KANTRI LAIF 7 Talking to Our CANBERRA Bunuba
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Many Voices Queensland Aboriginal and Torres Strait Islander Languages Action Plan
Yetimarala Yidinji Yi rawarka lba Yima Yawa n Yir bina ach Wik-Keyangan Wik- Yiron Yam Wik Pa Me'nh W t ga pom inda rnn k Om rungu Wik Adinda Wik Elk Win ala r Wi ay Wa en Wik da ji Y har rrgam Epa Wir an at Wa angkumara Wapabura Wik i W al Ng arra W Iya ulg Y ik nam nh ar nu W a Wa haayorre Thaynakwit Wi uk ke arr thiggi T h Tjung k M ab ay luw eppa und un a h Wa g T N ji To g W ak a lan tta dornd rre ka ul Y kk ibe ta Pi orin s S n i W u a Tar Pit anh Mu Nga tra W u g W riya n Mpalitj lgu Moon dja it ik li in ka Pir ondja djan n N Cre N W al ak nd Mo Mpa un ol ga u g W ga iyan andandanji Margany M litja uk e T th th Ya u an M lgu M ayi-K nh ul ur a a ig yk ka nda ulan M N ru n th dj O ha Ma Kunjen Kutha M ul ya b i a gi it rra haypan nt Kuu ayi gu w u W y i M ba ku-T k Tha -Ku M ay l U a wa d an Ku ayo tu ul g m j a oo M angan rre na ur i O p ad y k u a-Dy K M id y i l N ita m Kuk uu a ji k la W u M a nh Kaantju K ku yi M an U yi k i M i a abi K Y -Th u g r n u in al Y abi a u a n a a a n g w gu Kal K k g n d a u in a Ku owair Jirandali aw u u ka d h N M ai a a Jar K u rt n P i W n r r ngg aw n i M i a i M ca i Ja aw gk M rr j M g h da a a u iy d ia n n Ya r yi n a a m u ga Ja K i L -Y u g a b N ra l Girramay G al a a n P N ri a u ga iaba ithab a m l j it e g Ja iri G al w i a t in M i ay Giy L a M li a r M u j G a a la a P o K d ar Go g m M h n ng e a y it d m n ka m np w a i- u t n u i u u u Y ra a r r r l Y L a o iw m I a a G a a p l u i G ull u r a d e a a tch b K d i g b M g w u b a M N n rr y B thim Ayabadhu i l il M M u i a a -
Cape York Peninsula Parks and Reserves Visitor Guide
Parks and reserves Visitor guide Featuring Annan River (Yuku Baja-Muliku) National Park and Resources Reserve Black Mountain National Park Cape Melville National Park Endeavour River National Park Kutini-Payamu (Iron Range) National Park (CYPAL) Heathlands Resources Reserve Jardine River National Park Keatings Lagoon Conservation Park Mount Cook National Park Oyala Thumotang National Park (CYPAL) Rinyirru (Lakefield) National Park (CYPAL) Great state. Great opportunity. Cape York Peninsula parks and reserves Thursday Possession Island National Park Island Pajinka Bamaga Jardine River Resources Reserve Denham Group National Park Jardine River Eliot Creek Jardine River National Park Eliot Falls Heathlands Resources Reserve Captain Billy Landing Raine Island National Park (Scientific) Saunders Islands Legend National Park National park Sir Charles Hardy Group National Park Mapoon Resources reserve Piper Islands National Park (CYPAL) Wen Olive River loc Conservation park k River Wuthara Island National Park (CYPAL) Kutini-Payamu Mitirinchi Island National Park (CYPAL) Water Moreton (Iron Range) Telegraph Station National Park Chilli Beach Waterway Mission River Weipa (CYPAL) Ma’alpiku Island National Park (CYPAL) Napranum Sealed road Lockhart Lockhart River Unsealed road Scale 0 50 100 km Aurukun Archer River Oyala Thumotang Sandbanks National Park Roadhouse National Park (CYPAL) A r ch KULLA (McIlwraith Range) National Park (CYPAL) er River C o e KULLA (McIlwraith Range) Resources Reserve n River Claremont Isles National Park Coen Marpa -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright Land Rich, Dirt Poor? Aboriginal land rights, policy failure and policy change from the colonial era to the Northern Territory Intervention Diana Perche A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Government and International Relations Faculty of Arts and Social Sciences University of Sydney 2015 Statement of originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. -
History of the Sea of Hands Significant Dates Suggested School Activities
