Artist CV: NAOMI HOBSON

Total Page:16

File Type:pdf, Size:1020Kb

Artist CV: NAOMI HOBSON Artist CV: NAOMI HOBSON Born: 1978 Country: Coen, Far North Queensland, Australia Language Group: Kaantju/Umpila Artist’s statement: Coen is my home. My family and country mean everything to me. Naomi Hobson is a Visual Artist who resides on the banks of the riverbeds her grandparents were born. Her residence is an old tin shed that was once her village church. Her colourful abstract compositions act as a link between individuality and a shared identity. Her continual inspiration is the vast traditional lands of her ancestors surrounding the town of Coen in Queensland and her culture. More recently, Naomi is further inspired by the richness of cultural diversity she witnessed first-hand while exploring village life, rural farmlands and the organised urban chaos throughout South East Asia. Coen is a small township of 300 people at the bottom of the McIlwraith Ranges (part of the Great Dividing Range) surrounded by the east coast of Cape York Peninsula, rainforest and open wooded country, with many river systems that snake down to the northern section of the Great Barrier Reef. The local clans include Kaantju, Umpila, LamaLama, Ayapathu, Wik Mungkan and Olkola. This landscape has provided inspiration for Naomi’s paintings. I paint in my own personal space where I feel most comfortable including my back veranda, in the dry river beds, on the banks of my childhood fishing places as well as at the camp sites that my families have lived and spent time for thousands of years. I will take time to look at the miniature things, the tiny little things that nature hides. The landscape of Coen is also imbued with a marked political history. Since European settlement Aboriginal people have maintained a connection to their country through working on pastoral properties. Hobson’s grandfather was employed as a stockman for a European family, while other local indigenous people worked as farmhands (cooking, cleaning, gardening, baby-sitters) for no financial reward. Further, Hobson’s family have been active in indigenous land rights and reform movements in the effort to return traditional lands and on social and economic reforms to her Cape York community of Coen. Through her art, Hobson continues her family tradition of political and social engagement. Every brushstroke expresses the innate embeddedness of cultures and country in her paintings. However, this specific link to place is brought about through a keen sense of her own individuality. My aboriginality is what grounds me. Through art I get to freely express all of this. I can share my creative freedoms in a contemporary way. My style also reflects my individuality... I want my work to tell my stories in an innovative way, I want to introduce new work, to maintain a point of difference, I am wary to re-define and not recycle. While Hobson is quick to point out she has been exploring her art practise since her teenage years, in 2007 Hobson commenced her journey as an emerging artist. In 2013, Naomi Hobson had her first solo exhibition at Alcaston Gallery, Melbourne, which was opened by The Honourable Tony Burke MP, Member for Watson, Minister for Sustainability, Environment, Water, Population and Communities & Minister for the Arts, and Noel Pearson, Lawyer, Academic, Land Rights activist and Founder of the Cape York Institute for Policy and Leadership. The sell-out exhibition, titled I am Yikan (an exhibition exploring self-identity) was held from 4 June – 28 June. This body of work introduced the extent of Cape York’s extreme shades of brightness and colour and her own capability of layered colour combinations. 1 Every year since 2013, Hobson has held a solo exhibition, exhibited in many group shows including overseas, been a regular finalist in art awards (Finalist in National Aboriginal and Torres Strait Islander Art Awards 2014, 2015, 2016) throughout Australia including Winner of the 39th Alice Spring Arts Prize. Hobson has featured in numerous arts magazines and has established herself as an Artist. Hobson’s art work has been acquired by institutions including the National Gallery of Australia, Canberra, Australia, Queensland Art Gallery of Modern Art, Brisbane, Australia, Museum and Art Gallery of the Northern Territory, Darwin, Northern Territory, Australia. In June 