Boston Symphony Orchestra Concert Programs, 2011-2012, Subscription

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, 2011-2012, Subscription 9 L _ — J mm ■E- — I Vi , 2011-2012 SEASON Week T2 Season Sponsor: Bernard Haitink Conductor Emeritus Seiji Ozawa Music Director Laureate Hermes, contemporary artisan since 1837. HERMES PARIS 320 Boylston Street (617) 482 8707 Hermes.corr Table of Contents I Week 12 9 BSO NEWS 15 ON DISPLAY IN SYMPHONY HALL 16 THE BOSTON SYMPHONY ORCHESTRA 19 "THE GREAT STRAUSS TONE POEMS: A COMPOSER'S JOURNEY THROUGH YOUNG MANHOOD” BY PAUL THOMASON 27 THIS WEEK'S PROGRAM Notes on the Program 28 The Program in Brief 29 Carl Maria von Weber 35 Ludwig van Beethoven 44 John Harbison 53 Richard Strauss 59 To Read and Hear More... Guest Artists 65 David Zinman 67 Leif Ove Andsnes 68 Paula Murrihy 70 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THE FRIDAY PREVIEW TALK ON JANUARY 13 IS GIVEN BY BSO ASSISTANT DIRECTOR OF PROGRAM PUBLICATIONS ROBERT KIRZINGER. program copyright ©2012 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org It takes a dedicated craftsman to create a flawless instrument. Shouldn't your investments be handled with the same expertise? FIDUCIARYTRUST FIDUCIARY-TRUST.COM 175 FEDERAL STREET BOSTON. MA INVESTMENT MANAGEMENT I TRUST SERVICES I ESTATE AND FINANCIAL PLANNING I FAMILY OFFICE SERVICES I ESTATE SETTLEMEN BERNARD HAITINK, LACROIX FAMILY FUND CONDUCTOR EMERITUS, ENDOWED IN PERPETUITY SEIJI OZAWA, MUSIC DIRECTOR LAUREATE 131st season, 2011-2012 TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, INC. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O'Block, Vice-Chairman • Roger T. Servison, Vice-Chairman Stephen R. Weber, Vice-Chairman • Vincent M. O'Reilly, Treasurer William F. Achtmeyer • George D. Behrakis • Alan Bressler • Jan Brett • Samuel B. Bruskin • Susan Bredhoff Cohen, ex-officio • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Nancy J. Fitzpatrick ■ Michael Gordon • Brent L. Henry • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Carmine A. Martignetti • Robert J. Mayer, M.D. • Aaron J. Nurick, ex-officio • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Sternberg • Theresa M. Stone • Caroline Taylor • Stephen R. Weiner • Robert C. Winters LIFE TRUSTEES Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman ■ Peter A. Brooke • Helene R. Cahners • James F. Cleary • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Dean W. Freed • Thelma E. Goldberg • Mrs. Bela T. Kalman ■ George Krupp • Mrs. Henrietta N. Meyer Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • William J. Poorvu • Irving W. Rabb^ . peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. ■ John L. Thorndike • Dr. Nicholas T. Zervas t Deceased OTHER OFFICERS OF THE CORPORATION Mark Volpe, Managing Director • Thomas D. May, Chief Financial Officer • Suzanne Page, Clerk of the Board BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA, INC. Susan Bredhoff Cohen, Co-Chairman • Peter Palandjian, Co-Chairman • Noubar Afeyan • David Altshuler • Diane M. Austin • Judith W. Barr • Lucille M. Batal • Linda J.L. Becker • Paul Berz James L. Bildner • Mark G. Borden • Partha Bose • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne Burke • Ronald G. Casty ■ Richard E. Cavanagh • Carol Feinberg Cohen • Richard F. Connolly, Jr. • Charles L. Cooney • Ranny Cooper ■ James C. Curvey • Gene D. Dahmen • Jonathan G. Davis • Paul F. Deninger • Ronald F. Dixon • Ronald M. Druker • Alan Dynner • Philip J. Edmundson • Ursula Ehret-Dichter • John P. Eustis II • Joseph F. Fallon • Thomas E. Faust, Jr. Peter Fiedler • Judy Moss Feingold • Steven S. Fischman • John F. Fish • Sanford