History of the Sea of Hands Significant Dates Suggested School Activities Sample School Program Worksheets The Sea of Hands is a great activity for students, particularlyThe Sea of if itHands supports is a community work being- baseddone in the Useful Reconciliationclassroom. Some activity schools which have can alsobe used incorporated to mark significant dates during the year, such as Sorry Day, Resources student’s own hand designs and artworks within the Nationalinstallations, Reconciliation enabling Week students and toNAIDOC make aweek. more Photo Gallery personal response to the event. ANTaR QLD can supply hands and poles which can be used free of charge if your school would like to create a Sea of Hands installation. The hands can be booked by phoning the ANTaR office on ph.0401 733359 or via email [email protected] We acknowledge the Turrubal, Jagera and Yuggera people, traditional owners of the land on which Brisbane is situated. About the Sea of Hands Sea of Hands, Canberra 1997 The first Sea of Hands was held on the 12 October 1997, in front of Parliament House, Canberra. The Sea of Hands was created as a powerful, physical representation of the Citizen's Statement on Native Title. The Citizen's Statement was a petition circulated by ANTaR to mobilise non- Indigenous support for native title and reconciliation. Plastic hands in the colours of the Aboriginal and Torres Strait Islander flags, each one carrying one signature from the Citizen's Statement, were installed in front of Parliament House in what was then the largest public art installation in Australia. -
Central Land Council and Northern Land Council
CENTRAL LAND COUNCIL and NORTHERN LAND COUNCIL Submission to the Productivity Commission Draft Report into Resources Sector Regulation 21 August 2020 TABLE OF CONTENTS 1. KEY TERMS ____________________________________________________________ 4 2. INTRODUCTION ________________________________________________________ 5 PART 1 – DETAILED RESPONSE AND COMMENTARY_________________________ 5 3. LEGAL CONTEXT _______________________________________________________ 5 3.1. ALRA NT ______________________________________________________________ 5 3.2. Native Title Act _________________________________________________________ 6 3.3. The ALRA NT is not alternate to the Native Title Act. __________________________ 6 4. POLICY CONTEXT ______________________________________________________ 6 4.1. Land Council Policy Context ______________________________________________ 6 4.2. Productivity Commission consultation context ________________________________ 8 5. RECOMMENDATIONS AND COMMENTS __________________________________ 9 5.1. The EPBC Act, and Northern Territory Environmental Law has recently been subject to specialised review _________________________________________________________ 9 5.2. Pt IV of the ALRA NT has recently been subject to specialised review _____________ 9 5.3. Traditional owners are discrete from the Aboriginal Community and have special rights ____________________________________________________________________ 10 5.4. Free Prior Informed Consent _____________________________________________ 11 5.5. Inaccuracies in the draft Report -
Painting Virtue: a Portrait of Laurie Baymarrwangga
Painting Virtue: a portrait of Laurie Baymarrwangga BENTLEY JAMES explained. At this time in her life Baymarrwangga is looking to provide resources for children’s education in the region. This year she wants to provide a trilingual Yan-nhangu dictionary to the children for free. Laurie Baymarrwangga has been working on a trilingual Yan-nhangu dictionary project to support language education on the islands. In 1993 there were only 300 of her words documented, now she has recorded some 4000, containing the local knowledge of countless generations. Learning local language, aside from the positive health outcomes and psychological resilience attending bilingualism, promotes the intergenerational transmission of local knowledge to a new generation. This dictionary brings together two Yolngu languages, Yan- nhangu and Dhuwal/a (6000 speakers) with English, as a learning resource to fill the vacuum left by the removal of bilingual education. Baymarrwangga plans to give this beautiful full colour dictionary to all Yolngu children, their schools and homelands throughout the region as a gift before Christmas 2013. Baymarrwangga’s concern for her country’s vibrant Gillian Warden, Virtue (portrait of Laurie Baymarrwangga, 2013, 120 x 120cm; linguistic and customary heritage generated a family of image courtesy the artist interrelated projects under the Crocodile Islands Initiative. Designed to support language, livelihoods and gentle sea breeze touches the tamarind trees of homelands, the initiative aims to skill and employ people Milingimbi where Laurie Baymarrwangga is on country, follow traditional law, and protect the sitting in the dappled shade on the beach of her linguistic, cultural and biological diversity of the Islands. -
National Recovery Plan for the Bare-Rumped Sheathtail Bat Saccolaimus Saccolaimus Nudicluniatus
