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O Gran Teatre Del Liceu Temporada 2007-2008

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O Gran Teatre Del Liceu Temporada 2007-2008 o Gran Teatre del Liceu Temporada 2007-2008 o Fundacio Gran Teatre del Liceu Generalitat de Catalunya POUR FEMME POUR HOMME Ministerio de Cultura Ajuntament de Barcelona Diputaci6 de Barcelona Societat del Gran Teatre del Liceu ANGEL SCHLESSER� Consell de Mecenatge ESPRIT DE GINGEMBRE Don Giovanni Dramrna giocoso en dos actes Llihret de Lorenzo Da Ponte basat en El burlador de Sevilla de Tirso de Molina i en el Ilibret de Giovanni Bertati per a I'opera de Giuseppe Gazzaniga Don Giovanni Tenorio 0 sia Il conoitato di pietra Musica de Wolfgang Amadeus Mozart Dimarts, 22 de juliol de 2008, 20.00 h, torn PA Divendres, 25 de juliol de 2008, 20.00 h, torn PE Diumenge, 27 de juliol de 2008, 17.00 h Dimecres, 30 de juliol de 2008, 20.00 h , Index 8 Rep artirnent 12 Resum argumental 46 L:OPERA Don Giovanni 0 la tragedia erotica de MOZ31-t 68 LA DRAMATURGtA No hi ha ni bons ni dolents 100 Biografies 112 Emegistr31llents 118 Cronologia liceista 120 English I Francais 127 Proximes funcions Don Giovanni Don Giovanni Simon Keenlyside Direcci6 musical Friedrich Haider Direcci6 d'escena Calixto Bieito EI Comanador GUnther Groissbock Escenografia Alfons Flores Vestuari Merce Paloma Donna Anna Angeles Blancas 11·luminaci6 Alan Burrett Drarnaturqia Xavier Zuber Don Otlavio Christoph Strehl Assistent de la direcci6 d'escena Joan Anton Rechi Donna Elvira Veronique Gens Coproducci6 Gran Teatre del Liceu I English National Opera (ENO) I Leporello Kyle Ketelsen Staatsoper de Hannover Masetlo David Menendez OROUESTRA SIMFONICA I COR DEL GRAN TEATRE DEL LlCEU Zerlina Juanita Lascarro Direcci6 del Cor Jose Luis Basso Assistent de la direcci6 musical Fausto Nardi Assistents musicals Mark Hastings, Veronique Werkle, Vanessa Garcia, Conxita Garcia, Jaume Trib6 Concerti no Kostadin Bogdanoski Sobretitulat Coordinaci6, adaptaci6 Gloria Nogue Manipulaci6 i adaptaci6 al castella Irma Huici 14 Hesum argumental II elissoluto punito ossia il Don Giovanni es una opera en dos actes de Wolfgang Amadeus Mozart, amb llibret de Lorenzo Da Ponte, que segueix el [amos mite literari i musical de Don Joan a partir d'El burlador de Sevilla de Tirso de Molina (1630) i, mes concretament, del llibret de Giovanni Bertati per a l'opera de Gazzaniga II con­ vitato eli pietra (1787). S'estrena al Teatre Nacional de Praga el mateix 1787, amb un exit extraordinari. Fou la primera obra de Mozart estrenada al Gran Teatre del Liceu, l'any 1866. L'epitet queporten lapartitura i ellli­ brei -dramma giocoso-palesa la voluntat defer una obra alegre, dins la linia de l'opera buffa, perc els seus con­ tinguts dramatics, mes propis de l'opera seria, prenen una tal [orca teatral i musical que la converteixen en molts moments en veritable tragedia. En tot cas, aquesta sintesi extraordinaria constitueix una de les creacions operistiques mes grans i mes perfectes de la historic de l'opera. L'accio te lloc a Sevilla en una epoca indeterminada. Calixto Bieito n 'ha fet una creacio molt personal: ha portat la historia a la nostra epoca i ha dissenyat la figura de Don Giovanni dins un man de deprauacio . .. " l margmacLO. 