2018, Hobson held her first overseas solo exhibition at Red Dot Gallery, Singapore. Naomi Hobson, November 2018 2 Solo exhibitions: 2013 I am Yikan, Alcaston Gallery, Melbourne, Victoria, Australia 2014 Seven Sisters and the Bonefish Story, Depot II Gallery represented by Alcaston Gallery, Sydney, New South Wales, Australia 2014 Ngaachi Paapa – My Mother’s Country, Alcaston Gallery, Melbourne, Victoria, Australia 2015 Ngaachi Ngunama – Story Place, Alcaston Gallery, Melbourne, Victoria, Australia 2016 Kanichi – On Top People, Alcaston Gallery, Melbourne, Victoria, Australia 2017 Naomi Hobson, Alcaston Gallery, Melbourne, Victoria, Australia 2017 Time and Place: Naomi Hobson, Art Mob Aboriginal Fine Art, Hobart, Tasmania, Australia 2018 New Beginnings – Redot Fine Art Gallery, Singapore, Singapore 2018 Times Have Changed – Suzanne O’Çonnell Gallery, Brisbane, Australia Selected group exhibitions: 2008 Black Roots, Kick Arts Gallery, Cairns, Queensland, Australia 2008 Arimidale Cultural Art Fair, Armidale, New South Wales, Australia 2009 Some of Us, Tandanya National Aboriginal Cultural Institute, Adelaide, South Australia, Australia 2009 Taralinga, Woolloongabba Art Gallery, Brisbane, Queensland, Australia 2009 Smith and Hall, Sydney, New South Wales,Australia 2009 Australian and Oceanic Art Gallery, Port Douglas, Queensland, Australia 2012 Lockhart River Art, Art Atrium, Bondi Junction, New South Wales, Australia 2012 Cairns Indigenous Art Fair 2012, Cairns Cruise Liner Terminal, Cairns, Queensland, Australia 2012/2013 Land and Water/Ancient and Modern: Contemporary paintings from Lockhart River, Booker Lowe Gallery, Houston, Texas, USA 2013 ‘Ngampula Kuunchi – We are family’, Lockhart River Art Group, Emerge Art Space, Inglewood, Western Australia, Australia 2013 Kinship – A Celebration of Fine Art from Far North Queensland Indigenous Art Centres, Tank Art Centre, Cairns, Northern Territory, Australia 2013 Gold Coast Art Prize, Gold Coast City Gallery, Surfer Paradise. Queensland 2014 Masterpiece London 2014, South Grounds, The Royal Hospital, Chelsea, London, England. 2014 Cairns Indigenous Art Fair 2014, Cairns Cruise Liner Terminal, Cairns, Queensland, Australia, represented by Alcaston Gallery, Melbourne, Victoria, Australia 2014 31st Telstra National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, Northern Territory, Australia 2015 Goma Q, Queensland Art Gallery / Gallery of Modern Art, Brisbane, Queensland, Australia 2015 Out of Queensland: New Indigenous Textiles, Cairns Regional Gallery, Cairns, Queensland, Australia. 2015 32nd Telstra National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, Northern Territory, Australia 2015 Sydney Contemporary 15, Carriage works, represented by Alcaston Gallery, Melbourne, Victoria, Australia 2015 All About Art: Brisbane, White Canvas Gallery, represented by Alcaston Gallery, Melbourne, Victoria, Australia 2015 ArtNow Far North Queensland, Cairns Regional Gallery, Cairns, Queensland, Australia 2016 Provenance Does Matter – the Collector’s Exhibition, Alcaston Gallery, Melbourne, Victoria, Australia 2016 The 39th Alice Spring Prize Exhibition, Araluen Arts Centre, Alice Springs, Northern Territory, Australia. 2016 DENFAIR, Melbourne Exhibition Centre, represented by Alcaston Gallery, Melbourne, Victoria, Australia 2016 Provenance Does Matter – Living with Contemporary Art, Alcaston Gallery at Gallery 369 Bendigo, Victoria, Australia 2016 All About Art, Alcaston Gallery at Depot Gallery, Sydney, New South Wales, Australia 2016 33rd Telstra National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery Of the Northern Territory, Darwin, Northern Territory, Australia 2016 Geelong Contemporary Art Prize, Geelong Gallery, Geelong, Victoria, Australia 2016 Len Fox Painting Award, Castlemaine Art Gallery and Historical Museum, Castlemaine, Victoria, Australia 2016 Kinship, Country & Women’s Australian Indigenous Art, International Education Services, 3 Indigenous Art Collection, Brisbane, Queensland, Australia 2017 The Extractive Frontier: Mining for Art, Castlemaine, Victoria, Australia 2017 Time and Tide, Alcaston Gallery as part of the Art+Climate=Change2017 Festival, Melbourne, Victoria, Australia 2017 Cairns Indigenous Art Fair 2017, Cairns Cruise Liner Terminal, Cairns, Queensland, Australia, represented by Alcaston Gallery, Melbourne, Victoria, Australia 