Inventaris Op Het Plantijnsch Archief

Total Page:16

File Type:pdf, Size:1020Kb

Inventaris Op Het Plantijnsch Archief MUSÆUM PLANTIN-MORETUS INVENTARIS OP HET PLANTIJNSCH ARCHIEF INVENTAIRE DES Archives Plantiniennes DOOR PAR J. DENUCÉ STADSARCHIVARIS ARCHIVISTE DE LA VILLE D’ANVERS — 1926 — ANTWERPEN — ANVERS Ital., n° 1. Grand livre : Fournisseurs de papier et imprimerie 1563-1567. Papier, 288 feuillets, dont 149 blancs, avec registre alphabétique; 422 x 305 mill. Reliure parchemin ancien et veau brun; restes de 2 lacets cuir. Au 1er plat: Libro de la Stampa; au dos, le titre comme ci-dessus. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/R2PLYUjW6mfKP6ekdZq5bIgM Ital., n° 2. Journal: Fournisseurs de papier et imprimerie 1563-1567. Papier, 145 feuillets, dont 100 blancs; 425 x 304 mill. Au f° 44: Bilanse du livre des libraires signé A. faict adi 26. Augst 1566. Rel. parch. anc. et veau brun: lacet cuir. Au 1er plat: Giornale de la Stampa. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/w1ZUgQmWXmR9NRAXhiERB13V Franç., n° 3. Journal des affaires 1563-1567. Papier, 188 feuillets, dont 111 blancs ; 340 x 222 mill. Au f° 1 : « Au nom de Dieu. En Anvers l’an 1563 ». Rel. parch. anc. Au 1er plat : Journal des affaires commençant en Octobre 1563. Même titre au dos. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/I1EUVkUlm7AnqbZkNRUdyKZz Franç., n° 4. Grand livre des affaires 1563-1567. Papier, 235 feuillets dont beaucoup de blancs : 340 x 220 mill. Table alphabét. aux 5 premiers feuillets de garde. Rel. parch. anc.; traces de 2 lacets cuir. Au 1er plat : Le grand livre des affaires commençant en Octobre 1563; même titre au dos. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11724/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/N1YkMIDIVa79XeOVRluqZqXx Espagnol, n° 5. Biblia Regia. Missel. Compte du Roi d’Espagne 1568-1578. Papier, 2 registres, ensemble 94 feuillets, dont 48 blancs: 415 x 260 mill. Rel. parch. anc.; traces de 2 lacets cuir. Au dos: le titre comme ci-dessus. De twee registers kan men als volgt onderscheiden: Arch. 5 bis: de authentieke rekening-courant (31.05.1568-17.02.1575) Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/hORXyWILrThVVdUTgA1wmA62 Arch. 5: contemporain afschrift van de rekening-courant (31.05.1568-31.07.1574) Elektronisch beschikbaar via de World Digital Library: http://www.wdl.org/en/item/11725/ Espagnol, n° 6. Compte espagnols 1571-1575. Papier, 283 feuillets, dont beaucoup de blancs ; 405 x 264 mill. Rel. parch. anc.; restes de 2 lacets cuir. Titre au dos. Diverses langues, n° 7. Copie de lettres de Christophe Plantin 1561 – 1572. Papier, 244 feuillets ; 320 x 217 mill. Rel. parch. moderne; au dos en noir : 1561-1572. Brieven. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/VmEPWQVpkVDHNKMYVj48pZKr 2 Diverses langues, n° 8. Copie de lettres de Plantin 1572-1578. Papier, 244 feuillets ; 345 x 232 mill. Rel. mod. ; lacet coton. Au dos, à l’encre noir : 1572- 1578. Brieven. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/U1RWQKXfHOLcLJcPJg9GTtt1 Diverses langues, n° 9. Copie de lettres de Plantin 1572-1581. Papier ; 100 feuillets, plus 2 de garde en parch., provenant d’un Missel. avec musique notée : Missa mort ma Privé. Tho Crequillon. F° XVI. Au 1er feuillet de garde : Ratione Quemq. Sui memorem esse decet MDLXXII. Rel. parch. mod., avec lacet coton. Au dos, en noir : 1572- 1581. Brieven. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11726/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/V2mWtZhheWRqAdpTosqn1JbQ Diverses langues, n° 10. Copie de lettres de Plantin 1579-1589. Papier : 302 feuillets : 335 x 205 mill. Rel. mod. parch : lacet coton. Au dos, en noir : 1579- 1590. Brieven. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11727/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/E1bW9Kg3WSHpPPMlVK7vF23l Diverses langues, n° 11. Copies de lettres de Plantin-Moretus 1591-1601. Papier : 154 feuillets dont 25 blancs : 348 x 210 mill. Rel. parch. mod.; lacet coton. Au dos, en noir : 1591-1601. Brieven. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11728/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/Q1ujebUNUFSbrltSIhjIB4SY Latin, n° 12. Copie de lettres de Jean Moretus I, 1598-1607. Papier : 366 pages, 362 x 228 mill. Tables alphabétiques aux fos 1, 89, 189, 279. Rel. parch. mod. ; lacet coton. Au dos, en noir: 1598-1607. Litterae Lat. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11729/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/P24KHNodXWkWqZrNhhl3z8mF Diverses langues, n° 13. Copie de lettres de Plantin-Moretus I, 1597-1617. Papier ; 338 pages ; 370 x 225 mill. En plusieurs cahiers ; le dernier a comme titre (f° 199) ; A° 1613 de Julies iusques 16e Junij 1616. Litterae variarum linguarum fratris Joannis p. m. 1613-1616. Rel. parch. mod. ; lacet coton. Au dos, en noir : 1597-1617. Brieven. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11730/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/P1eUJWgPNZUjpfVKiPjhy2TA 3 Franç., n° 14. Livre de caisse 1576-1589. Papier : 159 feuillets + 15 blancs ; 332 x 200 mill. ; 6 cahiers, reliés chacun en un doublé feuillet parchemin, provenant de livres liturgiques du XVe siècle ; sur chacun : la date et la devise de Jean Moretus I : Ratione recta. Pagination ancienne dans chaque cahier. Rel. parch. mod. ; lacet coton. Au dos, en noir : Kasboek, 1576-1589. Franç., n° 15. Livre de caisse 1589-1590. Papier ; 24 feuillets + 38 blancs ; 380 x 245 mill. Comprend 2 cahiers dont le 1er est intitulé : Carnet de la Casse. Cahier auquel est tenu le compte de la casse, ascavoir de tout ce qu’a esté receu et payé depuis… Le 2e cahier auquel sont retirez les debiteurs lesquelz après le trespas de feu nostre beau-pere Christophle Plantin… Relié en un grand feuillet parchemin, provenant d’un ancien antiphonaire ; au dos : De Julius 1589 Jusques May venitienne 1590. Ratione Recto. Franç., n° 16. Grand livre 1568-1573. Papier ; 259 feuillets plus 8 blancs et 4 de garde en parchemin (provenant de livres liturgiques du XVe siècle) ; 330 x 220 mill. Index alphabétique à part. Au 2e feuillet de garde : Le livre grand signé †. Rel. parch. anc. ; traces de 2 lacets cuir. Au dos, en noir : Grand livre 1568- 1573. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/e2ARrbbUFaGRLfahaYs0yldQ Franç., n° 17. Grand livre des libraires 1568-1578. Papier ; 496 feuillets, avec index alphabétique distinct ; 345 x 235 mill. Rel. parch. mod., 2 lacets coton. Au dos: B. 1562-1578. Grootboek. Boekhandelaars. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/H1WVleaIJcueFTPaeqOj3A3h Franç., n° 18. Grand livre + + 1571-1582. Papier ; 472 feuillets, index alphabétique au commencement ; 346 x 242 mill. Rel. parch. mod.; au dos le titre comme ci-dessus. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/f1ZJTRTZhffQPagoSjOtff3Y Franç., n° 19. grand livre signé C. 1572-1589. Papier ; 217 feuillets plus 95 blancs ; index alphabétique distinct ; 392 x 270 mill. Au 1er feuillet, le titre comme ci-dessus. Rel. anc. veau estampé ; traces de lacets cuir. Au dos, une étiquette en papier, avec le titre comme ci-dessus (Pour les années suivantes, voir n° 126). Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/k1cROSiIXjmmFkZJbfbGRrwO Franç., n° 20. Grand livre 1582-1589. Papier ; 366 feuillets, plus 31 blancs ; index alphabétique au commencement : 356 x 253 mill. Au 1er feuillet, note commune de Chr. Plantin et de Jan Mourentorf concernant la tenue de ce livre. Pagination ancienne ; rel. parch. mod. Au dos, le titre en noir : - 1582-1589 Grootboek. Elektronisch beschikbaar via: https://dams.antwerpen.be/asset/v2LR2VNb6fSSUwPVOrBxDls8 Franç., n° 21. Grand livre 1590-1599. 4 Papier ; 365 feuillets, index alphabétique au commencement ; 342 x 245 mill. Au 1er feuillet : M.D.XC. Grand livre signé Q. Pagination ancienne. Rel. parch. mod.; au dos, le titre en noir: Q. 1590-1599. Grootboek. Elektronisch beschikbaar: via de World Digital Library: http://www.wdl.org/en/item/11731/ via de beeldbank DAMS Antwerpen: https://dams.antwerpen.be/asset/OXWJCcjjUkUViCUVKUUQHNtk Franç-espagnol, n° 22. Envois de livres à Philippe II, 1571-1576. F° 1 – 84. Factures de coffres et de balles remplies de livres pour le roi Philippe II par l’intermédiaire de Gabr. de Çayas. F° 85-144. Facture de 11 coffres de livres escripts à la main pacquez pour le Mte Catholique, etc. F° 145. Anno 1573. In Augto avons délivré à Monseigr le Doct. B. Arias Montanus les livres suivants ad Bibliothecam Regiam. Papier ; 156 feuillets plus 85 blancs ; 324x205 mill. Au 1er feuillet en grands caractères : Au nom de Dieu MDLXXI. Rel. parch. anc. ; traces de lacets cuir. Au dos, en noir : 1571-1576. Fourni au Roi. Franç.-latin, n° 23. Comptes d’Arias Montanus & Listes d’ouvriers, 1566-1572. F° 1-22. Rationes cum Dno Ben. Aria Montano etc. 1566-1563. Liste alphabétique d’acquisitions faites par B. Arias Montanus. F° 26-27. Noms des compagnons lesquelz se sont retrouvés besoignants en l’imprimerie de C. Plantin, estans en nombre de CXLIX personnes (liste alphabétique). F° 29-60. Comptes avec des libraires espagnols par l’entremise de B. Arias Montanus. F° 61-70. Comptes avec le roi d’Espagne et B. Arias Montanus. Papier ; 76 feuillets dont plusieurs blancs et 2 feuillets de garde en parchemin, provenant d’un livre liturgique du XVe siècle : 330 x 215 mill. Rel. parch. mod., avec lacet coton. Au dos, en noir : Salaire des ouvriers. Rekening Arias Montanus. Latin-espagnol, n° 24. Comptes avec Philippe II, 1571-1574. Papier ; 22 feuillets, 332 x 220 mill. Comprend plusieurs « rationes », acquittées par B. Arias Montanus, intermédiaire du roi d’Espagne.
Recommended publications
  • Economics, Politics and Philosophy
    ECONOMICS, POLITICS AND PHILOSOPHY Peter Harrington london We are exhibiting at these fairs 4–7 October 2018 frieze masters Regent’s Park, London frieze.com/fairs/frieze-masters 14–15 October seattle Seattle Antiquarian Book Fair Seattle Center Exhibition Hall Seattle, WA www.seattlebookfair.com 3–4 November chelsea Chelsea Old Town Hall Kings Road, London www.chelseabookfair.com 16–18 November boston Boston International Antiquarian Book Fair Hynes Convention Center Boston, MA bostonbookfair.com 30 November–2 December hong kong China in Print Hong Kong Maritime Museum www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Coin illustrations from Ordonnance et instrvction, item 59. Design: Nigel Bents; Photography: Ruth Segarra. Peter Harrington london catalogue 146 ECONOMICS, POLITICS AND PHILOSOPHY All items from this catalogue are on display at Dover Street Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday mayfair chelsea Peter Harrington Peter Harrington 43 dover street 100 FulHam road london w1s 4FF london sw3 6Hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 www.peterharrington.co.uk usa 011 44 20 7591 0220 well-known to many of the key figures of the German Romantic movement, who often met each other at her Berlin salon: regulars included Friedrich Gentz, Motte Fouqué, Schlegel, Schelling, and Steffens. She was introduced to Goethe in 1795.