16 Resum argumental A CTE I primera escena explica I'intent de seducci6 de Don "Don Giovanni L.'] el seu Giovanni a Donna Anna, filla del Commendatore, men­ proclama propi jo amb una violencia tre el seu criat Leporello vigila a I'exterior de la man­ La que desafia, malgrat si6. La dama intenta desemmascarar l'lntrus i els seus crits que no pugui arribar a el atreuen el pare, que desafia I'agressor. En el duel, Don Gio­ derrocar-lo, poder de qualsevol forca que vanni fereix mortalment el esca­ Comanador, pero aconsegueix el transcendeixi L. ,J. sense ser En Anna par reconegut. descobrir el cadaver, Donna Representa, com ha i el seu promes, Don Ottavio, juren venjar-se. comentat Slavoj Zizeck, "1'aparici6 La segona, la protagonitza Donna Elvira, dama espanyola d'una autonomia tan arriba -enamorada i a la recerca de Don que desesperada- radical que no deixa Giovanni, que I'ha seduida i abandonada despres de prorne­ espai a la clernencia?» GARY TOMLINSON tre-li matrimonio EI seductor la defuig i Leporello Ii explica, par­ Cant metafisic. Un assaig tint de la lIarga lIista de conquestes del seu amo, la seva obses­ sobre t'ooere si6 per les dones i el seu caracter poc escrupol6s. En la tercera escena es narra I'intent de Don Giovanni de seduir la jove i bella Zerlina, a punt de casar-se amb el rustec Masetto. Donna Elvira arriba just a temps d'advertir la inge­ "La funci6 nua pagesa; I'arribada de Donna Anna i Don Ottavio complica del IIiberti GICA DE LA PRIMERA, QUE EVOCA DES DELS PRIMERS COMPASSOS es la de destruir, la situaci6, en demanar a Donna Elvira ajuda per a la seva ven­ L'APARICIO TERRORiFICA DEL COMMENDATORE I PRESENTA UNA no la de ser lliure» EI fer ATMOSFERA I [anca. seductor intenta passar per boja Donna Elvira, PIERRE,JEAN JOUVE RELIGIOSA SEPULCRAL, A LA VITALITAT I ALEGRIA DE EI Don Joan de Mozart que ha posat al descobert novament la seva falsedat. Donna LA SEGONA, D'UN GRAN DINAMISME, AMB AL·LUSIONS ALS MOMENTS Anna reconeix per fi l'assassf del seu pare, pero Don Ottavio MES FESTIUS DE L'OBRA. EL FINAL ENLLAt;:A SENSE SOLUCIO DE decideix aclarir la veritat abans d'actuar. CONTINUfTAT AMB EL PRIMER NUMERO DE L'OPERA, LA INTRODU­ Don Giovanni ha organitzat una festa de noces a la qual con­ ZIONE, PROCEDIMENT QUE GLUCK JA HAVIA UTILITZAT AMPLIAMENT. vida tots els presents amb la intenci6 d'aprofitar la gresca per Aquesta introducci6 ens porta, negra nit, a un jardf davant la finalment hi casa de Donna on el aconseguir Zerlina; acudeixen, emmascarats, Anna, criat de Don Giovanni, Leporello, per­ Donna Anna, Donna Elvira i Don Ottavio, que presencien l'in­ sonatge que tot aillarg de l'opera mante el seu caracer buffo, fa tent de possessi6 de Don Giovanni, a pesar de les precaucions guardia mentre I'amo intenta forcar la virtut de la noble dama. de Masetto. Es treuen la mascara i el panic s'apodera del seduc­ LA FAMOSA ARIA DE LEPORELLO, "NOTTE E GIORNO FATICAR», ES tor, que aconsegueix fugir novament. UN BURLESC I CONTESTATARI RETRAT DE LA VIDA D'UN CRIAT, DE RITME MONOCORD FINS AL SO DE LES TROMPES QUE ACOMPA­ L'OBERTURA S'ARTICULA EN DUES SECCIONS -ANDANTE I MOL TO NYEN LA SEVA COMICA REBEL·LlA "VOGLIO FARE IL GENTILUOMO ALLEGRO- MOLT CONTRASTADES, QUE VAN DE LA MEDITACIO TRA- E NON VOGLIO PIU SERVIR». 