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Everything Useful I Know About Real Life I Know from Movies. Through An
Young adult fiction www.peachtree-online.com Everything useful I know about real ISBN 978-1-56145-742-7 $ life I know from movies. Through an 16.95 intense study of the characters who live and those that die gruesomely in final Sam Kinnison is a geek, and he’s totally fine scenes, I have narrowed down three basic with that. He has his horror movies, approaches to dealing with the world: his nerdy friends, and World of Warcraft. Until Princess Leia turns up in his 1. Keep your head down and your face out bedroom, worry about girls he will not. of anyone’s line of fire. studied cinema and Then Sam meets Camilla. She’s beautiful, MELISSA KEIL 2. Charge headfirst into the fray and friendly, and completely irrelevant to anthropology and has spent time as hope the enemy is too confused to his life. Sam is determined to ignore her, a high school teacher, Middle-Eastern aim straight. except that Camilla has a life of her own— tour guide, waitress, and IT help-desk and she’s decided that he’s going to be a person. She now works as a children’s 3. Cry and hide in the toilets. part of it. book editor, and spends her free time watching YouTube and geek TV. She lives Sam believes that everything he needs to in Australia. know he can learn from the movies…but “Sly, hilarious, and romantic. www.melissakeil.com now it looks like he’s been watching the A love story for weirdos wrong ones. -
Scholastic Feb
Publication Date 4th February 2021 PANDA AT THE DOOR Sarah Horne Callum misses his Dad. He doesn’t call on his birthday, and worse, the present he chooses for Cal is … weird. It’s a panda at Edinburgh Zoo. How can Cal ‘adopt’ a wild animal with the muddle his family is in? And what he doesn’t expect is for the bear to take charge. Tired of doing roly-polys for the public, Ping- Ping wants to help a child who needs her … • The first in a new series, fully illustrated by author Sarah Horne (bestselling illustrator of Charlie Changes into a Chicken). • A modern-day family adventure: Paddington Bear meets Mary Poppins. • Explores themes of childhood anxiety, family break-up, bullying, friendship and love. • Developed from the Big Idea Competition. Price: £6.99 ISBN: 978-1-911490-01-2 Pub Date: 4th February 2021 eBook ISBN: 978-1-913322-23-6 CBMC code: C3N79 Age: 7+ Dimensions: TBC Illustrations: Sarah Horne Word count: 15,000 (words approx.) Export: Yes Binding: Paperback Rights: World CHICKEN HOUSE 01373 454488 www.chickenhousebooks.com Publication Date 4th June 2020 THE QUEEN’S FOOL Ally Sherrick Cat Sparrow is on the road. She’s following her sister, Meg, who was torn from their convent home and sent to London. But Cat isn’t like other people – she thinks differently – and for a girl like her the world holds many perils … • An exciting new direction for award-winning historical novelist Ally Sherrick, this voice-led Tudor adventure is a breath of fresh air. • Perfect for fans of Emma Carroll and Frances Hardinge. -
Confidential-Sample Chapters Full Text On
CONFIDENTIAL-SAMPLE CHAPTERS FULL TEXT ON REQUEST Praise for $uperHubs “In $uperHubs, Ms. Navidi skillfully applies network science to the global finan- cial system and the human networks that underpin it. $uperHubs is a topical and relevant book that should be read by anyone seeking a fresh perspective on the human endeavor that is our financial system.” CONFIDENTIAL-SAMPLE—PROFESSOR LAWRENCE H. SUMMERS, CHAPTERS Harvard; former US Secretary of the Treasury, former Director of the US National Economic Council, former president of Harvard University, and author “Sandra Navidi’s book $uperHubs is beautifully and effectively done. Not only is it a fascinating description of the power wielded by elite networks over the financial sector, it is also a meditation on the consequences of this system for FULLthe economy