    [Show full text]
  • Download PDF Van Tekst
    De Gulden Passer. Jaargang 74 bron De Gulden Passer. Jaargang 74. Vereniging van Antwerpse Bibliofielen, Antwerpen 1996 Zie voor verantwoording: http://www.dbnl.org/tekst/_gul005199601_01/colofon.php © 2016 dbnl i.s.m. 5 [De Gulden Passer 1996] Woord vooraf Met het overlijden van Christoffel Plantijn op 1 juli 1589 kwam zijn befaamde Gulden Passer te Antwerpen in handen van Jan I Moretus. Deze meest geliefde onder zijn vier schoonzonen begon na het overlijden van Plantijns weduwe, Jeanne Rivière, in 1596 volledig op eigen krachten te werken als drukker-uitgever. Als hardwerkend en talentvol zakenman werd hij de belangrijkste drukker van de Contrareformatie in de Nederlanden en kon hij bij zijn overlijden in 1610 de Officina als een zeer bloeiend bedrijf van internationaal formaat nalaten aan zijn zonen Balthasar I Moretus en Jan II Moretus. Als fijnzinnnig estheet en humanistisch geschoold intellectueel synthetiseerde Balthasar I Moretus een bijzondere zin voor vormperfectie met een brede belangstelling voor cultuur. Met de steun van zijn school- en huisvriend P.P. Rubens kon hij zich het predicaat verwerven van ‘inventor’ van het barokboek, een creatie die naar de vorm internationaal toonaangevend bleef tot in de tweede helft van de 17de eeuw. Met hun productie van vele fraaie en nog belangwekkende specimina gaven zowel Jan I als Balthasar I Moretus ieder naar eigen aard en inzicht de Officina Plantiniana nieuwe impulsen. Daardoor kon het bedrijf tot ver in de 18de eeuw zijn rang behouden onder de grootste firma's van het internationale boekbedrijf. Het is dan ook aan het zakentalent en doorzicht van Jan I Moretus en de bijzondere intellectuele en artistieke oriëntatie van zijn zoon Balthasar I te danken dat de Gulden Passer zich in de eerste helft van de 17de eeuw verder kon consolideren als eersterangsbedrijf op het internationale forum van uitgevers en boekproducenten.
    [Show full text]
  • THE POST-TRIDENTINE ENGLISH PRIMER Promotor: Professor T
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/147623 Please be advised that this information was generated on 2021-10-11 and may be subject to change. THE POST-TR1DENTINE ENGLISH PRIMER THE POST-TRIDENTINE ENGLISH PRIMER Promotor: Professor T. A. Birrell THE POST-TRIDENTINE ENGLISH PRIMER Proefschrift ter verkrijging van de graad van doctor in de letteren aan de Katholieke Universiteit te Nijmegen, op gezag van de Rector Magnificus prof. dr. P. G. A. B. Wijdeveld volgens besluit van het College van Decanen in het openbaar te verdedigen op donderdag 7 juni 1979 des namiddags te 4.00 uur door JOANNES MARIA BLOM geboren te Nijmegen Krips Repro B. V., Meppel - 1979 CONTENTS Acknowledgements vii Abbreviations viii Introduction 1 Chapter I. The history of the Officium Beatae Mariae Virginis 2 Chapter II. The Tridentine primer in English 13 Chapter III. The place of the primer in England 34 Chapter IV. The printers and publishers of the primer 48 Chapter V. The hymn-translations and their translators 76 Chapter VI. The history of the manual from 1583 to 1800 112 Chapter VII. Other devotional works related to primer and manual 137 Chapter VIII. A hand-list of the Latin-English and English editions of the primer of the reformed Roman use and the editions of the manual during the period 1583-1800 163 Appendix to Chapter VIII. Hand-lists of the editions of The key of paradise, The office of the holy week and The evening office of the Church 190 Chapter IX.
