(2010) Short Fieldwork Report: Tepe Sialk (Iran), Seasons 2008–2009 A
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Architecture
Architecture Gernot Wilhelm I Carlo Zaccagnini (Plates 111 - XVt, LXXXVI, 5 - XCIV) wall built of 4-5 layers of 6 mudbricks each (format: 20(?) x 14 x 11cm), laid on their long side, delimited the grave to LEVEL4 wards the south. Since the burial was mostly hidden under the balk between squares R 18 and S 18, the relevant part of the balk was carefully removed in order to clarify the (Plates VI, IX-XI, XII, LXXXVI, 5- LXXXVII) stratigraphical attribution of the tomb. As a result it became clear that the ash layer AF 99 (-352), which marks the transi The oldest artifacts found at Tell Karrana 3 are six Halaf tion from Level 4 to Level 3c, was not cut by a grave pit. A sherds (see Plate XXV, 183-186) which, however, come from pavement of flat stones (AF 123, upper Iimit: -340 to -345) much younger Ievels (see E. Rova in this volume, p. 51). The had been laid on this ash layer. On top of the pavement, the earliest traces of human presence emerged in the southeastem wall AF 2512 of Level 3c and a connected wall (AF 122), (squares S 17118) and R 18119) andin the westem (square Q running towards the east, had been erected. A floor (AF 130), 17) part of the mound. In squares SIR 17 a compact whitish which corresponds to the floor of Level 4, AF 62 = 107, was clay floor (AF 62 = 107, altitude: -382 to -388) was super found cut by the grave pit of Burial 13. -
Treasures of Iran
Treasures of Iran 15 Days Treasures of Iran Home to some of the world's most renowned and best-preserved archaeological sites, Iran is a mecca for art, history, and culture. This 15-day itinerary explores the fascinating cities of Tehran, Shiraz, Yazd, and Isfahan, and showcases Iran's rich, textured past while visiting ancient ruins, palaces, and world-class museums. Wander vibrant bazaars, behold Iran's crown jewels, and visit dazzling mosques adorned with blue and aqua tile mosaics. With your local guide who has led trips here for over 23 years, be one of the few lucky travelers to discover this unique destination! Details Testimonials Arrive: Tehran, Iran “I have taken 12 trips with MT Sobek. Each has left a positive imprint on me Depart: Tehran, Iran —widening my view of the world and its peoples.” Duration: 15 Days Jane B. Group Size: 6-16 Guests "Our trip to Iran was an outstanding Minimum Age: 16 Years Old success! Both of our guides were knowledgeable and well prepared, and Activity Level: Level 2 played off of each other, incorporating . lectures, poetry, literature, music, and historical sights. They were generous with their time and answered questions non-stop. Iran is an important country, strategically situated, with 3,000+ years of culture and history." Joseph V. REASON #01 REASON #02 REASON #03 MT Sobek is an expert in Iran Our team of local guides are true This journey exposes travelers travel, with over five years' experts, including Saeid Haji- to the hospitality of Iranian experience taking small Hadi (aka Hadi), who has been people, while offering groups into the country. -
Origins of Agriculture in Western Central Asia: an Environmental
Origins of Agriculture in Western Central Asia Professor V. M. Masson introducing school children from Ashgabat to the excavations at the Neolithic site of Jeitun, Turkmenistan, April 1990. David R. Harris Origins of Agriculture in Western Central Asia An Environmental-Archaeological Study with contributions from: Eleni Asouti, Amy Bogaard, Michael Charles, James Conolly, Jennifer Coolidge, Keith Dobney, Chris Gosden, Jen Heathcote, Deborah Jaques, Mary Larkum, Susan Limbrey, John Meadows, Nathan Schlanger, and Keith Wilkinson University of Pennsylvania Museum of Archaeology and Anthropology Philadelphia © 2010 University of Pennsylvania Museum of Archaeology and Anthropology Philadelphia, PA 19104-6324 Published for the University of Pennsylvania Museum of Archaeology and Anthropology by the University of Pennsylvania Press. All rights reserved. Published 2010. Production of this book was supported by a publication grant from the Academic Committee of the Iran Heritage Foundation (London) and an award from the Stein-Arnold Expedition Fund of the British Academy. The drawing on p. 304 of the head of a wild bezoar goat is from Harris 1962, Fig. 3a. LIBRARY OF CONGRESS CATALOGING -IN-PUBLICATION DATA Harris, David R. Origins of agriculture in western central Asia : an environmental-archaeological study / David R. Harris. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-934536-16-2 (hardcover : alk. paper) ISBN-10: 1-934536-16-4 (hardcover : alk. paper) 1. Agriculture—Turkmenistan—Origin. 2. Agriculture—Asia, Central—Origin. 3. Agriculture, Prehistoric—Turkmenistan. 4. Agriculture, Prehistoric—Asia, Central. 5. Excavations (Archaeology)— Turkmenistan. 6. Excavations (Archaeology)—Asia, Central. 7. Turkmenistan—Antiquities. 8. Asia, Central—Antiquities. I. Title. GN855.T85H37 2010 306.3’4909585--dc22 2010009780 This book was printed in the United States of America on acid-free paper. -
Bilikum – Mysterious Jug Prolegomenon to the Problem of Three-Part Pots for Giving Toasts of Welcome
Ivan Šestan UDK 392.72:738.8 Ethnographic Museum 738.8.045 Zagreb Review paper Croatia Received: February 17, 2009 [email protected] Accepted: February 26, 2009 Bilikum – Mysterious Jug Prolegomenon to the Problem of Three-Part Pots for Giving Toasts of Welcome The article provides a systematic overview of the questions on the shape and symbolism of a three-part pot - bilikum, which was used in Northwestern Croatia and Northeastern Slovenia as a pot from which wine was drunk in honor of the guests who were visiting a house for the first time. Even though any pot suitable for wine drinking could be used, only three-part bili- kum was used only for that purpose. That fact gives bilikum the character of a ritual pot, and logically raises questions on its possible link with the similar Bronze and Iron Age pots. Besides the symbolism of number three, which comes from its shape, the mystery surrounding the pot is enhanced by the legend of three brothers – Čeh, Leh and Meh, which is connected to it. Key words: bilikum, pots, giving toasts, symbolism of pot, ritual pot ilikum belongs to the rich inventory of multi-part pots Bwhose beginnings should apparently be sought for in different periods of the Bronze and Iron Age. Pots made up of several smaller pots which are connected were well known in archeology for their various shapes, how- ever, only a small number of them existed in the inventory of the so-called tradition- al culture. Moreover, the ones coming from traditional culture were usually made up of only two or three parts, while archeological pots could be composed out of ten or more parts (Picture 1). -
The Social and Symbolic Role of Early Pottery in the Near East
THE SOCIAL AND SYMBOLIC ROLE OF EARLY POTTERY IN THE NEAR EAST A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY BURCU YILDIRIM IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF SETTLEMENT ARCHAEOLOGY JULY 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Tülin Gençöz Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Prof. Dr. D. Burcu Erciyas Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Çiğdem Atakuman Supervisor Examining Committee Members (first name belongs to the chairperson of the jury and the second name belongs to supervisor) Assoc. Prof. Dr. Marie H. Gates (Bilkent Uni., ARK) Assoc. Prof. Dr. Çiğdem Atakuman (METU, SA) Assoc. Prof. Dr. Neyir K. Bostancı (Hacettepe Uni., ARK) Assoc. Prof. Dr. Ufuk Serin (METU, SA) Assoc. Prof. Dr. Yiğit H. Erbil (Hacettepe Uni., ARK) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Burcu Yıldırım Signature : iii ABSTRACT THE SOCIAL AND SYMBOLIC ROLE OF EARLY POTTERY IN THE NEAR EAST Yıldırım, Burcu Ms., Department of Settlement Archaeology Supervisor: Assoc. -
Iran in Depth
