De Stoffelijke Resten Van Johan Van Oldenbarnevelt
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The Dutch in the Early Modern World David Onnekink , Gijs Rommelse Frontmatter More Information
Cambridge University Press 978-1-107-12581-0 — The Dutch in the Early Modern World David Onnekink , Gijs Rommelse Frontmatter More Information The Dutch in the Early Modern World Emerging at the turn of the seventeenth century, the Dutch Republic rose to become a powerhouse of economic growth, artistic creativity, military innovation, religious tolerance and intellectual development. This is the first textbook to present this period of early modern Dutch history in a global context. It makes an active use of illustrations, objects, personal stories and anecdotes to present a lively overview of Dutch global history that is solidly grounded in sources and literature. Focusing on themes that resonate with contemporary concerns, such as overseas exploration, war, slavery, migration, identity and racism, this volume charts the multiple ways in which the Dutch were connected with the outside world. It serves as an engaging and accessible intro- duction to Dutch history, as well as a case study in early modern global expansion. david onnekink is Assistant Professor in Early Modern International Relations at Utrecht University. He has previously held a position at Leiden University, and was a visiting professor at the College of William and Mary, Williamsburg, VA, and the University of California, Los Angeles. He has been a fellow at the Institute for Advanced Studies in Humanities at Edinburgh (2004), Het Scheepvaartmuseum in Amsterdam (2016–2017) and the Netherlands Institute for Advanced Study (2016). He is the author of Reinterpreting the Dutch Forty Years War (2016), and edited volumes on War and Religion after Westphalia, 1648–1713 (2009) and Ideology and Foreign Policy in Early Modern Europe (1650–1750) (2011), also with Gijs Rommelse. -
Consuls, Corsairs, and Captives: the Creation of Dutch Diplomacy in The
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-11-21 Consuls, Corsairs, and Captives: the Creation of Dutch Diplomacy in the Early Modern Mediterranean, 1596-1699 Erica Heinsen-Roach University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Heinsen-Roach, Erica, "Consuls, Corsairs, and Captives: the Creation of Dutch Diplomacy in the Early Modern Mediterranean, 1596-1699" (2012). Open Access Dissertations. 891. https://scholarlyrepository.miami.edu/oa_dissertations/891 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI CONSULS, CORSAIRS, AND CAPTIVES: THE CREATION OF DUTCH DIPLOMACY IN THE EARLY MODERN MEDITERRANEAN, 1596-1699 By Erica Heinsen-Roach A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida December 2012 ©2012 Erica Heinsen-Roach All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy CONSULS, CORSAIRS, AND CAPTIVES: THE CREATION OF DUTCH DIPLOMACY IN THE EARLY MODERN MEDITERRANEAN, 1596-1699 Erica Heinsen-Roach Approved: ________________ _________________ Mary Lindemann, Ph.D. M. Brian Blake, Ph.D. Professor of History Dean of the Graduate School ________________ _________________ Hugh Thomas, Ph.D. Ashli White, Ph.D. Professor of History Professor of History ________________ Frank Palmeri, Ph.D. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Righteous Citizens: The Lynching of Johan and Cornelis DeWitt,The Hague, Collective Violens, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 Permalink https://escholarship.org/uc/item/2636q95m Author DeSanto, Ingrid Frederika Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672. A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Ingrid Frederika DeSanto 2018 ABSTRACT OF DISSERTATION Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 by Ingrid Frederika DeSanto Doctor of Philosophy in History University of California, Los Angeles Professor Margaret C Jacob, Chair In The Hague, on August 20 th , 1672, the Grand Pensionary of Holland, Johan DeWitt and his brother Cornelis DeWitt were publicly killed, their bodies mutilated and hanged by the populace of the city. This dissertation argues that this massacre remains such an unique event in Dutch history, that it needs thorough investigation. Historians have focused on short-term political causes for the eruption of violence on the brothers’ fatal day. This work contributes to the existing historiography by uncovering more long-term political and social undercurrents in Dutch society. In doing so, issues that may have been overlooked previously are taken into consideration as well. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. JOHANNES SWARTENHENGST (1644-1711): A DUTCH CARTESIAN IN THE HEAT OF BATTLE ESTER BERTRAND PHD THESIS UNIVERSITY OF EDINBURGH & FREE UNIVERSITY OF BRUSSELS 2014 2 JOHANNES SWARTENHENGST (1644-1711): A DUTCH CARTESIAN IN THE HEAT OF BATTLE ESTER BERTRAND The painting on the title page, entitled The Stallion, is by the accomplished Dutch painter of equestrian scenes, Philips Wouwerman (1619-1668). In agreement with the Creative Commons Licence this copy was retrieved from the following website: http://www.wouwerman.org/ PHD THESIS UNIVERSITY OF EDINBURGH & FREE UNIVERSITY OF BRUSSELS JUNE 2014 Funded by the Research Foundation Flanders (FWO), the Free University of Brussels, and the University of Edinburgh I, Ester Bertrand, hereby certify that this thesis, which is approximately 95.000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. -
Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2-24-2014 Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672 David Beeler University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the History Commons Scholar Commons Citation Beeler, David, "Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/4983 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672 by David Beeler A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Annette Cozzi, Ph.D. Cornelis “Kees” Boterbloem, Ph.D. Brendan Cook, Ph.D. Date of Approval: February 24, 2014 Keywords: colonialism, foreign, otherness, maidservant, Burgher, mercenary Copyright © 2014, David Beeler Table of Contents List of Figures .................................................................................................................................ii -
PDF (Nellen, Petronella Moens Over Hugo De Groot)
MOENSIANA nummer 10 september 2013 Petronella Moens en haar vaderlandse helden een uitgave van Moensiana Nr 10 - september 2013 Petronella Moens en haar vaderlandse helden. Van de redactie Moensiana, de jaarlijkse nieuwsbrief van de Stichting Petronella Moens, De Vriendin van ‘t Vaderland beleeft in 2013 zijn tiende jaargang. Met deze aflevering van Moensiana, gevuld met een viertal artikelen rond het thema ‘Petronella Moens en haar vaderlandse helden’, willen wij het tweede lustrum kleur geven. Behalve de nieuwsberichten over Petronella Moens en het aan haar gewijde onderzoek, die u kunt terugvinden in de rubriek Varia aan het einde van deze nieuwsbrief, brengen wij een aantal artikelen waarin het gaat om de visie op helden als Hugo de Groot en de gebroeders De Witt, zoals Petronella Moens en haar goede vriend Adriaan Loosjes die in poëzie en proza verwoordden. Het herdenkingsjaar 1813 vormt een gerede aanleiding om de positie van Petronella Moens in dat jaar en in de woelige decennia daarvoor nader te bepalen. Waar stond Petronella in 1813 en hoe heeft zij in haar publicaties gereageerd op de jaren van revolutie en contra-revolutie? Die laatste vragen komen aan de orde in de bijdrage van Ans Veltman. Zij laat zien hoe Petronella Moens in de jaren van de Bataafse Omwenteling haar plaats trachtte te vinden. Henk Nellen, kenner van Hugo de Groot bij uitstek, laat zijn licht schijnen over het boek Hugo de Groot in zeven zangen (1790) van Petronella Moens. Over De Gebroeders De Witten (1791) van Moens gaat de bijdrage van Peter Altena. Ook Adriaan Loosjes, tijdgenoot en vriend van Petronella Moens, schreef over de zo beestachtig vermoorde broers, in zijn roman Johan de Witt, raadpensionaris van Holland (1805) en in een treurspel uit 1807. -
Latin and the Vernacular Between Humanism and Calvinism. the Leiden University Discourse and the Crisis of 1618