2017 Sydney Contemporary, resented by Alcaston Gallery, Melbourne, Victoria, Australia 2017 Australasian Painters 2007 – 2017: Artist Profile 10th Anniversary, Orange Regional Gallery & Orange Regional Museum, Orange, New South Wales, Australia 2018 San Francisco Tribal & Textile Art Fair: Art of Asia, Africa, Oceania and the Americans, San Francisco, California, USA 2018 Mixed Blood – Contemporary Indigenous Cultural Expression, Tanks Art Centre, Cairns, Queensland, Australia 2018 Naomi Hobson and the Kalan Clay House, Cairns Indigenous Art Fair, Cairns Cruise Liner Terminal, Cairns, Queensland, Australia 2018 2018 From Bark to Neon: Indigenous Art from the NGC Collection, National Gallery of Victoria, Melbourne, Victoria, Australia 2019 Body Politics: Contemporary Works from the
Recommended publications
  • Many Voices Queensland Aboriginal and Torres Strait Islander Languages Action Plan
    Yetimarala Yidinji Yi rawarka lba Yima Yawa n Yir bina ach Wik-Keyangan Wik- Yiron Yam Wik Pa Me'nh W t ga pom inda rnn k Om rungu Wik Adinda Wik Elk Win ala r Wi ay Wa en Wik da ji Y har rrgam Epa Wir an at Wa angkumara Wapabura Wik i W al Ng arra W Iya ulg Y ik nam nh ar nu W a Wa haayorre Thaynakwit Wi uk ke arr thiggi T h Tjung k M ab ay luw eppa und un a h Wa g T N ji To g W ak a lan tta dornd rre ka ul Y kk ibe ta Pi orin s S n i W u a Tar Pit anh Mu Nga tra W u g W riya n Mpalitj lgu Moon dja it ik li in ka Pir ondja djan n N Cre N W al ak nd Mo Mpa un ol ga u g W ga iyan andandanji Margany M litja uk e T th th Ya u an M lgu M ayi-K nh ul ur a a ig yk ka nda ulan M N ru n th dj O ha Ma Kunjen Kutha M ul ya b i a gi it rra haypan nt Kuu ayi gu w u W y i M ba ku-T k Tha -Ku M ay l U a wa d an Ku ayo tu ul g m j a oo M angan rre na ur i O p ad y k u a-Dy K M id y i l N ita m Kuk uu a ji k la W u M a nh Kaantju K ku yi M an U yi k i M i a abi K Y -Th u g r n u in al Y abi a u a n a a a n g w gu Kal K k g n d a u in a Ku owair Jirandali aw u u ka d h N M ai a a Jar K u rt n P i W n r r ngg aw n i M i a i M ca i Ja aw gk M rr j M g h da a a u iy d ia n n Ya r yi n a a m u ga Ja K i L -Y u g a b N ra l Girramay G al a a n P N ri a u ga iaba ithab a m l j it e g Ja iri G al w i a t in M i ay Giy L a M li a r M u j G a a la a P o K d ar Go g m M h n ng e a y it d m n ka m np w a i- u t n u i u u u Y ra a r r r l Y L a o iw m I a a G a a p l u i G ull u r a d e a a tch b K d i g b M g w u b a M N n rr y B thim Ayabadhu i l il M M u i a a
    [Show full text]
  • National Recovery Plan for the Bare-Rumped Sheathtail Bat Saccolaimus Saccolaimus Nudicluniatus
    National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus Prepared by Martin Schulz and Bruce Thomson National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus Prepared by: Martin Schulz and Bruce Thomson Cover photograph: bare-rumped sheathtail bat by Athol Compton. © The State of Queensland, Environmental Protection Agency 2007 Copyright protects this publication. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited without the prior written knowledge of the Environmental Protection Agency. Inquiries should be addressed to PO Box 15155, CITY EAST QLD 4002. Copies may be obtained from the: Executive Director Conservation Services Queensland Parks and Wildlife Service PO Box 15155 CITY EAST QLD 4002 Disclaimer: The Australian Government, in partnership with the Queensland Environmental Protection Agency/Queensland Parks and Wildlife Service and the Northern Territory Department of Natural Resources, Environment and the Arts facilitate the publication of recovery plans to detail the actions needed for the conservation of threatened native wildlife. The attainment of objectives and the provision of funds may be subject to budgetary and other constraints affecting the parties involved, and may also be constrained by the need to address other conservation priorities. Approved recovery actions may be subject to modification due to changes in knowledge and changes in conservation status. Publication reference: Schulz, M. and Thomson, B. 2007. National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus . Report to Department of the Environment and Water Resources, Canberra. Queensland Parks and Wildlife Service, Brisbane. 2 TABLE OF CONTENTS Executive summary........................................................................................4 1.
