The Book of Conformities of Bartholomew of Pisa
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Christian Studies Mid-Year Issue (2018)
Multilingual Open Access Journal Trier, Germany Journal of Ethnophilosophical Questions and Global Ethics | Christian Studies Mid-Year Issue (2018) Imprint Open access peer review journal Trier, Germany Chief Editor: Timo Schmitz February 2018 Co-editor: Iulian Mitran Reviewers: Timo Schmitz, Iulian Mitran, Nikolay Kuznetsov, Mariam Mangoshvili Contact: Timo Schmitz c/o Papyrus Autoren-Club, R.O.M. Logicware GmbH Pettenkoferstr. 16-18 10247 Berlin GERMANY E-Mail: [email protected] Publisher/ Issuer: Journal of Ethnophilosophical Questions and Global Ethics Timo Schmitz Trier, Germany Website: www.ethnophilosophical-journal.de ISSN: 2568-6828 This magazine is published under CC-BY-ND 3.0 license. https://creativecommons.org/licenses/by-nd/3.0/de/deed.en 2 | P a g e Journal of Ethnophilosophical Questions and Global Ethics | Christian Studies Mid-Year Issue (2018) Contents Foreword .................................................................................................................................................. 4 TIMO SCHMITZ:Was Jesus born to an unmarried couple?...................................................................... 7 NIKOLAY KUZNETSOV:Pre-Reformed Russian Orthography in Clerical and Secular Spheres as a Symbol of the Russian National Identity Outside Russia. Part 1: Theoretical Justification .................................... 11 IULIAN MITRAN:The «New Dacians» and Crypto-Orthodoxy at the Dawn of Rational Historicism (I) . 27 ALEXANDRU DRAGULIN:BOOK REVIEW: Darius Baronas, S.C. Rowell, -
Economics, Politics and Philosophy
ECONOMICS, POLITICS AND PHILOSOPHY Peter Harrington london We are exhibiting at these fairs 4–7 October 2018 frieze masters Regent’s Park, London frieze.com/fairs/frieze-masters 14–15 October seattle Seattle Antiquarian Book Fair Seattle Center Exhibition Hall Seattle, WA www.seattlebookfair.com 3–4 November chelsea Chelsea Old Town Hall Kings Road, London www.chelseabookfair.com 16–18 November boston Boston International Antiquarian Book Fair Hynes Convention Center Boston, MA bostonbookfair.com 30 November–2 December hong kong China in Print Hong Kong Maritime Museum www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Coin illustrations from Ordonnance et instrvction, item 59. Design: Nigel Bents; Photography: Ruth Segarra. Peter Harrington london catalogue 146 ECONOMICS, POLITICS AND PHILOSOPHY All items from this catalogue are on display at Dover Street Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday mayfair chelsea Peter Harrington Peter Harrington 43 dover street 100 FulHam road london w1s 4FF london sw3 6Hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 www.peterharrington.co.uk usa 011 44 20 7591 0220 well-known to many of the key figures of the German Romantic movement, who often met each other at her Berlin salon: regulars included Friedrich Gentz, Motte Fouqué, Schlegel, Schelling, and Steffens. She was introduced to Goethe in 1795. -
Changing Images of the Virgin Mary in Lutheran Sermons of the Sixteenth Century Beth Kreitzer
Reforming Mary OXFORD STUDIES IN HISTORICAL THEOLOGY Series Editor David C. Steinmetz, Duke University Editorial Board Gerhard Sauter, Rheinische Friedrich- Irena Backus, Universite´ de Gene`ve Wilhelms-Universita¨t Bonn Robert C. Gregg, Stanford Susan E. Schreiner, University of University Chicago George M. Marsden, University of John Van Engen, University of Notre Notre Dame Dame Wayne A. Meeks, Yale University Geoffrey Wainwright, Duke University Robert L. Wilken, University of Virginia THE GOSPEL OF JOHN IN THE THE CONFESSIONALIZATION OF SIXTEENTH CENTURY HUMANISM IN REFORMATION The Johannine Exegesis of Wolfgang Musculus GERMANY Craig S. Farmer Erika Rummell PRIMITIVISM, RADICALISM, AND THE THE PLEASURE OF DISCERNMENT LAMB’S WAR Marguerite de Navarre as Theologian The Baptist-Quaker Conflict in Seventeenth- Carol Thysell Century England REFORMATION READINGS OF