Bilocated Identities: Taking the Fork in the Road in Against the Day
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River Poets Journal 2019 Special Edition a Fork in the Road
River Poets Journal 2019 Special Edition A Fork in the Road Young Peasant Woman with Straw Hat Sitting in the Wheat by Vincent van Gogh Brassaï, Hungarian/French Photographer (1899– 1984) 2019 Volume 13 Issue 1 $23.00 2017 Volume 11 Issue 2 $23.00 2 River Poets Journal 2019 Special Edition A Fork in the Road Brassaï, Hungarian/French Photographer (1899– 1984) 2 River Poets Journal Published by Lilly Press www.riverpoetsjournal.com River Poets Journal Judith A. Lawrence, Editor & Publisher 2019 Special Edition [email protected] All future rights to material A Fork in The Road published in River Poets Journal are retained by the individual Authors/Artists and Photographers Special Edition - 2019 Volume 13 Issue 1 A Collection of Poems, Memoir, Poets Page Stories, and Photography Vivian Finley Nida 6 Peggy McCray 6 Paul Bernstein 6 James B. Nicola 7 Mike Gallagher 7 Anuel Rodriguez 8 Loretta Diane Walker 9 Lorraine Caputo 9 Jesse Sam Owens 9 Jane Blanchard 10 Diane Webster 10 James Croal Jackson 10 Beate Sigriddaughter 10 Elena Botts 11 Layla Lenhardt 11 Carl Palmer 12 Nancy D. Bonazzoli 12 Arthur Gatti 13 Judith A. Lawrence 14 Authors Oonah V Joslin 15-16 Mitchell Toews 17-22 Mary Sarko 23-26 Edward M. Cohen 27-32 Carol McCullough 33-34 Bob Chikos 35-38 Susan Tepper 39-42 Brassaï, Hungarian/French Photographer (1899– 1984) Photographer 46 3 Editorial Please Note Dear Poets and Writers, River Poets Journal retained one time rights to publish all work online and in After a year of health issues which unfortunately resulted in a stroke, this print. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Dissertation M.C. Cissell December 2016
ARC OF THE ABSENT AUTHOR: THOMAS PYNCHON’S TRAJECTORY FROM ENTROPY TO GRACE A Dissertation Submitted to the Department of English and German Philology In partial Fulfillment of the Requirements for the Degree Doctor of English Philology Matthew Clayton Cissell December 2016 Director: María Felisa López Liquete Co-director: Ángel Chaparro Sainz (c)2017 MATTHEW CLAYTON CISSELL Abstract The central thesis of this dissertation is that Thomas Pynchon has come to occupy a specific position in the field of literature and that this can be seen in his latest novel, Against the Day , in which he is not so much writing about the past or even the present, but about what the present can become, about where it might be driven. Pynchon is self-consciously exploring the politics in the discursive field in which his book is situated, using the fin-de-siècle to highlight the ways that the present is geared toward catastrophe and that people, in a dans macabre , hurl themselves toward that endgame. The theoretical view and methodology behind my analysis of the novel draws to a great extent on the work of Pierre Bourdieu, specifically his sociological literary analysis. This sets an academic precedent in studies of Pynchon’s novels but it also requires applying an approach that has several necessary and onerous steps. In order to see how the social space of the novel is a refracted image of the author’s own social world one must analyse the field of power, after that the literary field and the positions of agents, next the space of possibilities, all of which help one understand the genesis of the author’s habitus and thus his trajectory and the creative project that develops. -
Crimson White
We have enough Baseball knocks The best blue phones off Delta Devils Tuscaloosa getaways OPINIONS, Page 4 SPORTS, Page 6 THE SCENE, Page 12 Thursday, April 20, 2006 Serving the University of Alabama since 1894 Vol. 112, Issue 119 Dorm security measures planned measures would vary from Communities. will be at every door to every Cameras, new ACT card building to building, on aver- Browne said cameras will residence hall or only certain readers coming in fall age the University will spend be installed outside each resi- doors, Browne deferred to $14,000 per dormitory for the dential building to monitor Michael Kelly of the UA Police BY KRISTIE BUSAM upgrades. who comes in and out. Department, who deferred Senior Staff Reporter the question to Andreen, who ■ [email protected] was not able to provide the “This is state of the art technology that will put us information by press time. This fall, many dorms will Most cameras should be have security cameras and ahead of most other universities because most other installed by fall, Andreen new readers for ACTion card universities don’t have this technology.” said. entry as UA officials try to Andreen said the cameras LICIA ROWNE bolster residential security, — A B will feed into one site and be which has been an issue this assistant director of UA Housing and Residential Communities recorded, and the UA Police year. Department would monitor UA spokeswoman Cathy “This is state of the art “The cameras will be them 24 hours a day. Andreen said officials are technology that will put us recorded 24 hours a day, Also, ACT card swipe planning to install an “Inte- ahead of most other univer- seven days a week and will machines in place to unlock CW/ Elliot A. -