    [Show full text]
  • Clinician Engagement Strategy 2019-2021
    Clinician Engagement Strategy 2019-2021 1 The Torres and Cape Hospital and Health Service respectfully acknowledges the Traditional Owners / Custodians, past and present, within the lands in which we work. Cape York Ayabadhu, Alngith, Anathangayth, Anggamudi, Apalech, Binthi, Burunga, Dingaal, Girramay, Gulaal, Gugu Muminh, Guugu-Yimidhirr, Kaantju, Koko-bera, Kokomini, Kuku Thaypan, Kuku Yalanji, Kunjen/Olkol, Kuuku – Yani, Lama Lama, Mpalitjanh, Munghan, Ngaatha, Ngayimburr, Ngurrumungu, Nugal, Oolkoloo, Oompala, Peppan, Puutch, Sara, Teppathiggi, Thaayorre, Thanakwithi, Thiitharr, Thuubi, Tjungundji, Uutaalnganu, Wanam, Warrangku, Wathayn, Waya, Wik, Wik Mungkan, Wimarangga, Winchanam, Wuthathi and Yupungathi. Northern Peninsula Area Atambaya, Gudang, Yadhaykenu, Angkamuthi, Wuthathi. Torres Strait Islands The five tribal nations of the Torres Strait Islands: The Kaiwalagal The Maluilgal The Gudamaluilgal The Meriam The Kulkalgal Nations. Recognition of Australian South Sea Islanders Torres and Cape Hospital and Health Service (TCHHS) formally recognises the Australian South Sea Islanders as a distinct cultural group within our geographical boundaries. TCHHS is committed to fulfilling the Queensland Government Recognition Statement for Australian South Sea Islander Community to ensure that present and future generations of Australian South Sea Islanders have equality of opportunity to participate in and contribute to the economic, social, political and cultural life of the State. 2 TCHHS | Clinician Enagagement Strategy 2019-2021 Contents
    [Show full text]
  • Sorry Day Programme Fri 25/5/07
    Running Sheet NATIONAL SORRY DAY LITURGY FRIDAY 26 MAY, 2017 WE GATHER: Tatyana King-Smith: Good morning and welcome. My name is Tatyana King-Smith and I’m a Year 12 student. I am a proud descendant of Kulkalgal (cool-cul-garl). As Australians, we are all woven into this country’s stories. This morning we gather to commemorate National Sorry Day. We take this opportunity to hear the stories of our first peoples, to accept the fact that past laws, practices and policies deeply affected the lives of Aboriginal and Torres Strait Islander peoples and to recognise moments of resilience, healing and the power of saying Sorry. We acknowledge that the journey towards reconciliation forms a significant part of Australia’s story, as do the stories of both trauma and triumph told by Aboriginal and Torres Strait Islander peoples. Today also marks the beginning of National Reconciliation Week which runs annually from 27 May – 3 June. In 2017, we reflect on two significant anniversaries in Australia’s reconciliation journey – 50 years since the 1967 referendum, and 25 years since the historic Mabo decision. Today, we take the time to recognise that reconciliation must live in the hearts, minds and actions of all Australians as we move forward, in the knowledge that we believe in fairness for everyone, that our diversity makes us richer, and that together, we are stronger. We are called, as the theme of Reconciliation Week suggests to ‘Take the Next Steps’ together. PROCESSION Procession will start when the music begins. Aboriginal flag carried in by and Sherlana and Mona Wolmby TSI flag carried in by Imani Tamwoy Place the flags on either arm of the big Cross.