Fisher • Jennifer Mugar Flaherty • Robert Gallery • Levi A. Garraway • Robert P. Gittens ■ Robert R. Glauber • Stuart Hirshfield • Susan Hockfield • Lawrence S. Horn • Jill Hornor • William W. Hunt • Valerie Hyman • Everett L. Jassy • Stephen J. Jerome • Darlene Luccio Jordan, Esq. • Paul L. Joskow • Stephen R. Karp • Robert Kleinberg • John L. Klinck, Jr. • Faria H. Krentzman • Peter E. Lacaillade • WEEK 12 TRUSTEES AND OVERSEERS 3 f y j HARBOR HOPPING The New England Islands 8 Day/7 Night cruise j The harbors, bays, and islands of New England offer discovery and stunning beauty at every turn. Home to pilgrims and patriots, New England's history is a tapestry woven rich in significance and fascinating details. Now it's your turn to explore this cornerstone of America while cruising on the newest small cruise ships in the world. Our ships accommodate just 100 guests, a perfect way to arrive at the heart of it all. You'll experience eight days of smooth water, beauty, culture, and history, all while enjoying the camaraderie of fellow passengers and the exemplary personal attention that is the hallmark of American Cruise Lines. Toll-free 1 -866-229-3807 AMERICAN Reservations office open 7 days a week _ TM r 1 Small-Ship Cruising Done Perfectly™ U.S. East Coast Waterways & Rivers • Mississippi River U.S. Northwest Rivers • Alaska Inside Passage photos by Michael J. Lutch Charles Larkin • Robert J. Lepofsky • Nancy K. Lubin • Jay Marks • Jeffrey E. Marshall • Linda A. Mason • Robert D. Matthews, Jr. • C. Ann Merrifield ■ Dr. Martin C. Mihm, Jr. • Maureen Miskovic • Robert Mnookin • Paul M. Montrone • Sandra 0. Moose • Robert J. Morrissey ■ J. Keith Motley, Ph.D. • Cecile Higginson Murphy • Joseph J. O'Donnell • Vincent Panetta, Jr. • Joseph Patton • Ann M. Philbin • Wendy Philbrick • Claudio Pincus • Lina S. Piantilla, M.D. • Joyce L. Plotkin • Irene Pollin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • William F. Pounds • Claire Pryor • John Reed • Dr. Carmichael Roberts • Susan Rothenberg • Alan Rottenberg • Joseph D. Roxe • Kenan Sahin • Malcolm S. Salter • Diana Scott • Donald L. Shapiro • Wendy Shattuck • Christopher Smallhorn • Michael B. Sporn, M.D. • Nicole Stata • Margery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Diana Osgood Tottenham • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Dr. Christoph Westphal • James Westra • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug OVERSEERS EMERITI Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • George W. Berry • William T. Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Mrs. James C. Collias • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Mrs. Miguel de Braganca • Betsy P. Demirjian • JoAnne Walton Dickinson • Phyllis Dohanian • Harriett Eckstein • George Elvin ■ Pamela D. Everhart • J. Richard Fennell • Lawrence K. Fish • Myrna H. Freedman • Mrs. Thomas Galligan, Jr. • Mrs. James Garivaltis • Dr. Arthur Gelb • Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Carol Henderson • Mrs. Richard D. Hill • Marilyn Brachman Hoffman • Roger Hunt • Lola Jaffe • Martin S. Kaplan • Mrs. S. Charles Kasdon ■ Mrs. Gordon F. Kingsley • David I. Kosowsky • Robert K. Kraft ■ Benjamin H. Lacy • Mrs. William D. Larkin • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Charles P. Lyman • Mrs. Harry L. Marks • Joseph B. Martin, M.D. • Joseph C. McNay • Albert Merck • John A. Perkins • May H. Pierce • Dr. Tina Young Poussaint • Daphne Brooks Prout • Patrick J. Purcell • Robert E. Remis • John Ex Rodgers • Roger A. Saunders • Lynda Anne Schubert • Mrs. Carl Shapiro • L. Scott Singleton • Gilda Slifka • Samuel Thorne • Paul M. Verrochi • Robert A. Wells • Mrs. Joan