THE T. L. Underwood APOCALYPSE HUMAN FREEDOM, CHRISTIAN Geneva, Zurich, and Wittenberg RIGHTEOUSNESS Irena Backus Philip Melanchthon’s Exegetical Dispute with WRITING THE WRONGS Erasmus of Rotterdam Women of the Old Testament among Biblical Timothy J. Wengert Commentators from Philo through the Reformation CASSIAN THE MONK John L. Thomspon Columba Stewart THE HUNGRY ARE DYING IMAGES AND RELICS Beggars and Bishops in Roman Cappadocia Theological Perceptions and Visual Images in Susan R. Holman Sixteenth-Century Europe John Dillenberger RESCUE FOR THE DEAD The Posthumous Salvation of Non-Christians in THE BODY BROKEN Early Christianity The Calvinist Doctrine of the Eucharist and the Jeffrey A. Trumbower Symbolization of Power in Sixteenth-Century AFTER CALVIN France Studies in the Development of a Theological Christopher Elwood Tradition WHAT PURE EYES COULD SEE Richard A. Muller Calvin’s Doctrine of Faith in Its Exegetical THE POVERTY OF RICHES Context St. -
2015 Program
Sixteenth Century Society and Conference S Thursday, 22 October to Sunday, 25 October 2015 Sixteenth Century Society & Conference 22–25 October 2015 2014-2015 OFFICERS President: Marc Forster Vice-President: Anne Cruz Past-President: Elizabeth Lehfeldt Executive Director: Donald J. Harreld Financial Officer: Eric Nelson ACLS Representative: Kathryn Edwards Endowmento Chairs: Raymond Mentzer COUNCIL Class of 2015: Cynthia Stollhans, Amy Leonard, Susan Felch, Matt Goldish Class of 2016: Alison Smith, Emily Michelson, Andrea Pearson, JoAnn DellaNeva Class of 2017: Rebecca Totaro,o Andrew Spicer, Gary Ferguson, Barbara Fuchs PROGRAM COMMITTEE Chair: Anne Cruz History: Scott K. Taylor English Literature: Scott Lucas German Studies: Bethany Wiggin Italian Studies: Suzanne Magnanini Theology: Rady Roldan-Figueroa French Literature: Robert Hudson Spanish and Latin American Studies: Elvira Vilches Arto History: James Clifton NOMINATING COMMITTEE Gerhild Williams (Chair), Sara Beam,o Phil Soergel, Konrad Eisenbichler, Christopher P. Baker 2014–2015 SCSC PRIZE COMMITTEES Gerald Strauss Book Prize Kenneth G. Appold, Amy Leonard, Marjorie E. Plummer Bainton Art History Book Prize Cristelle Baskins, Diane Wolfthal, Lynette Bosch Bainton History/Theology Book Prize Jill Fehleisen, Dean Bell, Craig Koslofsky Bainton Literature Book Prize Edward Friedman, WIlliam E. Engel, James H. Dahlinger Bainton Reference Book Prize Carla Zecher, Diana Robin, Phil Soergel Grimm Prize Jesse Spohnholz, Carina Johnson, Duane Corpis Roelker Prize Judy K. Kem, Allan Tulchin, -
Music and Confession in Heidelberg, 1556– 1618
Music and Confession in Heidelberg, 1556– 1618 Matthew Alan Laube Royal Holloway, University of London Submitted for the Degree of Doctor of Philosophy Acknowledgements I wish to thank my supervisor, Stephen Rose, for his constant encouragement and critical eye over the course of many drafts. In the UK, Christian Leitmeir, Howard Hotson, Helen Deeming, Iain Fenlon, Katharine Ellis, Paul Harper-Scott and Robin Leaver all provided helpful information and feedback on my work. Joachim Kremer, Peter Wollny and Eike Wolgast provided valuable support and assistance with archives and sources during my time in Germany. I wish also to thank the staff of libraries and archives in the UK and Europe: the British Library, Cambridge University Library, the Bodleian Library, the Library of St John’s College, Oxford, National Library of Scotland, Glasgow University Library, Aberdeen University Library, the Universitätsbibliothek and Universitätsarchiv Heidelberg, Generallandesarchiv Karlsruhe, Geheimes Hausarchiv and Bayerisches Staatsarchiv München, Staatsbibliothek Berlin, Theologisches Seminar Herborn, Bibliotheca Bipontina Zweibrücken, Universitätsbibliothek Leipzig, Bach-Archiv Leipzig, Uppsala University Library and Bibliotheca Apostolica Vaticana. For their help with tricky German and Latin translation, thanks go to Annika Forkert, Peter Sjökvist and Mattias Lundberg. Fellow post-graduate students Ester Lebedinski, Clare Brady and Harriette Peel proofread and provided feedback through the entire process. Lastly, my greatest measure of gratitude goes to my wife, Elizabeth, who has been proud since day one. Declaration of Authorship I, Matthew Laube, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. -
