A Last Interview with Fu Zhongwen
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Chen Village (陈家沟 Chén Jiā Gōu) This Is the Birthplace of All Taijiquan
Chen Village (陈家沟 Chén Jiā Gōu) This is the birthplace of all Taijiquan (Tai Chi) as we know it today. If Chen Wangting is the 9th generation founder of Taijiquan, it is astounding and noteworthy to know that direct descendants of the 11th generation still live and teach in the same village. This historical place has many legendary Taijiquan masters such as Yang Luchan and Chen Fake. Chen Village is located in central China-- Henan Province, Wenxian County. Taijiquan Schools in Chenjiagou 1.Chen Bing Taiji Academy Headquarters Established in 2008 by Master Chen Bing after he became independent from the Chenjiagou Taijiquan School. He was a former vice president and headcoach at the Chenjiagou Taijiquan School. Due to Grandmaster Chen Xiaoxing’s careful consideration, Master Chen Bing was able to take over an original property passed on to an eldest son. It used to be Grandmaster Chen Xiaoxing’s house right next to the graveyard of 18th generation Chen Zhaopi. [email protected] www.ChenBing.org 323 – 735 – 0672 2.Chenjiagou Taijiquan School Chenjiagou Taijiquan School is located in Chenjiagou, Wenxian, Henan Province, China. Since 1979, the school has developed and grown to become a world famous martial arts school. These changes were by masters from the original Chen family. These include Honorary President Chen Xiaowang, President Chen Xiaoxing and Vice President Chen Ziqiang. Master Chen Bing was a former vice president and head coach of this school from 1991 – 2007 before he independently opened his school in 2008. [email protected] www.ChenBing.org 323 – 735 – 0672 3. -
A Complete Tai Chi Weapon System
LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Recommended: a complete Tai Chi weapon system December 7, 2014 7:35 PM MST There are five major Tai Chi (Taiji) styles; Chen style is the origin. Chen Style Tai Chi has the most complete weapon system, which includes Single Straight Sword, Double Straight Sword, Single Broad Sword (Saber), Double Broad Sword, Spear, Guan Dao (Halberd), Long Pole, and Double Mace (Baton). Recently Master Jack Yan translated and published Grandmaster Chen Zhenglei’s detailed instructions on all eight different weapons plus Push Hands to English in two different volumes. View all 19 photos Chen Zhenglei Culture Jack Yan Grandmaster Chen is a 19th Generation Chen Family descendent and 11th Generation Chen Style Tai Chi Lineage Holder. He is sanctioned as the 9th Duan by the Chinese Martial Art Association the highest level in martial arts. He was selected as one of the Top Ten Martial Art Masters in China for his superb Tai Chi skills and in-depth knowledge. He has authored a complete set of books on Chen Style Tai Chi bare-hand and weapons forms. Master Jack Yan translated three other volumes on bare-hand forms. With these two new additions, all of Grandmaster Chen’s writings are accessible in English. Each of the Chen weapons has its features. Straight swords, sabers, and batons are short weapons while long pole, halberd, and spear are long weapons. Volume Four is for short weapons while Volume Five is for long weapons and Push Hands. Chen Style Single Straight Sword is one of the oldest weapon routines with forty-nine movements, tightly connected with specific and clear sword techniques, namely pierce, chop, upward-swing, hook, point, slice, lift, upward-block, sweep, cut, jab, push, and neutralize. -
Yang Family, Yang Style楊家,楊式