TEXT and the society. ON In recentREQUEST times, we have seen extraordinary rup- tures—notably Britain’s vote to break away from the European Union and the intensified sense of exclusion felt by much of America’s working class. The last chapter of $uperHubs proposes that this ruling system›s “monoculture,” its iso- lation from the rest of society, and its seeming unawareness of the fragility of what it has built are largely responsible for these ruptures, and that the system may lead to a major crisis in the future.” —PROFESSOR EDMUND S. PHELPS, Columbia University, 2006 Nobel Prize in Economics; Director, Center on Capitalism and Society, and author “$uperHubs” is a book written with great style but also containing a lot of impor- tant substance. The style is so engaging, a real page turner, that I finished it in one non-stop session. -
Devin-Thinking Sideways Is Not Supported by a Desert Native in Hip Waders
Devin-Thinking Sideways is not supported by a desert native in hip waders. Instead it's supported by the generous donations of our listeners on Patreon. Visit patreon dot com slash thinking sideways to learn more. And thanks. [Intro] Joe-Hi there. Welcome to another episode of Thinking Sideways. I'm Joe, joined as always by... Steve-Steve. J-This week, we're going to be talking about the disappearance of Devin. What happened to Devin from Thinking Sideways? She was supposed to be at the recording studio at 7 pm. It's 7:05, and she's not here. All right, theories. She ran away to start a new life. (Knocking in background.) Uh, can you get that? S-Yeah. D-Sorry guys. Sorry I'm late. J-Oh... D-I was Tweeting. J-Oh. D-Sorry, ok, sorry. Ok, ok. J-(sighs) Well, time to find a new mystery. Hang on a second while I go through the Google. Uh, please enjoy this really restful elevator music. (Music plays). Hi there, welcome to another episode of Thinking Sideways. I'm Joe, joined as always by... D-Devin. J-And... S-Steve. J-Yeah. This week we're going to talk about a few mysteries surrounding Queen Elizabeth the First of England. Some of you guys may have heard of her. S-Once or twice. J-Yeah. D-I guess. J-And these are a couple of different mysteries that have been suggested to us by so many people that I'm not going to give you guys a shout out except to say thanks for the suggestions. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title When Highly Qualified Teachers Use Prescriptive Curriculum: Tensions Between Fidelity and Adaptation to Local Context Permalink https://escholarship.org/uc/item/85w2j5fb Author Maniates, Helen Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California When Highly Qualified Teachers Use Prescriptive Curriculum: Tensions Between Fidelity and Adaptation to Local Contexts By Helen Maniates A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jabari Mahiri, Chair Professor P. David Pearson Professor Robin Lakoff Spring 2010 1 Abstract When Highly Qualified Teachers Use Prescriptive Curriculum: Tensions Between Fidelity and Adaptation to Local Contexts By Helen Maniates Doctor of Philosophy in Education University of California, Berkeley Professor Jabari Mahiri, Chair Learning to read marks a critical transition in a child’s educational trajectory that has long term consequences. This dissertation analyzes how California’s current policies in beginning reading instruction impact two critical conditions for creating opportunity - access to qualified teachers and rigorous academic curriculum – by examining the enactment of a prescriptive core reading program disproportionately targeted at “low-performing” schools. Although prescriptive -
Taste Test Toolkit: a Guide to Tasting Success
