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Annual Report 2019
Annual Report 2019 Advance Reading Copy Subject to Modification and Amendments At a Glance 2019 Key Figures (IFRS) in € millions 2019 2018 2017 2016 2015 Business Development Group revenues 18,023 17,673 17,190 16,950 17,141 Operating EBITDA 2,909 2,586 2,636 2,568 2,485 EBITDA margin in percent1) 16.1 14.6 15.3 15.2 14.5 Bertelsmann Value Added (BVA)2) 89 121 163 180 180 Group profit 1,091 1,104 1,198 1,137 1,108 Investments3) 1,270 1,434 1,103 1,240 1,259 Consolidated Balance Sheet Equity 10,445 9,838 9,127 9,895 9,434 Equity ratio in percent 38.2 38.8 38.5 41.6 41.2 Total assets 27,317 25,343 23,713 23,794 22,908 Net financial debt 3,364 3,932 3,479 2,625 2,765 Economic debt4) 6,511 6,619 6,213 5,913 5,609 Leverage factor 2.6 2.7 2.5 2.5 2.4 Dividends to Bertelsmann shareholders 180 180 180 180 180 Distribution on profit participation certificates 44 44 44 44 44 Employee profit sharing 96 116 105 105 95 As of January 1, 2019, the new financial reporting standard IFRS 16 Leases was applied for the first time. In accordance with the transitional provisions of IFRS 16, prior-year comparatives have not been adjusted. Further details are presented in the section “Impact of New Financial Reporting Standards.” The figures shown in the table are, in some cases, so-called Alternative Performance Measures (APM), which are neither defined nor described in IFRS. -
German Films Quarterly 1/2021
GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri butions dealing with internationally controversial topics in the film industry. -
UFA Film Nights Go Digital in Anniversary Year
PRESS RELEASE Bertelsmann and UFA present: UFA Film Nights Go Digital in Anniversary Year From August 20 to 22, 2020, legendary silent films with exclusive musical accompaniment can be experienced online “Woman in the Moon,” “People on Sunday,” and “The Adventures of Prince Achmed” each accessible free of charge for 24 hours Music contributed by celebrated DJ Jeff Mills, chillout pioneer Raphaël Marionneau and Ensemble Trioglyzerin Berlin, August 5, 2020 – In light of the current situation, the UFA Film Nights will for the first time take place exclusively online and not with thousands of guests on Berlin's Museum Island. So in its tenth year, the silent film festival is open not only to Berliners, but to movie buffs all over the world. From August 20 to 22, 2020, Bertelsmann and UFA will present the anniversary edition of the UFA Film Nights as part of the digital Culture@Bertelsmann series, featuring three early masterpieces of cinema history, each with exclusive musical accompaniment. The films will be live streamed on the company website as well as on Bertelsmann's YouTube and Facebook channels. The event’s curtain-raiser is Fritz Lang's epochal, technically visionary masterpiece Frau im Mond (Woman in the Moon) from 1929, with a musical interpretation by the celebrated DJ Jeff Mills. The pairing was a highlight of last year's UFA Film Nights. This will be followed on the second evening by Menschen am Sonntag (People on Sunday), the legendary homage to Berlin by Robert Siodmak, Edgar G. Ulmer, and Billie Wilder (1929/1930), with DJ Raphaël Marionneau supplying the music. -
Jahresbericht Annual Report INSIGHTS