20 Resum argumental Apareix Don Giovanni perseguit per Donna Anna, que, com «Don Giovanni, el "qio­ vane cava/liere extre­ una Furia vol descobrir la identitat de I'home que I'ha disperata, mament Ilicenci6s", ha es en sentir arri­ intentada violar. Eis fets precipiten, la dama fuig trencat amb tots els bar el seu pare, el Comanador, que treu I'espasa i desafia el llacos. La manca abso­ luta de vinculaci6 es el seductor. Don Giovanni intenta no cedir ala provocacio, perc) en pressuposit incondi­ ser acusat de covardia Iluita amb el veil i el fereix mortalment, cional de la seva exis­ EN UNA ATMOSFERA DE DESOLACIO QUE MARCA L'ORQUESTRA AMB tencia. Sempre esta a destruir els UN FORT DESCENS CROMATIC QUAN LES EXCLAMACIONS FOSQUES pensant ponts que troba al seu DE LES TRES VEUS BAIXES JA HAN CALLAT. pas i rnitjancant la fugi­ Don Giovanni crida el seu criat, que no cessa de fer sarcas­ da 0 la disfressa cons­ tants es resisteix a mes, i fugen, abans que apareguin Donna Anna i Don Ottavio, fixar la seva identitat I'enamorat fidel de la dama, QUE CANTEN UN RECITATIU ACOM­ EI "Chi son io tu non PANYAT SEGUIT D'UN DUO, cFUGGI, CRUDELE, FUGGI·, EN QUE S'EX­ saprai" de la introduc­ PRESSEN TOTA LA DESESPERACIO DE LA FILLA EN DESCOBRIR EL ci6 es el seu lema» STEFAN KUNZE PARE MORT I EL SEU CARAcTER DUR I VENJATIU, I ELS SENTIMENTS -Els abismes de la comedia-. MES TENDRES I LiRICS DE L'ENAMORAT QUE INTENTA EN VA CON­ Les 6peres de Mozart SOLAR-LA, TOT ACOMPANYAT D'UNA ORQUESTRA DE GRAN VIO­ LEN CIA, fins al jurament final de venjar la sang vessada. Un canvi de decorat ens porta a un carm, a la matinada, on Leporello prova de retreure a I'amo la vida disbauxada que porta, intent tallat per la ira de Don Giovanni, que, d'altra banda, men­ tre planeja una nova conquesta, resta sorpres per la proximitat d'una altra dona (smi pare sentir odor di femmina ... »). Aquesta no es sino Donna Elvira, dama espanyola que el seductor ha abandonat tres dies despres de prometre-li matrimoni, la qual arriba ala recerca de I'home que I'ha burlada DESPRES D'UNA BRILLANT INTRODUCCIO ORQUESTRAL, CANTA UNA AGRESSIVA ARIA -cAH! QUI MI DICE MAI'-, AMB ARRISCATS SALTS DE LA LiNIA VOCAL, EN QUE EXPRESSA EL SEU DESESPER I L'OBCECADA VOLUNTAT DE RECUPERAR EL SEU AMOR, encara que sigui amb violencia Don Giovanni intenta aprofitar la situacio per obtenir una con­ questa facil, pero s'adona aviat amb horror que es tracta de Donna Elvira i que aquesta I'ha reconegut. En un Ilarg recitatiu, la dama explica la seva seduccio i la seva dissort davant les convencio- Resum argumental 23 «La incapacitat nals excuses de I'amant, que amb la seva habitual deslleialtat d'estimar de Don opta per fugir i deixar-Ia en mans de Leporello. Aquest intenta Giovanni, i per tant amb cinisme i crueltat fer-Ii veure el seu cas no te la rnes d'aprendre, el que condemna a I'infern.
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