D. Wheeler • Margaret Williams-DeCelles • Richard Wurtman, M.D. WEEK 12 TRUSTEES AND OVERSEERS EVERY CLOUD HAS A SILVER LINING At EMC, success comes from creating technology which will transform the world’s largest IT departments into private clouds—and from sharing that success by supporting a range of educational, cultural, and social programs in pur community. Learnmoreatwww.EMC.com. EMC IS PROUD TO SUPPORT THE BOSTON SYMPHONY ORCHESTRA EMC2 where information lives EMC-. EMC. the EMC logo, and where information lives are registered trademarks or trademarks of EMC Corporation in the United States and other countries. © Copyright 2010 EMC Corporation. All rights reserved. 2187 Classic. Harvard Extension School Homer and Joyce. Shakespeare and Mamet. Velasquez and Sargent. If you're interested in how great writers and artists transform our world, we invite you to check out our courses—on campus or online. Select courses: • Poetry and Fiction Writing • Religion, the Arts, and Social Change • Art Since 1940 • The Expatriate Moment in Paris • A History of Blues in America • Shakespeare's Later Plays Register now. Spring classes begin January 23. www.extension.harvard.edu/bso i HARVARD UNIVERSITY EXTENSION SCHOOL Harvard University Extension School is proud to support the Boston Symphony Orchestra. andjhe NUDE October 9, 2011—February 5, 2012 Museum of Fine Arts Boston mfa.org thenewTi The exhibition is organized by the Museum of Fine Arts, Boston, and the Musee d’Orsay, Paris. Bank of America Presentation of the exhibition in Boston is made possible by Bank of America. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. BSO News Boston Symphony Chamber Players Sunday, January 22, at 3 p.m. at Jordan Hall The Boston Symphony Chamber Players perform the second Sunday-afternoon concert of their 2011-12 series in Jordan Hail at the New England Conservatory on Sunday, January 22, at 3 p.m. The program of serenades includes Mozart's Serenade No. 12 in C minor for winds, K.388; Beethoven's Serenade in D for flute, violin, and viola, Opus 25, and Brahms's Serenade No. 1 in D for winds and strings (arr. Rotter). Single tickets are $37, $28, and $21, available at the Symphony Hall box office, online at bso.org, or by calling SymphonyCharge at (617) 266-1200.
Recommended publications
  • OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20
    OTHER WORLDS 2019/20 Concert season at Southbank Centre’s Royal Festival Hall Highlights 2019/20 November Acclaimed soprano Diana Damrau is renowned for her interpretations of the music of Richard Strauss, and this November she sings a selection of her favourite Strauss songs. Page 12 September October Principal Conductor and Mark Elder conducts Artistic Advisor Vladimir Elgar’s oratorio Jurowski is joined by The Apostles, arguably Julia Fischer to launch his greatest creative the second part of Isle achievement, which of Noises with Britten’s will be brought to life elegiac Violin Concerto on this occasion with alongside Tchaikovsky’s a stellar cast of soloists Sixth Symphony. and vast choral forces. Page 03 Page 07 December Legendary British pianist Peter Donohoe plays his compatriot John Foulds’s rarely performed Dynamic Triptych – a unique jazz-filled, exotic masterpiece Page 13 February March January Vladimir Jurowski leads We welcome back violinist After winning rave reviews the first concert in our Anne-Sophie Mutter for at its premiere in 2017, 2020 Vision festival, two exceptional concerts we offer another chance presenting the music in which she performs to experience Sukanya, of three remarkable Beethoven’s groundbreaking Ravi Shankar’s works composed Triple Concerto and extraordinary operatic three centuries apart, a selection of chamber fusion of western and by Beethoven, Scriabin works alongside LPO traditional Indian styles. and Eötvös. Principal musicians. A love story brought to Page 19 Pages 26–27 life through myth, music
