Fork in the Road: Choosing a Bright Future for Engineering by Dr
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River Poets Journal 2019 Special Edition a Fork in the Road
River Poets Journal 2019 Special Edition A Fork in the Road Young Peasant Woman with Straw Hat Sitting in the Wheat by Vincent van Gogh Brassaï, Hungarian/French Photographer (1899– 1984) 2019 Volume 13 Issue 1 $23.00 2017 Volume 11 Issue 2 $23.00 2 River Poets Journal 2019 Special Edition A Fork in the Road Brassaï, Hungarian/French Photographer (1899– 1984) 2 River Poets Journal Published by Lilly Press www.riverpoetsjournal.com River Poets Journal Judith A. Lawrence, Editor & Publisher 2019 Special Edition [email protected] All future rights to material A Fork in The Road published in River Poets Journal are retained by the individual Authors/Artists and Photographers Special Edition - 2019 Volume 13 Issue 1 A Collection of Poems, Memoir, Poets Page Stories, and Photography Vivian Finley Nida 6 Peggy McCray 6 Paul Bernstein 6 James B. Nicola 7 Mike Gallagher 7 Anuel Rodriguez 8 Loretta Diane Walker 9 Lorraine Caputo 9 Jesse Sam Owens 9 Jane Blanchard 10 Diane Webster 10 James Croal Jackson 10 Beate Sigriddaughter 10 Elena Botts 11 Layla Lenhardt 11 Carl Palmer 12 Nancy D. Bonazzoli 12 Arthur Gatti 13 Judith A. Lawrence 14 Authors Oonah V Joslin 15-16 Mitchell Toews 17-22 Mary Sarko 23-26 Edward M. Cohen 27-32 Carol McCullough 33-34 Bob Chikos 35-38 Susan Tepper 39-42 Brassaï, Hungarian/French Photographer (1899– 1984) Photographer 46 3 Editorial Please Note Dear Poets and Writers, River Poets Journal retained one time rights to publish all work online and in After a year of health issues which unfortunately resulted in a stroke, this print. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Crimson White
We have enough Baseball knocks The best blue phones off Delta Devils Tuscaloosa getaways OPINIONS, Page 4 SPORTS, Page 6 THE SCENE, Page 12 Thursday, April 20, 2006 Serving the University of Alabama since 1894 Vol. 112, Issue 119 Dorm security measures planned measures would vary from Communities. will be at every door to every Cameras, new ACT card building to building, on aver- Browne said cameras will residence hall or only certain readers coming in fall age the University will spend be installed outside each resi- doors, Browne deferred to $14,000 per dormitory for the dential building to monitor Michael Kelly of the UA Police BY KRISTIE BUSAM upgrades. who comes in and out. Department, who deferred Senior Staff Reporter the question to Andreen, who ■ [email protected] was not able to provide the “This is state of the art technology that will put us information by press time. This fall, many dorms will Most cameras should be have security cameras and ahead of most other universities because most other installed by fall, Andreen new readers for ACTion card universities don’t have this technology.” said. entry as UA officials try to Andreen said the cameras LICIA ROWNE bolster residential security, — A B will feed into one site and be which has been an issue this assistant director of UA Housing and Residential Communities recorded, and the UA Police year. Department would monitor UA spokeswoman Cathy “This is state of the art “The cameras will be them 24 hours a day. Andreen said officials are technology that will put us recorded 24 hours a day, Also, ACT card swipe planning to install an “Inte- ahead of most other univer- seven days a week and will machines in place to unlock CW/ Elliot A. -
BCF08152.Pdf