Yang Family, Yang Style 楊家,楊式 by Sam Masich Frequently I am asked questions about the curriculum of Yang Style Taijiquan. What does it include? Why do some schools include material that others don’t? Why are some practices considered legitimate by some teachers but not by others? In order to understand the variances in curriculum from school to school it is first necessary to understand a few historical factors relating to the creation of this branch of Taijiquan as well as the opinions of the Yang family itself. In 1990 I had the fortune of riding with master Yang Zhenduo from Winchester, Virginia to Washington D.C. in a van filled with Tai Chi players. We were all going to the Smithsonian institute and to see the sights. It was a sunny day and everyone in the vehicle was in very good spirit after an intense, upbeat five-day workshop. The mood was relaxed and, as I was sitting close to Master Yang and his translator, I took the opportunity to ask some questions about his life in China, his impressions of America, his training and his views on Tai Chi. At some point I came to the subject of curriculum and asked him, among other things, what he thought about the 88 movement Yang Style Taijiquan San Shou (Sparring) routine. Master Yang said, "This is Yang Style Taijiquan not Yang Family Taijiquan." He went on further to explain that this was the creation of his fathers’ students and that, while it adhered well to the principles of his father’s teachings, it was not to be considered part of the Yang Family Taijiquan. -
Taiji Jest Tylko Jedno
Taiji jest tylko jedno 1 Spis treści Zamiast wstępu…………………………………………………………..……………………………………………………………………………….…………………………………………………3 Podziękowanie………………………………………………………………………………………………………………………………………………..………………………………………………5 Drzewo genealogiczne stylu Yang Taiji rodziny Fu…………………………………………………………………………………………………………………6 Część I. Autor: Marvin Smalheiser Ostatni Wywiad z Fu Zhongwen’em………………………………………………………………………………………………………………………………………………7 Część II. Autor: Ted W. Knecht Niezapomniane spotkanie z Fu Zhongwen’em………………………………………………………………………………………….………………………..15 Bibliografia………………………………………………………………………………………………………………………………………………………………………………………………………18 2 Zamiast wstępu Opracowanie „Taiji jest tylko jedno” zawiera dwa artykuły na temat działalności Wielkiego Mistrza stylu Yang Taijiquan – Fu Zhong Wen’a. Pochodzą one z pierwszej połowy lat 90-tych ubiegłego wieku i zostały opublikowane w czasopiśmie T’ai Chi Magazine, opisującym chińskie, wewnętrzne sztuki walki. Marvin Smalheiser1, założyciel, wydawca i redaktor naczelny tego działającego od 1977 roku periodyku przez niemal czterdzieści lat prowadził badania na temat stylu Yang taijiquan. Jego dociekliwość i przy tym duża otwartość na ludzi zapewniała licznym studentom oraz anglojęzycznym pasjonatom tej sztuki walki dostęp do wiarogodnych informacji źródłowych. Wiedzę tę gromadził latami. Na bazie wieloletnich doświadczeń wyniesionych z pracy szkoleniowej z mistrzami kungfu dawał innym praktykom taiji nieocenione wsparcie poradnicze z zakresu ćwiczeń mających na celu utrzymanie ciała w dobrej kondycji i sprawności -
Klassische Schriften Chinesischer Kriegs- Und Kampfkünste in Deutscher Und Englischer Übersetzung
Klassische Schriften chinesischer Kriegs- und Kampfkünste in deutscher und englischer Übersetzung Eine Zusammenschau mit Quellenangaben von Julian Braun München 2009 Vorwort Die hier vorgelegte Zusammenschau klassischer Schriften der chinesischen Kriegs- und Kampfkünste in deutscher und englischer Übersetzung soll dem Interessenten einen schnellen Überblick über den derzeitigen „Stand der Dinge“ verschaffen und es ihm bei Wunsch ermöglichen, sich die jeweiligen Texte selbst zu organisieren. Ein entsprechender Überblick zu Übersetzungen derselben Materie aus dem Japanischen soll demnächst ergänzend folgen. München, September 2009 Klassische Schriften der chinesischen Kriegs- und Kampfkunst I. Die sieben klassischen militärischen Schriften a. Tai Kung: Sechs Lehren b. Die Methoden von Ssu-ma c. 13 Kapitel von Sunzi d. Traktat von Wu-zi e. Traktat von Wei Liao-zi f. Drei Strategien von Huang Shih-kung g. Fragen und Antworten zwischen Tai-tsung und Li Wei-kung II. Weitere militärische Traktate a. Die 36 Strategeme b. Abhandlung von Sun Bin c. Neue Abhandlung über den disziplinierten Dienst (Ch´i Chi-kuang, 1528-1588) d. 100 Strategien Pai-chan Ch’I-lüeh (Liu Po-wen) e. Herr des Dämonentals f. Herr des geheimen Speicherhauses III. Klassische Texte des Xingyiquan a. Die fünf Prinzipien (Jin Yunting, 1880-) b. Die sieben Wörter (s.o.) c. Wesentliches der sechs Harmonien und hundert Körper (s.o.) d. Eine Studie über Xingyiquan (Sun Lutang, 1861-1933) IV. Klassische Texte des Baguaquan a. 36 Lieder (Dong Hai-chuan, 1813-1882) b. 48 Methoden (s.o.) c. Eine Studie über Baguaquan (Sun Lutang, 1861-1933) V. Klassische Texte des Taijiquan (Detaildarstellung s.w.u.) a. Frühe Schriften b. -