Book Reviews, Special Pynchon-Scholarship-In-Languages-Other-Than-English Orbit
orbit. Review How to Cite: Chetwynd, A, Bugno-Narecka, D, Kipouridou, R, Abe, K, Vanicek, V, Brondino, A and Ryckx, M 2021 Book Reviews, Special Pynchon- Scholarship- in-Languages-Other-than-English Edition, 2020. Orbit: A Journal of American Literature, 9(1): 1, 1–40. DOI: https://doi.org/10.16995/orbit.3404 Published: 15 January 2021 Peer Review: Orbit’s book reviews are handled by the reviews editor and do not go through the same blind peer-review process as its scholarly articles. Copyright: © 2021 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Orbit: A Journal of American Literature is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Chetwynd, A, et al. 2021 Book Reviews, Special Pynchon-Scholarship-in-Languages-Other-than-English orbit. Edition, 2020. Orbit: A Journal of American Literature, 9(1): 1, 1–40. DOI: https://doi.org/10.16995/orbit.3404 REVIEW Book Reviews, Special Pynchon- Scholarship-in-Languages-Other-than- English Edition, 2020 [a note from the Book Reviews Editor: if you’re interested in reviewing a book on any aspect of unconventional post-1945 US literature, please send an email proposing a review to [email protected]] Ali Chetwynd, Dominika Bugno-Narecka, Romina Kipouridou, Kodai Abe, Vit Vanicek, Andrea Brondino and Michel Ryckx Book Reviews, of: Pióro & Paryż (eds) – Thomas Pynchon [Polish] Aliaga (ed) – Thomas Pynchon [Spanish] Nagano –トマス・ピンチョン──帝国、戦争、システム、そして選びに与れぬ 者の生 [Japanese – Thomas Pynchon: Empire, War, System, and the Lives of Preterites] Oleha – Perspektivy Konce: Thomas Pynchon a Americky Román po 11. -
Music in Thomas Pynchon's Mason & Dixon
ISSN: 2044-4095 Author(s): John Joseph Hess Affiliation(s): Independent Researcher Title: Music in Thomas Pynchon’s Mason & Dixon Date: 2014 Volume: 2 Issue: 2 URL: https://www.pynchon.net/owap/article/view/75 DOI: http://dx.doi.org/10.7766/orbit.v2.2.75 Abstract: Through Pynchon-written songs, integration of Italian opera, instances of harmonic performance, dialogue with Plato’s Republic and Benjamin Franklin’s glass armonica performance, Mason & Dixon extends, elaborates, and investigates Pynchon’s own standard musical practices. Pynchon’s investigation of the domestic, political, and theoretical dimensions of musical harmony in colonial America provides the focus for the novel’s historical, political, and aesthetic critique. Extending Pynchon’s career-long engagement with musical forms and cultures to unique levels of philosophical abstraction, in Mason & Dixon’s consideration of the “inherent Vice” of harmony, Pynchon ultimately criticizes the tendency in his own fiction for characters and narrators to conceive of music in terms that rely on the tenuous and affective communal potentials of harmony. Music in Thomas Pynchon’s Mason & Dixon John Joseph Hess Few readers of Thomas Pynchon would dispute William Vesterman’s claim that “poems and particularly songs, make up a characteristic part of Pynchon’s work: without them a reader’s experience would not be at 1 all the same.” While Vesterman was specifically interested in Pynchon’s poetic practice, Pynchon’s fifty year career as a novelist involves a sustained engagement with a range of musical effects. Music is a formal feature with thematic significance in Pynchon’s early short fiction and in every novel from V. -
Drugs and Television in Thomas Pynchon's Inherent Vice