    [Show full text]
  • Innovation on a Shoe String Why Wait ? Driving Efficiencies Beyond ICT Legacy Systems Torres and Cape HHS Fun Facts
    Torres and Cape Hospital and Health Service Innovation on a shoe string Why wait ? Driving efficiencies beyond ICT legacy systems Torres and Cape HHS fun facts • Most Northern remote in QLD • 1000 FTE • 4th smallest HHS • 35 facilities • 16 Outer Islands • Only HHS with an International boarder (PNG) 2 Traditional owners of our land Cape York – 48 clans Northern Peninsula Area Ayabadhu, Alngith, Anathangayth, and Torres Strait Islands Anggamudi,Apalech, Binthi, Burunga, Dingaal, – 10 clans Girramay, Gulaal,Gugu Muminh, Guugu- Atambaya, Gudang, Yimidhirr, Kaantju, Kokobera,Kokomini, Kuku Yadhaykenu, Thaypan, Kuku Yalanji, Kunjen/Olkol,Kuuku – Angkamuthi,Wuthathi, the Yani, Lama Lama, Mpalitjanh,Munghan,Ngaatha, Kaiwalagal, the Maluilgal, Ngayimburr,Ngurrumungu,Nugal,Oolkoloo,Oomp the Gudamaluilgal, the ala, Peppan, Puutch, Sara,Teppathiggi, Meriam and the Kulkalgal Thaayorre, Thanakwithi, Thiitharr, Nations. Thuubi,Tjungundji,Uutaalnganu, Wanam, Warrangku, Wathayn, Waya,Wik, Wik Mungkan, Wimarangga, Winchanam, Wuthathi and Yupungathi. 3 Closing the Gap 4 Funding Fun (constraints) Block Funded Record inefficiencies 5 Innovation in the face of adversity – rising to meet the challenge! Automate processes Eliminate silos ‘Lean’ it up Focus on existing 6 technologies Our new automated eTravel system 7 GPVs Highest days to pay 80% GPV usage Over engineered controls 3 original sign-off 8 What else are we doing? • Nurse Navigator processes • In-vehicle monitoring system • Finance CCM monthly verification • Document Management Register • Onboarding/off boarding process • Executive virtual meeting site Weipa MPHS Napranum PHCC Kowanyama 9 PHCC Torres and Cape Hospital and Health Service Conclusion Innovation then Automation.
    [Show full text]
  • Torres and Cape Hospital and Health Service
    Torres and Cape Hospital and Health Service 2019–2020 Annual Report 2019-20 1 Information about consultancies, overseas travel, and the Queensland language services policy is available at the Queensland Government Open Data website (qld.gov.au/data). An electronic copy of this report is available at https://www.health.qld.gov.au/torres-cape/html/publication-scheme. Hard copies of the annual report are available by contacting the Board Secretary (07) 4226 5945. Alternatively, you can request a copy by emailing [email protected]. The Queensland Government is committed to providing accessible services to Queenslanders from all culturally and linguistically diverse backgrounds. If you have difficulty in understanding the annual report, you can contact us on telephone (07) 4226 5974 and we will arrange an interpreter to effectively communicate the report to you. This annual report is licensed by the State of Queensland (Torres and Cape Hospital and Health Service) under a Creative Commons Attribution (CC BY) 4.0 International license. You are free to copy, communicate and adapt this annual report, as long as you attribute the work to the State of Queensland (Torres and Cape Hospital and Health Service). To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ Content from this annual report should be attributed as: State of Queensland (Torres and Cape Hospital and Health Service) Annual Report 2018–19. © Torres and Cape Hospital and Health Service 2019 ISSN 2202-6401 (Print) ISSN 2203-8825 (Online) Aboriginal and Torres Strait Islander people are advised that this publication may contain words, names, images and descriptions of people who have passed away.
    [Show full text]
  • At Home Symbolic Selfies
    #45 Start at home Symbolic Selfies “She told Mum she was taking me for a ride down the road but she not.” – Laine, resident of Coen, Queensland, 2019 About the artist About the work Naomi Hobson attributes her creativity and imagination This photo is half of a pair, capturing two moments to her childhood in Coen, in far North Queensland: in the life of sisters Laine and Katarna. In this picture, making her own toys from bits and bobs and taking Road Play, Laine is placed front and centre, and the long, rambling walks with her grandparents, noticing all caption tells the story from her perspective as the the strange and beautiful details of their Country along younger sister: impatiently watching Katarna play the way. A Southern Kaantju/Umpila artist, well-known with her phone, when she promised to take Laine for for her colourful abstract landscape paintings, Naomi a bike ride. But the story doesn’t end there! In the developed her photography skills working for the local second photo, Laine and Katarna are both perched Land Trust before turning her lens towards the young on the bike – happily posing for a selfie together. This people of Coen for this series, Adolescent Wonderland. photo is titled The Good Sister, and the caption is in “They are filled with life,” she says of the children and Katarna’s words. By showing both sides of the story, teens of her hometown, “they fill this community with Hobson captures the funny, complex push and pull of light. And I wanted the rest of the country to see that.” family life.