LARGE PEPPERONI PIZZA WITH CREAMY CHEDDAR CHEESE SAUCE AVAILABLE ALL DAY HOT-N-READY® 4-8PM 16 PIECES WITH CREAMY CHEDDAR CHEESE DIP AVAILABLE ALL DAY HOT-N-READY® 4-8PM Plus tax where applicable. Available at participating locations. ©2015 LCE, Inc. 49796 CONTACT US FOR YOUR PARTY & CATERING NEEDS! DRIVE- DRIVE- ALABASTER EAST LAKE THRU HUFFMAN/CENTER SUMITON THRU POINT DRIVE- Food World 7630 1st Ave. N. THRU Hwy. 78 Shopping Center Corner Oporto Madrid 1189 Center Point Pkwy. Next to Walmart 565 1st Street SW & 1st Ave. N. Next to Golden Corral 420 Bryan Rd. 664-3011 836-1745 815-1426 648-5665 DRIVE- ALEXANDER CITY FIVE POINTS WEST JACKSONVILLE THRU DRIVE- SYLACAUGA 2675 Highway 280 THRU Behind Arby’s 420 Pelham Road #B Hwy. 280 Next to Comfort Inn 4608 E. Ave. W. DRIVE- Next to GrubMart Wal-Mart Shopping Center 256-234-4144 781-4004 THRU (256) 782-2067 (256) 207-3340 DRIVE- ANNISTON DRIVE- FORESTDALE JASPER DRIVE- THRU THRU THRU TALLADEGA 1410 Quintard Ave. 1421 Forestdale Blvd. 709 Hwy. 78 721 East Battle Street DRIVE- Next to the Rite-Aid Across from THRU Next to Waffle House At Old Huddle House (256) 238-9644 Church’s Chicken 295-9004 256-761-2913 If ever there was a time to pray, it’s now! 791-6988 DRIVE- DRIVE- DRIVE- THRU BESSEMER THRU LEEDS THRU TARRANT 760 Academy Dr. GARDENDALE DRIVE- 8901 Weaver Ave. 2060 Pinson Valley IN THEATERS Next to Walmart 439 Fieldstown Rd. THRU Between Wal-Mart Parkway Next to Ruby Tuesday & Lowes 426-0005 NOW 631-2700 702-4059 TUSCALOOSA OPEN DRIVE- CALERA THRU DRIVE- DRIVE- 15th Street East THRU ONEONTA THRU 8111 Highway 31 HELENA DRIVE- AUGUST 28 410 2nd Ave E WARRIOR THRU Next to SubWay Corner Hwy. -
King Harvest (Has Surely Come)" : Rural Populist Imagery in Roots Rock Music, 1967-1973 Christopher Lee Witte
University of Richmond UR Scholarship Repository Master's Theses Student Research 2006 "King Harvest (has surely come)" : rural populist imagery in roots rock music, 1967-1973 Christopher Lee Witte Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Witte, Christopher Lee, ""King Harvest (has surely come)" : rural populist imagery in roots rock music, 1967-1973" (2006). Master's Theses. 1347. https://scholarship.richmond.edu/masters-theses/1347 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. ABSTRACT "KING HARVEST (HAS SURELY COME)": RURAL POPULIST IMAGERY IN ROOTS ROCK MUSIC, 1967-1973 CHRISTOPHER LEE WITTE CANDIDATE FOR DEGREE OF ARTS IN HISTORY UNIVERSITY OF RICHMOND MAY2006 PROFESSOR ROBERT C. KENZER The Americanroots rock musical genre of the late 1960's and early 1970's too oftenhas been overlooked in the historical discussion of popular culture of the period. This study, through an examination of the works of fivepopular musical groups- Bob Dylan, The Band, The Grateful Dead, The Byrds, and Creedence ClearwaterRevival - focuseson how this music tied into a continued American mythology tradition of populism. Through an approach that corresponds with Richard Slotkin's views on the creation of Americanmyth , and a focuson the lyrical content of the songs and their presentation of nature, the open road, American heroes and anti-heroes, and death and destruction, this thesis examines how these songs utilized populist philosophies foundin earlier American folkand blues music andadapted them as a means to explain and rationalize their place in the post-modem American society. -
Oral History Interview with James Magee, 2016 September 29-30
Oral history interview with James Magee, 2016 September 29-30 Funding for this interview was provided by the Lichtenberg Family Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with James Magee on 2016 November 29-30. The interview took place at Magee's home in El Paso, TX, and was conducted by Jason Stieber for the Archives of American Art, Smithsonian Institution. James Magee has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MR. STIEBER: This is Jason Stieber, interviewing James Magee for the Archives of American Art, Smithsonian Institution. The date is September 29, [2016], and its 9:35 in the morning and we are at James' house in El Paso, Texas. So, James, thank you for agreeing to be interviewed. MR. MAGEE: I have agreed. MR. STIEBER: [They laugh.] We do like to start from the beginning, so tell us where you were born and when. MR. MAGEE: Well, I personally don't remember my birth, but what I've been told—and there's some controversy in this—there was any way between my mother and my grandmother and then my first-grade teacher. I was born in a town in Michigan called Fremont. -
