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Christian Studies Mid-Year Issue (2018)
Multilingual Open Access Journal Trier, Germany Journal of Ethnophilosophical Questions and Global Ethics | Christian Studies Mid-Year Issue (2018) Imprint Open access peer review journal Trier, Germany Chief Editor: Timo Schmitz February 2018 Co-editor: Iulian Mitran Reviewers: Timo Schmitz, Iulian Mitran, Nikolay Kuznetsov, Mariam Mangoshvili Contact: Timo Schmitz c/o Papyrus Autoren-Club, R.O.M. Logicware GmbH Pettenkoferstr. 16-18 10247 Berlin GERMANY E-Mail: [email protected] Publisher/ Issuer: Journal of Ethnophilosophical Questions and Global Ethics Timo Schmitz Trier, Germany Website: www.ethnophilosophical-journal.de ISSN: 2568-6828 This magazine is published under CC-BY-ND 3.0 license. https://creativecommons.org/licenses/by-nd/3.0/de/deed.en 2 | P a g e Journal of Ethnophilosophical Questions and Global Ethics | Christian Studies Mid-Year Issue (2018) Contents Foreword .................................................................................................................................................. 4 TIMO SCHMITZ:Was Jesus born to an unmarried couple?...................................................................... 7 NIKOLAY KUZNETSOV:Pre-Reformed Russian Orthography in Clerical and Secular Spheres as a Symbol of the Russian National Identity Outside Russia. Part 1: Theoretical Justification .................................... 11 IULIAN MITRAN:The «New Dacians» and Crypto-Orthodoxy at the Dawn of Rational Historicism (I) . 27 ALEXANDRU DRAGULIN:BOOK REVIEW: Darius Baronas, S.C. Rowell, -
A Catholic Architect Abroad: the Architectural Excursions of A.M
A CATHOLIC ARCHITECT ABROAD: THE ARCHITECTURAL EXCURSIONS OF A.M. DUNN Michael Johnson Introduction A leading architect of the Catholic Revival, Archibald Matthias Dunn (1832- 1917) designed churches, colleges and schools throughout the Diocese of Hexham and Newcastle. Working independently or with various partners, notably Edward Joseph Hansom (1842-1900), Dunn was principally responsible for rebuilding the infrastructure of Catholic worship and education in North- East England in the decades following emancipation. Throughout his career, Dunn’s work was informed by first-hand study of architecture in Britain and abroad. From his first year in practice, Dunn was an indefatigable traveller, venturing across Europe, North Africa and the Middle East, filling mind and sketchbook with inspiration for his own designs. In doing so, he followed in the footsteps of Catholic travellers who had taken the Grand Tour, a tradition which has been admirably examined in Anne French’s Art Treasures in the North: Northern Families on the Grand Tour (2009).1 While this cultural pilgrimage was primarily associated with the landed gentry of the eighteen century, Dunn’s travels demonstrate that the forces of industrialisation and colonial expansion opened the world to the professional middle classes in the nineteenth century.2 This article examines Dunn’s architectural excursions, aiming to place them within the wider context of travel and transculturation in Victorian visual culture. Reconstructing his journeys from surviving documentary sources, it seeks to illuminate the processes by which foreign forms came to influence architectural taste during the ‘High Victorian’ phase of the Gothic Revival. Analysing Dunn’s major publication, Notes and Sketches of an Architect (1886), it uses contemporaneous reviews in the building press to determine how this illustrated record of three decades of international travel was received by the architectural establishment. -
Changing Images of the Virgin Mary in Lutheran Sermons of the Sixteenth Century Beth Kreitzer