IRAN IN DEPTH In conjunction with the Near East Archaeological Foundation, Sydney University APRIL 25 – MAY 17, 2017 TOUR LEADER: BEN CHURCHER Iran in depth Overview The Persian Empire, based within modern Iran’s borders, was a significant Tour dates: April 25 – May 17, 2017 force in the ancient world, when it competed and interacted with both Greece and Rome and was the last step on the Silk Road before it Tour leader: Ben Churcher reached Europe and one of the first steps of Islam outside Arabia. In its heyday, Iran boasted lavish architecture that inspired Tamerlane’s Tour Price: $11,889 per person, twin share Samarqand and the Taj Mahal, and its poets inspired generations of Iranians and foreigners, while its famed gardens were a kind of earthly Single Supplement: $1,785 for sole use of paradise. In recent times Iran has slowly re-established itself as a leading double room nation of the Middle East. Booking deposit: $500 per person Over 23 days we travel through the spring-time mountain and desert landscapes of Iran and visit some of the most remarkable monuments in Recommended airline: Emirates the ancient and Islamic worlds. We explore Achaemenid palaces and royal tombs, mysterious Sassanian fire temples, enchanting mud-brick cities on Maximum places: 20 the desert fringes, and fabled Persian cities with their enchanting gardens, caravanserais, bazaars, and stunning cobalt-blue mosques. Perhaps more Itinerary: Tehran (3 nights), Astara (1 night), importantly, however, we encounter the unsurpassed friendliness and Tabriz (3 nights), Zanjan (2 nights), Shiraz (5 hospitality of the Iranian people which leave most travellers longing to nights), Yazd (3 nights), Isfahan (4 Nights), return. -
Agnese Vacca - Luca Peyronel - Valentina Oselini
RECENT RESULTS FROM ARCHAEOLOGICAL RESEARCH AT HELAWA, SOUTHWEST ERBIL PLAIN, IRAQI KURDISTAN AGNESE VACCA - LUCA PEYRONEL - VALENTINA OSELINI Aliawa Aliawa Helawa Helawa https://sketchfab.com/epas https://sketchfab.com/epas https://sketchfab.com/epas 2013 and 2015: Intensive surface collection 2016-2017: Excavation in Areas B and D Systematic and Intensive Surface Collection Excavations 700 600 VII MILLENNIUM BC V MILLENNIUM BC 500 400 300 200 100 0 IV MILLENNIUM BC II MILLENNIUM BC LC 1-2 LC 3 MB II/LB I Peyronel, L. and Vacca, A. 2015, Origini 37: 89-127. Peyronel, L. and Vacca, A. 2015, Origini 37: 89-127. LC 1-2 LC 3 Peyronel, L. and Vacca, A. 2015, Origini 37: 89-127. Ubaid Unknown 13% 21% LU-LC 5% MB-LB 22% LC 1-3 34% Hassuna: 1% CA D Samarra: 1% Halaf: 3% Ubaid: 13% LU-LC: 5% LC 1-3: 34% MB-LB: 22% MB-LB pottery distribution on the surface (%) Area B Area D D1: Phase 2b D3: Phase 2a AREA D 2017 P.86 W.83 L.97 153 157 166 W.89 W.84 Sq. D3 Sq. D1 I.92 2016 L.97 D1: Phase 3 I.91 Sq.D4 W.96 I.93 P.153 L.158 L.152 W.95 L.87 L.99 D3, D4 D3, D4: Phase 2b Phase 2 2016 Grey Ware L a t e K h a b u r 98 Tot: 118 W a 20 r e Area D Helawa PlainW PKW AREA D: Phase 2 (Mitannian I – LB I) Phase 3 (Late MB – LB I) D1: Phase 4b D1: Phase 4c Helawa, Area D Nineveh, Middle and Qalinj Agha, 400 Upper Ninevite 3 Level IV LC2 350 300 250 200 LC3 150 100 50 0 Other Grey Ware Area D – Phases 4.A-B (early LC 3) Filling of P.1: cartridge cases and a pack of Buisness Club cigarettes, produced and traded since 1999 (terminus post quem). -
Qom, Náboženské Centrum Íránu
Veronika Sobotková Daniel Křížek Qom, náboženské centrum Íránu Plzeň 2016 Obsah: Úvod ................................ ................................ ................................ ................................ ................................ ................................ .. 1 Geografie ................................ ................................ ................................ ................................ ................................ ......................... 4 Historie Qomu ................................ ................................ ................................ ................................ ................................ .............. 5 1. Předislámská historie ................................ ................................ ................................ ................................ ............... 6 2. Příchod islámu do Íránu ................................ ................................ ................................ ................................ .......... 8 3. Formování ší‘itského islámu ................................ ................................ ................................ .............................. 10 4. Qom za abbásovského chalífátu ................................ ................................ ................................ ....................... 17 5. Mongolský vpád ................................ ................................ ................................ ................................ ........................ 20 6. Safíjovci ............................... -
The Middle Iron Age in Ulug-Depe
The Middle Iron Age in Ulug-depe: A preliminary typo-chronological and technological study of the Yaz II ceramic complex Johanna Lhuillier, Armance Dupont-Delaleuf, Olivier Lecomte, Julio Bendezu-Sarmiento To cite this version: Johanna Lhuillier, Armance Dupont-Delaleuf, Olivier Lecomte, Julio Bendezu-Sarmiento. The Middle Iron Age in Ulug-depe: A preliminary typo-chronological and technological study of the Yaz II ceramic complex. Marcin Wagner. Pottery and chronology of the Early Iron Age in Central Asia, The Kazimierz Michalowski Foundation, 2013, 978–83–61376–65–1. halshs-01111860 HAL Id: halshs-01111860 https://halshs.archives-ouvertes.fr/halshs-01111860 Submitted on 2 Feb 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Pottery and chronology of the Early Iron Age in Central Asia Pottery and chronology of the Early Iron Age in Central Asia edited by: Marcin Wagner Warszawa 2013 Editorship: Marcin Wagner Cover design: Marcin Wagner Cover illustration: Topaz gala depe – vessels dated to the Midlle Iron Age period DTP: Urszula Wicenciak © All Rights Reserved: The Kazimierz Michałowski Foundation Nowy Świat 4, PL 00–497 Warszawa Institute of Archaeology, University of Warsaw Krakowskie Przedmieście 26/28, PL 00–927 Warszawa ISBN 978–83–61376–65–1 Printed by: Akiku Graphics The publication received financial support from the Ministry of Science and Higher Education (project no. -
Figural Motifs on Halaf Pottery: an Iconographical Study of Late Neolithic Society in Northern Mesopotamia
BAHATTİN İPEK BAHATTİN FIGURAL MOTIFS ON HALAF POTTERY: AN ICONOGRAPHICAL STUDY OF LATE NEOLITHIC SOCIETY IN NORTHERN MESOPOTAMIA A Master’s Thesis ICONOGRAPHICAL STUDY OF LATE NEOLITHIC NEOLITHIC LATE OF STUDY ICONOGRAPHICAL FIGURAL MOTIFS ON HALAF POTTERY: AN AN POTTERY: HALAF ON MOTIFS FIGURAL SOCIETY IN NORTHERN MESOPOTAMIA NORTHERN IN SOCIETY by BAHATTİN İPEK Department of Archaeology İhsan Doğramacı Bilkent University Ankara Bilkent Bilkent August 2019 University 2019 To my father and my family FIGURAL MOTIFS ON HALAF POTTERY: AN ICONOGRAPHICAL STUDY OF LATE NEOLITHIC SOCIETY IN NORTHERN MESOPOTAMIA The Graduate School of Economics and Social Sciences of Ġhsan Doğramacı Bilkent University by BAHATTĠN ĠPEK In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ARCHAEOLOGY THE DEPARTMENT OF ARCHAEOLOGY ĠHSAN DOĞRAMACI BĠLKENT UNIVERSITY ANKARA AUGUST 2019 ABSTRACT FIGURAL MOTIFS ON HALAF POTTERY: AN ICONOGRAPHICAL STUDY OF LATE NEOLITHIC SOCIETY IN NORTHERN MESOPOTAMIA Ġpek, Bahattin M. A., Department of Archaeology Supervisor: Assoc. Prof. Dr. Marie-Henriette Gates August 2019 Information about the lifestyles of ancient cultures, their daily activities, religious beliefs, close or long distance trade relations, or cultural interactions come from their products. Ancient material productions can be briefly mentioned by examples such as stone tools, pottery, and secular or religious buildings. Thanks to excavations or socio-cultural surveys, we are able to make comments on the ancient societies' materials. Wall paintings, motifs or scenes on pottery provide us important information about the lifestyles or religious beliefs of ancient cultures. The aim of this thesis is to give information about the motifs on Halaf pottery, which belongs to the Late Neolithic period and spread over a wide area in Northern Mesopotamia. -
