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Annual Report 2019
Annual Report 2019 Advance Reading Copy Subject to Modification and Amendments At a Glance 2019 Key Figures (IFRS) in € millions 2019 2018 2017 2016 2015 Business Development Group revenues 18,023 17,673 17,190 16,950 17,141 Operating EBITDA 2,909 2,586 2,636 2,568 2,485 EBITDA margin in percent1) 16.1 14.6 15.3 15.2 14.5 Bertelsmann Value Added (BVA)2) 89 121 163 180 180 Group profit 1,091 1,104 1,198 1,137 1,108 Investments3) 1,270 1,434 1,103 1,240 1,259 Consolidated Balance Sheet Equity 10,445 9,838 9,127 9,895 9,434 Equity ratio in percent 38.2 38.8 38.5 41.6 41.2 Total assets 27,317 25,343 23,713 23,794 22,908 Net financial debt 3,364 3,932 3,479 2,625 2,765 Economic debt4) 6,511 6,619 6,213 5,913 5,609 Leverage factor 2.6 2.7 2.5 2.5 2.4 Dividends to Bertelsmann shareholders 180 180 180 180 180 Distribution on profit participation certificates 44 44 44 44 44 Employee profit sharing 96 116 105 105 95 As of January 1, 2019, the new financial reporting standard IFRS 16 Leases was applied for the first time. In accordance with the transitional provisions of IFRS 16, prior-year comparatives have not been adjusted. Further details are presented in the section “Impact of New Financial Reporting Standards.” The figures shown in the table are, in some cases, so-called Alternative Performance Measures (APM), which are neither defined nor described in IFRS. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
German Films Quarterly 1/2021
GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri butions dealing with internationally controversial topics in the film industry. -
George Morlan Plumbing Supply
Selling Soul’d Out YOUR ONLINE LOCAL Onward, upward Organizers make festival more Winterhawks enter next musically eclectic DAILY NEWS series happy with game — See LIFE, B1 www.portlandtribune.com — See SPORTS, B8 Portlandthursday, april 4, 2013 • twice chosen the nation’s best nondaily paperTribune • www.portlandtribune.com • published thursday PCC lands SUN(n)Y East side squeaky wheel catch for top post gets city’s funding grease Candidate Jeremy Brown rises to the top of president search By JENNIFER ANDERSON The Tribune Portland Community Col- lege began negotiations this week with one of the three candidates vying to replace President Preston Pulliams, who will retire in June. The candidate, Jeremy Brown, hasn’t been waiting by the phone. Two weeks ago, he accept- ed an offer to serve as acting president of SUNY (State University of BROWN New York) Canton, a two- and four-year college in North- ern New York for about 6,000 students studying technology, health, management and public service. “We were aware of this,” says Deanna Palm, co-chair- Jose Estrada smooths pavement for a new woman of the PCC board and sidewalk in front of storefronts being president of the search commit- remodeled on Southeast 92nd Avenue in tee. “Obviously, (SUNY) wasn’t Lents. East Portland is getting a healthy sum his first choice, and he made us of city urban renewal funds, including the aware of that during the entire current project to make the commercial interview process.” heart of Lents more walkable. Brown was named as acting president of SUNY when its president left to take a job in Washington state. -
Estaba En Casa, Pero... Screenbox