    [Show full text]
  • National Recovery Plan for the Spectacled Flying Fox Pteropus Conspicillatus
    National recovery plan for the spectacled flying fox Pteropus conspicillatus National recovery plan for the spectacled flying fox Pteropus conspicillatus Cover photograph: Spectacled flying fox by Martin Schulz. © The State of Queensland, Department of Environment and Resource Management 2010. Copyright protects this publication. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited without the prior written knowledge of the Department of Environment and Resource Management. Inquiries should be addressed to GPO Box 2454, BRISBANE, QLD 4001. Copies may be obtained from: Assistant Director General Queensland Parks and Wildlife Service Department of Environment and Resource Management GPO Box 2454 Brisbane Qld 4001 Disclaimer: The Australian Government in partnership with the Queensland Department of Environment and Resource Management facilitates the publication of recovery plans to detail the actions needed for the conservation of threatened native wildlife. The attainment of objectives and the provision of funds may be subject to budgetary and other constraints affecting the parties involved, and may also be constrained by the need to address other conservation priorities. Approved recovery actions may be subject to modification due to changes in knowledge and changes in conservation status. Publication reference: Queensland Department of Environment and Resource Management 2010. National recovery plan for the spectacled flying fox Pteropus conspicillatus. Report to the Department of Sustainability,
    [Show full text]
  • Torres and Cape Hospital and Health Service
    Torres and Cape Hospital and Health Service YOUR DEPARTMENT – OUTSIDE FRONT COVER – COLOUR ISSN: 2202-6401 (Print) ISSN: 2203-8825 (Online) The Queensland Government is committed to providing accessible services to Queenslanders from all culturally and linguistically diverse backgrounds. If you have any difficulty in understanding the annual report, you can contact us on (07) 4226 5945 and we will arrange an interpreter to effectively communicate the report to you. © The State of Queensland (Torres and Cape Hospital and Health Service) 2017 Public Availability Statement: Copies of this report are also available in paper form and can be obtained by contacting the Board Operations Manager, Ph: (07) 4226 5945 Email: [email protected] Web: www.health.qld.gov.au/torres-cape Additional annual report disclosures relating to expenditure on consultancy, overseas travel and implementation of the Queensland Language Services Policy are published on the Queensland government’s open data website, available via: www.data.qld.gov.au Licence: This annual report is licensed by the State of Queensland (Torres and Cape Hospital and Health Service) under a Creative Commons Attribution (CC BY) 4.0 Australia licence. CC BY Licence Summary Statement: In essence, you are free to copy, communicate and adapt this annual report, as long as you attribute the work to the Torres and Cape Hospital and Health Service. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ Attribution: Content from this annual report should be attributed as the Torres and Cape Hospital and Health Service annual report 2016-2017.