Reforming Mary OXFORD STUDIES IN HISTORICAL THEOLOGY Series Editor David C. Steinmetz, Duke University Editorial Board Gerhard Sauter, Rheinische Friedrich- Irena Backus, Universite´ de Gene`ve Wilhelms-Universita¨t Bonn Robert C. Gregg, Stanford Susan E. Schreiner, University of University Chicago George M. Marsden, University of John Van Engen, University of Notre Notre Dame Dame Wayne A. Meeks, Yale University Geoffrey Wainwright, Duke University Robert L. Wilken, University of Virginia THE GOSPEL OF JOHN IN THE THE CONFESSIONALIZATION OF SIXTEENTH CENTURY HUMANISM IN REFORMATION The Johannine Exegesis of Wolfgang Musculus GERMANY Craig S. Farmer Erika Rummell PRIMITIVISM, RADICALISM, AND THE THE PLEASURE OF DISCERNMENT LAMB’S WAR Marguerite de Navarre as Theologian The Baptist-Quaker Conflict in Seventeenth- Carol Thysell Century England REFORMATION READINGS OF THE T. L. Underwood APOCALYPSE HUMAN FREEDOM, CHRISTIAN Geneva, Zurich, and Wittenberg RIGHTEOUSNESS Irena Backus Philip Melanchthon’s Exegetical Dispute with WRITING THE WRONGS Erasmus of Rotterdam Women of the Old Testament among Biblical Timothy J. Wengert Commentators from Philo through the Reformation CASSIAN THE MONK John L. Thomspon Columba Stewart THE HUNGRY ARE DYING IMAGES AND RELICS Beggars and Bishops in Roman Cappadocia Theological Perceptions and Visual Images in Susan R. Holman Sixteenth-Century Europe John Dillenberger RESCUE FOR THE DEAD The Posthumous Salvation of Non-Christians in THE BODY BROKEN Early Christianity The Calvinist Doctrine of the Eucharist and the Jeffrey A. Trumbower Symbolization of Power in Sixteenth-Century AFTER CALVIN France Studies in the Development of a Theological Christopher Elwood Tradition WHAT PURE EYES COULD SEE Richard A. Muller Calvin’s Doctrine of Faith in Its Exegetical THE POVERTY OF RICHES Context St. -
Curriculum Vitae Page 1 of 23
Jennifer Mara DeSilva – Curriculum Vitae Page 1 of 23 Dr. Jennifer Mara DeSilva – Curriculum Vitae April 1, 2021 PERSONAL Office Address: Department of History, Burkhardt Building, Room 212, Ball State University, Muncie, Indiana, 47306-1099, USA E-mail: [email protected] EDUCATION Ph.D. University of Toronto, Department of History, Canada, November 2007 Thesis title: “Ritual Negotiations: Paris de’ Grassi and the Office of Ceremonies under Popes Julius II & Leo X” Supervisor: Dr. Nicholas Terpstra M.A. University of Warwick, Coventry, UK, January 2002 Centre for the Study of the Renaissance Subject: The Culture of the European Renaissance Thesis title: “Henry VIII King of England and Papal Honour-gifts, 1510-24” Thesis Readers: Drs. Peter Marshall and J.R. Mulryne Hon. B.A. St. Michael’s College, University of Toronto, Canada, June 1999 Specialist: History Major: Latin Minor: English EMPLOYMENT Fall 2015-onward Associate Professor (Tenured), Ball State University, Muncie IN, USA 2010-Summer 2015 Assistant Professor, Ball State University, Muncie IN, USA Graduate Faculty Member Courses taught, all face-to-face unless otherwise indicated: HIST 150: The West in the World HIST 151: World Civilization I (also taught online) HIST 200: Introduction to History and Historical Methods HIST 467/567: The Renaissance & The Reformation HIST 497/597: Social History of Renaissance Europe HIST 633: Ritual and Spectacle in Early Modern Europe HIST 650: European Conversion to Christianity, 300-1000 HIST 650: Comparative European Chivalry, 1300-1650 HIST -
Music and Confession in Heidelberg, 1556– 1618
Music and Confession in Heidelberg, 1556– 1618 Matthew Alan Laube Royal Holloway, University of London Submitted for the Degree of Doctor of Philosophy Acknowledgements I wish to thank my supervisor, Stephen Rose, for his constant encouragement and critical eye over the course of many drafts. In the UK, Christian Leitmeir, Howard Hotson, Helen Deeming, Iain Fenlon, Katharine Ellis, Paul Harper-Scott and Robin Leaver all provided helpful information and feedback on my work. Joachim Kremer, Peter Wollny and Eike Wolgast provided valuable support and assistance with archives and sources during my time in Germany. I wish also to thank the staff of libraries and archives in the UK and Europe: the British Library, Cambridge University Library, the Bodleian Library, the Library of St John’s College, Oxford, National Library of Scotland, Glasgow University Library, Aberdeen University Library, the Universitätsbibliothek and Universitätsarchiv Heidelberg, Generallandesarchiv Karlsruhe, Geheimes Hausarchiv and Bayerisches Staatsarchiv München, Staatsbibliothek Berlin, Theologisches Seminar Herborn, Bibliotheca Bipontina Zweibrücken, Universitätsbibliothek Leipzig, Bach-Archiv Leipzig, Uppsala University Library and Bibliotheca Apostolica Vaticana. For their help with tricky German and Latin translation, thanks go to Annika Forkert, Peter Sjökvist and Mattias Lundberg. Fellow post-graduate students Ester Lebedinski, Clare Brady and Harriette Peel proofread and provided feedback through the entire process. Lastly, my greatest measure of gratitude goes to my wife, Elizabeth, who has been proud since day one. Declaration of Authorship I, Matthew Laube, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. -