Download PDF Van Tekst
De Gulden Passer. Jaargang 74 bron De Gulden Passer. Jaargang 74. Vereniging van Antwerpse Bibliofielen, Antwerpen 1996 Zie voor verantwoording: http://www.dbnl.org/tekst/_gul005199601_01/colofon.php © 2016 dbnl i.s.m. 5 [De Gulden Passer 1996] Woord vooraf Met het overlijden van Christoffel Plantijn op 1 juli 1589 kwam zijn befaamde Gulden Passer te Antwerpen in handen van Jan I Moretus. Deze meest geliefde onder zijn vier schoonzonen begon na het overlijden van Plantijns weduwe, Jeanne Rivière, in 1596 volledig op eigen krachten te werken als drukker-uitgever. Als hardwerkend en talentvol zakenman werd hij de belangrijkste drukker van de Contrareformatie in de Nederlanden en kon hij bij zijn overlijden in 1610 de Officina als een zeer bloeiend bedrijf van internationaal formaat nalaten aan zijn zonen Balthasar I Moretus en Jan II Moretus. Als fijnzinnnig estheet en humanistisch geschoold intellectueel synthetiseerde Balthasar I Moretus een bijzondere zin voor vormperfectie met een brede belangstelling voor cultuur. Met de steun van zijn school- en huisvriend P.P. Rubens kon hij zich het predicaat verwerven van ‘inventor’ van het barokboek, een creatie die naar de vorm internationaal toonaangevend bleef tot in de tweede helft van de 17de eeuw. Met hun productie van vele fraaie en nog belangwekkende specimina gaven zowel Jan I als Balthasar I Moretus ieder naar eigen aard en inzicht de Officina Plantiniana nieuwe impulsen. Daardoor kon het bedrijf tot ver in de 18de eeuw zijn rang behouden onder de grootste firma's van het internationale boekbedrijf. Het is dan ook aan het zakentalent en doorzicht van Jan I Moretus en de bijzondere intellectuele en artistieke oriëntatie van zijn zoon Balthasar I te danken dat de Gulden Passer zich in de eerste helft van de 17de eeuw verder kon consolideren als eersterangsbedrijf op het internationale forum van uitgevers en boekproducenten. -
THE POST-TRIDENTINE ENGLISH PRIMER Promotor: Professor T
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/147623 Please be advised that this information was generated on 2021-10-11 and may be subject to change. THE POST-TR1DENTINE ENGLISH PRIMER THE POST-TRIDENTINE ENGLISH PRIMER Promotor: Professor T. A. Birrell THE POST-TRIDENTINE ENGLISH PRIMER Proefschrift ter verkrijging van de graad van doctor in de letteren aan de Katholieke Universiteit te Nijmegen, op gezag van de Rector Magnificus prof. dr. P. G. A. B. Wijdeveld volgens besluit van het College van Decanen in het openbaar te verdedigen op donderdag 7 juni 1979 des namiddags te 4.00 uur door JOANNES MARIA BLOM geboren te Nijmegen Krips Repro B. V., Meppel - 1979 CONTENTS Acknowledgements vii Abbreviations viii Introduction 1 Chapter I. The history of the Officium Beatae Mariae Virginis 2 Chapter II. The Tridentine primer in English 13 Chapter III. The place of the primer in England 34 Chapter IV. The printers and publishers of the primer 48 Chapter V. The hymn-translations and their translators 76 Chapter VI. The history of the manual from 1583 to 1800 112 Chapter VII. Other devotional works related to primer and manual 137 Chapter VIII. A hand-list of the Latin-English and English editions of the primer of the reformed Roman use and the editions of the manual during the period 1583-1800 163 Appendix to Chapter VIII. Hand-lists of the editions of The key of paradise, The office of the holy week and The evening office of the Church 190 Chapter IX. -
Catalogue of the Plantin-Moretus Museum Pdf, Epub, Ebook
