A Complete Tai Chi Weapon System
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The Place of Archery in Greek Warfare
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Classics and Religious Studies Department Classics and Religious Studies 2-1-1990 The Place of Archery in Greek Warfare Thomas Nelson Winter University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/classicsfacpub Part of the Classics Commons Winter, Thomas Nelson, "The Place of Archery in Greek Warfare" (1990). Faculty Publications, Classics and Religious Studies Department. 9. https://digitalcommons.unl.edu/classicsfacpub/9 This Article is brought to you for free and open access by the Classics and Religious Studies at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Classics and Religious Studies Department by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Th e Place of Archery in Greek Warfare Th e Ancient Greek Archer: . at work & war by Tom Winter Summary: Despite the ancient Greek equivalent of an Agincourt, the Greek military mind fi rmly retained the heavy infantry, rather than the archers, as the main force. Recognized uses of the archer in Greek warfare were to fend off heights of city walls, to perform commando raids, and to provide covering fi re for commando-style operations. Th is essay, written after a fresh reading of the principle Greek historians, puts together all passages where one can see the ancient Greek archer at work and in his military setting. hen Pericles proclaims the catalog of Athenian forces at the Wbeginning of the Peloponnesian War (431–404), the array looked like this: 15,000 fi rst-line hoplites 1,600 reserve hoplites 1,600 cavalry (including mounted archers) 1,200 archers 300 warships Archers comprised, then, roughly 10 percent of an ancient Greek city’s military force. -
Adaptable Stream Processing
A PROCRUSTEAN APPROACH TO STREAM PROCESSING by Nikolaos Romanos Katsipoulakis Bachelor of Science, National Kapodistrian University of Athens, 2011 Submitted to the Graduate Faculty of the School of Computing and Information in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2018 UNIVERSITY OF PITTSBURGH SCHOOL OF COMPUTING AND INFORMATION This dissertation was presented by Nikolaos Romanos Katsipoulakis It was defended on December 18th 2018 and approved by Dr. Alexandros Labrinidis, Department of Computer Science, University of Pittsburgh Dr. Panos K. Chrysanthis, Department of Computer Science, University of Pittsburgh Dr. John Lange, Department of Computer Science, University of Pittsburgh Dr. Andrew Pavlo, Department of Computer Science, Carnegie Mellon University Dissertation Advisors: Dr. Alexandros Labrinidis, Department of Computer Science, University of Pittsburgh, Dr. Panos K. Chrysanthis, Department of Computer Science, University of Pittsburgh ii Copyright © by Nikolaos Romanos Katsipoulakis 2018 iii A PROCRUSTEAN APPROACH TO STREAM PROCESSING Nikolaos Romanos Katsipoulakis, PhD University of Pittsburgh, 2018 The increasing demand for real-time data processing and the constantly growing data volume have contributed to the rapid evolution of Stream Processing Engines (SPEs), which are designed to continuously process data as it arrives. Low operational cost and timely delivery of results are both objectives of paramount importance for SPEs. Given the volatile and uncharted nature of data streams, achieving the aforementioned goals under fixed resources is a challenge. This calls for adaptable SPEs, which can react to fluctuations in processing demands. In the past, three techniques have been developed for improving an SPE’s ability to adapt. Those techniques are classified based on applications’ requirements on exact or ap- proximate results: stream partitioning, and re-partitioning target exact, and load shedding targets approximate processing. -
Interpretation of Fiore Dei Liberi's Spear Plays
Acta Periodica Duellatorum, Hands On section, articles 131 Interpretation of Fiore dei Liberi’s Spear Plays Jakub Dobi Ars Ensis [email protected] Abstract – How did Fiore Furlano use a spear? What is the context, purpose, and effect of entering a duel armed with a spear? My article- originally a successful thesis work for an Ars Ensis Free Scholler title- describes in detail what I found out by studying primary sources (Fiore’s works), related sources (contemporary and similar works), and hands-on experience in controlled play practice, as well as against uncooperative opponents. In this work I cover the basics- how to hold the spear, how to assume Fiore’s stances, how to attack, and how to defend yourself. I also argue that the spear is not, in fact, a preferable weapon to fence with in Fiore’s system, at least not if one uses it in itself. It is however, a reach advantage that has to be matched, and thus the terribly (mutually) unsafe situation of spear versus spear occurs. As a conclusion, considering context and illustrations of spear fencing, I argue that the spear is only to be considered paired with other weapons, like dagger, or sword. In fact, following Fiore’s logic, we can assume he used the spear to close the distance to use a weapon he feels more in control with. Keywords – Fiore, Furlano, Liberi, Italian, duel, spear, Ars Ensis I. PROCESS OF RESEARCH The article itself is largely devoted to trying to point out the less obvious points to make about this specific style of spear fencing. -