085-Santa Maria Degli Angeli E Dei Martiri
(085/17) Santa Maria degli Angeli e dei Martiri ! Santa Maria degli Angeli e dei Martiri, usually known only as Santa Maria degli Angeli, is a titular basilica church in Rome, built inside the frigidarium of the Baths of Diocletian, dedicated to the Blessed Virgin Mary, to the angels and to the Christian slaves who died building the Baths of Diocletian. It is on the Piazza della Repubblica, and near the Termini train station. The church is also a personal monument of Pope Pius IV, whose tomb is in the apsidal tribune. History The church was built in the remains of the Baths of Diocletian by orders of Pope Pius IV (1559-1565), after a Sicilian priest, Fr. Antonio Del Duca, had a vision of angels in the ruins in 1541. The church was born as a result of the papal bull of Pope Pius IV of 27 July 1561 and took the name of “Beatissimae Virgini et omnium Angelorum et Martyrum”. Michelangelo designed it and started the work in 1563, and after his death in 1564 (incidentally the same year that Fr. Del Duca died) his design was completed by Jacopo Del Duca, nephew of Fr. Antonio and pupil of Michelangelo. Although the interior has changed considerably and the floor has been raised a few feet, this is one of the places where you can best appreciate the size and splendor of the imperial baths. (1) (2) (a) The church was granted to the Carthusians, who moved from their former monastery at Santa Croce in Gerusalemme. They had a monastery built adajcent to it, possibly to a design by Michelangelo. -
323-Santíapollinare Alle Terme.Pages
(323/31) Sant’Apollinare alle Terme ! Sant'Apollinare alle Terme is an 18th century former collegiate church of ancient foundation located in the rione Ponte. It is titular, a minor basilica and part of the Prelature of Opus Dei. The dedication is to St Apollinaris, bishop of Ravenna and martyr. (1) History: An ancient, possibly 8th century church was built here near a Roman bath, hense the source of the name. It is said to have been dedicated in 780 by Adrian I., who, as we learn from Anastasius Bibliothecarius, presented it with sacred vestments. The first church was described as attached to a monastery of Byzantine-rite monks who had fled from persecution during the reign of the iconoclast emperor Leo the Isaurian at Constantinople. At this time the Eastern Empire ruled Rome from Ravenna, hence the dedication. Another function that the church took on from its foundation was the enshrinement of martyrs' relics taken from the catacombs. The church is mentioned in a document of 1281, referring to a canon of Sant'Apollinare. In the Catalogue of Turin in 1320 it is listed as a papal benefice, with eight priests. Under the church's high altar was a collection of martyrs' relics, and their names have been preserved: Tibertius, Eustrasius, Auxentius, Eugenius, Mardarius (or Bardarius) and Orestes. (1) (a) In 1574, Pope Gregory XIII gave the church and adjoining priests' house, which amounted to a small palazzo, to the Collegium Germanicum which was founded by Ignatius Loyola, and chartered in 1552 by Pope Julius II, and erected the two adjoining palaces. -
Inhaltsverzeichnis Des Zweiten Teilbandes
