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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
MYTHS R, 44ORSE 'MYTHOLOGY ANNA
NOS0-430 ERIC REPORT RESUME ED 010 139 1 a.09.0.67 24 QRE VI NYTHS,..*LAI MATURE ORR ICULUM: STUDENT VERS IOU. it I TZH ABER RaR60230', &.14IVERS ITV OF mesa* =MESE CRP -Pi 449-10 RR- 5.11360-v40 ..45 ED itS C E MP'S Os 13 HC..424i60 cop it SEVENTH GRADE, *STUDY -GUIDES, *CURRIE Cdi.UN GUIDES, -*LITERATURE* *NYTHOLOGY. - ENGLISH C URRI GUM. -LITERATURE PROGRAMS EUGENE, OREGON PROJECT ENGL. UN, NB4 GRAMMAR PRESENTED- HERE WM A ,STUDY t-S_VI OE: FOR.STUDENT USE; A .-SEWENTHGRADE L/ TER ATUR E CURRI CULUNT I NTROOUCTOLir XATER/AL los PaesENTE0 ON GREEK MYTHS r, 44ORSE 'MYTHOLOGY ANNA :. AMERICAN INDIAN r prIfiquisfeatsivoir GUEST IONS SUGGESTED A CT I VItIES9 AND Ass REFERENCE soft of PITIliS VritE PRESENTED. AN ACCONIANY-INS *GUIDE WAS PREPARED FOR TEACfrIERS EL) 010 140I e: UN/ .0) rave:t e PT.PARThMIT EnUCI1.11%; ante wet rA.RE Office of Education mils document has been reproduced exactly as received from the person or organ:zat:on originating it. Points of view or .op':nions stated do not necessarily represent official -Office of Education position or policy. OREGON CURRICULUM,. STUDY CENTER Trri-S"lir" in 11.3 Literature Curriculum I Studait Version The project reported heksinwas supported through the Cooperative Research Program ofthe Office of Education, U, S. Department of Health,Education, and Welfare. 4 4 r 7777*,\C 1,,IYTHS General. Introduction How was the world made? Where did the first people live? Why are we here? To all of these questions people have sought answers for thousands of years. -
2019 Harvard Certamen Novice Division Preliminary Rounds
2019 HARVARD CERTAMEN NOVICE DIVISION PRELIMINARY ROUNDS 1 2019 HARVARD CERTAMEN NOVICE DIVISION ROUND 1 1. What boy, whose head was on fire as he slept, was adopted by an Etruscan couple and eventually became the sixth king of Rome? SERVIUS TULLIUS B1: Name the Etruscan couple who adopted Servius Tullius. TARQUINIUS PRISCUS / LUCOMO & TANAQUIL B2: According to some accounts, Servius Tullius’s mother was Ocrisia, who held what status in Tarquinius Priscus’s palace? SLAVE(WOMAN) 2. While Amphitryon was at war, which Olympian god assumed his form to seduce his wife, Alcmene? ZEUS (not Jupiter, because Alcmene, not Alcmena is given) B1: Who, the famous child of Alcmene and Zeus, would go on to perform many incredible tasks? HERACLES (not Hercules) B2: Who, Alcmene’s other son by Amphitryon, paled in comparison to his heroic brother? IPHICLES 3. What is the meaning of the Latin verb sedeō? TO SIT B1: What is the meaning of the Latin verb cedō? TO YIELD B2: What is the meaning of the Latin verb moneō? TO WARN / ADVISE 4. By crossing the Rubicon, what man precipitated the Roman Civil War? JULIUS CAESAR B1: In which year did Julius Caesar cross the Rubicon? 49 B.C. B2: At that time, the Rubicon was considered the boundary between Italy and what Roman province, of which Caesar had been governor? CISALPINE GAUL 5. In support of the Greeks, which shrewd goddess convinced the Zeleian chieftain Pandarus to fire an arrow that broke the truce between the Greeks and Trojans at Troy? ATHENA B1: Which Greek chieftain, the brother of Agamemnon, did Pandarus hit in the belt with the arrow? MENELAUS B2: Which Olympian god taught Pandarus archery? APOLLO 6. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Opening Pandora's
Opening Pandora’s Box: From Ancient Sacrifice to Family Secrets April 12, 2008 2:30 PM The Philoctetes Center Levy: Francis Levy Nersessian: Edward Nersessian Blum: Harold Blum Branham: Joan Branham Braverman: Lois Braverman Harrison: Kathryn Harrison Pedrick: Victoria Pedrick A: Speaker from audience Levy: I’m Francis Levy. I’m co-director of the Philoctetes Center. Ed Nersessian is the other co- director. And welcome to Opening Pandora’s Box. The art you see on the walls here is from a show called Self-Reflection: The True Mirror that was curated by Hallie Cohen, who is the Chairman of the Art Department at Marymount Manhattan College. The title of this show refers actually to a true mirror which exists in the annex outside. This is an object where if you look into it you see yourself the way others see you. I’ve said this before, but I just have to say it again: I looked into it and I just wasn’t happy with what I saw. I promise I won’t say that again. I’m now pleased to introduce Harold Blum. Harold Blum is a Clinical Professor of Psychiatry and a training analyst at the New York University School of Medicine. Currently, he serves as Executive Director of the Sigmund Freud Archives and is a distinguished fellow at the American Psychiatric Association. He is past President of the Psychoanalytic Research and Development fund, past Vice President of the International Psychoanalytical Association, and former editor-in- chief of the Journal of the American Psychoanalytic Association. He is the author of several books and more than 150 psychoanalytic papers, so watch out. -