Tuishou Interstyles Rencontre Nationale FAEMC 23 Et 24 Mars 2019 À Laillé (Rennes Métropole)
Tuishou Interstyles Rencontre Nationale FAEMC 23 et 24 mars 2019 à Laillé (Rennes Métropole) A propos du Tuishou Le Tuishou ou « poussée des mains » ou « mains collantes » est surtout connu dans les Arts Martiaux Internes (Neijia). Partie essentielle du Taiji Quan, il est aussi pratiqué dans le Yi Quan, le Bagua Zang. On le retrouve également dans les Arts Martiaux Chinois Externes (Weijia) comme le Shuai Jiao, le Wingchun (chisao) et certains styles de Gong Fu Wushu (Saolim Kung Fu). Son principe majeur est de cultiver l’extrême détente musculaire (Song) pour accueillir (Jiejin), transformer (huajin) et retourner (fajin) la force donnée par le partenaire, que ce soit à pas fixes ou à pas mobiles. Chaque style de Taiji Quan est riche de nombreux Tuishou d’école. Ils permettent de découvrir les bases du Tuishou grâce à une structure bien charpentée d’exercices pour affiner au fil des années la sensibilité dans l’écoute du partenaire (dingjin). La multiplicité des techniques utilisées se développe autour des huit potentiels Peng (parer), Lu (dévier, tirer), An (pousser), Ji (presser), cai (cueillir, saisir, tirer vers le bas, trancher), lie (fendre, séparer, tordre), zhou (coup de coude) et kao (coup d’épaule). La compétition de Tuishou permet d’éprouver la difficulté du principe du « moindre effort pour un effet suffisant voir maximum » dans un cadre de règles contraintes, sur un temps imparti. Il permet aux pratiquants d’Arts Martiaux Chinois d’origine différente de se rencontrer. Enfin, le Tuishou libre, basé sur le principe avancé plus haut, permet à des pratiquants d’arts martiaux de toute origine de pratiquer ensemble et d’échanger. -
The Daoist Origins of Chinese Martial Arts in Taiji Quan Manuals Published in the West1
The Daoist Origins of Chinese Martial Arts in Taiji quan Manuals Published in the West1 Dominic LaRochelle, Ph. D. Laval University, Quebec City, Canada Bio Dominic LaRochelle is a lecturer at the Faculty of Theology and Religious Studies of Laval University, Quebec City, Canada. His research focuses on the history of Chinese martial arts, their reception in Western societies, and their relation with religious traditions. He has been a practitioner of Chinese martial arts (wing chun, taiji quan, bagua zhang and xingyi quan) for more than 15 years. Abstract In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners. Chinese myths and legends have been in great part adopted by Western practitioners. The aim of this article is to analyze how was construed in the second half of the 20th century a complex rhetoric trying to convince Western readers of taiji quan books that their practice has an ancient Daoist origin. Introduction In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners along two lines. There are those who claim that taiji quan originates from Chenjiagou, a village in province of Henan controlled by a military family called Chen. As early as the 17th century, it is believed that some members of this family invented (or at least practiced), probably under the influence of existing martial arts practiced in 1 A shorter version of this article was previously published in the Journal of Chinese Martial Arts, Spring 2013, pp. -
Tai Ji Quan: an Overview of Its History, Health Benefits, and Cultural Value