Ubaid Pottery from Kashkashok Ii -Typology and Chronology
AL-RAFIDAN Vol. XIV 1993 19 UBAID POTTERY FROM KASHKASHOK II -TYPOLOGY AND CHRONOLOGY - Tatsundo KOIZUMI* 1. Introduction The following article concerns the Northern Ubaid Pottery from Tell Kashkashok, tell No. II in northeastern Syria. The Kashkashok site was excavated in 1987, 1988 by the expedition team from Tokyo University. I took part in the last season and had the opportunity to investigate the Ubaid and post-Ubaid1' pottery, most of which were funerary objects from the cemetery in the tell. The pottery vessels were complete enough to be classified according to vessel shape. In a previous report (Koizumi 1991], vessels were classified into twenty-one forms according to the author's original scale, patterns of decoration were described for each example, and brief comparisons with pottery from other sites were made. In this paper, we shall define our particular typology, explain its merits, variables and classification, make comparative analyses using a particular method, and present some interpretations arising from our approach. Our goal here is to propose a reliable chronology for the Ubaid pottery in Kashkashok, which reflects distinctive patterns of changing modes in the shape, design, and technology in northern Mesopota mia, and at the same time represents notable features of regional variation in forms and/or attributes around the fifth millennium B.C. When considering problems concerning current research into Ubaid pottery, some points about the Northern Ubaid are particularly relevant. Substantial studies in Ubaid pottery chronology began around the 1950s, principally on the basis of stratigraphic information from Tepe Gawra. In 1949, A.L. Perkins proposed that, although both Northern and Southern Ubaid cultures, deriving from an identifiable origin, had formed one culture complex, they pursued their own courses and developed into separate cultures in the subsequent period [Perkins 1949: 198-99]. -
Tehran – Tabriz – Zanjan
Code: Cu 103 Best Season : All seasons . Duration: 17 Days. Brief Tehran, Tabriz, Zanjan, Hamadan, Kashan, Yazd, Shiraz, Yasuj, Isfahan, Kashan, Tehran Day: 1 Tehran Arrivals to Tehran, meet and assist at the airport and then transfer to Hotel. Visiting Iran-e Bastan Museum (Archaeological museum) Abgine Museum. Afternoon visiting Niavaran Palace and Bazaar-e Tajrish. O/N: Tehran Iran Bastan: It is an institution formed of two complexes, including the Museum of Ancient Iran which was inaugurated in 1937, and the Museum of the (post-) Islamic Era which was inaugurated in 1972. It hosts historical monuments dating back through preserved ancient and medieval Iranian antiquities, including pottery vessels, metal objects, textile remains, and some rare books and coins. There are a number of research departments in the museum, including Paleolithic and Osteological departments, and a center for Pottery Studies. Iran Ancient Museum, the first museum in Iran at the beginning of the Street 30 July, in the western part of the drill Tehran is located on the street C-beams. Construction of the museum on 21 May 1313 and the sun on the orders of Reza Shah by French architect, Andre Godard, began. The museum building was completed in 1316 and the museum opened to the public. 5,500 square meters of land assigned to this museum, which is 2744 square meters. 1 Glassware and Ceramic Museum: is one of the museums in Tehran is. This historic house built in Qajar era and in Tehran. Avenue C bar is located. The effect on 7 Persian date Ordibehesht 1377 with registration number 2014 as one of the national monuments has been registered.