Performance Practice Review Volume 7 Article 8 Number 2 Fall Italian split-keyboard instruments with fewer than nineteen divisions to the octave Denzil Wraight Christopher Stembridge Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Practice Commons Wraight, Denzil and Stembridge, Christopher (1994) "Italian split-keyboard instruments with fewer than nineteen divisions to the octave," Performance Practice Review: Vol. 7: No. 2, Article 8. DOI: 10.5642/perfpr.199407.02.08 Available at: http://scholarship.claremont.edu/ppr/vol7/iss2/8 This Article is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact
[email protected]. Renaissance Keyboard Instruments Italian Split-Keyed Instruments with Fewer than Nineteen Divisions to the Octave Denzil Wraight and Christopher Stembridge A Checklist of Surviving Italian String Keyboard Instruments with Split Sharps* Examining Italian harpsichords and virginals with split sharps may shed some light on problems of interpretation in Italian Renaissance keyboard music. And compiling a list of these instruments presents us with many of the problems of divining the original state of Italian string keyboard instru- ments. The instruments, since the time they were built, have been altered to keep up with changing taste. Apart from the accretions and alterations—which cloud our view of how these instruments were originally constructed— many of them are difficult to identify, since they were never signed by their makers. Inscriptions, too, have been altered or forged for pecuniary gain.