The Myth of Re-Creation in Ovid's Metamorphoses
The Myth of Re-creation in Ovid's Metamorphoses Ahmed Fahmy Abdel Gawad Suez Canal University The subject of evolution, creation and re-creation in different civilizations is an important theme. In this research the creation in Greek and Roman thought, in terms of the beginning of God's creation without an origin, where the world was complete darkness, Chaos; and then his re-creation as he began after its utter destruction will be discussed. If this creation does not acquire some beliefs and qualities which are necessary for that life, roughness and cruelty will sustain, and the creation and the system of the world will be corrupted. These matters will be revealed by our research, beginning from the universe and the first creation, Prometheus, theft of the fire, and re-creation again through Deucalion and Pyrrha.1 If we look at the creation of the universe in Ovid and its relation to his interpretation of human creation and the early history of mankind, we will discover that the poet plays the role of the philosopher in an ironic way , the purpose of which is to present philosophy as the least degree of myth in the understanding of man and the world.2 In essence, the contrast between imagination and Ovid's formation of rationality in cosmogony does not help us absorb Ovid's own desire to support physics as a particular philosophical school or to present a theory of his own. In the first book of Metamorphoses, he proposes the mythological dimensions of the creation's myth and re-creation through poetry.3 He reduced the idea that the concept 1 Paschalis, M. -
Scriptie Korai Zonder Naam
Korai zonder naam De mythologische context binnen het Perikleïsche bouwprogramma Leonore Poldervaart 3745368 [email protected] Scriptie BA Geschiedenis Heilige Plaatsen Dr. Floris van den Eijnde 19 juni 2015 7963 woorden Inhoudsopgave Inleiding ................................................................................................................................................... 3 Een beknopte voorgeschiedenis ............................................................................................................ 6 Het heiligdom als verhalenverteller ..................................................................................................... 10 De korai krijgen een naam ................................................................................................................... 15 Conclusie ............................................................................................................................................... 19 De conclusie gevisualiseerd .................................................................................................................. 21 Bibliografie ............................................................................................................................................ 23 2 Inleiding De enigmatische vrouwelijke sculpturen van het Erechtheion vormen naast het Parthenon een van de meest opvallende kenmerken van de Akropolis in Athene en al vele jaren vormen zij een punt van discussie. Waarom staan juist op deze plaats dergelijke beelden, -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
ELECTRYONE ΗΛΕΚΤΡΥΩΝΗ Deukalion and Pyrrha