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 "Been Hazed and Fused for So Long it's Not True" - Drugs and Television in Thomas Pynchon's Inherent Vice William F. Moffett Jr. Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Literature in English, North America Commons Recommended Citation Moffett, William F. Jr., ""Been Hazed and Fused for So Long it's Not True" - Drugs and Television in Thomas Pynchon's Inherent Vice". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/204 TRINITY COLLEGE Senior Thesis “Been Hazed and Fused for So Long it’s Not True” – Drugs and Television in Thomas Pynchon’s Inherent Vice submitted by William Moffett Jr. 2012 In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts in English 2012 Director: Christopher Hager Reader: James Prakash Younger Reader: Milla Riggio Table of Contents Acknowledgements ........................................................................................................................................ i Introduction .................................................................................................................................................. ii Chapter 1: “Something in the Air?” – Cultural and Pynchonian Context of Inherent Vice ........................... 1 Chapter 2: “Turn On, Tune In, Drop Out” – The Interrelated -
Inherent Vice László Sári B
Description, Historical Reference, and Allegories of America in Thomas Pynchon’s Inherent Vice László Sári B. University of Pécs, Faculty of Humanities, Department of English Literatures and Cultures, H-7621 Pécs, Perczel Miklós utca 10. I/5., Hungary [email protected]; [email protected] Thomas Pynchon’s Inherent Vice, the concluding novel in his California trilogy exhibits a curious allegorical structure of California and, by extension, America, by way of descriptions of historical reference. This paper argues that these descriptions constitute a system that reflects the contemporary moral and political anxieties of post-postmodern fiction in the immediate context of the novel’s publication. What is more, the text employs Pynchon’s “stylistic, residual postmodernism” in order to put forth a powerful cautionary tale when relying on and reconfiguring the generic codes of noir. Keywords: narratology / American literature / postmodernism / post-postmodernism / Pynchon, Thomas: Inherent Vice / narrative technique / description / allegory / noir Thomas Pynchon’s Inherent Vice of 2009, his final piece in what critics refer to as his California trilogy, revisits a crucial rupture in American political and cultural history. A late addition to the series (The Crying of the Lot 49 was published in 1966 and Vineland a quarter of a century later), Pynchon’s blend of California noir and historiographic metafic- tion is significantly set during Ronald Reagan’s second term as gover- nor of California, and after the capture of the Manson family. Thus, as Casey Shoop (Shoop, “Thomas Pynchon, Postmodernism”) argues, Inherent Vice offers a retrospective understanding of an experimental phase in what came to be known as Reaganomics under his presidency (see: Niskanen), and accounts for the divided public perception of the counterculture. -
Zak Smith and Thomas Pynchon Sub Title 表象のエコロジー : ザク・スミスとトマス・ピンチョン Author 波戸岡, 景太(Hatooka, Keita) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication 2008 Year Jtitle 慶應義塾大学日吉紀要
Title An ecology of representations : Zak Smith and Thomas Pynchon Sub Title 表象のエコロジー : ザク・スミスとトマス・ピンチョン Author 波戸岡, 景太(Hatooka, Keita) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication 2008 year Jtitle 慶應義塾大学日吉紀要. 英語英米文学 No.53 (2008. ) ,p.9- 29 Abstract Notes Genre Departmental Bulletin Paper URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koar a_id=AN10030060-20080930-0009 Powered by TCPDF (www.tcpdf.org) An Ecology of Representations: Zak Smith and Thomas Pynchon Keita Hatooka Laura: […]Mother calls them a glass menagerie! Here’s an example of one, if you’d like to see it! . Oh, be careful—if you breathe, it breaks! . You see how the light shines through him? Jim: It sure does shine! Laura: I shouldn’t be partial, but he is my favorite one. Jim: What kind of a thing is this one supposed to be? Laura: Haven’t you noticed the single horn on his forehead? Jim: A unicorn, huh? —aren’t they extinct in the modern world? Laura: I know! —Tennessee Williams, The Glass Menagerie From one of his earliest short pieces of fi ction, “Entropy” (1960), through to his latest novel Against the Day (2006), Thomas Pynchon’s literary world has been set within the modern world, where not only unicorns, but also dodo birds are extinct.1 Yet perhaps, upon refl ection, it would be more accurate to see this literary creation as placed within the postmodern world where Pynchon’s characters cannot get over the idea that if they had stopped believing, on an epistemological level, in the chronological or theological or scientifi c order of their living world these creatures might have avoided extinction. -