Taste Test Toolkit: A Guide to Tasting Success Table of Contents (p. 1) Why do Taste Tests? (p. 1) When and where should Taste Tests take place? (p. 2) How do I run a successful Taste Test? (p. 4) How should I collect feedback from students? (p. 5) What do I do with the data once it is collected? (p. 6) Ambassador Classrooms (p. 7) Appendix A: Ambassador Classroom & Taste Test Schedule (p. 8) Appendix B: Classroom Taste Test Delivery Sign-Up Sheet (p. 9) Appendix C: Taste Test Reminder (p. 10) Appendix D: Classroom Taste Test Survey Sheet (p. 11) Appendix E: Cafeteria Taste Test Survey Sheet (p. 12) Appendix F: School-Wide Results Sheet Taste Test Toolkit: A Guide to Tasting Success Why do Taste Tests? Students are often reluctant to try new foods. Taste tests introduce new menu items in a way that raises awareness about healthy food choices, involves the school community, and builds a culture of trying new foods. Research has shown that children (and adults!) need to try new foods multiple times (up to twelve times!) before integrating them into their diet. School taste tests of New Hampshire Harvest of the Month products give students an opportunity to try locally produced and in-season foods each month. They may not like kale as kindergarteners, but providing regular opportunities for students to try it in various forms (chips, salads, smoothies, etc.) throughout their school years can lead to a whole new generation of kale lovers! When and where should Taste Tests take place? When: Taste tests work best when implemented on a regular schedule. -
Die Beischriften Des Peter Paul Rubens
Die Beischriften des Peter Paul Rubens Überlegungen zu handschriftlichen Vermerken auf Zeichnungen Dissertation zur Erlangung der Würde des Doktors der Philosophie des Fachbereichs Kulturgeschichte und Kulturkunde der Universität Hamburg vorgelegt von Veronika Kopecky aus Wien Hamburg und London 2008 / 2012 1. Gutachter: Prof. Dr. Martin Warnke 2. Gutachter: Prof. Dr. Charlotte Schoell-Glass Datum der Disputation: 16. April 2008 Tag des Vollzugs der Promotion: 02. Juli 2008 Textband Vorwort 2 Danksagung 6 Einleitung 8 Die Unterschrift 11 Signatur und Fälschung, Zuschreibung und Bewertung 11 Der Adressat der Beischrift I. Die Auftragszeichnung 14 Inschriften und Inschriftenträger 15 Form. Von der Vorgabe zur Zeichnung, von der Zeichnung zum Werk 18 Farb- und Materialangaben, Maße und Gewichte 19 Der Adressat der Beischrift II. Anleitungen für ausführende Künstler 22 Inhalt. Die Erweiterung des Sichtbaren 24 Der Adressat der Beischrift III. Der künstlerische Monolog 25 Identifikation und Titel 26 Ort und Zeit 31 Das Zitat. Inhalt, Interpretation und Stimmung 33 Zusammenhanglose und unleserliche Beischriften 35 Die Beischrift bei Rubens 38 Die Zeichnung in Rubens’ Werkstatt 39 Erudizione ed eloquenza 41 Rubens’ Handschrift 48 Sprachhierarchie und Höflichkeit 49 Die Signatur des Rubens 55 Zuschreibungen 57 Der Adressat der Beischrift I. Die Auftragszeichnung 58 Inschriften 59 Formales bei Rubens. Farbe, Material und Größe 64 Kopien nach der Antike. Vom Antiquarius zum Archäologen 69 Nützliches und Wesentliches. Der Adressat der Beischrift II. Anleitungen und Hinweise 73 Der kürzeste Weg von der Idee zum Werk. Die erläuternde Beischrift 78 Identifikationen 78 Beschreibungen des Inhalts 81 Vorausblick und Auswahlmöglichkeiten 82 Veränderungen und Ergänzungen 86 Das Literaturzitat 93 Offene Fragen. Unleserliche und zusammenhanglose Beischriften 102 Endnoten 107 Vorwort Zeichnen und Malen sind kreative Prozesse, die mit einer Idee beginnen und für deren Ausführung es der Hand bedarf. -
CHG Library Book List