    [Show full text]
  • Teacher's Guide
    Let’s Tell A Story TEACHER’S GUIDE Very Young People’s Concerts Knoxville: January 28, 2016 Maryville: January 29, 2016 Music Can Make Your Life Complete Table of Contents Lucas Richman Meet the Conductor ............................................................... 2 Notes on Pieces and Composers ........................................ 3-8 The Birthday Present Anatomy of a Symphony Orchestra ...................................... 9 Lucas Richman Meet the Performers and Musicians ............................... 10-11 Activities and Lessons ..................................................... 12-14 O T M F verture to he arriage of igaro Concert Program ............................................................. 15-16 Wolfgang Amadeus Mozart Audience Job Description / Acknowledgements ................. 17 Playground Escapades Lucas Richman Blow the Man Down Traditional / arr. Lucas Richman Flight of the Bumblebee Hi! I’m Picardy Penguin. Follow me through this Nikolai Rimsky-Korsakov guide for interesting musical facts and history. First, we will learn about the conductor. Peter and the Wolf A conductor is a person who leads the orchestra. You can learn Sergei Prokofiev more about conductors on the next page of this guide! Look for this symbol throughout the guide for specific Please note that this publication may be copied things to listen for at the concert. and used for educational purposes only. You are encouraged to copy the concert program on pages And this symbol means you should sing 15-16 for use with your students in the classroom. along with us at the concert! 1 Meet the Conductor Steven Karidoyanes grew up in Boston, where his Greek parents taught him and his sisters and brother to love music, friends and family. He was also taught the importance of hard work and dedication. His father owned a sandwich shop where young Steven worked as a teenager, and it was there that he learned to “treat [people] so well that they have to come back and bring family and friends…” From that idea developed Mr.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
    iMffi BOSTON SYMPHONY TRA **** ft %?% Levine James | Music Dim "fe Bernard Haitink Cone1 \cvuu Seiji Ozawa Music Diircti « he Clarendon BACK BAY The Way to Live ; 'j v 11 B 1 1 1 1 1 # iilf)I « 1 1 '" ' ; ! i m r m if l Dill H incut ** IE DIC | m ''IS !! 1 iS a . i! W i PIE i w: i«. 1 114 IE fc, IBS OP 1 iir; * ! : jjj E*. aiwi ill yiM " r i. *' ; - '' • J £j L : • ' liur m §ii !! !l Hi v ii I J!! '! iii ni" fill «• «*« il 1191 III I INTRODUCING FIVE STAR LIVINGtm WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FLOOR CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON, MA 617.267.4001 www.theclarendonbackbay.com U t I^^J^ BRELATED DC/\L COMPANIES, UPh REGISTER : U.S. GREEN BUILDING COUNCIL WITH ANTI SILVER CERTIFICATION whic The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, No Fe subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or described. being Void where prohibite agency has judged the merits or value, if any, of this property. This is not an offer where registration is required prior to any offer made. Table of Contents Week 6 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 29 A BRIEF HISTORY OF SYMPHONY HALL 35 THIS WEEK'S PROGRAM 36 THE PROGRAM IN BRIEF Notes on the Program 37 Johannes Brahms 49 Richard Strauss 65 To Read and Hear More..