A Spatial Reading of Pynchon's California Trilogy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio della ricerca- Università di Roma La Sapienza “The Map is Not the Territory”: A Spatial Reading of Pynchon’s California Trilogy Department of European, American and Intercultural Studies Ph.D. Program in English-language Literatures Candidate: Ali Dehdarirad Supervisor: Prof. Giorgio Mariani Anno Accademico 2019-2020 Contents Acknowledgements iii Abbreviations iv Introduction 1 Chapter One The Crying of Lot 49 9 1. Introduction: 1.1. From the Fifties to the Sixties: A Critical Moment of Change 1.2. In the Midst of a Long Decade: The American Sixties after Kennedy 14 1.3. The Counterculture as Socio-cultural Reaction to the Politics of the Sixties 18 1.4. The Sixties in Pynchon’s Works 22 2. Inside The Crying of Lot 49: Toward a Geocritical Understanding 28 SECTION 1 30 2.1. The Spatial Dimension in Pynchon’s Early Life and Career 2.2. From Pynchon’s San Narciso to California’s Orange County 34 2.2.1. Creating San Narciso: Understanding the “postmetropolitan transition” 35 2.2.2. A Historical Analogy between San Narciso and Orange County 39 2.2.3. Reading Pynchon’s San Narciso through Geocritical Lenses: Understanding The Crying of Lot 49’s Narrative Structure through Fictional and Political Spaces 41 SECTION 2 45 2.3. An Analysis of Thirdspace in Pynchon’s Fiction 2.3.1. An Attempt at Reading Pynchon’s San Narciso through Thirdspace: The Search for an Alternative Reality in The Crying of Lot 49 47 Chapter Two Vineland 54 1. -
Reading Cruft: a Cognitive Approach to the Mega-Novel
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Reading Cruft: A Cognitive Approach to the Mega-Novel David J. Letzler Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/247 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] READING CRUFT A COGNITIVE APPROACH TO THE MEGA-NOVEL by DAVID LETZLER A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 DAVID JOSEPH LETZLER All rights reserved ii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Gerhard Joseph _______________________ ___________________________________________ Date Chair of Examining Committee Mario DiGangi _______________________ ___________________________________________ Date Executive Officer Gerhard Joseph Nico Israel Mario DiGangi Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract READING CRUFT: A COGNITIVE APPROACH TO THE MEGA-NOVEL by David Letzler Adviser: Gerhard Joseph Reading Cruft offers a new critical model for examining a genre vital to modern literature, the mega-novel. Building on theoretical work in both cognitive narratology and cognitive poetics, it argues that the mega-novel is primarily characterized by its inclusion of a substantial amount of pointless text (“cruft”), which it uses to challenge its readers’ abilities to modulate their attention and rapidly shift their modes of text processing. -
The Postmodern Self in Thomas Pynchon's the Crying of Lot 49
AKADEMIN FÖR UTBILDNING OCH EKONOMI Avdelningen för humaniora The Postmodern self in Thomas Pynchon's the Crying of Lot 49 Dismantling the unified self by a combination of postmodern philosophy and close reading Andreas Signell 2015-16 Uppsats, Grundnivå (Studentarbete övrigt) 15 hp Engelska med ämnesdidaktisk inriktning (61-90) Ämneslärarprogrammet med inriktning mot arbete i gymnasieskolan 0030 Uppsats Handledare: Iulian Cananau, PhD Examinator: Marko Modiano, docent Abstract This essay is about identity and the self in Thomas Pynchon's critically acclaimed masterpiece The Crying of Lot 49. Through a combination of postmodern philosophy and close reading, it examines instances of postmodernist representations of identity in the novel. The essay argues that Pynchon is dismantling the idea of a unified self and instead argues for and presents a postmodern take on identity in its place. Questions asked by the essay are: in what ways does Pynchon criticize the idea of a unified self? What alternatives to this notion does Pynchon present? The essay is split into six chapters, an introductory section followed by a background on Thomas Pynchon and the novel. This is followed by an in-depth look into postmodernism, and Ludwig Wittgenstein's importance for it, as well as the basic concepts of his philosophy. This is followed by the main analysis in which a myriad of segments and quotations from the novel are looked at. Lastly, this is followed by a summarizing conclusion. The essay assumes a postmodernist approach of not being a definitive answer; rather it is one voice among many in the community of Pynchon interpreters.