National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus Prepared by Martin Schulz and Bruce Thomson National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus Prepared by: Martin Schulz and Bruce Thomson Cover photograph: bare-rumped sheathtail bat by Athol Compton. © The State of Queensland, Environmental Protection Agency 2007 Copyright protects this publication. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited without the prior written knowledge of the Environmental Protection Agency. Inquiries should be addressed to PO Box 15155, CITY EAST QLD 4002. Copies may be obtained from the: Executive Director Conservation Services Queensland Parks and Wildlife Service PO Box 15155 CITY EAST QLD 4002 Disclaimer: The Australian Government, in partnership with the Queensland Environmental Protection Agency/Queensland Parks and Wildlife Service and the Northern Territory Department of Natural Resources, Environment and the Arts facilitate the publication of recovery plans to detail the actions needed for the conservation of threatened native wildlife. The attainment of objectives and the provision of funds may be subject to budgetary and other constraints affecting the parties involved, and may also be constrained by the need to address other conservation priorities. Approved recovery actions may be subject to modification due to changes in knowledge and changes in conservation status. Publication reference: Schulz, M. and Thomson, B. 2007. National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus . Report to Department of the Environment and Water Resources, Canberra. Queensland Parks and Wildlife Service, Brisbane. 2 TABLE OF CONTENTS Executive summary........................................................................................4 1. -
Community Engagement Guidelines Coen
COMMUNITY ENGAGEMENT GUIDELINES COEN The Commission would like to thank the Local Commissioners for providing advice and guidance into the development of this document in regard to their specific communities. The Commission also wishes to acknowledge receiving information and support to produce this document from partner Queensland and Australian Government agencies and departments. Page 2 The Commission recognises we are visitors to the country we travel across and work in and that many of our Local Commissioners are Traditional Owners and Elders of their communities. The Commission acknowledges and pays our respects to the Traditional Owners, Elders and Teachers of these lands. To those of the past whose unseen hands guide the actions and decisions of the Commissioners today; to those of the present working for their communities and setting an example for the next generation and to those of the future, the Elders not yet born who will inherit the legacy of our efforts. Page 3 COMMUNITY PROTOCOLS Prior to visiting Coen it is important that one has some knowledge of its history along with an overview of how to engage with members of the Aboriginal community. The need for protocols is not solely an Indigenous or Aboriginal issue. Community protocols establish modes of behaviour and communication which demonstrate respect for individual residents and the diversity of other cultures. The Australian Aboriginal culture differs significantly from the Australian non- Aboriginal culture. It is therefore essential to understand the relevant cultural disparities and protocols in order to gain respect and effectively engage with the Aboriginal community. The appreciation of cultural morays including understanding the position and status of people within the local Aboriginal community assists in successfully engaging with Indigenous peoples. -
Clinician Engagement Strategy 2019-2021
Clinician Engagement Strategy 2019-2021 1 The Torres and Cape Hospital and Health Service respectfully acknowledges the Traditional Owners / Custodians, past and present, within the lands in which we work. Cape York Ayabadhu, Alngith, Anathangayth, Anggamudi, Apalech, Binthi, Burunga, Dingaal, Girramay, Gulaal, Gugu Muminh, Guugu-Yimidhirr, Kaantju, Koko-bera, Kokomini, Kuku Thaypan, Kuku Yalanji, Kunjen/Olkol, Kuuku – Yani, Lama Lama, Mpalitjanh, Munghan, Ngaatha, Ngayimburr, Ngurrumungu, Nugal, Oolkoloo, Oompala, Peppan, Puutch, Sara, Teppathiggi, Thaayorre, Thanakwithi, Thiitharr, Thuubi, Tjungundji, Uutaalnganu, Wanam, Warrangku, Wathayn, Waya, Wik, Wik Mungkan, Wimarangga, Winchanam, Wuthathi and Yupungathi. Northern