    [Show full text]
  • AN ALPINE SYMPHONY by Richard Strauss Philharmonic Orchestra Carl St
    AN ALPINE SYMPHONY by Richard Strauss Philharmonic Orchestra Carl St. Clair, guest conductor Wednesday, March 29 ∙ 8pm Musical Arts Center A Message from Tonight’s Sponsor German American Bank The German American Bloomington team welcomes you to the Alpine Symphony. We are delighted to be a financial partner with the Jacobs School of Music to offer you this evening of musical entertainment. German American Bank was organized in 1910 in a southern Indiana community rich in German-American heritage—Jasper, Ind. Through the years, we have grown to 51 offices in 20 counties, including 3 offices in Bloomington. Our team is dedicated to helping individuals, families, and businesses achieve greater prosperity and quality of life. Together, our financial team builds lasting client relationships based on integrity, responsive service, innovation, and shared values. In the banking industry, we are consistently recognized as one of the top-performing community banks in the country. Our CEO, Mark Schroeder, was named one of three 2016 Community Bankers of the Year in the country by American Banker, an essential resource for breaking news, research, data, and opinion content for senior executives in the banking and financial services industry nationwide. Maintaining superior financial performance allows us to positively influence the health of our local communities in key areas of economic development, education, and overall quality of life. We support the communities we serve and believe that when a community thrives, its people prosper. Seven Hundred Thirtieth Program of the 2016-17 Season _______________________ Philharmonic Orchestra Carl St. Clair, Conductor _______________________ Eine Alpensinfonie (An Alpine Symphony), Op.
    [Show full text]
  • The Boston Choral Ensemble Miguel Felipe, Music Director Peaceablea Kingdom Friday, May 30, 2008 Sunday, June 1, 2008 First Church, UCC St
    The Boston Choral Ensemble Miguel Felipe, Music Director peaceablea kingdom Friday, May 30, 2008 Sunday, June 1, 2008 First Church, UCC St. John the Evangelist Harvard Sq, Cambridge Beacon Hill, Boston the Boston Choral Ensemble Miguel Felipe, Music Director All About Us… the Boston Choral Ensemble Our Mission The Boston Choral Ensemble creates a fun, friendly, and open atmosphere for the musical development of musicians and audiences in the Greater Boston area. Members of the Boston Choral Ensemble grow musically, both as individuals and as an en- semble, through the rehearsal and performance of challenging, high-quality music. We strengthen Greater Boston’s choral community by: making choral music accessible and interesting to all listeners, regardless of musical background; developing musical inter- est and ability in young adult musicians; and collaborating with other local musicians. The Greater Boston Choral Consortium The Boston Chorale Ensemble is a member of the Greater Boston Choral Consortium (GBCC ), a cooperative association of diverse choral groups in Boston and the surround- ing areas. [See the GBCC listings beginning on page 19.] Saying Thanks We’d like to thank the following people and organizations: Nils Erickson for his record- ing expertise; Perrin Tellock for all the good food; Katrina Armando, Mark Buckles, Jane Ring Frank, Andy Vores, and all the others for help with the 2008 Commission Competition; Sara Willis for her outstanding leadership on BCE ’s participation in the 5th annual Walk for Music; Jon Swift, Rob McGilvray, and Rob Hanna at Starbucks for coordinating a generous corporate donation; friends and family for volunteering as ushers; The 21st Amendment for supporting the choir’s post-concert festivities; the administrators, staffs, and congregations of the Church of St.
    [Show full text]
  • 14 July 2017 Page 1 of 13
    Radio 3 Listings for 8 – 14 July 2017 Page 1 of 13 SATURDAY 08 JULY 2017 5:35 AM recording of Vaughan Williams©s plea for peace, tolerance and Mozart, Wolfgang Amadeus (1756-1791) understanding written in 1936, his Dona Nobis Pacem. The piece SAT 01:00 Through the Night (b08wn5ld) Violin Sonata in B flat major, K.454 is on a huge scale, scored for soloists, chorus and large orchestra, RTS Symphony Orchestra - Serbia Johannes Leertouwer (violin), Derk Pik (piano) in six continuous parts, and the phrase Dona nobis pacem "Give Catriona Young presents a performance of Smetana©s cycle of us peace" recurs throughout; a theme with perennial relevance. symphonic poems, Má vlast, from Serbia. 5:58 AM Zelenski, Wladyslaw (1837-1921) arr. Jan Maklakiewicz Composer: Vaughan Williams 1:01 AM 2 Choral Songs: Zaczarowana królewna (The Bewitched Piece: Dona Nobis Pacem Smetana, Bedrich (1824-1884) Princess) ; Przy rozstaniu (At Leave-taking) Reviewer: Alexandra Coghlan Má vlast - cycle of symphonic poems Polish Radio Choir, unnamed pianist, Marek Kluza (director) RTS Symphony Orchestra, Ronald Zollmann (conductor) 10.15am ± New Releases: Baroque Instrumental 6:05 AM The Fiery Genius 2:22 AM Noskowski, Zygmunt (1846-1909) CAILO: Sonata per violino e basso continuo; Sonata a tre violini Berezovsky, Maxim (1745-1777) The Pearls of Moniuszko - 15 Songs for orchestra e organo; Sonata a due violini e cembalo Ne otverzhy mene vo vremia starosti (©Do not forsake me in my Polish Radio Symphony Orchestra, Lukasz Borowicz (conductor) FIORENZA: Concerto di violini
    [Show full text]
  • Orch Directory
    y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms.