Nicholas Victor Sekunda the SARISSA
ACTA UNI VERSITATIS LODZIENSIS FOLIA ARCHAEOLOGICA 23, 2001 Nicholas Victor Sekunda THE SARISSA INTRODUCTION Recent years have seen renewed interest in Philip and Alexander, not least in the sphere of military affairs. The most complete discussion of the sarissa, or pike, the standard weapon of Macedonian footsoldiers from the reign of Philip onwards, is that of Lammert. Lammert collects the ancient literary evidence and there is little one can disagree with in his discussion of the nature and use of the sarissa. The ancient texts, however, concentrate on the most remarkable feature of the weapon - its great length. Unfor- tunately several details of the weapon remain unclear. More recent discussions o f the weapon have tried to resolve these problems, but I find myself unable to agree with many of the solutions proposed. The purpose of this article is to suggest some alternative possibilities using further ancient literary evidence and also comparisons with pikes used in other periods of history. 1 do not intend to cover those aspects of the sarissa already dealt with satisfactorily by Lammert and his predecessors'. THE PIKE-HEAD Although the length of the pike is the most striking feature of the weapon, it is not the sole distinguishing characteristic. What also distinguishes a pike from a common spear is the nature of the head. Most spears have a relatively broad head designed to open a wide flesh wound and to sever blood vessels. 1 hey are usually used to strike at the unprotected parts of an opponent’s body. The pike, on the other hand, is designed to penetrate body defences such as shields or armour. -
Pikeman-Fact-Sheet.Pdf
Pikeman Pikemen were foot soldiers (infantry) armed with a pike (a long wooden pole with a metal spear on the end). They were used to defend musketeers against the cavalry. They were also useful to push against the enemy when victory was in sight. They were often placed in the middle of the infantry, with musketeers on either side of them. Pikemen were trained to use a number of ‘postures’ or ways of handling the pike for different kinds of fighting. For instance, to defend against cavalry attack a pikeman would crouch down, brace the bottom of the pike shaft against his foot and point the head of the pike at the horse’s breast. When attacking another infantry regiment pikes would be held horizontally at shoulder height while the soldiers advanced towards the enemy. When contact was made each side would push until one gave way. Pikemen would have to practice these ‘postures’ in what was known as a ‘drill’ so that they could fight in a disciplined manner on the battlefield. A simple pike drill would be: 1. Shoulder your pike 2. Port your pike (hold your pike upright) 3. Advance your pike (pike dropped half way down) 4. Charge your pike ( pike facing your enemy, ready to charge) Pikemen could play a decisive role on the battlefield. For example, in June 1643, at the Battle of Adwalton Moor, the Royalist pikemen fought well, pushing their enemy back and creating gaps for the Royalist cavalry and cannons to destroy the left wing of the Parliamentarian army, and forcing them to retreat. -
Chen Village (陈家沟 Chén Jiā Gōu) This Is the Birthplace of All Taijiquan
Chen Village (陈家沟 Chén Jiā Gōu) This is the birthplace of all Taijiquan (Tai Chi) as we know it today. If Chen Wangting is the 9th generation founder of Taijiquan, it is astounding and noteworthy to know that direct descendants of the 11th generation still live and teach in the same village. This historical place has many legendary Taijiquan masters such as Yang Luchan and Chen Fake. Chen Village is located in central China-- Henan Province, Wenxian County. Taijiquan Schools in Chenjiagou 1.Chen Bing Taiji Academy Headquarters Established in 2008 by Master Chen Bing after he became independent from the Chenjiagou Taijiquan School. He was a former vice president and headcoach at the Chenjiagou Taijiquan School. Due to Grandmaster Chen Xiaoxing’s careful consideration, Master Chen Bing was able to take over an original property passed on to an eldest son. It used to be Grandmaster Chen Xiaoxing’s house right next to the graveyard of 18th generation Chen Zhaopi. [email protected] www.ChenBing.org 323 – 735 – 0672 2.Chenjiagou Taijiquan School Chenjiagou Taijiquan School is located in Chenjiagou, Wenxian, Henan Province, China. Since 1979, the school has developed and grown to become a world famous martial arts school. These changes were by masters from the original Chen family. These include Honorary President Chen Xiaowang, President Chen Xiaoxing and Vice President Chen Ziqiang. Master Chen Bing was a former vice president and head coach of this school from 1991 – 2007 before he independently opened his school in 2008. [email protected] www.ChenBing.org 323 – 735 – 0672 3. -