INHALTSVERZEICHNIS DES ZWEITEN TEILBANDES HUMANISMUS UND RENAISSANCE I. Blütezeit des Renaissance-Humanismus i. Manifestation neuer Bildungsziele KONRAD CELTIS aus .Oratio in gymnasio in Ingelstadio publice recitata' (mit Übersetzung: Öffentliche Rede an der Universität Ingolstadt) 3 JOACHIM VADIANUS aus ,De Poetica et Carminis ratione' (mit Übersetzung: Über Poetik und die Wissenschaft der Dichtung) Vadians Dichterkrönung 12 KAISER MAXIMILIAN I. Poetendiplom für Joachim Vadianus (mit Über setzung) 13 2. Die großen Einzelpersönlichkeiten KONRAD CELTIS aus .Norimberga' (von 1495) Capitulum primum: praefatio ad senatum 17 GEORG ALT aus Übersetzung der .Norimberga' des KONRAD CELTIS Das erst capitl ist ein vorrede gein den rats elltern 19 KONRAD CELTIS aus .Quatuor libri amorum, secundum quatuor latera Ger manie' (mit Übersetzung: Vier Bücher Liebesgedichte, nach den vier Ge staden Deutschlands) (II, 2) Adse ipsum, quod amore relegato adphilosophiam se conferre velit (An sich selbst, da er sich der Liebe entziehen und der Philosophie zuwenden wollte) Postquam Sarmaticis remeassem ab oris 22 (II, 13) AdDanubium, ut puellam descendentem in Pannonias numtne suo tueatur (An den Donaustrom, auf daß er sein Mädchen, das nach Pan- nonien hinabreist, durch sein gnädiges Walten beschütze) Hister in Euxinum properans septemfide Pontum 25 aus ,Libri Odarum quatuor' (mit Übersetzung: Vier Bücher Oden) (III, 5) Adloannem Vigilium sodalitatis litterariae Rhenanae hospitem in situm Hedelbergae et quare decennioperegrinatusfuerit (An Johannes Vigilius, -
Early Music Printing in German-Speaking Lands Edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley Mcdonald
Early Music Printing in German-Speaking Lands Edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley McDonald First published 2018 ISBN: 978-1-138-24105-3 (hbk) ISBN: 978-1-315-28145-2 (ebk) Chapter 9 The cult of Luther in music Grantley McDonald (CC BY-NC-ND 4.0) 9 The cult of Luther in music1 Grantley McDonald Several studies have confirmed the truism that the Reformation could not have taken place if not for the easy availability of print. The triangular relationship between print, the Reformation, and music is less obvious. The sudden demands of the Reformation on the presses of Germany and on the attention and resources of German readers and book buyers temporarily suppressed the production of certain kinds of printed musical sources. For example, while seventeen editions of the missal, most containing music, were printed for the diocese of Passau between 1491 and 1522, none were produced after this period.2 The presence of similar patterns in other German dioceses suggests that this was not due simply to coincidence or a saturation of requirements. Rather, the kinds of music being printed changed in response to the onset of the Reformation. Beginning in 1524, there was an explosion of editions providing music for the Lutheran rite: liturgical books for the use of the clergy, monophonic hymn books for the use of the congregation, and books of polyphony for the choir. Moreover, Lutheran and Roman Catholic controversialists alike used music to spread propaganda, as Rolf Wilhelm Brednich, Rebecca Wagner Oettinger and others have shown.3 Printed material tends to be of two kinds: ephemeral (or occasional), and archival, that is, material intended to be consulted more than once. -
Spätmittelalter Humanismus Reformation Texte Und Zeugnisse
SPÄTMITTELALTER HUMANISMUS REFORMATION TEXTE UND ZEUGNISSE HERAUSGEGEBEN VON HEDWIG HEGER ERSTER TEILBAND SPÄTMITTELALTER UND FROHHUMANISMUS ms C. H. BECK'SCHE VERLAGSBUCHHANDLUNG MÜNCHEN 1975 T INHALTSVERZEICHNIS DES ERSTEN TEILBANDES S PÄTMITTE LALTE R A. RELIGIÖSE DICHTUNG I. Ausklang mittelalterlicher Frömmigkeit i. Geistliche Epik in Vers und Prosa a) Ausklingende geistliche Versepik ANDREAS KURZMANN ,Soliloquium Marie cum Jhesu' 3 b) Von der Verslegende zur Prosalegende JOHANNES ROTHE aus ,Das Leben der hl. Elisabeth' Kirchenbesuch zu Eisenach 9 UNBEKANNTER VERFASSER Maria und die Klosterküsterin 11 c) Predigtexempel und Mirakelerzählung JOHANNES PAULI aus Predigten Der brüder und der bös vigint 12 MARTIN VON AMBERG aus ,Der Gewissensspiegel' Exempel von Ruffus, dem Spieler 16 UNBEKANNTER VERFASSER Exempel vom Jesuskind 18 d) Lebens- und Tugendlehre MARTIN VON AMBERG aus ,Der Gewissensspiegel' Gebete und Gebote. Wider den Aberglauben 19 HENDRIK HERP aus ,Spieghel der volcomenheit' Van den scouwen 21 HEINRICH HASZ aus Übersetzung des ,Spiegels der Vollkommenheit' des HEINRICH HERP Von dem beschaiven 22 Wie das verstentlich lieht wirt zugleich der clarheit sunnen vnd der morgen rot . 