Available online at www.sciencedirect.com ScienceDirect Journal of Sport and Health Science 3 (2014) 3e8 www.jshs.org.cn Review Tai Ji Quan: An overview of its history, health benefits, and cultural value Yucheng Guo*, Pixiang Qiu, Taoguang Liu School of Martial Arts, Shanghai University of Sport, Shanghai 200438, China Received 4 March 2013; revised 2 October 2013; accepted 18 October 2013 Abstract Tai Ji Quan is considered to be a part of traditional Chinese Wushu (a martial art) and comprises various styles that have evolved historically from the Chen, Yang, Wǔ,Wu´, and Sun families (schools). Recent simplification of the original classic styles has made Tai Ji Quan easier to adopt in practice. Thus, the traditional legacy of using Tai Ji Quan for self-defense, mindful nurturing of well-being, and fitness enhancement has been expanded to more contemporary applications that focus on promoting physical and mental health, enhancing general well-being, preventing chronic diseases, and being an effective clinical intervention for diverse medical conditions. As the impact of Tai Ji Quan on physical per- formance and health continues to grow, there is a need to better understand its historical impact and current status. This paper provides an overview of the evolution of Tai Ji Quan in China, its functional utility, and the scientific evidence of its health benefits, as well as how it has been a vehicle for enhancing cultural understanding and exchanging between East and West. Copyright Ó 2014, Shanghai University of Sport. Production and hosting by Elsevier B.V. All rights reserved. Keywords: Culture; Health; Martial art; Tai Chi; Tai Ji Quan; Wushu 1. -
Xiong-Stil Taijiquan Beispiel Einer Umfassenden Überlieferung Des Frühen Yang-Stils Von Michael A
Xiong-Stil Taijiquan Beispiel einer umfassenden Überlieferung des frühen Yang-Stils Von Michael A. DeMarco Xiong-Stil ist ein Zweig des Taijiquan, der außerhalb von Taiwan wenig bekannt ist. Er geht auf Xiong Yanghe (1888 – 1981) zurück, bietet jedoch nach den Recherchen von Michael A. DeMarco vor allem einen Einblick in die frühe Überlieferung des Yang-Stils, die hier in umfassender Form fortgeführt wird.Der Autor fasst die soziopolitischen Bedingungen zusammen, unter denen sich das Taijiquan im 19. und der ersten Hälfte des 20. Jahrhunderts in China entwickelt hat, in einer Zeit, die geprägt war von inneren und äußeren Kriegen, Hungersnöten, politischen Unruhen, Demoralisierung – dem Niedergang des einst so mächtigen und kulturell überlegenen chinesischen Reichs. Er macht damit zwei Aspekte deutlich, die für die Entwicklung des Taijiquan ausschlaggebend wurden: die Notwendigkeit einer effektiven Selbstverteidigung und den Wunsch nach allgemeiner Selbststärkung. Taijiquan ist daher sowohl Kampfkunst als auch Gesundheitsübung. Xiong Style Taijiquan - Example of a comprehensive transmission of the early Yang style By Michael A. DeMarco Xiong style is a branch of Taijiquan that is little-known outside Taiwan. It goes back to Xiong Yanghe (1888 – 1981) but according to the research of Michael A. DeMarco it provides above all an insight into the early transmission of the Yang style, which is here continued in a comprehensive form. The author summarises the socio-political conditions under which Taijiquan developed in the 19th century and the first half of the 20th century. This was a time that was marked by civil and inter-nation wars, famines, political unrest and demoralisation – the decay of the once so powerful and culturally superior Chinese empire. -
Fighting Words Douglas Wile
Douglas Wile is professor emeritus of Chinese Language and CONTRIBUTOR Literature from Brooklyn College-City University of New York. He holds a PhD in East Asian Languages from the University of Wisconsin, with additional training at Stanford University. He has numerous publications in the field of Chinese intellectual history, with specializations in martial arts studies and sexology. He was the first to publish a scholarly monograph on Asian martial arts with a university press and the first to offer credit-bearing college courses on taijiquan and Asian movement arts. Professor Wile has trained in various styles of five martial arts, as well as yoga and qigong, and has maintained a fifty-year practice of Yang style taijiquan. FIGHTING WORDS FOUR NEW DOCUMENT FINDS REIGNITE OLD DEBATES IN TAIJIQUAN HISTORIOGRAPHY DOUGLAS WILE DOI ABSTRACT 10.18573/j.2017.10184 Martial arts historiography has been at the center of China’s culture wars and a cause célèbre between traditionalists and