EINBLICKE 2017 Jahresbericht Annual Report INSIGHTS DIE CHARITÉ | CHARITÉ Inhaltsverzeichnis Table of Contents Vorwort 4 Foreword 1. Die Charité 6 1. Charité W3-Berufungen 12 W3 Professorships BIH Johanna Quandt Professuren 14 BIH Johanna Quandt Professorships Leitungspersonalien 16 Management Appointments Organisationsstruktur 19 Organizational Structure Die Charité auf einen Blick 21 Charité at a Glance Übersicht der Kliniken und Institute 22 Overview of departments and institutes Zahlen und Fakten 28 Facts and Numbers 2. Klinik und Pflege 30 2. Our Hospital, Our Patients Zahlen und Fakten 40 Facts and Numbers 3. Wissenschaft und Forschung 42 3. Science and Research Ausgewählte Publikationen 2017 5 1 Selected Publications 2017 Zahlen und Fakten 58 Facts and Numbers Berliner Institut für 6 1 Berlin Institute of Health Gesundheitsforschung 4. Studium und Lehre 64 4. Teaching and Learning Zahlen und Fakten 70 Facts and Numbers 5. Soziale Charité 72 5. Social Responsibility 2017 in Zahlen 84 2017 in Numbers Impressum 90 Legal Notice 3 Der Vorstand der Charité: Prof. Dr. Ulrich Frei, Ärztlicher Direktor, Prof. Dr. Karl Max Einhäupl, Vorstandsvorsitzender, Astrid Lurati, Direktorin des Klinikums, Prof. Dr. Axel Radlach Pries, Dekan (v. l. n. r.) Charité‘s Executive Board: Prof. Dr. Ulrich Frei, Medical Director; Prof. Dr. Karl Max Einhäupl, Chief Executive Officer; Astrid Lurati, Hospital Director; Prof. Dr. Axel Radlach Pries, Dean (f. l. t. r.) Vorwort Foreword Spitzenberufungen, Forschungskooperationen und eine Top appointments, research collaborations, and an out- ausgezeichnete Krankenversorgung: Die Charité – Univer- standing medical care – 2017 proved an eventful and and sitätsmedizin Berlin und ihre konzernweit 17.500 Beschäf- an outstanding year, both for Charité – Universitätsmedizin tigten blicken auf ein ereignisreiches und erfolgreiches Jahr Berlin and for the 17,500 members of staff working across 2017 zurück. -
Book Adaptation Rights Market Venice 3—5.09.2021
BOOK ADAPTATION RIGHTS MARKET VENICE 3—5.09.2021 BOOK ADAPTATION RIGHTS MARKET 3—5.09.2021 LABIENNALE.ORG VENICEPRODUCTIONBRIDGE.ORG 78. Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia La Biennale di Venezia Director General and its collaborators for Andrea Del Mercato Book Adaptation Rights Market Allegra Bell Artistic Director Erika Giorgianni of the Cinema Department Mariachiara Manci Alberto Barbera Chiara Marin Alessandro Mezzalira Venice Production Bridge Nikolas Montaldi Pascal Diot Savina Neirotti [email protected] labiennale.org veniceproductionbridge.org Main Broadcaster Thanks to Db Logic S.r.l. Festival Scope Book Adaptation Rights Market for 2021 has been edited using the information assembled by July 9th, 2021. The Venice Production Bridge may not be held responsible for possible errors. The 6th edition of the Book Adaptation Rights Market, which will take place within the context of the 78th Venice International Film Festival, confirms the increasing success of this initiative dedicated to publishers, as well as to producers. The Book Adaptation Rights Market will take place both on-site and online for the ones who cannot attend. We are thus welcoming for the first time the publishers and literary agents: Editis (France), Grandi e Associati (Italy) and Tunué (Italy) who will join our faithful publishers and agents from France, Germany, Italy, Norway, Spain, Switzerland, The Netherlands. The following famous films and TV series have been adapted from some of their most successful titles: Patria and Palm Trees in the Snow (Editorial Planeta), The Shape of Water, The Orphanage and Narcisuss and Goldmund (Suhrkamp Verlag), The Book Thief and The Girl on the Train (Sperling & Kupfer - Piemme - Mondadori Ragazzi), Romanzo Criminale and Siberian Education (Giulio Einaudi Editore), Wrinkles and The Lost Thing (Tunué), Mother’s Instinct and Time is a Killer (Editis), Gomorra and The Solitude of Prime Numbers (Mondadori Libri), The Shallows of Kabul and Papillon (Robert Laffont). -