    [Show full text]
  • Richard Strauss' Eine Alpensinfonie
    Richard Strauss’ Eine Alpensinfonie: A Culmination and Rejection of Nineteenth Century Philosophical Influences Chloe Tula MUSI 551 Dr. Bailey November 18, 2016 !1 ABSTRACT The goal of this paper is two-fold: on one hand, exploring how Alpensinfonie both challenges and stays true to traditional symphonic idioms, and on the other, examining how it fits into Strauss’s compositional career, personal religious journey, and the greater landscape of early 20th century leanings towards modernism. This paper is part analysis, part biography, and part historical analysis. Strauss clearly had a unique (and changing) perspective on Friedrich Nietzsche’s writings, and this often drew sharp contradictions in his life; one can view evidence of how this plays into Alpensinfonie, especially when contrasted against Zarathustra (1896), which shares many motives with Alpensinfonie (which, coincidentally, was sketched out as early as 1899, before Strauss’s operatic career took off). While Un Alpensinfonie is not his definitive - and far from his final - work, it is an important landmark in Strauss’s ever-changing compositional perspective. In Un Alpensinfonie, Strauss overturns norms of the early twentieth century by constructing an intense, one-movement symphony that all but replaces lofty reverence of deity figures with a more universal reverence of nature, adding to the collection of earth- conscious masterpieces (e.g. Rite of Spring, La Mer, The Planets for instance) that inspired a irreversible large-scale shift to programmatic and agnostic-leaning music in the European modernist movement to follow. INTRODUCTION Richard Strauss’ final tone poem, Un Alpensinfonie (An Alpine Symphony) is largely overlooked in the analyses of his tone poems.
    [Show full text]
  • PREP CATALOG Prep the Programs and Levels You Can “ Reach Are Just Unbelievable
    OnE zillion Explore. Evolve. Inspire. a 2016-2017 NEW ENGLAND CONSERVATORY PREP CATALOG Prep The programs and levels you can “ reach are just unbelievable. ” Hence the tux. JOIN US! Welcome At NEC, MUSIC IS EVERYWHERE and THE HALLS BUZZ WITH ENERGY. Here, superb conservatory faculty guide a community of spirited young people, FROM ABSOLUTE BEGINNERS TO THE MOST ADVANCED STUDENTS, through an exciting musical journey. It’s conservatory-level training in an open-enrollment setting, where our students rise to the challenge of Welcome rigorous music-making and relish being with other kids who love it, too. NEC PREP IS ONE OF THE LARGEST PROGRAMS OF ITS KIND IN THE NATION, with 1600 students from across New England participating every week in lessons, classes, and ensembles. There’s so much on offer here and so many opportunities for your child; OUR CATALOG IS FULL OF ANSWERS TO YOUR QUESTIONS. If you need more information, don’t hesitate to get in touch. We invite your family to join our family: MAKE NEC PREP YOUR MUSICAL HOME! NEC Preparatory School | 2016-2017 1 NEW ENGLAND CONSERVATORY Founded 1867 – The oldest independent school of music in America 290 Huntington Avenue, Boston, MA 02115 PHONE: 617.585.1130 OR 617.585.1160 FAX: 617.585.1135 necmusic.edu/prep [email protected] NEW ENGLAND CONSERVATORY PREPARATORY SCHOOL Leslie Wu Foley Dean & Executive Director, Preparatory & Continuing Education Rebecca Bogers Director, Preparatory School The Office is located in the 241 St. Botolph Street building in Room 120. The Saturday Field Office is located in the Jordan Hall Building at 30 Gainsborough Street in Room 106.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Richard Strauss's Eine Alpensinfonie