CATALOGUE OF THE PLANTIN-MORETUS MUSEUM PDF, EPUB, EBOOK Max Rooses | 172 pages | 10 Oct 2018 | Franklin Classics | 9780342046331 | English | none Catalogue of the Plantin-Moretus Museum PDF Book Thus the Virgin was either experiencing and expressing conturbatio ' Biblia 4to. Later on, he disagreed with the founder of this sect ; but to the end of his life, he remained on the most intimate terms of friendship with Henri Jansen, who, called himself Barrefelt after his native village and took, as an author, the Hebrew name of Hiel. Willem Jansz. Follow AnatomyNorbiton. Engraved for Barth. We also use third-party cookies that help us analyze and understand how you use this website. Portrait of Christopher Plantin. Pen and ink drawing, cost 12 florins ; engraved by Com. In aedibus flldi et Andreae soceri, Venetiis, The work of the miniatures is by different hands ; the styles and numerous details allow us to attribute the coloring to some Prague artists. The 'how and why' of manuscripts The importance of the manuscript collection to the Museum goes beyond the sum of its parts. The two works of art together cost 16 fl. McCoy, S. Painted by James van Reesbroeck in 1. Liber Cro- nicariim ab initio rniindi. And while I may, paradoxically and typically, have expressed that as an overarching and megalomaniacal theory of everything, its purport is clear: Norbiton is an accumulation of individuated detail, and life in Norbiton a continual repatterning of that detail. At Caen Plantin made the acquaintance of Jane Riviere; whom he married in or , and they went to live in Paris. -
Balthasar Moretus
BALTHASAR MORETUS and the Passion of Publishing Museum Plantin-Moretus | Print Cabinet Cover: Anonymous, after Peter Paul Rubens, The Four Philosophers, 17th century (MPM.V.IV.075) BALTHASAR and the Passion of Publishing MORETUS Dirk Imhof Paul van Capelleveen Goran Proot Andrew Steeves Guy Vingerhoets Museum Plantin-Moretus | Print Cabinet TABLE OF CONTENTS 7 50 Foreword Literary publishing & deep regard - The Alderman for Culture, City of Antwerp - Andrew Steeves 10 55 Balthasar I Moretus: a concise biography Engravers from Antwerp or Brussels? Illustrating the works of Hermannus Hugo 12 ‘Ex arte et decore typographica’: 57 Balthasar I Moretus, publisher of Baroque books Publishing for a difficult author: the - Dirk Imhof Bartholomaeus de los Ríos publications 29 60 Peter Paul Rubens, the Moretuses and the Visual Editions: Stories for contemporary readers Plantin Press - Paul van Capelleveen 32 75 The pricing policy of the Officina Plantiniana, The fate of the copper-plate engravings bearing 1580–1655 designs by Peter Paul Rubens - Goran Proot 78 45 Imschoot, Uitgevers. The history of a passion Engraving, reworking and printing from - Guy Vingerhoets copper plates: Theodore Galle’s workshop 87 48 Colophon The breviary in folio of 1614: a pet project of the Moretus brothers Foreword 7 ‘Balthasar Moretus and the Passion of Publishing’, a story of co-creation The Alderman for Culture, City of Antwerp ntwerp is the archetypal Baroque city. That was Rubens and Moretus worked together on more than so in the seventeenth century, and it still is today. twenty book projects. Designs for title pages and illustrations This identity has much to do with the savoir-vivre were also supplied to Moretus by Erasmus Quellinus, Karel ofA Antwerp’s inhabitants: a wealth of tradition that includes de Mallery, Peeter de Jode and Abraham Van Diepenbeeck. -
Inhaltsverzeichnis Des Zweiten Teilbandes
INHALTSVERZEICHNIS DES ZWEITEN TEILBANDES HUMANISMUS UND RENAISSANCE I. Blütezeit des Renaissance-Humanismus i. Manifestation neuer Bildungsziele KONRAD CELTIS aus .Oratio in gymnasio in Ingelstadio publice recitata' (mit Übersetzung: Öffentliche Rede an der Universität Ingolstadt) 3 JOACHIM VADIANUS aus ,De Poetica et Carminis ratione' (mit Übersetzung: Über Poetik und die Wissenschaft der Dichtung) Vadians Dichterkrönung 12 KAISER MAXIMILIAN I. Poetendiplom für Joachim Vadianus (mit Über setzung) 13 2. Die großen Einzelpersönlichkeiten KONRAD CELTIS aus .Norimberga' (von 1495) Capitulum primum: praefatio ad senatum 17 GEORG ALT aus Übersetzung der .Norimberga' des KONRAD CELTIS Das erst capitl ist ein vorrede gein den rats elltern 19 KONRAD CELTIS aus .Quatuor libri amorum, secundum quatuor latera Ger manie' (mit Übersetzung: Vier Bücher Liebesgedichte, nach