Die Umsatzstärksten TV-Produktionsunternehmen in Deutschland Produktionsunternehmen TV- Beteiligungen (Auswahl) Formate Umsatz in Mio
Die umsatzstärksten TV-Produktionsunternehmen in Deutschland Produktionsunternehmen TV- Beteiligungen (Auswahl) Formate Umsatz in Mio. EUR Gesellschafter1) Sender 1 UFA GmbH + - UFA Fiction GmbH Unter Uns (RTL), Gute Zeiten, schlechte Zeiten (RTL), k. A. (bisherige Alles was zählt (RTL), Deutschland 86 (Amazon), Schätzungen: ca. 300*) UFA Serial Drama GmbH - RTL Group S.A. - Kudamm 59 (ZDF), Charité (ARD), SOKO Leipzig (ZDF), - UFA Show & Factual GmbH Bella Block (ZDF), Ein starkes Team (ZDF), Deutschland sucht den Superstar (RTL), Das Supertalent (RTL), Bauer sucht Frau (RTL), Wer weiß denn sowas? (ARD), Zuhause im Glück (RTL 2) 2 Bavaria Film GmbH + - Bavaria Pictures GmbH (51%; Rest ZDF Enterprises) Tatort (ARD), Die Rosenheim-Cops (ZDF), SOKO 2016/2017: 223,8 Stuttgart (ZDF), Sturm der Liebe (ARD), Tierärztin Dr. - WDR Mediagroup GmbH - Bavaria Fiction GmbH (51 %; Rest ZDF Enterprises) (33,35%) Mertens (ARD), Polizeiruf 110 (ARD), In aller - Bavaria Film Interactive GmbH Freundschaft (ARD), Tigerentenclub (ARD), Schloss Bavaria Filmkunst GmbH - Einstein (KiKA), Inga Lindström- und Utta Danella-Filme (16,67 %) - Bavaria Entertainment GmbH (ZDF), Das Boot (Sky; Koproduktion mit Sky - MotionWorks GmbH (51 %) - LfA – Gesellschaft für Deutschland und Sonar Entertainment) Vermögensverwaltung mbH - ProSaar Medienproduktion GmbH (51 %) (16,67 %) - Satel Film GmbH (55 %) - SWR Media Services GmbH - Saxonia Media Filmproduktions GmbH (51 %; Rest (16,67 %) DREFA) - DREFA Media Holding GmbH (16,64 %) 3 Studio Hamburg GmbH + - Studio Hamburg Produktion -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Quarterly 4 · 2004
German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian -
Guillermo Del Toro
Pag 01 OK.qxd 02/02/2018 14:19 PÆgina 1 EL CULTURAL1E. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 9-15 de febrero de 2018 www.elcultural.es Guillermo del Toro Andrés Neuman Eloy Fernández Porta “En el cine fantástico toda José Luis Gómez decisión es política” Eloy Sánchez Rosillo Abierto al público 23, 24 y 25 de 12 a 20 h Pag 03 ok.qxd 02/02/2018 18:52 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Los versos habitados de Jaime Siles arga el poeta con su abru- Hipnos, el dios del sueño, ne, pero no sabe, como Rubén mosna de la lenta luz de Grecia mador equipaje cultural hijo de Érebo y de Nix, dialoga en Lo fatal, adónde vamos ni de diluida. Avanza despacio por Cque impregna la estruc- con su hermano gemelo Thá- dónde venimos. Sí sabe que los senderos de la muerte y sus tura de sus versos todos. Se es- natos, símbolo de la muerte sin “somos somas porque somos palabras liminares se desan- cucha en ellos el galope de los violencia, el ser y no ser de Sha- signos, que somos signos por- gran porque la nada va guian- caballos, de almifores perdidos. kespeare, el ser para la nada, que somos más somas del lodo do sus pasos por la delgada luz Y se ilumina la palabra espu- el ser para la muerte de Sartre, de nosotros mismos”, borrados de los océanos hasta la línea ma con sudores de sal enamo- sobre la roca en la que revierten por la sed de los abismos mien- carmesí. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
Annual Report 2015 Entertain. Inform. Engage
Annual Report 2015 Entertain. Inform. Engage. Key fi gures SHARE PRICE PERFORMANCE 30/04/2013 – 31/12/2015* + 42.7 % )RTL GROUP + 54.5 % MDAX + 48.1 % DJ STOXX 600 INDEX = 100 * RTL Group shares have been listed in the Prime Standard of the Frankfurt Stock Exchange since 30 April 2013. RTL GROUP REVENUE SPLIT In 2015, TV advertising accounted for 49.4 per cent of RTL Group’s total revenue, making the Group one of the most diversified groups when it comes to revenue. Content represented 22 per cent of the total, while greater exposure to fast-growing digital revenue streams and higher margin platform revenue will further improve the mix. 11.8 % OTHER 8.4 % DIGITAL 49.4 % TV ADVERTISING 22.0 % CONTENT 4.1 % PLATFORM REVENUE 4.3 % RADIO ADVERTISING Key fi gures REVENUE 2011 – 2015 (€ million) EBITA 2011 – 2015 (€ million) 15 6,029 15 1,167 14 5,808 14 1,144* 13 5,824* 13 1,148** 12 5,998 12 1,078 11 5,765 11 1,134 * Restated for IFRS 11 * Restated for changes in purchase price allocation ** Restated for IFRS 11 NET PROFIT ATTRIBUTABLE TO RTL GROUP SHAREHOLDERS 2011 – 2015 (€ million) EQUITY 2011 – 2015 (€ million) 15 789 15 3,409 14 652* 14 3,275* 13 870 13 3,593 12 597 12 4,858 11 696 11 5,093 * Restated for changes in purchase price allocation * Restated for changes in purchase price allocation TOTAL DIVIDEND/ MARKET CAPITALISATION* 2011 – 2015 (€ billion) DIVIDEND YIELD PER SHARE 2011 – 2015 (€ )(%) 15 11.9 15 4.00* 4.9 14 12.2 14 5.50** 6.8 13 14.4 13 7.00*** 10.0 12 11.7 12 10.50 13.9 11 11.9 11 5.10 6.6 * As of 31 December * Including -
TV Online Radio Print Musik
Medienaktivitäten der Bertelsmann SE & Co. KGaA in Deutschland TV RTL Group Online RTL Group/Gruner+Jahr Radio RTL Group Print Gruner+Jahr/Bertelsmann Programme . über 40 Angebote der Mediengruppe RTL . RTL Radio (bundesweit) Zeitungen . Free-TV Deutschland, u. a.: . 104,6 RTL . Sächsische Zeitung (60 %) • RTL Television • Online-Auftritte der RTL-TV- . 105.5 Spreeradio . Morgenpost Sachsen (60 %) • RTL NITRO Programme . the wave - relaxing radio • VOX (RTL.de, RTLNITRO.de, VOX.de, Zeitschriften • . HITRADIO RTL Sachsen (86 %) n-tv n-tv.de, Toggo.de (SUPER RTL), • Art • Living at Home • SUPER RTL (50 %) RTL2.de) . 89,0 RTL (57 %) • Beef! • National Geographic • RTL II (35,9 %) . Radio Brocken (57 %) • Brigitte • neon • • TV NOW (Livestream und Abruf der TOGGO plus (50 %; geplant) • Brigitte (Mom, • Nido • Programme RTL, VOX, n-tv, RTL NITRO, . Radio Leipzig 91,3 RTL plus (geplant9 Woman, Wir) • P.M.-Hefte SUPER RTL und RTLII) (55 % über RTL Sachsen) . • Business Punk • Schöner Wohnen Pay-TV . Antenne Niedersachsen (49,9 %) • Video-on-Demand-Angebote • Capital • Spiegel (25,25 %) • RTL Crime (clipfish.de, RTL Next) . Sachsen-Funkpaket • Chefkoch Magazin • Stern (crime, gesund • RTL Living (55 % über RTL Sachsen) • Couch leben) • RTL Passion • Communities, Information . Radio Hamburg (29,2 %) • Deli • View • GEO Television (GZSZ.de, frauenzimmer.de, • Dogs • viva! • auto motor und sport channel elementgirls.de, kochbar.de, VIP.de, . radio NRW (16,1 %) • Eltern • Wunderwelt Wissen (Mehrheitsbeteiligung) wetter.de, sport.de) . Antenne Bayern (16 %) • Eltern Family • 11 Freunde (51 %) . Regionalfenster . Online-Auftritte der RTL- . Rock Antenne (16 %) • essen und trinken • Titel des Motor-Presse- • RTL Nord (HH, SH, NI, HB) Radioprogramme .