Good Roads Everywhere: a History of Road Building in Arizona
GOODGGOODGOOOODD ROADSRROADSROOAADDSS EVERYWHERE:EEVERYWHERE:EVVEERRYYWWHHEERREE:: A HistoryHistory ofof RoadRoad BuildingBuilding inin ArizonaArizona prepared for prepared for Arizona Department of Transportation Environmental Planning Group May 2003 Cover Photograph U.S. Highway 66 at Gold Road, circa 1930s Norman Wallace, Photographer (Courtesy of Arizona Department of Transportation) GOOD ROADS EVERYWHERE: A HISTORY OF ROAD BUILDING IN ARIZONA prepared for Arizona Department of Transportation Environmental Planning Section 205 South 17th Avenue Phoenix, Arizona 85007 Project Number STP-900-0(101) TRACS #999 SW 000 H3889 01D Contract Number 97-02 URS Job 23442405 prepared by Melissa Keane J. Simon Bruder contributions by Kenneth M. Euge Geological Consultants, Inc. 2333 West Northern Avenue, Suite 1A Phoenix, Arizona 85021 revisions by A.E. (Gene) Rogge URS Corporation 7720 N. 16th Street, Suite 100 Phoenix, Arizona 85020 URS Cultural Resource Report 2003-28(AZ) March 2004 TABLE OF CONTENTS List of Tables ...................................................................................................................................... iv List of Figures..................................................................................................................................... iv List of Pocket Maps............................................................................................................................ v Foreword (by Owen Lindauer and William S. Collins).................................................................... -
Йњð½ð³ Ðлбуð¼
ÐÐ ¸Ð¹Ð» Йънг ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Tuscaloosa https://bg.listvote.com/lists/music/albums/tuscaloosa-63436265/songs Mystery Train https://bg.listvote.com/lists/music/albums/mystery-train-3331730/songs The Times https://bg.listvote.com/lists/music/albums/the-times-99452512/songs Colorado https://bg.listvote.com/lists/music/albums/colorado-66828279/songs Paradox https://bg.listvote.com/lists/music/albums/paradox-52390582/songs Songs for Judy https://bg.listvote.com/lists/music/albums/songs-for-judy-57693951/songs https://bg.listvote.com/lists/music/albums/roxy---tonight%27s-the-night-live- Roxy - Tonight's The Night Live 52557118/songs Bluenote Café https://bg.listvote.com/lists/music/albums/bluenote-caf%C3%A9-21480481/songs The Visitor https://bg.listvote.com/lists/music/albums/the-visitor-42615708/songs Hitchhiker https://bg.listvote.com/lists/music/albums/hitchhiker-35852386/songs Peace Trail https://bg.listvote.com/lists/music/albums/peace-trail-27559784/songs Earth https://bg.listvote.com/lists/music/albums/earth-24706104/songs Prairie Wind https://bg.listvote.com/lists/music/albums/prairie-wind-722468/songs Living with War https://bg.listvote.com/lists/music/albums/living-with-war-648114/songs Freedom https://bg.listvote.com/lists/music/albums/freedom-607661/songs Dead Man https://bg.listvote.com/lists/music/albums/dead-man-735110/songs On the Beach https://bg.listvote.com/lists/music/albums/on-the-beach-1073882/songs Comes a Time https://bg.listvote.com/lists/music/albums/comes-a-time-1114275/songs -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1995 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1995). Columbia Poetry Review. 8. https://digitalcommons.colum.edu/cpr/8 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW 5 S> Number 8 a 744 70 82069 7 $6.00 USA/$9.00 Canada COLUMBIA POETRY REVIEW Columbia College/Chicago Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address from August 15 to January 15 . All submissions should be accompanied by a self-addressed stamped envelope. Subscriptions and sample copies are available at $6.00 an issue in the U.S.; $9.00 in Canada and elsewhere. Copyright© 1995 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chair of the English Department; Bert Gall, Provost; and Dr. John Duff, President of Columbia College. Cover photograph: Messenger #12, Italy, 1989, by Ruth Thorne-Thompson. Used by permission of Ruth Thorne-Thompson. -