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Richard Strauss’s Eine Alpensinfonie: An Analysis of Origins, Topics, and Symphonic Characteristics Jonathan Minnick Honors Thesis, Music Department University of North Carolina, Chapel Hill 2016 Approved by: _____________________ Adviser: Prof. Andrea Bohlman Reader: Prof. Cora Palfy Reader: Prof. Cherie Ndaliko 2 PREFACE This thesis addresses Richard Strauss’s Eine Alpensinfonie’s unsettled program and assesses multiple accounts of the portrayal of the program and the evidence provided by each. In addition, I explore the ideas of landscape in relation to Eine Alpensinfonie and how Strauss manages the alpine landscape as played out through his music. This exploration is substantiated by a thorough melodic analysis of the piece, which has organized themes hierarchically and given them titles based on their arrangement, style, and position within the piece. There are multiple questions that this thesis addresses in relation to the program and the thematic material of Eine Alpensinfonie. Numerous Strauss scholars have provided suggestions on how the program could be interpreted, though there has not been a definite answer to the question of what the program is for this piece of music. The question that I ask is what are some of the different assertions made about the program of Eine Alpensinfonie and do they hold up to critical analysis of other evidence found throughout my own research. The thematic material in the piece has been analyzed thoroughly by Rainer Bayreuther in his comprehensive work on Eine Alpensinfonie, though I am adding to what he has already generated.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1991
    :>'. Tanglewood on Parade Wednesday, August 14, 1991 TanglewGDd DEDICATED TO THE MEMORY OF JIM KILEY Music Center For the benefit of the Tanglewood Music Center 2:00 Gates Open 4:15 Tanglewood Music Center Fellowship Vocal Concert 2:00 Boston University (Chamber Music Hall) Tanglewood Institute: Brass Fanfares at 5:30 Alpine Horn Demonstration Main Gate Drive (Lawn near Chamber Music (Rear of Shed in Hall; Shed if rain) case of rain) 5:45 Balloon Ascension 2:15 Cello/Electronic Music (Lawn near Box Lot, Demonstration with weather permitting) Yo-Yo Ma 6:00 Tanglewood Music Center (Theatre-Concert Hall) Fellowship Wind Music 3:00 Boston University (Main House porch; Tanglewood Institute Chamber Music Hall Chamber Music Concert in case of rain) (Chamber Music Hall) 7:00 Berkshire Highlanders 3:15 Tanglewood Music Center (Lion Gate; rear of Fellowship Chamber Music Shed in case of rain) (Theatre-Concert Hall) 8:00 Fanfares and 3:30 Boston University Gala Concert Tanglewood Institute (Koussevitzky Music Shed) Young Artists Chorus and Orchestra (Koussevitzky Music Shed) Hot air balloon courtesy of Mr. and Mrs. Charles Joseph of Lebanon, New Jersey Alpine horns courtesy of BSO horn player Daniel Katzen Artillery and cannon supplied by Eastover, Inc. Scottish folk music courtesy of the Berkshire Highlanders Fireworks over the Stockbridge Bowl following the Gala Concert A Message from Seiji Ozawa This year the Tanglewood Music Center in the next two years. Second, the revival begins the second fifty years of its life. of an opera training program at the TMC And we begin this year with the loss of —formerly one of the great glories of this three of the people who made Tangle- place— is necessary if we are to fulfill wood's first fifty years unique—Leonard our mission of giving the most talented Bernstein, Aaron Copland, and Jim young singers, instrumentalists, conduc- Kiley.
    [Show full text]