    [Show full text]
  • Catalogue of the Plantin-Moretus Museum Pdf, Epub, Ebook
    CATALOGUE OF THE PLANTIN-MORETUS MUSEUM PDF, EPUB, EBOOK Max Rooses | 172 pages | 10 Oct 2018 | Franklin Classics | 9780342046331 | English | none Catalogue of the Plantin-Moretus Museum PDF Book Thus the Virgin was either experiencing and expressing conturbatio ' Biblia 4to. Later on, he disagreed with the founder of this sect ; but to the end of his life, he remained on the most intimate terms of friendship with Henri Jansen, who, called himself Barrefelt after his native village and took, as an author, the Hebrew name of Hiel. Willem Jansz. Follow AnatomyNorbiton. Engraved for Barth. We also use third-party cookies that help us analyze and understand how you use this website. Portrait of Christopher Plantin. Pen and ink drawing, cost 12 florins ; engraved by Com. In aedibus flldi et Andreae soceri, Venetiis, The work of the miniatures is by different hands ; the styles and numerous details allow us to attribute the coloring to some Prague artists. The 'how and why' of manuscripts The importance of the manuscript collection to the Museum goes beyond the sum of its parts. The two works of art together cost 16 fl. McCoy, S. Painted by James van Reesbroeck in 1. Liber Cro- nicariim ab initio rniindi. And while I may, paradoxically and typically, have expressed that as an overarching and megalomaniacal theory of everything, its purport is clear: Norbiton is an accumulation of individuated detail, and life in Norbiton a continual repatterning of that detail. At Caen Plantin made the acquaintance of Jane Riviere; whom he married in or , and they went to live in Paris.
    [Show full text]
  • Balthasar Moretus
    BALTHASAR MORETUS and the Passion of Publishing Museum Plantin-Moretus | Print Cabinet Cover: Anonymous, after Peter Paul Rubens, The Four Philosophers, 17th century (MPM.V.IV.075) BALTHASAR and the Passion of Publishing MORETUS Dirk Imhof Paul van Capelleveen Goran Proot Andrew Steeves Guy Vingerhoets Museum Plantin-Moretus | Print Cabinet TABLE OF CONTENTS 7 50 Foreword Literary publishing & deep regard - The Alderman for Culture, City of Antwerp - Andrew Steeves 10 55 Balthasar I Moretus: a concise biography Engravers from Antwerp or Brussels? Illustrating the works of Hermannus Hugo 12 ‘Ex arte et decore typographica’: 57 Balthasar I Moretus, publisher of Baroque books Publishing for a difficult author: the - Dirk Imhof Bartholomaeus de los Ríos publications 29 60 Peter Paul Rubens, the Moretuses and the Visual Editions: Stories for contemporary readers Plantin Press - Paul van Capelleveen 32 75 The pricing policy of the Officina Plantiniana, The fate of the copper-plate engravings bearing 1580–1655 designs by Peter Paul Rubens - Goran Proot 78 45 Imschoot, Uitgevers. The history of a passion Engraving, reworking and printing from - Guy Vingerhoets copper plates: Theodore Galle’s workshop 87 48 Colophon The breviary in folio of 1614: a pet project of the Moretus brothers Foreword 7 ‘Balthasar Moretus and the Passion of Publishing’, a story of co-creation The Alderman for Culture, City of Antwerp ntwerp is the archetypal Baroque city. That was Rubens and Moretus worked together on more than so in the seventeenth century, and it still is today. twenty book projects. Designs for title pages and illustrations This identity has much to do with the savoir-vivre were also supplied to Moretus by Erasmus Quellinus, Karel ofA Antwerp’s inhabitants: a wealth of tradition that includes de Mallery, Peeter de Jode and Abraham Van Diepenbeeck.