2 3 XXVIII Inhaltsverzeichnis. Erster Teilband e) Geistliche Allegorie PETER DE MERODE aus ,Die Pilgerfahrt des träumenden Mönchs' Vorspruch 24 Der Traum. Das himmlische Jerusalem 24 f) Jenseitsvision UNBEKANNTER VERFASSER ,Visio Lazari' (Die Vision des Lazarus) .... 32 2. Geistliche Lyrik a) Geistliches Lied. Kirchenlied DER MÖNCH VON SALZBURG Das guidein Abc mit vil subtiliteten Ave, ballsams creatur 52 HUGO VON MONTFORT Geistliches Tagelied Ich fragt ein wachter, ob es wer tag 57 MUSKATBLÜT Marien erwälung Ein junger man mit synnen 58 HEINRICH LAUFENBERG Ave maris Stella Bis grust, stern im mere 60 Ich wolt da% ich daheime waer 61 UNBEKANNTER VERFASSER In dulcijubilo 61 b) Kontrafakturen UNBEKANNTER VERFASSER Den liepsten bulen den ich hän, contrafactum Den liepsten herren den ich han 62 HEINRICH LAUFENBERG Es stot ein lind in himelrich 63 3. -
Emilia-Romagna & San Marino
© Lonely Planet 425 Emilia-Romagna & San Marino Emilia-Romagna has long been overlooked as little more than a stepping stone between the Veneto and Tuscany. But take time to explore this underrated region and you’ll discover an area rich in art and culture, an area of mouthwatering food and robust wine, of cosmopolitan EMILIA-ROMAGNA & SAN MARINO resorts and quiet backwaters. Much of its medieval architecture dates to the Renaissance, when a handful of power ful families set up court here: the Farnese in Parma and Piacenza, the Este in Ferrara and Modena, and the Bentivoglio in Bologna. The regional capital, Bologna, is one of Italy’s unsung joys. A foodie city with a hedonistic approach to life, it’s home to Europe’s oldest university and a stunning medieval centre. A short hop to the northwest, Modena boasts a superb Romanesque cathedral and a hint of the gourmet delights that await in Parma, the city that gifted the world prosciutto crudo (cured ham, popularly known as Parma ham) and parmigiano reggiano (Parmesan). In the countryside to the south, castles pepper hilltops as flat plains give way to the Apennine peaks. Ferrara and Ravenna are the highlights of Romagna (the eastern half of Emilia-Romagna). Both are within easy distance of Bologna and both merit a visit – Ferrara for its beautiful Renaissance centre, Ravenna for its sensational Byzantine mosaics. If, after all that high culture, you need a break, head to Rimini where the crowded beaches and cutting-edge clubs promise more earthy pleasures, or San Marino where armies of day-trippers enjoy vast views. -
A Collection of Georg Rhau's Music Editions and Some Previously
A Collection of Georg Rhau’s Music Editions and Some Previously Unnoticed Works Richard Charteris Predictably the largest collections of mid-sixteenth-century music editions produced in Germany are found on the Continent, the main ones are located in the Staatsbibliothek zu Berlin Preussischer Kulturbesitz, the Biblioteka Jagiellonska Kraków, the Bayerische Staatsbibliothek München, the Österreichische Nationalbibliothek Wien and the Bischöfliche Zentralbibliothek Regensburg (those in the first two were once together in Berlin but became separated as a result of World War II). Apart from these libraries, the finest collection of such materials is to be found in the United Kingdom and encompasses sacred and secular compositions as well as instrumental works. Preserved in the British Library in London, the collection reflects the commitment of successive librarians to amassing early Continental materials, a policy at its most productive between the early to mid-nineteenth century and early twentieth century. In regard to the British Library’s mid-sixteenth-century music editions published in Germany, the majority originated from cities then long established as major centres of book publishing. The leading ones include: (1) Nuremberg, where its principal music publishers during this time were Johann Petreius (1497–1550), Hieronymus Formschneider (d. 1556), Johann vom Berg (b. c.1500–1515; d. 1563), Ulrich Neuber (d. 1571) and Katharina Gerlach (b. c.1515–1520; d. 1592); (2) Augsburg, where notable contributors were Philipp Ulhart the Elder (d. 1567 or 1568) and Melchior Kriesstein (b. c.1500; d. 1572 or 1573); and (3) Munich, where someone from a subsequent generation, Adam Berg the Elder (d.