ELECTRYONE ΗΛΕΚΤΡΥΩΝΗ Deukalion and Pyrrha: Re-reading the Greek Flood myth Mercedes Aguirre Universidad Complutense, Madrid ABSTRACT: In recent years the most common way to interpret the Greek myth of the Flood has been through a comparative approach in the context of the relationship between Greek and Near Eastern cultures and the influences of the Near East on Greek traditions, literature, religion and myth. My article does not intend to re- examine the conclusions of this research, but, without diminishing the obvious importance of the comparative approach, to focus on the most 'canonical' Greek version of the myth and to highlight some aspects of it which in my view have not been so deeply explored. KEY-WORDS: flood, myth, Deukalion, Pyrrha, human origins Our evidence of the Flood myth in the Greek sources is very limited and not earlier than Pindar (Olympian 9. 62-71), although we have a possible reference in the Catalogue of Women (Fr.4 Merkelbach-West1). Fragments of the comic poet Epicharmos (from a play possibly entitled Pyrrha or Prometheus or even Deukalion) seem to mention the Flood, but the longest and most complete story is told by Apollodoros2. His account starts by presenting Deukalion, son of Prometheus, who married Pyrrha, daughter of Epimetheus and Pandora: “Prometheus had a son, Deukalion, who ruled the area around Phthia, and married Pyrrha, the daughter of Epimetheus and of Pandora, whom the gods had fashioned as the first woman”. Other Greek literary sources also allude to the couple Deukalion and Pyrrha as descendants of Prometheus and Pandora, for instance some fragments of the Catalogue of Women, a genealogical poem ascribed to Hesiod but transmitted mainly 1 Merkelback, R.- West, M.L. -
Illinois Classical Studies, Volume Iv
UNIVERSITY OF .ILLINOIS LIBRARY kl .URBANA-CHAMPAIQN classic;^ material is re- The person charging this the hbraty fro- sponsible for its return to withdrawn on or before the which it was below. Latest Date stamped action and may result for disciplinary the University. _O-1096 ILLINOIS CLASSICAL STUDIES, VOLUME IV ILLINOIS CLASSICAL STUDIES VOLUME IV 1979 Miroslav Marcovich. Editor UNIVERSITY OF ILLINOIS PRESS Urbana Chicago London 1979 by the Board of Trustees of the University of Illinois Maniifactured in the United States of America ISBN 0-252-00694-1 Preface Volume IV (1979) of^ Illinois Classical Studies comprises seven Greek and eight Latin studies. The typescript of No. 7 was found on the desk of the late Professor Mark Naoumides, in a form almost ready to print. Nos. 8, 10, II, 12, and 15 are expanded versions of papers presented during the io8th Annual Meeting of the American Philological Association (held in New York, December 28-30, 1976), at the session dedicated to Post- Augustan Satire, as organized and chaired by Professor Mark O. Morford, of the Ohio State University. The publication of this volume was possible thanks to generous grants by Dean Robert W. Rogers, Director Nina Baym, and the Greek Govern- ment. My gratitude to them is sincere and immense. Urbana, 4 July 1978 Miroslav Marcovich, Editor . Contents 1. KAI KE TIE QA' EPEEI: An Homeric Device in Greek Literature i JOHN R. WILSON 2. The Two Worlds of the ^n%one i6 VINCENT J. ROSIVACH 3. Does Euripides Call the Gods /xaKapioi? 27 MARIANNE MCDONALD 4. The Manuscript Tradition of Aeschines' Orations 34 AUBREY DILLER 5. -
Aquarian Mythology
Aquarian Mythology A Comparative Study By John Kirk Robertson, DD Baltimore, USA 1975 ISBN 0-9543605-3-2 “Copyright: extends only as far as acknowledging the author in any reproduction of the text. Text should only be reproduced for teaching purposes or personal study and not for gain.” [NOTE: With the acknowledgement that John K. Robertson wrote the material I culled below, I present for personal study and non-profit purposes John’s interesting material. Note that the images in the original text did not transfer. Only the written text survives here…. [Bill Wrobel] PREFACE The myth has come to mean that which is "fanciful, absurd and unhistorical". Yet myths are "all grave records of ancient religious customs and events, and reliable enough as history once their language is understood and allowance has been made for errors in transcription, misunderstandings of obsolete ritual, and deliberate changes introduced for moral or political reasons." (Graves, Robert. The White Goddess. London, Faber, 1948.) The religious myths of humanity contain repeated well defined symbols such as the Great Mother and the Lame Smith. When these symbols are fitted to the precise order of the signs of the zodiac this gives the cosmological key to the mysteries of the universe or macrocosm and the human body which is the microcosm. 1 Man, as a spiritual being, is a direct recipient of the energies of the universe, which flow in through his psychic centres or chakras along the spine. Mythology gives information on esoteric psychology which goes far beyond twentieth century concepts of the nature of man.