Nepa's Trajectory: Our Waning Environmental Charter from Nixon To
Copyright © 2020 Environmental Law Institute®, Washington, DC. Reprinted with permission from ELR®, http://www.eli.org, 1-800-433-5120. NEPA’S TRAJECTORY: OUR WANING ENVIRONMENTAL CHARTER FROM NIXON TO TRUMP? by Sam Kalen Sam Kalen is Centennial Distinguished Professor of Law, University of Wyoming College of Law. SUMMARY Heralded in 1970 as the nation’s environmental Magna Carta, the National Environmental Policy Act’s (NEPA’s) luster seems faded and its future uncertain. While Trump Administration initiatives threaten to diminish further and perhaps even dismantle aspects of NEPA, this Article chronicles how the current assault merely continues NEPA’s unfortunate trajectory, examining how the courts, the U.S. Congress, and the execu- tive branch each have whittled away at the Act. NEPA consequently sits at a critical juncture: it could soon fade away or it could hew back toward its original promise. The Article urges the latter path, and proposes two atypical and one oft-recommended changes. First, the Council on Environmental Quality (CEQ) ought to be charged with authority to oversee the development of environmental documents. Next, CEQ ought to require that agencies engage in balancing environmental harms against the benefits of a proposed action. Finally, the NEPA process should better incorporate the post-decision ability to monitor and adapt as new information and effects are understood. he aspirational promise of environmentally sound where it suffered a slow death.3 The path since then has decisions embodied by the National Environmental been fairly apparent, as we presently find ourselves at the Policy Act (NEPA)1 has diminished over NEPA’s proverbial fork in the road. -
“Missing” Recordings
NEIL YOUNG UNRELEASED - ARCHIVE INFORMATION NEIL YOUNG’S “MISSING” RECORDINGS including Songs officially released on audio media but not released as audio files in Neil Young Archives Songs, official outtakes and demos released as audio files in Neil Young Archives but not released on official Neil Young Albums An NYU Publication facebook.com/groups/ny.unreleased.nyu twitter.com/UnreleasedNeil @UnreleasedNeil Robert Broadfoot [email protected] Version 4.0, 21 May 2021 © Robert Broadfoot 2021 ............................................................................................................................................................................................ NEIL YOUNG’S “MISSING” RECORDINGS ©Robert Broadfoot 2021 • [email protected] 1 Version 4.0, 21 May 2021 CONTENTS I. SONGS OFFICIALLY RELEASED ON AUDIO MEDIA BUT NOT RELEASED AS AUDIO FILES IN NEIL YOUNG ARCHIVES PART ONE NEIL YOUNG RECORDINGS ....................................................................................... 4 PART TWO GUEST APPEARANCES ............................................................................................. 27 PART THREE MEDIA NETWORK OFFICIAL RELEASES .................................................................... 38 II. SONGS, OFFICIAL OUTTAKES AND DEMOS RELEASED AS AUDIO FILES IN NEIL YOUNG ARCHIVES BUT NOT RELEASED ON OFFICIAL NEIL YOUNG ALBUMS .................................................................. 47 NOTES Version 4.0 This version of ‘Missing’ represents a complete restructuring