Latin and the Vernacular between Humanism and Calvinism. The Leiden University Discourse and the Crisis of 1618 David Kromhout 1 A Reader Twice Addressed? In 1618 the Dutch lawyer and entrepreneur Jacob Cats (1577–1660) published his remarkable collection of emblems, Proteus, sive Silenus Alcibiades.1 The book was an immediate success and was reprinted numerous times during the seventeenth and eighteenth centuries. Its structure was tripartite, each part related to the same set of engravings, but with texts from different angles. The first part was addressed to the youth and contained poems pertaining to the nature of love. The second part presented a general moralistic interpretation of the same engravings, and the third an outright Calvinistic one. Later edi- tions would rearrange the poems and the work would become famous under its Dutch title: Sinne- en minnebeelden (Book of Moral and Love Emblems). The book features two introductions, one in Latin and the other one in Dutch. The introductions both contain Cats’s general pedagogical program, namely that he tries to seduce the youth into reading his book, first by way of an attractive frontispiece, secondly by means of the beautiful engravings and the sweet sub- ject of love. Cats assumes that once the youth has started reading and appreci- ating the first part of the book, they will continue reading, eager to learn more about Cats’s moral lessons. A cursory comparison of the two introductions to Cats’s Sinne- en minne- beelden may lead the reader to conclude that the Dutch introduction, follow- ing the Latin, is a literal translation of the Latin. -
Download PDF Van Tekst
Gedichten Jacob Westerbaen Editie Johan Koppenol bron Jacob Westerbaen, Gedichten (ed. Johan Koppenol). Athenaeum - Polak & Van Gennep, Amsterdam 2001 Zie voor verantwoording: http://www.dbnl.org/tekst/west001gedi05_01/colofon.php © 2016 dbnl / Johan Koppenol 7 Minnedichten Jacob Westerbaen, Gedichten 9 De verhuizing van Cupido (fragmenten) aant. Jupiter viert zijn verjaardagsfeestje op de Olympus. Helaas gooit twistgodin Eris roet in het eten, of eigenlijk gif in de wijn... Zo haast als deze wijn was in het lijf gegoten, heeft het vergif zijn kracht straks naar het hart geschoten, om dat te roeren om, en halen voor de dag al 't geen dat van tevoor wel diep gerekend lag. 5 De zalen werden stil, de een begon te morren en op de anderen al morrende te knorren; men zag 't en was geen deeg, en dat het honden zou, doch niemand liet de gek nog kijken uit de mouw. Maar als het met de wijn omhoog begon te trekken 10 en in der goden brein zijn krachten uit te strekken en Bacchus uit hun hoofd de gulden rede stal, toen ving het kijven aan, en 't werd geheel van 't mal. Gelijk een heim'lijk vuur, dat weinig van te voren in een besloten huis zichzelve scheen te smoren, 15 wanneer het raakt omhoog en in de daken slaat, zijn vlammen overal aan ieder kijken laat, zo toont het twistvenijn zijn onbeschofte vlagen, nu 't in de hersenpan der goden is geslagen. Nu is er dam, noch dijk, noch sluis, noch slot, noch wal 20 die iemand van de goôn het bakkes sluiten zal. -
Cultural Marketing of William III: a Religious Turn in Katharina Lescailje's Political Poetry
Dutch Crossing Journal of Low Countries Studies ISSN: 0309-6564 (Print) 1759-7854 (Online) Journal homepage: https://www.tandfonline.com/loi/ydtc20 Cultural Marketing of William III: A Religious Turn in Katharina Lescailje's Political Poetry Nina Geerdink To cite this article: Nina Geerdink (2010) Cultural Marketing of William III: A Religious Turn in Katharina Lescailje's Political Poetry, Dutch Crossing, 34:1, 25-41, DOI: 10.1179/030965610X12634710163105 To link to this article: https://doi.org/10.1179/030965610X12634710163105 Published online: 18 Jul 2013. Submit your article to this journal Article views: 33 View related articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ydtc20 dutch crossing, Vol. 34 No. 1, March, 2010, 25–41 Cultural Marketing of William III: A Religious Turn in Katharina Lescailje’s Political Poetry Nina Geerdink VU University Amsterdam, NL William III (1650–1702) and his wife Mary II (1662–1695) have been praised extensively by Dutch poets. One gets the impression that the government of the King-Stadholder was widely appreciated in the Dutch Republic, while in fact his position was not uncontested and this image was partly constructed in laudatory poems. The laudations for William were univocal in their praise and particularly religious in tone. The example of the Amsterdam female poet Katharina Lescailje (1649–1711) highlights both aspects of the poetry about William and Mary. The resounding praise for William, as well as the religious tone in the poems written during the 1680s, was in remarkable opposition to her earlier political poems, written in the 1670s. -
Maiestas in the Dutch Republic