    [Show full text]
  • Kockelbergh AEPM 2014
    Iris Kockelbergh Director Plantin-Moretus Museum Antwerp, Belgium Paper given at the annual meeting of the Association of European printing Museums Mainz, 24 th October 2014 Museum Plantin-Moretus/Print room: museology, past, present and future I would like to thank Rickey Tax and Alan Marshall and of course the board of the AEPM first of all for their initiative to relaunch the AEPM, and secondly for their kind invitation to present to you the questions on museology in/for the Museum Plantin-Moretus. Before I start I would like to ask you to bear in mind that the Museum Plantin-Moretus is not a printing museum. Rather, it is an historic house and a monument – even more it is Unesco-world heritage. Secondly it is the house and workshop of a family of publishers, a noble family and merchants. Certainly, the museum houses a fabulous typographic collection; but it also houses a large heritage library and an important and very large collection of prints and drawings. By 2016 we will change the museological presentation and the historical rooms. Why we want to do this, you will hear during this lecture. In what follows I shall focus on: - the early history of the museum and the changes in its displays, - the present displays, - the research conducted on the problems of the present display, - the results of a try-out that is at this moment on display and the survey we conducted, - a brief outline of the future of the museum on the basis of contemporary museum needs and issues - digital access to the collections.
    [Show full text]
  • Catalogus Van De Nederlandsche Vereeniging Van Antiquaren
    NEDERLANDSCHE VEREENIGING VAN ANTIQUAREN VAN VEREENIGING NEDERLANDSCHE & CATALOGUS Op zoek VAN DE NEDERLANDSCHE VEREENIGING VAN ANTIQUAREN Gouden Eeuw 2015 JOINT JOINT CATALOGUE de kleuren van de de van kleuren de JOINT CATALOGUE OF THE DUTCH ASSOCIATION OF ANTIQUARIAN naar Van Santen naar Van BOOKSELLERS 2015 GEZAMENLIJKE CATALOGUS Expositie 29 oktober 2015 t/m 31 januari 2016 www.bijzonderecollecties.uva.nl BC_adv.NVA/VanSanten.indd 1 29-09-15 13:26 Ledenlijst Nederlandsche Vereeniging van Antiquaren Aalten Eerbeek Leiden Scrinium Iris Globes & Maps Burgersdijk & Niermans Hotei Amersfoort Egmond aan den Hoef Leen Helmink B.M. Israël Maastricht Paul Bremmers Amsterdam Eindhoven Antiqua Max Silverenberg Middelburg E.H. Ariëns Kappers De Boekenbeurs John Benjamins Enschede Ov. Dat Narrenschip Brinkman Konstantinopel Charbo Overveen Inter-Antiquariaat Ermelo Dik Ramkema Mefferdt & de Jonge Petrus Plancius Junk Ter Hole De Kloof Gorinchem Secundus A. Kok & Zn. Rashi Dieter Schierenberg Tilburg Die Schmiede ’t Goy – Houten De Rijzende Zon Schuhmacher Asher Spinoza Forum Utrecht Acanthus Balk ’s-Gravenhage André Swertz Aeric Fokas Holthuis A. Jongbloed & Zn. Vianen Bergum Jan Meemelink Gert Jan Bestebreurtje Frederik Muller Van Stockum Vloemans Zalk Breda Theo de Boer Plantijn Groningen Isis Zoetermeer De Bilt MC Rare Books Zaal Haarlem Papyrus Bubb Kuyper Diemen Van der Steur Zutphen A. Gerits & Son De Vries & de Vries Matthys de Jongh Dordrecht ’s-Hertogenbosch Zwijndrecht Quist Luïscius De Roo Dreumel Hoofddorp Antwerpen, België Meijering
    [Show full text]
  • Christophe Plantin's Correspondence – Titelpagina.Indd 1 31/10/20 10:36
    Dirk i mhof Christophe Plantin’s Correspondence Perspectives on Life and Work as a Publisher in 16th-century Europe AP - Christophe Plantin's Correspondence – Titelpagina.indd 1 31/10/20 10:36 Dirk i mhof Christophe Plantin’s Correspondence Perspectives on Life and Work as a Publisher in 16th-century Europe AP - Christophe Plantin's Correspondence – Titelpagina.indd 1 31/10/20 10:36 Uitgeverij Academia Press Coupure Rechts 88 9000 Gent België www.academiapress.be Academia Press is part of Lannoo Publishers, the book and multimedia division of Uitgeverij Lannoo nv. ISBN 978 94 014 7466 5 D/2020/45/606 NUR 610 Dirk Imhof Christophe Plantin’s Correspondence. Perspectives on Life and Work as a Publisher in 16th- century Europe Gent, Academia Press, 2020, 248 p. Cover design: LetterLust | Stefaan Verboven Graphic design: Studio Lannoo Formatting: Banananas Translation letters: Paul Arblaster & Greta Holmer Translation commentary: Guy Shipton Photographic credits: Museum Plantin-Moretus This book is published on the occasion of the 500th anniversary of the birth of Christophe Plantin in 2020 The English translation of this text was realized with the financial support of the Friends of the Plantin-Moretus Museum © Dirk Imhof, Uitgeverij Lannoo nv, Tielt, 2020 Our thanks go to: Alderman for Culture: Nabilla Ait Daoud Director of Culture, Sports, Youth and Education of the City of Antwerp: Steven Thielemans Coördinator Museums and Heritage of the City of Antwerp: Lies Buyse Director Museum Plantin-Moretus, Iris Kockelbergh All rights reserved. Nothing from this publication may be copied, stored in an automated database and/or be made public in any form or in any way, either electronic, mechanical or in any other manner without the prior written consent of the publisher.