Peninsula Area Atambaya, Gudang, Yadhaykenu, Angkamuthi, Wuthathi. Torres Strait Islands The five tribal nations of the Torres Strait Islands: The Kaiwalagal The Maluilgal The Gudamaluilgal The Meriam The Kulkalgal Nations. Recognition of Australian South Sea Islanders Torres and Cape Hospital and Health Service (TCHHS) formally recognises the Australian South Sea Islanders as a distinct cultural group within our geographical boundaries. TCHHS is committed to fulfilling the Queensland Government Recognition Statement for Australian South Sea Islander Community to ensure that present and future generations of Australian South Sea Islanders have equality of opportunity to participate in and contribute to the economic, social, political and cultural life of the State. 2 TCHHS | Clinician Enagagement Strategy 2019-2021 Contents -
A Nn Ual R Eport 20 17– 18
Powerhouse Museum Sydney Observatory Museums Discovery Centre Annual ReportAnnual 2017–18 The Hon Don Harwin MLC Leader of the Government in the Legislative Council Minister for Resources Minister for Energy and Utilities Minister for the Arts Vice President of the Executive Council Parliament House Sydney NSW 2000 Dear Minister On behalf of the Board of Trustees and in accordance with the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983, we submit for presentation to Parliament the Annual Report of the Museum of Applied Arts and Sciences for the year ending 30 June 2018. Yours sincerely Professor Barney Glover FTSE FRSN Andrew Elliott President Acting Director ISSN: 2209-8836 © Trustees of the Museum of Applied Arts and Sciences 2018 The Museum of Applied Arts and Sciences is an Executive Agency of, and principally funded by the NSW State Government. MAAS Annual Report 1 2017–18 Contents Acknowledgment of country .........................................................................2 Mission, Vision, Values ..................................................................................3 Strategic direction ........................................................................................ 4 President’s foreword ..................................................................................... 6 Director’s foreword ....................................................................................... 8 Future of MAAS ...........................................................................................10 -
The Land Tribunals
Torres Strait Thursday Island Cape York Weipa Coen GREAT GULF OF CARPENTARIA Cooktown Mornington Island REPORTS ON Cairns Burketown Normanton THE OPERATIONS OF CORAL SEA Croydon Georgetown BARRIER Ingham Townsville THE LAND TRIBUNALS SOUTH PACIFIC OCEAN Charters Towers Bowen Proserpine REEF Mount Isa Julia Creek Cloncurry Richmond Hughenden Mackay ESTABLISHED UNDER Winton St Lawrence NORTHERN TERRITORY Boulia THE ABORIGINAL LAND ACTCapella 1991 AND Longreach Barcaldine Emerald Rockhampton Jericho Blackwater THE TORRES STRAIT ISLANDER LAND ACT 1991 Blackall Springsure FOR THE YEAR ENDED 30 JUNE 2010 Bundaberg Eidsvold Maryborough Windorah Taroom Birdsville Gayndah Gympie Charleville Roma Miles Quilpie Mitchell Sunshine Coast Surat Dalby Ipswich BRISBANE Gold Cunnamulla SOUTH AUSTRALIA Thargomindah Coast St George Warwick Goondiwindi Stanthorpe NEW SOUTH WALES REPORT ON THE OPERATIONS OF THE LAND TRIBUNAL ESTABLISHED UNDER THE ABORIGINAL LAND ACT 1991 FOR THE YEAR ENDED 30 JUNE 2010 Table of Contents Report of the Land Tribunal established under the Aboriginal Land Act 1991 Paragraph I INTRODUCTION 1 - 2 II THE LAND TRIBUNAL 3 (a) Membership 4 - 9 (b) Functions 10 - 12 (c) Land claim procedures 13 - 14 III LAND CLAIMS (a) Claimable land and land claims 15 - 17 (b) Tribunal Proceedings 18 - 20 (c) Land claim reports 21 (d) Sale of land claim reports 22 - 23 (e) Status of claims determined by the Land Tribunal 24 - 25 (f) Status of all land claims 26 IV LEGISLATION 27 - 28 V ADMINISTRATIVE MATTERS (a) Staff 29 (b) Relationship with the Land Court and 30 other Tribunals (c) Administrative arrangements 31 - 32 (d) Budget 33 - 35 (e) Accommodation 36 VI CONCLUDING REMARKS 37 Claimant and locality identification Annexure A Advertising venues, parties and hearing dates Annexure B REPORT ON THE OPERATIONS OF THE LAND TRIBUNAL ESTABLISHED UNDER THE ABORIGINAL LAND ACT 1991 FOR THE YEAR ENDED 30 JUNE 2010 I INTRODUCTION 1. -
Thorragnarok59d97e5bd2b22.Pdf
©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager .