Die Umsatzstärksten TV-Produktionsunternehmen in Deutschland Produktionsunternehmen TV- Beteiligungen (Auswahl) Formate Umsatz in Mio

Total Page:16

File Type:pdf, Size:1020Kb

Die Umsatzstärksten TV-Produktionsunternehmen in Deutschland Produktionsunternehmen TV- Beteiligungen (Auswahl) Formate Umsatz in Mio Die umsatzstärksten TV-Produktionsunternehmen in Deutschland Produktionsunternehmen TV- Beteiligungen (Auswahl) Formate Umsatz in Mio. EUR Gesellschafter1) Sender 1 UFA GmbH + - UFA Fiction GmbH Unter Uns (RTL), Gute Zeiten, schlechte Zeiten (RTL), k. A. (bisherige Alles was zählt (RTL), Deutschland 86 (Amazon), Schätzungen: ca. 300*) UFA Serial Drama GmbH - RTL Group S.A. - Kudamm 59 (ZDF), Charité (ARD), SOKO Leipzig (ZDF), - UFA Show & Factual GmbH Bella Block (ZDF), Ein starkes Team (ZDF), Deutschland sucht den Superstar (RTL), Das Supertalent (RTL), Bauer sucht Frau (RTL), Wer weiß denn sowas? (ARD), Zuhause im Glück (RTL 2) 2 Bavaria Film GmbH + - Bavaria Pictures GmbH (51%; Rest ZDF Enterprises) Tatort (ARD), Die Rosenheim-Cops (ZDF), SOKO 2016/2017: 223,8 Stuttgart (ZDF), Sturm der Liebe (ARD), Tierärztin Dr. - WDR Mediagroup GmbH - Bavaria Fiction GmbH (51 %; Rest ZDF Enterprises) (33,35%) Mertens (ARD), Polizeiruf 110 (ARD), In aller - Bavaria Film Interactive GmbH Freundschaft (ARD), Tigerentenclub (ARD), Schloss Bavaria Filmkunst GmbH - Einstein (KiKA), Inga Lindström- und Utta Danella-Filme (16,67 %) - Bavaria Entertainment GmbH (ZDF), Das Boot (Sky; Koproduktion mit Sky - MotionWorks GmbH (51 %) - LfA – Gesellschaft für Deutschland und Sonar Entertainment) Vermögensverwaltung mbH - ProSaar Medienproduktion GmbH (51 %) (16,67 %) - Satel Film GmbH (55 %) - SWR Media Services GmbH - Saxonia Media Filmproduktions GmbH (51 %; Rest (16,67 %) DREFA) - DREFA Media Holding GmbH (16,64 %) 3 Studio Hamburg GmbH + - Studio Hamburg Produktion Gruppe GmbH Lissabon-Krimi (ARD), Rote Rosen (ARD), Familie Dr. 2015: 147,9 Kleist (ARD), Traumschiff (ZDF), Tatort (ARD), - NDR Media GmbH - Cinecentrum Deutsche Gesellschaft für Film- und Großstadtrevier (ARD), Bad Banks (ZDF), Die Fernsehproduktion mbH Pfefferkörner (ARD), Die Kanzlei (ARD) - Polyphon Film- und Fernsehgesellschaft mbH (90 %) - Studio Hamburg Serienwerft GmbH - Letterbox Filmproduktion GmbH - Nordfilm GmbH - Real Film GmbH - Riverside Entertainment (51 %) - DocLights (51 %) - Ulmen Film GmbH (50 %) - Ulmen TV GmbH (50 %) - ECO Media TV-Produktion GmbH (50 %) - Amalia Film GmbH (75 %) 4 Constantin Film AG + - Constantin Television GmbH Kroatien-Krimi (ARD), Kommissarin Lucas (ZDF), Schuld 2016: 109,3 (TV- (ARD), Die Protokollantin (ZDF), Shopping Queen Auftragsproduktion) Constantin Film Produktion GmbH - Highlight Communications AG - (VOX), In Gefahr – ein verhängnisvoller Moment - Highlight Event and - Constantin Entertainment GmbH (SAT.1), Frauentausch (RTL2), Dampfnudelblues (ARD), Entertainment AG (44,71 %) - Constantin Pictures GmbH Dahoam is Dahoam (BR) - Stella Finanz AG (13,84 %) - Moovie – The Art of Entertainment GmbH - Axxion S.A. (9,89 %) - Olga Film GmbH (95,52 %) - Constantin Medien AG - Rat Pack Filmproduktion GmbH (51 %) (9,81 %) - Westside Filmproduktion GmbH (51 %) Streubesitz (21,75 %) - - Nadcon Film GmbH (51 %) 5 All3Media Deutschland (vormals + - filmpool entertainment Undercover Boss (RTL), Das große Backen (SAT.1), k. A. (2011:91*) MME Moviement AG) Let´s Dance (RTL), Köln 50667 (RTL2), Berlin Tag & - filmpool fiction - All3Media Ltd. (93,51 %) Nacht (RTL2), Naked Attraction (RTL 2), Auf Streife - tower productions (Gemeinschaftsunternehmen mit (SAT.1), Tatort (ARD), Polizeiruf 110 (ARD), Kommissar Gemeinschaftsunternehmen - BBC Worldwide) Dupin (ARD) von Discovery und Liberty Global 6 ZDF Enterprises GmbH + - Bavaria Fernsehproduktion GmbH (49%) Soko Hamburg (ZDF), Bettys Diagnose (ZDF), Die Chefin 2016: 88,45 (nur (ZDF), Helen Dorn (ZDF), Katie Fforde-Filme (ZDF), Solo Produktion) DocLights GmbH (49%) - ZDF Zweites Deutsches - für Weiß (ZDF), Terra X (ZDF), 37° (ZDF), Löwenzahn Fernsehen - Riverside Entertainment GmbH (49 %) (ZDF), Nord Nord Mord (ZDF), Stralsund (ZDF), Der - doc.station Medienproduktion GmbH Kommissar und das Meer (ZDF) - Network Movie Film- und Fernsehproduktionen GmbH & Co. KG - Studio.TV.Film GmbH (45%) - Gruppe 5 Filmproduktion GmbH (74,9%) 7 Beta Film GmbH + - Pergamon Film GmbH & Co. KG Babylon Berlin (Sky/ARD; in Koproduktion mit ARD 2016: 80,9 (Deutschland, Degeto, Sky, X Filme Creative Pool), Das Verschwinden Österreich und Schweiz) Good Friends Filmproduktions GmbH (85 %) - Jan Moijto (93,8 %) - (ARD), Ein Sommer auf Mallorca (ZDF), Keine zweite - Tinian Filmhandels GmbH (4,5 - Ariane Krampe Filmproduktion GmbH (74,9 %) Chance (SAT.1), Ella Schön (ZDF), Der Barcelona-Krimi %) - Bantry Bay Productions GmbH (57,5 %) (ARD), SOKO Potsdam (ZDF), Club der roten Bänder (VOX), Wache Köln-Ost (RTL), Fitness Diaries (sixx) - Eigenbesitz (1,7 %) - Rosebank AG (57,5 %) - Seapoint Productions GmbH & Co. KG (57,5 %) - Sommerhaus Filmproduktion GmbH (51 %) - Sperl Film + Fernsehproduktion GmbH (51 %) - Rowboat Film- und Fernsehproduktion GmbH (46 %) - Autentic GmbH (40 %) 8 ITV Studios Germany GmbH + (in GB) - Imago TV Film- und Fernsehproduktion GmbH (80 %) Ich bin ein Star – Holt mich hier raus! (RTL), Grill den 2015: 70,3 Profi (VOX), (Inland) - ITV plc. Das perfekte Promi Dinner (VOX), Gefragt – Gejagt (ARD), Love Island (RTl2), 4 Hochzeiten und eine Traumreise (VOX), Sing meinen Song (VOX), The Voice (ProSieben/SAT.1), Jerks (maxdome) 9 Endemol Shine Group Germany + - Meta productions GmbH (90%) Wer wird Millionär? (RTL), Late Night Berlin 2016: 68,9 GmbH (ProSieben), Kitchen Impossible (VOX), Vermisst (RTL), - Wiedemann & Berg Television Gmbh & Co. KG (51%) - Endemol Shine Group Bitte melde Dich (SAT.1), Promi Big Brother (SAT.1), - Herr P GmbH (51 %) Hot oder Schrott – die Allestester (VOX), Joko gegen - Gemeinschaftsunternehmen Florida TV (51 %) Klaas – Das Duell um die Welt (ProSieben), Dark von Twenty-First Century - (Netflix), Tannbach – Schicksal eines Dorfes (ZDF), Fox (künftig Disney) und - Endemol Shine Beyond Tatort (ARD), 4 Blocks (TNT Serie) Apollo Global Management LLC 10 Neue Deutsche Filmgesellschaft - Akzente Film- und Fernsehproduktion GmbH Der Bergdoktor (ZDF), Um Himmels Willen (ARD), Geschäftsjahr zum mbH Aktenzeichen XY ungelöst (ZDF), Morden im Norden 31.03.2016: 36,5 Claudia Sihler-Rosei, Hansjörg - ndf Entertainment GmbH (ARD), Die Bergretter (ZDF) Füting, Michael Baier und die - Securitel Film + Fernsehproduktions- und Familie des Firmengründers Verlagsgesellschaft mbH Wolf Schwarz - WunderWerk GmbH (Gemeinschaftsunternehmen mit der Beta Film GmbH) - Quellen: Unternehmensangaben, Bundesanzeiger, mit * gekennzeichnete Umsatzzahlen: Castendyk/Goldhammer, Produzentenstudie 2012, KEK 1) Beteiligungen ohne %-Angabe bezeichnen 100%ige bzw. geringfügig darunterliegende Beteiligungen (bezogen auf die angegebene Obergesellschaft) .
Recommended publications
  • Annual Report 2019
    Annual Report 2019 Advance Reading Copy Subject to Modification and Amendments At a Glance 2019 Key Figures (IFRS) in € millions 2019 2018 2017 2016 2015 Business Development Group revenues 18,023 17,673 17,190 16,950 17,141 Operating EBITDA 2,909 2,586 2,636 2,568 2,485 EBITDA margin in percent1) 16.1 14.6 15.3 15.2 14.5 Bertelsmann Value Added (BVA)2) 89 121 163 180 180 Group profit 1,091 1,104 1,198 1,137 1,108 Investments3) 1,270 1,434 1,103 1,240 1,259 Consolidated Balance Sheet Equity 10,445 9,838 9,127 9,895 9,434 Equity ratio in percent 38.2 38.8 38.5 41.6 41.2 Total assets 27,317 25,343 23,713 23,794 22,908 Net financial debt 3,364 3,932 3,479 2,625 2,765 Economic debt4) 6,511 6,619 6,213 5,913 5,609 Leverage factor 2.6 2.7 2.5 2.5 2.4 Dividends to Bertelsmann shareholders 180 180 180 180 180 Distribution on profit participation certificates 44 44 44 44 44 Employee profit sharing 96 116 105 105 95 As of January 1, 2019, the new financial reporting standard IFRS 16 Leases was applied for the first time. In accordance with the transitional provisions of IFRS 16, prior-year comparatives have not been adjusted. Further details are presented in the section “Impact of New Financial Reporting Standards.” The figures shown in the table are, in some cases, so-called Alternative Performance Measures (APM), which are neither defined nor described in IFRS.
    [Show full text]
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • German Films Quarterly 1/2021
    GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some­ thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri­ butions dealing with internationally controversial topics in the film industry.
    [Show full text]
  • UFA Film Nights Go Digital in Anniversary Year
    PRESS RELEASE Bertelsmann and UFA present: UFA Film Nights Go Digital in Anniversary Year From August 20 to 22, 2020, legendary silent films with exclusive musical accompaniment can be experienced online “Woman in the Moon,” “People on Sunday,” and “The Adventures of Prince Achmed” each accessible free of charge for 24 hours Music contributed by celebrated DJ Jeff Mills, chillout pioneer Raphaël Marionneau and Ensemble Trioglyzerin Berlin, August 5, 2020 – In light of the current situation, the UFA Film Nights will for the first time take place exclusively online and not with thousands of guests on Berlin's Museum Island. So in its tenth year, the silent film festival is open not only to Berliners, but to movie buffs all over the world. From August 20 to 22, 2020, Bertelsmann and UFA will present the anniversary edition of the UFA Film Nights as part of the digital Culture@Bertelsmann series, featuring three early masterpieces of cinema history, each with exclusive musical accompaniment. The films will be live streamed on the company website as well as on Bertelsmann's YouTube and Facebook channels. The event’s curtain-raiser is Fritz Lang's epochal, technically visionary masterpiece Frau im Mond (Woman in the Moon) from 1929, with a musical interpretation by the celebrated DJ Jeff Mills. The pairing was a highlight of last year's UFA Film Nights. This will be followed on the second evening by Menschen am Sonntag (People on Sunday), the legendary homage to Berlin by Robert Siodmak, Edgar G. Ulmer, and Billie Wilder (1929/1930), with DJ Raphaël Marionneau supplying the music.
    [Show full text]
  • Jahresbericht Annual Report INSIGHTS
    EINBLICKE 2017 Jahresbericht Annual Report INSIGHTS DIE CHARITÉ | CHARITÉ Inhaltsverzeichnis Table of Contents Vorwort 4 Foreword 1. Die Charité 6 1. Charité W3-Berufungen 12 W3 Professorships BIH Johanna Quandt Professuren 14 BIH Johanna Quandt Professorships Leitungspersonalien 16 Management Appointments Organisationsstruktur 19 Organizational Structure Die Charité auf einen Blick 21 Charité at a Glance Übersicht der Kliniken und Institute 22 Overview of departments and institutes Zahlen und Fakten 28 Facts and Numbers 2. Klinik und Pflege 30 2. Our Hospital, Our Patients Zahlen und Fakten 40 Facts and Numbers 3. Wissenschaft und Forschung 42 3. Science and Research Ausgewählte Publikationen 2017 5 1 Selected Publications 2017 Zahlen und Fakten 58 Facts and Numbers Berliner Institut für 6 1 Berlin Institute of Health Gesundheitsforschung 4. Studium und Lehre 64 4. Teaching and Learning Zahlen und Fakten 70 Facts and Numbers 5. Soziale Charité 72 5. Social Responsibility 2017 in Zahlen 84 2017 in Numbers Impressum 90 Legal Notice 3 Der Vorstand der Charité: Prof. Dr. Ulrich Frei, Ärztlicher Direktor, Prof. Dr. Karl Max Einhäupl, Vorstandsvorsitzender, Astrid Lurati, Direktorin des Klinikums, Prof. Dr. Axel Radlach Pries, Dekan (v. l. n. r.) Charité‘s Executive Board: Prof. Dr. Ulrich Frei, Medical Director; Prof. Dr. Karl Max Einhäupl, Chief Executive Officer; Astrid Lurati, Hospital Director; Prof. Dr. Axel Radlach Pries, Dean (f. l. t. r.) Vorwort Foreword Spitzenberufungen, Forschungskooperationen und eine Top appointments, research collaborations, and an out- ausgezeichnete Krankenversorgung: Die Charité – Univer- standing medical care – 2017 proved an eventful and and sitätsmedizin Berlin und ihre konzernweit 17.500 Beschäf- an outstanding year, both for Charité – Universitätsmedizin tigten blicken auf ein ereignisreiches und erfolgreiches Jahr Berlin and for the 17,500 members of staff working across 2017 zurück.
    [Show full text]
  • Bertelsmann and UFA Present 'Extended Version' of UFA Film Nights
    PRESS RELEASE Bertelsmann and UFA Present ‘Extended Version’ of UFA Film Nights • From 22 to 25 August, early masterpieces of cinema history as well as – for the first time – a contemporary UFA movie will be screened in the open air accompanied by live music • Premiere of the digitized version of the silent movie classics “Die Liebe der Jeanne Ney” (The Love of Jeanne Ney), “Metropolis,” and “Der letzte Mann” (The Last Laugh) with new score • Live musical accompaniment by Jeff Mills, the WDR Radio Orchestra, the Neues Kammerorchester Potsdam and Deutsche Oper Berlin’s UFA Brass • Maria Furtwängler, Tom Schilling, Katharina Wackernagel and Franz Dinda introduce the UFA Film Nights • Tickets now available Berlin, July 12, 2017 – Bertelsmann and UFA will present the UFA Film Nights in Berlin for the seventh time from August 22 to 25, 2017. This year, early masterpieces of cinema history as well as a contemporary box office hit from UFA – to mark the centenary of Germany’s leading film production company – will be screened in the open air against a spectacular backdrop and accompanied by live music. The UFA Film Nights have become a cinematic-musical highlight of Berlin’s cultural summer with a dedicated stage orchestra and big screen erected for the occasion in the Kolonnadenhof on Museum Island, a World Cultural Heritage site. The international media company Bertelsmann and UFA thus continue their tradition of presenting silent movie classics in a historic architectural setting. As in previous years, more than 800 guests are expected to attend each evening. Following a reception at Bertelsmann Unter den Linden 1, Berlin, the UFA Film Nights open on August 22nd with Georg Wilhelm Pabst's “Die Liebe der Jeanne Ney” (“The Love of Jeanne Ney”) an exciting melodrama set during the October Revolution.
    [Show full text]
  • Press Kit (PDF, 2,2
    UFA Film Nights 2019 1 Bertelsmann and UFA presents August 21 to 23, 2019 Kolonnadenhof on Museum Island Presented by UFA Film Nights 2019 2 Table of Contents Introduction 2 Program 3 The Movies EINE TOLLE NACHT – A CRAZY NIGHT (1926/27) 4 FRAU IM MOND – WOMAN IN THE MOON (1929) 5 MADAME DUBARRY (1919) 6 The Musicians 7 The Venue 10 About UFA 11 About Bertelsmann 12 Press Enquiries 13 Partners 14 UFA Film Nights 2019 3 Introduction Pure movie magic on Berlin’s Museum Island: Bertelsmann and UFA present the ninth UFA Film Nights from August 21 to 23, 2019. On three evenings, early masterpieces of cinema history will be screened in the open air, against a spectacular backdrop and accompanied by live music. The UFA Film Nights have become a cinematic-musical highlight of Berlin’s cultural summer, with a dedicated stage orchestra and big screen erected for the occasion in the Kolonnadenhof on Museum Island, a World Cultural Heritage site. Each evening, close to 1,000 guests will get to enjoy select cinematic art from the Weimar period, with live musical accompaniment and in a unique, historic architectural setting. Following a reception at Bertelsmann Unter den Linden 1, Berlin, the silent film festival begins on Wednesday, August 21, with Richard Oswald’s A CRAZY NIGHT (German: Eine tolle Nacht). The movie from 1926/27, long believed lost and re- discovered in the Gosfilmofond Russian state film archive, was digitally restored this year. It will now be screened for the first time in its revised version. Another premiere at the UFA Film Nights 2019 will be the new score by Frido ter Beek and the inter- nationally renowned Dutch pianist Maud Nelissen, commissioned by ZDF/ARTE.
    [Show full text]
  • Reforming Formats
    Speakers REFORMING FORMATS. 5 AND 6 DECEMBER 2013 KLAUS-DIETER ALTMEPPEN, CATHOLIC UNIVERSITY EICHSTÄTT-INGOLSTADT, GERMANY Klaus-Dieter Altmeppen, Prof. Dr., born 1963, is Professor at the School of Journalism at the Catholic University Eichstaett-Ingolstadt. Since 2010 he is chair of the German Communication Association (Deutsche Gesellschaft für Publizistik- und Kommunikationswissenschaft DGPuK). His research topics are: Responsibility communication, Journalism research, Media management, Media organisation and economy, Entertainment production and procurement. OLIVER CASTENDYK, POTSDAM UNIVERSITY AND GERMAN PRODUCER ALLIANCE, GERMANY Oliver Castendyk studied law, philosophy, and sociology at the universities of Bonn, Frankfurt and at the LSE and earned a doctoral degree (JD) in law. From 1991 to 1992 he worked for the KirchGroup before joining ProSieben Media AG as head of the legal department. Besides, he acted as executive director of Seven Pictures Production. From 2001 to 2009 he directed the Erich Pommer Institute for Media Law and Media Economy before accepting a five-year endowed professorship for public and private media law at Potsdam University. Today, he is guest professor at Potsdam University and lectures at the Bucerius Law School. He is editor of the journal Multimedia und Recht (MMR). As solicitor he advises actors in the fields of film production, broadcasting and press. In addition, he is the scientific director and head of the entertainment section of the German Producer Alliance - Film & Television. JEAN K. CHALABY, CITY UNIVERSITY LONDON, UK Jean K. Chalaby, Professor, is currently Head of Sociology at City University London. He is the author of The Invention of Journalism (1998), The de Gaulle Presidency and the Media (2002) and Transnational Television in Europe: Reconfiguring Global Communications Networks (2009), and has published extensively in leading journals on a wide range of media-related topics.
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Guillermo Del Toro
    Pag 01 OK.qxd 02/02/2018 14:19 PÆgina 1 EL CULTURAL1E. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 9-15 de febrero de 2018 www.elcultural.es Guillermo del Toro Andrés Neuman Eloy Fernández Porta “En el cine fantástico toda José Luis Gómez decisión es política” Eloy Sánchez Rosillo Abierto al público 23, 24 y 25 de 12 a 20 h Pag 03 ok.qxd 02/02/2018 18:52 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Los versos habitados de Jaime Siles arga el poeta con su abru- Hipnos, el dios del sueño, ne, pero no sabe, como Rubén mosna de la lenta luz de Grecia mador equipaje cultural hijo de Érebo y de Nix, dialoga en Lo fatal, adónde vamos ni de diluida. Avanza despacio por Cque impregna la estruc- con su hermano gemelo Thá- dónde venimos. Sí sabe que los senderos de la muerte y sus tura de sus versos todos. Se es- natos, símbolo de la muerte sin “somos somas porque somos palabras liminares se desan- cucha en ellos el galope de los violencia, el ser y no ser de Sha- signos, que somos signos por- gran porque la nada va guian- caballos, de almifores perdidos. kespeare, el ser para la nada, que somos más somas del lodo do sus pasos por la delgada luz Y se ilumina la palabra espu- el ser para la muerte de Sartre, de nosotros mismos”, borrados de los océanos hasta la línea ma con sudores de sal enamo- sobre la roca en la que revierten por la sed de los abismos mien- carmesí.
    [Show full text]
  • At Mipcom 2017
    ANIMATED, STUNNING, GLOBAL MAGIC SCREEN AT MIPCOM 2017 Global Screen GmbH Sonnenstr. 21|80331 Munich|Germany Ph +49 89 2441295 500|F +49 89 55876 19 106 [email protected]|www.globalscreen.de madness is the price for the truth DEMENTIA EACH EPISODE OFFERS A NEW SUSPECT; DEMENCIA A THRILLING WHODUNIT THAT KEEPS US Series | 10 x 45’ | Thriller | BluePrint Original Content/Azteca America | ON THE EDGE OF OUR SEAT. SPANISH (OV), ENG ST | HD Madness is the price for the truth. Mariana Sierra, a suspicious. The confusing words her grandmother Stylish looks and innovative storytelling. Each journalist based in Spain, returns to Mexico to visit said to her begin to make sense. From that point episode presents us with a new suspect. A Hilda, her dying grandmother, who has spent years on, driven by doubt, Mariana undertakes an inves- thrilling whodunit that keeps us on the edge of in a psychiatric hospital. During their encounter, her tigation trying to clear the questions she has about our seat. grandmother says disturbing things to Mariana she Hilda’s death … Mariana goes undercover in the doesn’t quite understand. Soon after, Hilda dies un- hospital where her grandmother died and risks her der conditions that her granddaughter considers own life – and her mind – to find out the truth. WINNER WINNER WINNER WINNER WINNER BEST CAST/SERIES BEST SERIES BEST ACTOR BEST ACTRESS BEST DIRECTOR GERMAN SCREEN GERMAN TV AWARDS GERMAN TV AWARDS BAMBI AWARD BAVARIAN TV AWARDS ACTORS AWARDS 2011 2011 2010 2014 2014 A BERLIN LOVE STORY “A cold war Romeo and Juliet … “The f rst TV show to truly ref ect the f rst authentic depiction of life in the life in the GDR” German Democratic Republic” The Observer The Guardian SEASON 4 THE WEISSENSEE SAGA “A COLD WAR ROMEO AND JULIET … WEISSENSEE THE FIRST AUTHENTIC DEPICTION OF LIFE IN THE Series | 24 x 48’ | Drama | Ziegler Film/ARD, Degeto, MDR | GERMAN DEMOCRATIC REPUBLIC” GER (OV), ENG ST | HD The Guardian 1990.
    [Show full text]
  • Annual Report 2015 Entertain. Inform. Engage
    Annual Report 2015 Entertain. Inform. Engage. Key fi gures SHARE PRICE PERFORMANCE 30/04/2013 – 31/12/2015* + 42.7 % )RTL GROUP + 54.5 % MDAX + 48.1 % DJ STOXX 600 INDEX = 100 * RTL Group shares have been listed in the Prime Standard of the Frankfurt Stock Exchange since 30 April 2013. RTL GROUP REVENUE SPLIT In 2015, TV advertising accounted for 49.4 per cent of RTL Group’s total revenue, making the Group one of the most diversified groups when it comes to revenue. Content represented 22 per cent of the total, while greater exposure to fast-growing digital revenue streams and higher margin platform revenue will further improve the mix. 11.8 % OTHER 8.4 % DIGITAL 49.4 % TV ADVERTISING 22.0 % CONTENT 4.1 % PLATFORM REVENUE 4.3 % RADIO ADVERTISING Key fi gures REVENUE 2011 – 2015 (€ million) EBITA 2011 – 2015 (€ million) 15 6,029 15 1,167 14 5,808 14 1,144* 13 5,824* 13 1,148** 12 5,998 12 1,078 11 5,765 11 1,134 * Restated for IFRS 11 * Restated for changes in purchase price allocation ** Restated for IFRS 11 NET PROFIT ATTRIBUTABLE TO RTL GROUP SHAREHOLDERS 2011 – 2015 (€ million) EQUITY 2011 – 2015 (€ million) 15 789 15 3,409 14 652* 14 3,275* 13 870 13 3,593 12 597 12 4,858 11 696 11 5,093 * Restated for changes in purchase price allocation * Restated for changes in purchase price allocation TOTAL DIVIDEND/ MARKET CAPITALISATION* 2011 – 2015 (€ billion) DIVIDEND YIELD PER SHARE 2011 – 2015 (€ )(%) 15 11.9 15 4.00* 4.9 14 12.2 14 5.50** 6.8 13 14.4 13 7.00*** 10.0 12 11.7 12 10.50 13.9 11 11.9 11 5.10 6.6 * As of 31 December * Including
    [Show full text]