    [Show full text]
  • Sixteenth-Century Papal Printing Privileges
    (2) GINSBURG_POST-FORMAT FINAL (DO NOT DELETE) 5/6/2013 9:14 AM Proto-Property in Literary and Artistic Works: Sixteenth-Century Papal Printing Privileges Jane C. Ginsburg* INTRODUCTION This Study endeavors to reconstruct the Vatican’s precursor system of copyright, and the author’s place in it, inferred from examination of over five hundred privileges and petitions and related documents—almost all unpublished— in the Vatican Secret Archives. The typical account of the precopyright world of printing privileges, particularly in Venice, France and England, portrays a system primarily designed to promote investment in the material and labor of producing and disseminating books; protecting or rewarding authorship was at most an ancillary objective.1 As the former Register of Copyrights Barbara Ringer put it: * This Study commenced during a Michael Sovern Fellowship at the American Academy in Rome and has continued through several stays there as a Visiting Scholar. I am very grateful to the Academy’s Directors, Prof. Carmela Franklin and her successor Prof. Christopher Celenza, to Assistant Librarian Denise Gavio, to Assistant Director for Operations Pina Pasquantonio, and to Executive Secretary Gianpaolo Battaglia. Much appreciation also goes to the staffs of the Vatican Secret Archives and of the Vatican Library, and to Dr. Paolo Vian, Director of its manuscript division. Special gratitude to Prof. Christopher Witcombe, whose earlier work on Papal privileges charted my initial path, and whose extraordinary generosity in sharing his notes from the Vatican Secret Archives further enriched this account. For assistance with translation of Latin documents, I am indebted to 2008–2009 Rome Prize winners Prof.
    [Show full text]
  • Continental Books
    BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR Tel. : +44 (0)20 7297 4888 Fax : +44 (0)20 7297 4866 e-mail : [email protected] website : www.quaritch.com Bankers : Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code : 20-65-82 Swift code : BARCGB22 Sterling account IBAN: GB98 BARC 206582 10511722 Euro account IBAN: GB30 BARC 206582 45447011 US Dollar account IBAN: GB46 BARC 206582 63992444 VAT number : GB 840 1358 54 Mastercard, Visa and American Express accepted Recent Catalogues : 1431 Travel & Exploration/Natural History 1430 Philosophy, Politics, Economics Recent lists : 2015/5 The Library of Robert Ball: part I 2015/4 Autograph Letters & Manuscripts 2015/3 From the Library of Cosmo Alexander Gordon Front cover illustration taken from item 47, Rozier Rear cover illustration taken from item 26, Horapollo © Bernard Quaritch Ltd 2015 CONTINENTAL BOOKS Pius II’s Asia – Carthusian statutes – monstrous births – Turkish and Roman tapestries – Hildegard’s letters – the rhetoric of whores – a rare Vérard Book of Hours, illuminated – annotated Juvenal – Joachim’s apocalyptic prophecies – an incunable Sammelband from Johann Protzer’s library – fortune-telling by cards – Parisian rhodomontades – a Czech portrait book – Postel on the original language – Brescian emblems – Scandinavian emblems – the first book printed in Syriac – Stimmer’s Bible illustrations – Ramus on geometry, profusely annotated BERNARD QUARITCH Catalogue 1432 MMXV 1. ABSTEMIUS, Laurentius (i.e. Lorenzo ASTEMIO, or sometimes BEVILACQUA). De quibusdam locis obscuris. Venice, Bernardino Benagli, [n. d., but c. 1494.] 4to, ff. [24]; roman letter, spaces and guide-letters for initials; sparse contemporary annotations in the margins (slightly shaved); textblock splitting at gutter between a1 and a2, some light waterstaining in inner margins, occasional light soiling, but generally clean and crisp; modern binding re-using eighteenth-century carta rustica (worn).