den vier Ge staden Deutschlands) (II, 2) Adse ipsum, quod amore relegato adphilosophiam se conferre velit (An sich selbst, da er sich der Liebe entziehen und der Philosophie zuwenden wollte) Postquam Sarmaticis remeassem ab oris 22 (II, 13) AdDanubium, ut puellam descendentem in Pannonias numtne suo tueatur (An den Donaustrom, auf daß er sein Mädchen, das nach Pan- nonien hinabreist, durch sein gnädiges Walten beschütze) Hister in Euxinum properans septemfide Pontum 25 aus ,Libri Odarum quatuor' (mit Übersetzung: Vier Bücher Oden) (III, 5) Adloannem Vigilium sodalitatis litterariae Rhenanae hospitem in situm Hedelbergae et quare decennioperegrinatusfuerit (An Johannes Vigilius, -
Kockelbergh AEPM 2014
Iris Kockelbergh Director Plantin-Moretus Museum Antwerp, Belgium Paper given at the annual meeting of the Association of European printing Museums Mainz, 24 th October 2014 Museum Plantin-Moretus/Print room: museology, past, present and future I would like to thank Rickey Tax and Alan Marshall and of course the board of the AEPM first of all for their initiative to relaunch the AEPM, and secondly for their kind invitation to present to you the questions on museology in/for the Museum Plantin-Moretus. Before I start I would like to ask you to bear in mind that the Museum Plantin-Moretus is not a printing museum. Rather, it is an historic house and a monument – even more it is Unesco-world heritage. Secondly it is the house and workshop of a family of publishers, a noble family and merchants. Certainly, the museum houses a fabulous typographic collection; but it also houses a large heritage library and an important and very large collection of prints and drawings. By 2016 we will change the museological presentation and the historical rooms. Why we want to do this, you will hear during this lecture. In what follows I shall focus on: - the early history of the museum and the changes in its displays, - the present displays, - the research conducted on the problems of the present display, - the results of a try-out that is at this moment on display and the survey we conducted, - a brief outline of the future of the museum on the basis of contemporary museum needs and issues - digital access to the collections. -
Early Music Printing in German-Speaking Lands Edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley Mcdonald
Early Music Printing in German-Speaking Lands Edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley McDonald First published 2018 ISBN: 978-1-138-24105-3 (hbk) ISBN: 978-1-315-28145-2 (ebk) Chapter 9 The cult of Luther in music Grantley McDonald (CC BY-NC-ND 4.0) 9 The cult of Luther in music1 Grantley McDonald Several studies have confirmed the truism that the Reformation could not have taken place if not for the easy availability of print. The triangular relationship between print, the Reformation, and music is less obvious. The sudden demands of the Reformation on the presses of Germany and on the attention and resources of German readers and book buyers temporarily suppressed the production of certain kinds of printed musical sources. For example, while seventeen editions of the missal, most containing music, were printed for the diocese of Passau between 1491 and 1522, none were produced after this period.2 The presence of similar patterns in other German dioceses suggests that this was not due simply to coincidence or a saturation of requirements. Rather, the kinds of music being printed changed in response to the onset of the Reformation. Beginning in 1524, there was an explosion of editions providing music for the Lutheran rite: liturgical books for the use of the clergy, monophonic hymn books for the use of the congregation, and books of polyphony for the choir. Moreover, Lutheran and Roman Catholic controversialists alike used music to spread propaganda, as Rolf Wilhelm Brednich, Rebecca Wagner Oettinger and others have shown.3 Printed material tends to be of two kinds: ephemeral (or occasional), and archival, that is, material intended to be consulted more than once.