3 Techniques of Dantian Internal Rotaion and Use of Meridians in Chen Family Taijiquan by Bosco Seung-Chul Baek (白承哲) B.S
3 Techniques of Dantian Internal Rotaion and Use of Meridians in Chen Family Taijiquan by Bosco Seung-Chul Baek (白承哲) B.S. Photo by Chris Soule Introduction Chen Family Taijiquan (陳氏太極拳: chénshìtàijíquán) is the mother form of Tajiquan from which all other Taiji styles are ultimately derived. The 9th generation of Chen Family representative, Chen Wangting, created Taijiquan from heritages of his past generations about 400 years ago. Unlike other Taijiquan styles, Chen Family Taijiquan still possesses explosive power (發勁: fājìn) expressed in the Cannon Fist forms. Authentic Taijiquan requires a harmony of 4 characteristics that are sturdiness, softness, fastness and slowness, and it is impossible to master Chen Family Taijiquan without these characteristics. Chen Family Taijiquan aims to acquire fangsong (relaxed and grounded) by practicing slowness such as Laojia Yilu (老架一路: lǎojiàyílù, Old Frame Fist Road) as it helps deeply relax the muscles, joints and spine while breathing naturally. Training with speed such as in the Laojia Erlu form (老架二路: lǎojiàèrlù, Old Frame Second Road) helps a practitioner understand the use of the fast energy exchange of the positive and negative force (yin and yang) to increase the power of one‟s dantian. If a practitioner practices with authentic instruction, he or she should be able to get the root of the dantian (丹田根:dāntiángēn) and control dantian internal rotation (丹田內轉: dāntiánnèizhuàn). Before these steps, it is required to open one‟s dantian and energy pathways so that the dantian circulates qi powerfully. In other words, the energy blocked areas in the body will be pierced out due to powerful qi circulation. -
Knights at the Museum Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in Fulfillment of the Requirements for Graduation
Knights! At the Museum Knights at the Museum Interactive Qualifying Project Submitted to the faculty of the Worcester Polytechnic Institute in fulfillment of the requirements for graduation. By: Jonathan Blythe, Thomas Cieslewski, Derek Johnson, Erich Weltsek Faculty Advisor: Jeffrey Forgeng JLS IQP 0073 March 6, 2015 1 Knights! At the Museum Contents Knights at the Museum .............................................................................................................................. 1 Authorship: .................................................................................................................................................. 5 Abstract: ...................................................................................................................................................... 6 Introduction ................................................................................................................................................. 7 Introduction to Metallurgy ...................................................................................................................... 12 “Bloomeries” ......................................................................................................................................... 13 The Blast Furnace ................................................................................................................................. 14 Techniques: Pattern-welding, Piling, and Quenching ...................................................................... -
1 IQP-48-JLS-0062 Pikes for the People: an Interactive Pike
1 IQP-48-JLS-0062 Pikes for the People: An Interactive Pike Demonstration Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ _____________________________ Jotham Kildea Huan Lai _____________________________ _____________________________ Kevin McManus Matthew Sonntag February 14, 2010 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor 2 Contents Abstract ................................................................................................................................ 4 Introduction .......................................................................................................................... 5 Acknowledgements: .............................................................................................................. 8 The Evolution of Military Organization and the Rise of Military Professionalism ................. 9 By Huan Lai ...................................................................................................................... 9 Technological Development and Its Effects on Warfare .............................................. 12 Medieval Military Strategies and Tactics ..................................................................... 15 Economic and Political Implications of Warfare in Medieval Europe .......................... 18 An overview of the historical context of war in Europe between 1500 and 1650. ................ -
