives, Bishop's Castle History Day Friends Annual Lecture - The Road to ARCHIVES A day celebrating the history of Bishop’s Castle with Enlightenment: Shropshire 1750-1830 SHROPSHIRE gateway to the history of Shropshire and Telford talks about local people, places and events, followed During the mid-18th and early the 19th century, social, by guided visits to some of the town’s attractions. cultural and economic development across Western 10.00am - 4.00pm The Community College, Europe has been reflected in what has become Brampton Road, Bishop’s Castle, SY9 5AY known as the Enlightenment. But it manifested itself in different ways in different locations. It has been Newport's 'Miss Saturday 28 October 2017 characterised by the pursuit of improvement; rational Havisham' - Fact or VCH Shropshire - Annual Lecture: thought and attempts at understanding nature; and economic progress for the benefit of society. Fiction ? River Histories: exploring the past on the In this lecture Roger Bruton draws on aspects of his Page 2 Severn and Wye doctoral thesis to highlight how emergence of such Britain’s major rivers have a rich heritage that remains change is identifiable in Shropshire. under-appreciated. This year’s lecture by Dr. Richard English Bridge, 10.00am Shropshire Archives, Castle Gates, Hayman explores some of the ways that rivers have Shrewsbury, SY1 2AQ Shrewsbury (part 1) played an important part in our history, with special Cost: £5 emphasis on the Wye and Severn. Please book early as places are limited, see leaflet for details Page 6 1.30pm - 5.00pm Central, Shrewsbury Baptist Church, Claremont Street, Shrewsbury, SY1 1QG A donation of £5 for this event would be gratefully Saturday 17 March 2018 James Mallinson, received. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Constructing Gender and Locality in Late Medieval England The Lives of Anglo-Saxon and British Female Saints in the South English Legendaries Kanno, Mami Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Constructing Gender and Locality in Late Medieval England: The Lives of Anglo-Saxon and British Female Saints in the South English Legendaries Mami Kanno Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy Department of English Faculty of Arts and Humanities King’s College London 2016 Abstract This thesis examines the construction of gender and locality in late medieval England through the lives of Anglo-Saxon and British female saints in the South English Legendaries (SELS). -
The Book of Saints
* i Book . of Saints By FATHER LOVASIK, S.V.D.K»1 ^•SSil - $ y This Book Belongs to Book of Saints "SUPER-HEROES OF GOD" By REV. LAWRENCE G. LOVASIK, S.V.D. Divine Word Missionary PART 12 CONTENTS St. Rosalina 3 St. Mary Soledad 18 St. Teresa Margaret Redi 4 St. Bertrand of Comminges -21 St. Lucy Filippini 7 St. Peter of Alcantara 22 St. Mary Mazzarello 8 St. Winifred 25 St. Simeon the Younger — 10 St. Andrew Avellino 26 St. William of York 12 Bl. Mary Fontanella —29 St. Bertrand of Le Mans —14 St. Antony of Lerins —30 St. Philip Benizi 17 Prayer —32 NIHIL OBSTAT: Francis J. McAree, S.T.D., Censor Librorum IMPRIMATUR: * Patrick J. Sheridan, D.D., Vicar General, Archdiocese of New York The Nihil Obstat and Imprimatur are official declarations that a book or pamphlet is free of doctrinal or moral error. No implication is contained therein that those who have granted the Nihil Obstat and Imprimatur agree with the contents, opinions or statements expressed 1999 by Catholic Book Publishing Co., N.J. Printed in Hong Kong Saint Rosalina January 17 BORN into a wealthy family, Rosalina received a good Christian education from the Poor Clares at Villeneuve. Even as a child she was devoted to the poor and often brought food to needy families who lived nearby. Once she was bringing food hidden in her apron, and her father asked what was in the apron. She told him it was flowers. When her father opened her apron, he did indeed find flowers! Rosalina chose to giver up her comfortable life to serve God as a religious.