ESTABA EN CASA, PERO... SCREENBOX FICHA NÚM. 2.286 T.O.: ICH WAR ZUHAUSE, ABER NACIONALIDAD: ALEMANIA-SERBIA Estreno Screenbox: 04-09-2.020 DURACIÓN: 105’ Estreno España: 04-09-2.020 AÑO: 2.019 WWW.SCREENBOX.CAT TEL: 630 743 981 PI I MARGALL, 26. LLEIDA FICHA ARTÍSTICA Mutter Astrid: Maren Eggert FILMOGRAFÍA DE LA Phillip: Jakob Lassalle DIRECTORA: Flo: Clara Möller ANGELA SCHANELEC (Aalen, Lars: Franz Rogowski Alemania, 14-02-1.962) -Estaba en Casa, Pero... (2.019) FICHA TÉCNICA -Der traumhafte Weg (2.016) Directora: Angela Schanelec -Orly (2.010) Guion: Angela Schanelec -Nachmittag (Tarde) (2.007) Productora: Angela Schanelec -Marseille (2.004) Fotografía: Ivan Markovic -Mein langsames Leben (2.001) Montaje: Angela Schanelec -Plätze in Städten (1.998) -Das Glück meiner Schwester SINOPSIS (1.995) Astrid vive en Berlín junto a sus dos hijos, Flo y Phillip. Tras la PREMIOS Y PRESENCIA EN muerte de su esposo, un famoso FESTIVALES (selección) director teatral, intenta recompo- -Festival de Cine de Berlín: Premio ner su vida y sobrellevar su ausen- a la Mejor Directora (2.019) cia. En la intimidad, la familia libra -Festival de Cine de San Sebastián: una lucha cotidiana en donde las Premio Zabaltegi-Tabakalera (2.019) actividades más simples se con- -Festival de Cine de Mar del Plata: vierten en retos inesperados: la Premio a la Mejor Directora de la compra de una bicicleta, un baño Sección Competencia Internacional en la piscina o una representación (2.019) escolar de Hamlet. El frágil equi- -German Film Critics Association librio se derrumba cuando Phillip Awards: Premio al Mejor Montaje se escapa de casa.. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
FRI FRAKT!* Uppge Erbjudandekod Fram- 20B136A Knäppt Vid Din Bh! Beställning! A
FRI FRAKT!* Uppge erbjudandekod Fram- 20B136A knäppt vid din bh! beställning! A. * Max 1 gång/kund när du handlar för 300,-. Gäller t.om 2020.12.12. Kan ej kombineras med 299,- andra erbjudanden eller rabatter. 0,- Värde 399,- 3-PACK B. Från Max 1/order - så långt lagret räcker! 199,- C. Från 179,- Bra och prisvärda underkläder på www.ashild.se A. Framknäppt bh. Formsydd framnknäppt bh som sitter Plånbok och fantastiskt skönt och bekvämt. Brett ryggparti med korslagda sjal. band för bättre support. Fin spets fram. 90% polyamid, 20-0002 0,- 10% elastan. Tvätt 40°. 26-0474 vit B, C, D, E-kupa 75 - 115 cm 299,- B. Stretchtrosa. Spetsinfällning. Välsittande med mjuk resår i midja och benslut. 95% bomull, 5% elastan. Tvätt 60°. 26-0620 vit Stl. 38/40, 42/44 199,-/3-pack Stl. 46/48, 50/52 209,-/3-pack Stl. 54/56, 58/60 219,-/3-pack C Bh-topp. Skålad som en lättare bh. Mjuk micro-fiber utan sömmar ger utmärkt passform. Mycket behaglig. Snabbtorkande. 97% polyamid, 3% elastan. Fintvätt 40°. 26-0124 svart 26-0126 skin 26-0695 vit Stl. 38/40, 42/44 179,- Stl. 46/48, 50/52 189,- Stl. 54/56, 58/60 199,- Uppge kod 20B136A när du beställer! 033 - 41 80 00 www.ashild.se För att betala mot faktura, uppge personnummer. Aviavgift tillkommer med 19,-. I annat fall sänds ditt paket mot postförskott, f.n. 182,-. Lägsta ordervärde: 200,-. Frakt- och expeditionsavgift: 65,-. # 14 dagars returrätt. Fullständiga köpvillkor på www.ashild.se ART. NR STORL. ANTAL VARUSLAG FÄRG PRIS Namn: Frankeras ej Jag har handlat för 300,- och vill utnyttja mitt erbjudande Mottagaren betalar om FRI FRAKT på min order. -
UFA Film Nights Go Digital in Anniversary Year
PRESS RELEASE Bertelsmann and UFA present: UFA Film Nights Go Digital in Anniversary Year From August 20 to 22, 2020, legendary silent films with exclusive musical accompaniment can be experienced online “Woman in the Moon,” “People on Sunday,” and “The Adventures of Prince Achmed” each accessible free of charge for 24 hours Music contributed by celebrated DJ Jeff Mills, chillout pioneer Raphaël Marionneau and Ensemble Trioglyzerin Berlin, August 5, 2020 – In light of the current situation, the UFA Film Nights will for the first time take place exclusively online and not with thousands of guests on Berlin's Museum Island. So in its tenth year, the silent film festival is open not only to Berliners, but to movie buffs all over the world. From August 20 to 22, 2020, Bertelsmann and UFA will present the anniversary edition of the UFA Film Nights as part of the digital Culture@Bertelsmann series, featuring three early masterpieces of cinema history, each with exclusive musical accompaniment. The films will be live streamed on the company website as well as on Bertelsmann's YouTube and Facebook channels. The event’s curtain-raiser is Fritz Lang's epochal, technically visionary masterpiece Frau im Mond (Woman in the Moon) from 1929, with a musical interpretation by the celebrated DJ Jeff Mills. The pairing was a highlight of last year's UFA Film Nights. This will be followed on the second evening by Menschen am Sonntag (People on Sunday), the legendary homage to Berlin by Robert Siodmak, Edgar G. Ulmer, and Billie Wilder (1929/1930), with DJ Raphaël Marionneau supplying the music. -
FRAMES of REPRESENTATION Spectatorship Ica.Art/For20 27 November – #For20 13 December 2020
27 November – 13 December 2020 FRAMES of REPRESENTATION Spectatorship ica.art/FoR20 27 November – #FoR20 13 December 2020 FRAMES of REPRESENTATION Spectatorship FRAMES of REPRESENTATION embraces the cinema of the real, which lies at the intersection of fiction and non-fiction. We believe that the aesthetics, politics and ethics of the cinema of the real enables the depiction of individual lives and an engagement with contemporary sociopolitical struggles. Programme Friday 27 November, 6.30pm Panquiaco Saturday 28 November, 4.30pm Oroslan Saturday 28 November, 7pm The Earth Is Blue as an Orange Sunday 29 November, 4pm Immortal Sunday 29 November, 6.15pm Soviet Cycles: A Round-table Discussion on Spectatorship and Censorship Tuesday 1 December, 6.45pm La vida en común Wednesday 2 December, 6.45pm Piedra sola Thursday 3 December, 6.45pm Los conductos Friday 4 December, 6pm IWOW: I Walk on Water Saturday 5 December, 6pm FoR Shorts #1: Reynard (Raposa) + Seven Years in May (Sete anos em maio) + Tender (Tendre) Sunday 6 December, 6.15pm Un Film Dramatique Monday 7 December, 7pm Harlem – 125th Street / Lexington Avenue:Artist’s Talk with Khalik Allah Tuesday 8 December, 6.30pm A Storm Was Coming (Anunciaron tormenta) Wednesday 9 December, 6.30pm Endless Night (Longa noite) Thursday 10 December, 7pm From Tomorrow on, I Will (Chun nuan hua kai) Friday 11 December, 6.20pm The Cloud in Her Room (Ta fang jian li de yun) Saturday 12 December, 6.30pm FoR Shorts #2: Apiyemiyekî? + Aggregate States of Matters + Sun Dog Sunday 13 December, 6pm Air Conditioner -
Jahresbericht Annual Report INSIGHTS