Klassische Schriften Chinesischer Kriegs- Und Kampfkünste in Deutscher Und Englischer Übersetzung
Klassische Schriften chinesischer Kriegs- und Kampfkünste in deutscher und englischer Übersetzung Eine Zusammenschau mit Quellenangaben von Julian Braun München 2009 Vorwort Die hier vorgelegte Zusammenschau klassischer Schriften der chinesischen Kriegs- und Kampfkünste in deutscher und englischer Übersetzung soll dem Interessenten einen schnellen Überblick über den derzeitigen „Stand der Dinge“ verschaffen und es ihm bei Wunsch ermöglichen, sich die jeweiligen Texte selbst zu organisieren. Ein entsprechender Überblick zu Übersetzungen derselben Materie aus dem Japanischen soll demnächst ergänzend folgen. München, September 2009 Klassische Schriften der chinesischen Kriegs- und Kampfkunst I. Die sieben klassischen militärischen Schriften a. Tai Kung: Sechs Lehren b. Die Methoden von Ssu-ma c. 13 Kapitel von Sunzi d. Traktat von Wu-zi e. Traktat von Wei Liao-zi f. Drei Strategien von Huang Shih-kung g. Fragen und Antworten zwischen Tai-tsung und Li Wei-kung II. Weitere militärische Traktate a. Die 36 Strategeme b. Abhandlung von Sun Bin c. Neue Abhandlung über den disziplinierten Dienst (Ch´i Chi-kuang, 1528-1588) d. 100 Strategien Pai-chan Ch’I-lüeh (Liu Po-wen) e. Herr des Dämonentals f. Herr des geheimen Speicherhauses III. Klassische Texte des Xingyiquan a. Die fünf Prinzipien (Jin Yunting, 1880-) b. Die sieben Wörter (s.o.) c. Wesentliches der sechs Harmonien und hundert Körper (s.o.) d. Eine Studie über Xingyiquan (Sun Lutang, 1861-1933) IV. Klassische Texte des Baguaquan a. 36 Lieder (Dong Hai-chuan, 1813-1882) b. 48 Methoden (s.o.) c. Eine Studie über Baguaquan (Sun Lutang, 1861-1933) V. Klassische Texte des Taijiquan (Detaildarstellung s.w.u.) a. Frühe Schriften b. -
The Daoist Origins of Chinese Martial Arts in Taiji Quan Manuals Published in the West1
The Daoist Origins of Chinese Martial Arts in Taiji quan Manuals Published in the West1 Dominic LaRochelle, Ph. D. Laval University, Quebec City, Canada Bio Dominic LaRochelle is a lecturer at the Faculty of Theology and Religious Studies of Laval University, Quebec City, Canada. His research focuses on the history of Chinese martial arts, their reception in Western societies, and their relation with religious traditions. He has been a practitioner of Chinese martial arts (wing chun, taiji quan, bagua zhang and xingyi quan) for more than 15 years. Abstract In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners. Chinese myths and legends have been in great part adopted by Western practitioners. The aim of this article is to analyze how was construed in the second half of the 20th century a complex rhetoric trying to convince Western readers of taiji quan books that their practice has an ancient Daoist origin. Introduction In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners along two lines. There are those who claim that taiji quan originates from Chenjiagou, a village in province of Henan controlled by a military family called Chen. As early as the 17th century, it is believed that some members of this family invented (or at least practiced), probably under the influence of existing martial arts practiced in 1 A shorter version of this article was previously published in the Journal of Chinese Martial Arts, Spring 2013, pp. -
Tai Ji Quan: an Overview of Its History, Health Benefits, and Cultural Value
Available online at www.sciencedirect.com ScienceDirect Journal of Sport and Health Science 3 (2014) 3e8 www.jshs.org.cn Review Tai Ji Quan: An overview of its history, health benefits, and cultural value Yucheng Guo*, Pixiang Qiu, Taoguang Liu School of Martial Arts, Shanghai University of Sport, Shanghai 200438, China Received 4 March 2013; revised 2 October 2013; accepted 18 October 2013 Abstract Tai Ji Quan is considered to be a part of traditional Chinese Wushu (a martial art) and comprises various styles that have evolved historically from the Chen, Yang, Wǔ,Wu´, and Sun families (schools). Recent simplification of the original classic styles has made Tai Ji Quan easier to adopt in practice. Thus, the traditional legacy of using Tai Ji Quan for self-defense, mindful nurturing of well-being, and fitness enhancement has been expanded to more contemporary applications that focus on promoting physical and mental health, enhancing general well-being, preventing chronic diseases, and being an effective clinical intervention for diverse medical conditions. As the impact of Tai Ji Quan on physical per- formance and health continues to grow, there is a need to better understand its historical impact and current status. This paper provides an overview of the evolution of Tai Ji Quan in China, its functional utility, and the scientific evidence of its health benefits, as well as how it has been a vehicle for enhancing cultural understanding and exchanging between East and West. Copyright Ó 2014, Shanghai University of Sport. Production and hosting by Elsevier B.V. All rights reserved. Keywords: Culture; Health; Martial art; Tai Chi; Tai Ji Quan; Wushu 1.