CHG Library Book List (Belgium), M. r. d. a. e. d. h. (1967). Galerie de l'Asie antérieure et de l'Iran anciens [des] Musées royaux d'art et d'histoire, Bruxelles, Musées royaux d'art et dʹhistoire, Parc du Cinquantenaire, 1967. Galerie de l'Asie antérieure et de l'Iran anciens [des] Musées royaux d'art et d'histoire by Musées royaux d'art et d'histoire (Belgium) (1967) (Director), T. P. F. H. (1968). The Metropolitan Museum of Art Bulletin: Volume XXVI, Number 5. New York: Metropolitan Museum of Art (January, 1968). The Metropolitan Museum of Art Bulletin: Volume XXVI, Number 5 by Thomas P.F. Hoving (1968) (Director), T. P. F. H. (1973). The Metropolitan Museum of Art Bulletin: Volume XXXI, Number 3. New York: Metropolitan Museum of Art (Ed.), A. B. S. (2002). Persephone. U.S.A/ Cambridge, President and Fellows of Harvard College Puritan Press, Inc. (Ed.), A. D. (2005). From Byzantium to Modern Greece: Hellenic Art in Adversity, 1453-1830. /Benaki Museum. Athens, Alexander S. Onassis Public Benefit Foundation. (Ed.), B. B. R. (2000). Christian VIII: The National Museum: Antiquities, Coins, Medals. Copenhagen, The National Museum of Denmark. (Ed.), J. I. (1999). Interviews with Ali Pacha of Joanina; in the autumn of 1812; with some particulars of Epirus, and the Albanians of the present day (Peter Oluf Brondsted). Athens, The Danish Institute at Athens. (Ed.), K. D. (1988). Antalya Museum. İstanbul, T.C. Kültür ve Turizm Bakanlığı Döner Sermaye İşletmeleri Merkez Müdürlüğü/ Ankara. (ed.), M. N. B. (Ocak- Nisan 2010). "Arkeoloji ve sanat. (Journal of Archaeology and Art): Ölümünün 100.Yıldönümünde Osman Hamdi Bey ve Kazıları." Arkeoloji Ve Sanat 133. -
Economics, Politics and Philosophy
ECONOMICS, POLITICS AND PHILOSOPHY Peter Harrington london We are exhibiting at these fairs 4–7 October 2018 frieze masters Regent’s Park, London frieze.com/fairs/frieze-masters 14–15 October seattle Seattle Antiquarian Book Fair Seattle Center Exhibition Hall Seattle, WA www.seattlebookfair.com 3–4 November chelsea Chelsea Old Town Hall Kings Road, London www.chelseabookfair.com 16–18 November boston Boston International Antiquarian Book Fair Hynes Convention Center Boston, MA bostonbookfair.com 30 November–2 December hong kong China in Print Hong Kong Maritime Museum www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Coin illustrations from Ordonnance et instrvction, item 59. Design: Nigel Bents; Photography: Ruth Segarra. Peter Harrington london catalogue 146 ECONOMICS, POLITICS AND PHILOSOPHY All items from this catalogue are on display at Dover Street Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday mayfair chelsea Peter Harrington Peter Harrington 43 dover street 100 FulHam road london w1s 4FF london sw3 6Hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 www.peterharrington.co.uk usa 011 44 20 7591 0220 well-known to many of the key figures of the German Romantic movement, who often met each other at her Berlin salon: regulars included Friedrich Gentz, Motte Fouqué, Schlegel, Schelling, and Steffens. She was introduced to Goethe in 1795. -
(IA Bookplates00hardiala).Pdf
^^\^. ^^' THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES u r I Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/bookplatesOOhardiala Book-Plates By Hardy, f.s.a. W. J. SECOND EDITION London Kegan Paul, Trench, Trubner & Co., Ltd. MDCCCXCVH First Edition published 1893 as Vol. II. (f ' Books about Books.' College Library 995 H22,b 1897 Preface Having vindicated in my introductory chapter the practice of collecting book-plates from the charge of flagrant immorality, I do not think it necessary to spend many words in demonstrating that it is in every way a worthy and reasonable pursuit, and one which fully deserves to be made the subject of a special treatise in a series of Books about Books. If need were, the Editor of the series, who asked me to write this little hand-book, would perhaps kindly accept his share of responsibility, but in the face of the existence of a flourishing ' Ex Libris' Society, the importance of the book-plate as an object of collection may almost be taken as axiomatic. My own interest in this particular hobby is of long standing, and happily the appearance, when my manuscript was already at the printer's, of Mr. Egerton Castle's pleasantly written and profusely illustrated work on English Book-Plates has relieved me of the dreaded necessity of writing an additional chapter on those modern examples, in