    [Show full text]
  • Medical Officer Opportunities ACKNOWLEDGEMENT of TRADITIONAL OWNERS
    Medical Officer opportunities ACKNOWLEDGEMENT OF TRADITIONAL OWNERS The Torres and Cape Hospital and Health Service respectfully acknowledges the Traditional Owners / Custodians, past and present, within the lands in which we work. CAPE YORK Ayabadhu, Alngith, Anathangayth, Anggamudi, Apalech, Binthi, Burunga, Dingaal, Girramay, Gulaal, Gugu Muminh, Guugu-Yimidhirr, Kaantju, Koko-bera, Kokomini, Kuku Thaypan, Kuku Yalanji, Kunjen/Olkol, Kuuku – Yani, Lama Lama, Mpalitjanh, Munghan, Ngaatha, Ngayimburr, Ngurrumungu, Nugal, Oolkoloo, Oompala, Peppan, Puutch, Sara, Teppathiggi, Thaayorre, Thanakwithi, Thiitharr, Thuubi, Tjungundji, Uutaalnganu, Wanam, Warrangku, Wathayn, Waya, Wik, Wik Mungkan, Wimarangga, Winchanam, Wuthathi and Yupungathi. NORTHERN PENINSULA AREA Atambaya, Gudang, Yadhaykenu, Angkamuthi, Wuthathi. TORRES STRAIT ISLANDS The five tribal nations of the Torres Strait Islands: The Kaiwalagal The Maluilgal The Gudamaluilgal The Meriam The Kulkalgal Nations. RECOGNITION OF AUSTRALIAN SOUTH SEA ISLANDERS Torres and Cape Hospital and Health Service formally recognises the Australian South Sea Islanders as a distinct cultural group within our geographical boundaries. Torres and Cape HHS is committed to fulfilling the Queensland Government Recognition Statement for Australian South Sea Islander Community to ensure that present and future generations of Australian South Sea Islanders have equality of opportunity to participate in and contribute to the economic, social, political and cultural life of the State. Aboriginal and Torres
    [Show full text]
  • 2018-2019 Annual Report | Torres and Cape Hospital and Health
    Torres and Cape Hospital and Health Service 2018-2019 ANNUAL RE PO RT • v. Queensland ~ ~ Government Information about consultancies, overseas travel, and the Queensland language services policy is available at the Queensland Government Open Data website (qld.gov.au/data). An electronic copy of this report is available at https://www.health.qld.gov.au/torres-cape/html/publication-scheme. Hard copies of the annual report are available by contacting the Board Secretary (07) 4226 5945. Alternatively, you can request a copy by emailing [email protected]. The Queensland Government is committed to providing accessible services to Queenslanders from all culturally and linguistically diverse backgrounds. If you have difficulty in understanding the annual report, you can contact us on telephone (07) 4226 5974 and we will arrange an interpreter to effectively communicate the report to you. This annual report is licensed by the State of Queensland (Torres and Cape Hospital and Health Service) under a Creative Commons Attribution (CC BY) 4.0 International license. You are free to copy, communicate and adapt this annual report, as long as you attribute the work to the State of Queensland (Torres and Cape Hospital and Health Service). To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ Content from this annual report should be attributed as: State of Queensland (Torres and Cape Hospital and Health Service) Annual Report 2018–19. © Torres and Cape Hospital and Health Service 2019 ISSN 2202-6401 (Print) ISSN 2203-8825 (Online) Aboriginal and Torres Strait Islander people are advised that this publication may contain words, names, images and descriptions of people who have passed away.
    [Show full text]
  • A Linguistic Description of Lockhart River Creole
    A Linguistic Description of Lockhart River Creole Joanna Ewa Mittag Master in Applied Linguistics – University of New England, Armidale NSW Master of Arts in Applied Linguistics – University of New England, Armidale, NSW Bachelor of Arts – Charter Oak State College, New Britain, CT, USA A thesis submitted for the degree of Doctor of Philosophy of the University of New England November 2016 I Acknowledgements I would like to thank Professor Jeff Siegel and Dr Mark Post for their supervision of the work outlined in the present study. I am very grateful for their very detailed feedback which has been instrumental in the process of writing this thesis. I would also like to thank Dr Margaret Sharpe, Professor Diana Eades, and Professor Nick Reid of the Linguistics Department at the University of New England for their advice on conducting research in Aboriginal communities in Australia. My special thanks and words of gratitude are directed to the members of the Lockhart River Aboriginal Shire Council, namely, Mayor Wayne Butcher, Deputy Mayor Norman Bally, Veronica Piva, Paul Piva, and Dorothy Hobson, for granting their permission for me to undertake my project in their community. This study could not have been completed without the assistance of many people in the Lockhart River Aboriginal Community, as well as the Lockhart River People residing in Cairns, North Queensland. In particular I thank Patrick Butcher, Josiah Omeenyo, Irene Namok, Dorothy Short, Elizabeth “Queenie” Giblet, Susan Pascoe, Lucy Hobson, Greg Omeenyo, Beverley Butcher, Beverley Pascoe, Nullam Clark, Christina Hobson, Margaret Hobson, Emily Pascoe, John Butcher, Priscilla Mattisey, Marjorie Accoom, Leila Clarmont, Brain Claudie, and Beatrice Mary Hobson who shared their knowledge of Lockhart River and their language with me.
    [Show full text]