EINBLICKE 2017 Jahresbericht Annual Report INSIGHTS DIE CHARITÉ | CHARITÉ Inhaltsverzeichnis Table of Contents Vorwort 4 Foreword 1. Die Charité 6 1. Charité W3-Berufungen 12 W3 Professorships BIH Johanna Quandt Professuren 14 BIH Johanna Quandt Professorships Leitungspersonalien 16 Management Appointments Organisationsstruktur 19 Organizational Structure Die Charité auf einen Blick 21 Charité at a Glance Übersicht der Kliniken und Institute 22 Overview of departments and institutes Zahlen und Fakten 28 Facts and Numbers 2. Klinik und Pflege 30 2. Our Hospital, Our Patients Zahlen und Fakten 40 Facts and Numbers 3. Wissenschaft und Forschung 42 3. Science and Research Ausgewählte Publikationen 2017 5 1 Selected Publications 2017 Zahlen und Fakten 58 Facts and Numbers Berliner Institut für 6 1 Berlin Institute of Health Gesundheitsforschung 4. Studium und Lehre 64 4. Teaching and Learning Zahlen und Fakten 70 Facts and Numbers 5. Soziale Charité 72 5. Social Responsibility 2017 in Zahlen 84 2017 in Numbers Impressum 90 Legal Notice 3 Der Vorstand der Charité: Prof. Dr. Ulrich Frei, Ärztlicher Direktor, Prof. Dr. Karl Max Einhäupl, Vorstandsvorsitzender, Astrid Lurati, Direktorin des Klinikums, Prof. Dr. Axel Radlach Pries, Dekan (v. l. n. r.) Charité‘s Executive Board: Prof. Dr. Ulrich Frei, Medical Director; Prof. Dr. Karl Max Einhäupl, Chief Executive Officer; Astrid Lurati, Hospital Director; Prof. Dr. Axel Radlach Pries, Dean (f. l. t. r.) Vorwort Foreword Spitzenberufungen, Forschungskooperationen und eine Top appointments, research collaborations, and an out- ausgezeichnete Krankenversorgung: Die Charité – Univer- standing medical care – 2017 proved an eventful and and sitätsmedizin Berlin und ihre konzernweit 17.500 Beschäf- an outstanding year, both for Charité – Universitätsmedizin tigten blicken auf ein ereignisreiches und erfolgreiches Jahr Berlin and for the 17,500 members of staff working across 2017 zurück. -
THE Austin Chronicle Into Them
FREE APRIL 3, 2020 VOL. 39 • NO. 31 BUT NOT CHEAP paint the town A Guide to Some of Austin’s Most Notable New Murals That You May Have Missed BY ROBERT FAIRES • P.22 Feeding Austin’s Homeless Regenerative Farming: Ackles and Padalecki on Andy Bianculli’s Star Parks During COVID-19 A Love Story 15 years of Supernatural During Dark Days P.16 P.28 P.32 P.37 APRIL 3, 2020 Austin Media Getting the Job Done VOL. 39, NO. 31 I’m not exactly one to grouse about nity relief efforts in Central Texas. Wherever “coastal elites” but it’s New York and Los you get your local news on Friday, you’re like- PUBLISHER Nick Barbaro Angeles papers writing these “the death ly to see a call for donations. If you can spare ASSOCIATE PUBLISHER Cassidy Frazier of local news is nigh” stories, and I for one some change, please consider donating. FREE 22 BUT NOT CHEAP EDITORIAL Cover Story APRIL 3, 2020 VOL. 39 • NO. 31 am pretty ticked off they keep roping The EDITOR Kimberley Jones MANAGING EDITOR James Renovitch CAN’T STOP THE Austin Chronicle into them. We’ve inten- Just a reminder: We’ve gone to a biweek- NEWS EDITOR Mike Clark-Madison MURALS A guide to tionally been transparent with our readers ly printing schedule during this stretch of ASSISTANT NEWS & QMMUNITY EDITOR Beth Sullivan some of Austin’s most ARTS Robert Faires notable new murals that about how we’re doing and what our strat- intense hunkering down at home. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.