treating of ' vi Book-plates which neither my knowledge nor my enthusiasm would have equalled his. The desire to possess a book-plate of one's own is in itself commendable enough, for in fixing the first copy into the first book the owner may surely be assumed to have registered a vow that he or she at least will not join the great army of book-perse- cutors—men and women who cannot touch a volume without maltreating it, and who, though they are often ready to describe the removal of a book- plate, even from a worthless volume, as an act of vandalism, do infinitely more harm to books in general by their ruthless handling of them. -
How to Show Pictures to Children
NYPL RESEARCH LIBRARIES 3 3433 07099049 8 AA r ^j\f YOTlK U"Bl""B.Irf T\LDtfro&i^ rrgaoMboo {*toi bj Br»ua, Clcm.iit i t'u. JuUa Andrew i Sun, So. THE HOLY NIGHT (DETAIL) Dresden Gallery HOW TO SHOW PICTURES TO CHILDREN ~h BY V ESTELLE M. HTJHLL AUTHOR OF THE RIVERSU)E ABT SERIES BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY cW^. •p R KQNS COPYRIGHT, 1914, BY ESTELLE M. HURLL • • • • • • C • • • • *» • • • • • • ' • • • • • • • - • • • '.:•. CAMBKIUGK . MASSACHUSETTS U . S . A To J. C. H. WHOSE HELP, ENCOURAGEMENT AND CRITICISM HAVE MADE THE IMPOSSIBLE POSSIBLE ,001 *5»J '* i ,>JJ1 ' ») > 1 1 > B » ,' • i J O \» ^1 ) ) > ) 1 ) 1' T 1 , 1 »• ) >»»<>, > . » ^ 1 »>>«»» JJ >j' »' PREFACE The first suggestion for this little book came from Miss Elizabeth MeCracken, editor of Home Progress, whose enthusiasm and sympathy have been a con- stant inspiration. In her wide correspondence with mothers in regard to the training of children, she dis- covered the need of a book giving practical advice about pictures for children. A similar report came from the libraries, where the same need had long been noticed at the consulting-desks. The call from art educators and pubhc school teachers has been equally urgent. As the custom of hanging pictures in the schoolroom has become almost universal, the demand has arisen for helpful information in matters of art. I am especially grateful to Mr. Henry Turner Bailey, editor of the School Arts Magazine, and Mr. James Frederick Hopkins, director of the Massachusetts Normal Art School, for their words of encouragement and counsel. -
Corpus Rubenianum Ludwig Burchard
CORPUS RUBENIANUM •fHt—Si! i'ftA J I' , - t LUDWIG BURCHARD PART XXIV THE COSTUME BOOK KRISTIN LOHSE BELKIN ARCADEim CORPUS RUBENIANUM LUDWIG BURCHARD AN ILLUSTRATED CATALOGUE RAISONNÉ OF THE WORK OF PETER PAUL RUBENS BASED ON THE MATERIAL ASSEMBLED BY THE LATE DR. LUDWIG BURCHARD IN TWENTY-SIX PARTS SPONSORED BY THE CITY OF ANTWERP AND EDITED BY THE "NATIONAAL CENTRUM VOOR DE PLASTISCHE KUNSTEN VAN DE xvide EN xvude EEUW” .-a. d'HULST, President - F. B a u d o u in , Secretary - r . pandeiaers, Treasurer N. DE POORTER, G. GEPTS, H. LIEBAERS, J.K . STEPPE, C. VAN DE VELDE, H. VLIEGHE SCIENTIFIC ASSISTANCE: P. HUVENNE, M. VANDENVEN THE COSTUME BOOK KRISTIN LOHSE BELKIN BRUSSELS - ARCADE - MCMLXXX NATIONAAL CENTRUM VOOR DE PLASTISCHE KUNSTEN m DE IMeTNlE 17ie EEUW To F.G. Grossmann in gratitude COPYRIGHT IN ANTWERP, BELGIUM, BY MERCATORFONDS, 1980 PRINTED IN BELGIUM - LEGAL DEPOSIT D I978/0721/88 ISBN 2-8005-0124-3 (2-8005-0036-0 complete edition) CONTENTS FOREWORD VII LIST OF ILLUSTRATIONS I SOURCES OF PHOTOGRAPHS 13 ABBREVIATIONS 1 5 AUTHOR’S PREFACE 21 INTRODUCTION 23 I. RUBENS AS COPYIST 23 II. THE COSTUME BOOK 32 I. PROVENANCE 32 II. MAJOR SOURCES 34 III. RECONSTRUCTION OF THE ORIGINAL COSTUME BOOK 4 3 IV. AUTHORSHIP AND DATING 48 V. PURPOSE AND LATER USE 50 CATALOGUE RAISONNÉ 6l INDEXES: I. COLLECTIONS 181 II. SUBJECTS 18 3 III. OTHER WORKS BY RUBENS MENTIONED IN THE TEXT 18 9 IV. NAMES AND PLACES 1 92 PLATES 209 FOREWORD The reader who is familiar with the organization of the Corpus Rubenianum Ludwig Burchard will have noticed that there is a change in the title of Part XXIV , which is now called The Coftume Book.