modernizers for the better part of a century. Nowhere are the stakes higher than with the iconic art of taijiquan, where, based on a handful of documents in the Chen, Wu, and Yang lineages, KEYWORDs traditionalists have mythologized the origins of taijiquan, claiming the Daoist immortal Zhang Sanfeng as progenitor, China, martial arts, taijiquan, Tai Chi, while modernizers won official government approval by history, historiography, genealogy. tracing the origins to historical figures in the Chen family. Four new document finds, consisting of manuals, genealogies, and stele rubbings, have recently emerged that disrupt the narratives of both camps, and, if authentic, would be the CITATION urtexts of the taijiquan ‘classics’, and force radical revision of our understanding of the art. -
Lift Hands Magazine Volume 10, June 2019
Traduzione dall’inglese dell’articolo originale “Erle Montaigue 1949-2011” tratto dalla rivista Lift Hands: The Internal Arts Magazine Vol. 10, giugno 2019 – Editore: Nasser Butt Link: https://issuu.com/nasserbutt/docs/lift_hands_vol.10_june_2019 - Traduttore: Ramon Soranzo È vietato riprodurre o pubblicare integralmente o in parte questo documento altrove senza l'esplicito permesso scritto del proprietario del copyright. Tutti i diritti riservati. rle Montaigue nacque nel 1949 in un piccolo villaggio minerario a circa 50 miglia a sud di Sydney, nel Nuovo Galles del Sud, in Australia. Iniziò a prendere lezioni di arti marziali all'età di 11 anni, allenandosi nel karate e nel judo presso il locale Police Boys Club in Australia, e anche nel wrestling, che lo portò in seguito ad essere, per un certo periodo, un lottatore professionista! Nel 1967, durante un corso per manutenzione telefonica, Erle incontrò il suo primo insegnante di Taijiquan, il signor Wong Eog. La gente lo avrebbe erroneamente chiamato "Tokyo Joe", pensando che fosse giapponese! Lo stile che Erle apprese dal signor Wong si rivelò essere la forma veloce di Dong [per un po’ pensò erroneamente che questa fosse la versione più antica della famiglia Yang Taiji] sviluppata da Dong Yingjie, discepolo di Yang Cheng-fu. Nel 1974, durante un periodo di tre anni in Inghilterra, Erle conobbe il suo secondo istruttore di Taijiquan. Mr. Chu King-hung - uno dei soli tre discepoli del defunto Yang Sau-chung, il figlio maggiore del nipote di Yang Lu-chan, Yang Cheng-fu. Fu Chu a introdurre Erle per la prima volta il Taiji come arte di combattimento e questo avrebbe suscitato la sua curiosità nella ricerca del perché l'arte fosse chiamata "boxe suprema definitiva". -
杨澄浦太极拳说十要 Yang Chengfu's Taijiquan Theory: Ten Essential
杨澄浦太极拳说十要 Yang Chengfu’s Taijiquan Theory: Ten Essential Points Yang Chengfu, Recorded by Chen Weiming Translation and Commentary by Lee Fife Translation and commentary copyright (c) 2013 - 2017 Lee Fife. You can reuse this content as long as you attribute me and the resultant work is also reusable. This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/ . 1 Introduction Lists of important points for taijiquan practice are one of the most common formats used to convey taijiquan theory. Ben Lo created his five principles; Zheng Manqing (Cheng Manching) recorded several different lists of important points in his writings, ranging from six points to twelve and more; the first school I studied at, Y.C. Chang’s school in the Bay Area, had a number of different lists including one with over twenty points. This list of ten points is attributed to Yang Chengfu as recorded by Chen Weiming from Chengfu’s spoken instruction. The ten points summarize the essential aspects of taijiquan. Each point consists of a short mnemonic phrase followed by a paragraph or more of explanation. The ten points are: 1) Xu Ling Ding Jin 2) Contain the Chest, Raise the Back 3) Song the Yao 4) Separate Empty and Full 5) Sink Shoulder, Drop Elbow 6) Use Yi, Don’t Use Li 7) Upper and Lower Mutually Follow 8) Inner and Outer Mutually Harmonize 9) Mutually Linked Without Gaps 10) Move Center, Seek Stillness The points themselves were intended to be memorized and may well have been recited or chanted.