    [Show full text]
  • Painting and Publishing As Cultural Industries the Fabric of Creativity in the Dutch Republic, 1580-1800
    CLAARTJE RASTERHOFF Painting and Publishing as Cultural Industries The Fabric of Creativity in the Dutch Republic, 1580-1800 amsterdam studies in the dutch golden age Painting and Publishing as Cultural Industries Amsterdam Studies in the Dutch Golden Age Founded in 2000 as part of the Faculty of Humanities of the University of Amsterdam (UvA), the Amsterdam Centre for the Study of the Golden Age (Amsterdams Centrum voor de Studie van de Gouden Eeuw) aims to promote the history and culture of the Dutch Republic during the ‘long’ seventeenth century (c. 1560-1720). The Centre’s publications provide insight into the lively diversity and continuing relevance of the Dutch Golden Age. They offer original studies on a wide variety of topics, ranging from Rembrandt to Vondel, from Beeldenstorm (iconoclastic fury) to Ware Vrijheid (True Freedom) and from Batavia to New Amsterdam. Politics, religion, culture, economics, expansion and warfare all come together in the Centre’s interdisciplinary setting. Editorial control is in the hands of international scholars specialised in seventeenth-century history, art and literature. For more information see http:// en.aup.nl/series/amsterdam-studies-in-the-dutch-golden-age or http://acsga. uva.nl/ Editorial Board Frans Blom, University of Amsterdam Michiel van Groesen, Leiden University Lia van Gemert, University of Amsterdam Geert H. Janssen, University of Amsterdam Elmer E.P. Kolfin, University of Amsterdam Nelleke Moser, VU University Amsterdam Henk van Nierop, University of Amsterdam Emile Schrijver, University of Amsterdam Thijs Weststeijn, Utrecht University Advisory Board H. Perry Chapman, University of Delaware Harold J. Cook, Brown University Benjamin J.
    [Show full text]
  • Psalterium Davidis Cum Canticis Sacris Et Selectis Aliquot Orationibus in Latin, Uncut Sheets of an Illustrated Imprint Antwerp, Plantin-Moretus Press, 1683
    [Psalter] Psalterium davidis cum canticis sacris et selectis aliquot orationibus In Latin, uncut Sheets of an illustrated imprint Antwerp, Plantin-Moretus Press, 1683 25 large sheets plus one half sheet (with the index), now folded in half and paginated 1-26 in modern pencil, top outer corner, each sheet includes one quire of twelve folios (24 pages), except the final half sheet, when folded and cut to form a codex of 616 pages: 606+[9]+[1 blank] pages, 12°(collation i-xxv12 xxvi8), signed A-Z, Aa, Bb (all in 12), Cc (in 8), each page 125 x 65 mm., printed in Roman type in red and black, ILLUSTRATED TITLE PAGE in red and black with woodcut of David with a harp, SIX WOODCUT INITIALS, handsome printer’s mark in red (a hand holding compass, “labore et constantia,” in very good condition, first and last sheets in darkened, many corners folded, and some fraying chipping at edges. Unbound. Dimensions of full sheets 500 x 394 mm. This is a complete set of the original unfolded sheets for an elegant Psalter printed by the Plantin-Moretus press in 1683. Hand-press books were printed in large sheets, which were then folded and cut to form the volume’s quires or gatherings. Unfolded (and uncut) sheets rarely survive, and most surviving examples are fragments of a single sheet. This example of a complete seventeenth-century book as unfolded sheets is an important artifact that provides almost unparalleled opportunities for teaching and collections devoted to the material history of the book. PROVENANCE 1.
    [Show full text]