Maiestas in the Dutch Republic The law of treason and the conceptualisation of state authority in the Dutch Republic from the Act of Abjuration to the expiration of the Twelve Years’ Truce (1581 – 1621) Wessel Willem Peter Damen 315792 Master Thesis Early Modern Intellectual History Erasmus University Rotterdam Supervisor: Em. Prof. Dr. L. Winkel Brussels, March 2017 Contents Part I – Introduction and Historiography 2 1. Introduction 3 2. State of the art & theory 5 Part II - Reconstructing the legal framework of treason 15 3. Roman law 17 4. The constitution of the Dutch Republic 23 5. Statutory law of treason 33 6. Summary of the reconstructed legal framework 43 Part III – Five cases of treason 45 7. Cornelis de Hooghe (1583) 47 8. Jacob Spensis (1601) 51 9. Johan van Oldenbarnevelt, Hugo de Groot, and Rombout Hogerbeets (1619) 54 10. Jacob Mom, Adriaen van Eynthouts, and Elbert van Botbergen (1621) 67 11. Reynhart van Tijtfort, Rempts ten Ham, and Jorjen Stuyver (1621) 73 12. Summary of the case studies 78 13. Conclusion 84 Bibliography 86 - 1 - Part I Introduction and Historiography Allegory depicting Atlas, Kronos and Historia. Title page to: N. Gueudeville, Le Nouveau Theatre du Monde (Leyden 1713). Print by François van Bleyswijck. Rijksmuseum RP-P-BI-1234. - 2 - Chapter 1: Introduction Waiting for the metro to arrive one summer night in Rotterdam, a line of graffiti sprayed on one of the walls of the tunnel caught my eye. “Question all Authority” – it read in giant red letters. Just below it, this time in black, there was a written response: “Why?”. -
Vroomen Geboren Te Zwijndrecht
Taal van de Republiek Het gebruik van vaderlandretoriek in Nederlandse pamfletten, 1618-1672 The Language of the Republic The Rhetoric of Fatherland in Dutch Pamphlets, 1618-1672 Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnificus Prof.dr. H.G. Schmidt en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op dinsdag 15 mei 2012 om 13.30 uur door Ingmar Henrik Vroomen geboren te Zwijndrecht Promotiecommissie Promotor: Prof.dr. R.C.F. von Friedeburg Overige leden: Prof.dr. H.J.M. Nellen Prof.dr. J.S. Pollmann Prof.dr. N.C.F. van Sas ii Inhoudsopgave Woord vooraf v Afkortingen vi 1. Inleiding 1 1.1 Introductie 1 1.2. Historiografie, patria en patriotten 4 Nederlandse nationale geschiedenis 4 De ‘canon van het modernisme’ 8 Office en patriot 12 De herkomst van vaderland 16 Patriottisme in de zeventiende-eeuwse Republiek 20 1.3 Onderzoek en methode 26 De Nederlandse Republiek 1618-1672: drie crises, vier jaren 26 Bronnen en analyse 29 2. De fundamenten van het vaderland – 1618-1619: De Bestandstwisten 35 2.1 Introductie 35 Onderzoekscorpus 38 2.2 Achtergrond 41 Het Twaalfjarig Bestand (1609-1621) 41 Maurits en Oldenbarnevelt 45 Arminianen en gomaristen 50 1610-1617: Naar de breuk 55 2.3 1618: Climax 59 Onrust in Hollandse steden: Leiden, Oudewater, Haarlem 61 De ‘grooten pensionaris’ en de Barneveltse Ligue 75 Maurits grijpt in 93 2.4 1619: Winnaars en verliezers 102 De Nationale Synode 102 De executie van Oldenbarnevelt 106 Remonstranten in het nauw 109 2.5 Conclusie 114 3. -
Landsadvocaat Van Oldenbarnevelt 3
Nummer Toegang: 3.01.14 Inventaris van het archief van Johan van Oldenbarnevelt, 1586-1619 Versie: 15-08-2019 H.J.Ph.G. Kaajan Nationaal Archief, Den Haag 1984 This finding aid is written in Dutch. 3.01.14 Landsadvocaat Van Oldenbarnevelt 3 INHOUDSOPGAVE Beschrijving van het archief.....................................................................................13 Aanwijzingen voor de gebruiker...............................................................................................14 Openbaarheidsbeperkingen......................................................................................................14 Beperkingen aan het gebruik....................................................................................................14 Materiële beperkingen..............................................................................................................14 Aanvraaginstructie.................................................................................................................... 14 Citeerinstructie.......................................................................................................................... 14 Archiefvorming..........................................................................................................................15 Geschiedenis van de archiefvormer..........................................................................................15 A Geschiedenis.....................................................................................................................